Tag Archives: Jeff Daniels

LA Stage Times: “Cyrano” in 2012 Los Angeles — Not His Nose, But His Hands

by Julio Martinez

Fountain Theatre’s Stephen Sachs (co-artistic director) and Simon Levy (producing director) are zeroing in on the premiere Saturday of the Fountain’s latest collaboration with Deaf West Theatre — a re-imagined, signed/spoken word adaptation of Cyrano de Bergerac, scripted by Sachs, helmed by Levy.

The Fountain has a long history with Deaf West, so Sachs and Levy are not exploring totally new territory. But they are quick to make clear that this production is not just a straightforward ASL translation of Edmond Rostand’s 1897 rhymed-verse chronicle of the 17th century duelist and poet with an oversized proboscis.

Simon Levy

“First of all, Stephen has set this in modern times in LA, where people communicate through all sorts of electronic gadgets, on Facebook and Twitter,” explains Levy. “This production uses spoken word, ASL and e-language. This provides for myriad possibilities but also a whole lot of complications.”

“In the original, Cyrano’s barrier is his enormous nose and his perceived ugliness,” Sachs elaborates. “In this new version, it’s Cyrano’s deafness. He is a brilliant deaf poet, who signs magnificently. But he is not fully able to express his love for a hearing woman because she does not know sign language. So, while Rostand’s Cyrano was a man of his nose, this is a man of his hands.

“This is also the journey of a man who is at once proud of his deafness and of his hands, which is how he speaks; but he is also at war with himself, as any great tragic hero is, in terms of his pride. In this case, one of the major parts of his journey is to find a kind of peace with that, within and outside his deaf community. Like the original Cyrano, who stands alone, distant from his comrades in arms, our Cyrano stands alone within his deaf community and that gets him into trouble.”

“He also is at odds along the way with insensitive hearing people,” adds Levy.

“But at the end, he is able to make peace and find forgiveness within himself, his community and the outer world,” continues Sachs.

Stephen Sachs

The histories of Fountain Theatre and Deaf West have been entwined for 21 years, when Sachs and co-artistic director Deborah Lawlor provided office space to Ed Waterstreet, an actor with National Theatre of the Deaf, who envisioned founding a theater company for deaf actors in LA, which became Deaf West. The Fountain was the site of Deaf West’s first productions The Gin Game (1991), One Flew Over the Cuckoo’s Nest (1991) and Shirley Valentine (1992).

In 1993, Deaf West moved to the first of its own facilities, on Heliotrope Drive (in what is now Sacred Fools Theater). But Sachs, who already had a history of conducting workshops with deaf actors for a number of years, continued his commitment by writing Sweet Nothing in My Ear (1997) for a Fountain production and Open Window (2005) for a Deaf West/Pasadena Playhouse collaboration at the playhouse. Both of these incorporated deaf culture and illuminated the deaf world.

Cyrano is a project that has been percolating in the years since Deaf West settled in its later NoHo home (which recently has been used primarily by Antaeus Company and is currently rented for the production of The Bridge Club).

Sachs recalls, “About nine years ago, Deaf West had the idea of doing a musical version of Cyrano. It was just after they had a huge success adapting the musical, Big River (2001-02). I remember reading about it at the time and thought it was a great idea.

Troy Kotsur and Paul Raci

“Then, just a couple of years ago, Ed called me, wanting me to write a new play for Deaf West. We kicked around some ideas and then I asked about his plans for Cyrano. Ed said it was an idea that never came to fruition. Well, I told him I would love to do that, but I wanted to turn it into a play and have it be about Cyrano’s hands, not his nose, making it about his deafness and language. And that’s how this project came about.”

Levy adds, “Part of the journey in mounting this production has been the marriage of these three languages. This is a new world we live in with e-language and how important that language is to both the hearing and the deaf communities. That has created some interesting dilemmas in the staging. There are a lot of things we haven’t anticipated that we discovered in process of doing it. For instance, how do you relate text messages among the characters to an audience? We had a lot of wonderful ideas that we had to figure out how to actualize, none of which we could anticipate until we got into them.”

At the center of the action is actor Troy Kotsur, whose performance history with Deaf West includes Big River, Pippin, A Streetcar Named Desire and Of Mice and Men. “Troy is a wonderfully gifted and inventive actor who is a joy to watch as he has been creating this role,” affirms Levy. “So much of the creation of the ASL translation is intense, hard work. Part of it is done in advance with script work and an ASL translator. But a majority of it is done in rehearsal with the actor improvising different ways to sign a certain line or phrase. When you have someone as skilled as Troy doing it, it is an amazing experience to watch. And a wonderful actor, Victor Warren, provides Cyrano’s voice when needed.”

Complementing Kotsur in principal roles are Erinn Anova as the much-adored Roxy and Paul Raci as Chris, the handsome signing/speaking brother of Cyrano, with whom Roxy is smitten. Levy admits to being very aware that communicating with this cast has been a whole new learning curve for him.

“This is my first time staging a spoken word/ASL signed production. I’ve produced several speaking/ASL shows here at the Fountain, but this is a new experience.  I could not do this at all without the immense contribution of the ASL interpreters [Elizabeth Greene and Jennifer Snipstad Vega]. A director has to be able to communicate with his actors and make sure everything is communicated correctly to the audience. I just can’t get up there and start talking about ‘feeling it’ and the actors’ ‘motivation.’ This has been a whole new adventure in using all the elements of communication possible to make sure everyone and everything involved in this is moving in the same direction.”

Sachs just smiles benignly at his cohort. “You’re doing just fine.”

Troy Kotsur and Erinn Anova

Cyrano April 28 – June 10  (323) 663-1525  More Info   Buy Tickets

Fountain Theatre and Deaf West: What Dreams Are Made On

In 1990, Stephen Sachs and Ed Waterstreet shared a dream. Stephen had just launched the Fountain Theatre with Deborah Lawlor. He had worked sporadically with deaf actors and writers in Los Angeles for five years prior and was now eager to start a deaf theatre company at the newly-formed Fountain. Ed was a respected actor and director trained at the National Theatre for the Deaf. He, too, was yearning to create something new in Los Angeles: a professional deaf theatre company led and run by deaf artists. Someone suggested that Stephen and Ed meet. Upon meeting, it was clear they were both united by the same exhilarating vision. Ed was immediately invited into the Fountain Family. He was given office space and support. And Deaf West was born. The first professional resident Sign Language Theatre west of the Mississippi.

Ed Waterstreet with actors Patrick Graybill and Phyllis Frelich. "The Gin Game" (1991)

By May, 1991, Deaf West opened its first production at the Fountain, The Gin Game, starring Phyllis Frelich and Patrick Graybill. It was followed by Shirley Valentine in 1992, starring Freda Norman and directed by Waterstreet. In 1993, Sachs directed One Flew Over the Cuckoo’s Nest in which the hospital staff was hearing and the patients deaf.

It was always the goal that Deaf West would become autonomous and operate its own venue. In 1993, Deaf West “left home” and leased the Heliotrope Theatre in Hollywood where Sachs directed ‘Night Mother, costarring Freda Norman and Elena Blue in 1994. Under Ed’s leadership, Deaf West blossomed and grew. Back at the Fountain, the development of new plays with deaf themes continued with the world premiere of Sachs’ Sweet Nothing in my Ear in 1997, tackling the controversial issue of cochlear implants. The play was made into a CBS TV movie in 2008 starring Marlee Matlin, Jeff Daniels, and featuring Ed Waterstreet.

Stephen Sachs directs "One Flew Over the Cuckoo's Nest" (1993)

After a brief stay at the Ventura Court theater in North Hollywood, Deaf West acquired its venue on Lankershim Blvd in the NoHo Arts District. Deaf West and Sachs joined forces again in 2005 with the world premiere of Sachs’ play, Open Window, starring Linda Bove and Shoshannah Stern, at the Pasadena Playhouse.

The Fountain Theatre and Deaf West Theatre are now two of the most successful and highly respected intimate theater companies in Los Angeles, both honored with hundreds of awards and earning national recognition for excellence. Twenty-two years after first joining hands, the two companies are together again co-producing the world premiere of their new signed/spoken version of Cyrano, starring Troy Kotsur, at the Fountain Theatre.  Back where it all began. Where a dream became reality. 

Cyrano  April 28 – June 10  (323) 663-1525  More Info  Buy Tickets

BroadwayWorld: Fountain and Deaf West Theaters present Premiere of Signed “Cyrano”

Paul Raci (Chris), Erinn Anova (Roxy), and Troy Kotsur (Cyrano).

The Fountain Theatre and Deaf West Theatre present the world premiere of a modern day classic romance, a re-imagined signed/spoken version of “Cyrano de Bergerac.” CYRANO, written by Fountain Theatre co-artistic director Stephen Sachs (Bakersfield Mist) and directed by Simon Levy, opens at The Fountain Theatre on April 28, with previews beginning April 20.

In Sachs’ new adaptation, Cyrano is a deaf poet hopelessly in love with Roxy, a beautiful hearing woman. But she doesn’t understand sign language and instead loves Chris, his hearing brother. Can Cyrano express his love to Roxy with his hands? Or must he teach Chris to woo her, to “speak his words” for him? ASL (American Sign Language) becomes the language of love in this new spin on a classic love story.

Troy Kotsur (Cyrano).

“In the original classic, Cyrano feels self-conscious and over-glorifies his enormous nose, but in this modern deaf version, it’s his hands that are the focus,” explains Sachs. “Cyrano’s deafness is channeled through his hands, which swirl and soar to express the most complex human concepts, his inner-most thoughts and feelings, through the beauty of sign language.”

“It’s a mythic story about our hunger for love, the pangs for it,” says Levy. “But the deeper theme is how we communicate with one another. Stephen has written a beautiful adaptation that’s contemporary and fresh, set in a modern city where people communicate via text, Facebook and Twitter. It’s a world of iPhones, Blackberries and tablets. The production marries three forms of communication: ASL, English, and e-language.”

American Sign Language is not English, but a unique language unto itself with its own syntax, sentence structure, slang, humor, subtlety and complexity. It’s the job of ASL masters Tyrone Giordano and Shoshannah Stern to work with the deaf actors to translate the script into ASL, and director Simon Levy works with ASL interpreters in rehearsals. Fight choreographers Brian Danner and Abby Walla must not only create a fight scene between actors Troy Kotsur (Cyrano) and James Royce Edwards, but incorporate the simultaneous sign language with the help of Giordano, Stern and Levy.

A new project such as this has attracted deaf actors from all over the world. Six of the 13-member ensemble are deaf, and many of them have traveled great distances to make their Los Angeles debuts in Cyrano. Auditions were completed using Skype and video submissions.

“Deaf West is the only established theater company in the U.S. that regularly stages new works featuring deaf actors,” notes newly appointed Deaf West Theatre artistic director David Kurs. “Deaf actors from all over the country and the world were anxious to participate.”

Troy Kotsur is Cyrano.

Troy Kotsur (Cyrano), a veteran of Deaf West Theatre (Big River, Pippin, A Streetcar Named Desire, Of Mice and Men), traveled to Los Angeles from his current home in Arizona; Daniel Durant majored in theater at Gallaudet University and comes to L.A. from Maryland; Eddie Buck, who has acted in productions ranging from A Christmas Carol to Romeo and Juliet to Hamlet, joins the cast from Pennsylvania; Maleni Chaitoo (Switched at Birth) recently arrived from New York; and stage, film and TV actress Ipek D. Mehlum comes all the way from Oslo, Norway. Completing the deaf cast is Los Angeles-based actor Bob Hiltermann, who appeared in the Academy Award winning film version of Children of a Lesser God and recurred on All My Children. The cast also includes hearing actors Erinn Anova (Blues For An Alabama Sky, For Colored Girls…, Doubt) as Roxy and Paul Raci (Joseph Jefferson “Best Actor” nomination for Children of a Lesser God in Chicago) as Cyrano’s brother Chris. Hearing ensemble members Al Bernstein, James Babbin, James Royce Edwards, Victor Warren, and Martica De Cardenas also “voice” for the deaf actors.

The set designer for Cyrano is Jeff McLaughlin; lighting designer is Jeremy Pivnick; sound designer is Peter Bayne; video designer is Jeff Teeter; multimedia tech is by Media Fabricators, Inc.; costume designer is Naila Aladdin Sanders; prop designer is Misty Carlisle; fight choreographers are Brian Danner and Abby Walla; production stage manager is Sue Karutz; assistant stage manager is Terri RobertsLaura Hill and Deborah Lawlor produce for The Fountain Theatre, and David Kurs produces for Deaf West Theatre. Cyrano is funded in part by a grant from the National Endowment for the Arts.

Paul Raci (Chris) and Troy Kotsur (Cyrano).

The relationship between The Fountain Theatre and Deaf West Theatre dates back 21 years to the early beginnings of both companies. Excited by the visual theatricality of ASL, Stephen Sachs had already been conducting workshops with deaf actors for a number of years. He and Fountain co-artistic director Deborah Lawlor offered office space in their newly founded theater facility to Ed Waterstreet, an actor with National Theatre of the Deaf who envisioned starting a theater company for deaf actors in Los Angeles. Deaf West Theatre produced its first two productions, The Gin Game and One Flew Over the Cuckoo’s Nest (the latter directed by Sachs) in the Fountain space. Deaf West Theatre went on to produce 40 plays and four musicals in their own venue and around the country, including the Tony-nominated Big River on Broadway, and to win more than 80 theater awards. The Fountain Theatre is one of the most successful intimate theaters in Los Angeles with over 200 awards for all areas of production, performance, and design. Fountain projects have been seen in New York, Chicago, San Francisco, Seattle, Florida, New Jersey, Minneapolis and Edinburgh.

Cyrano marks Stephen Sachs’ ninth new play, his third incorporating deaf culture and illuminating the deaf world. His play Sweet Nothing in my Ear (1997, PEN USA Literary Award finalist, Media Access Award winner for Theater Excellence) has been produced in theaters around the country and in 2008 was made into a TV movie for CBS starring Academy Award winner Marlee Matlin and Jeff DanielsOpen Window (2005, Media Access Award winner for Theater Excellence) had its world premiere at the Pasadena Playhouse, directed by Eric Simonson. His other plays include Bakersfield Mist (recently optioned for London’s West End and New York), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse,Canadian Stage Company, LA Drama Critics Circle award and LA Weekly award nominations for Best Adaptation), Gilgamesh (Theatre @ Boston Court), Central Avenue (PEN USA Literary Award finalist, Back Stage Garland award, Best Play), Mother’s Day, The Golden Gate (Best Play, Drama-Logue), and The Baron in the Trees. Sachs co-founded The Fountain Theatre with Deborah Lawlor in 1990.

Simon Levy was honored with the 2011 Milton Katselas Award for Lifetime Achievement in Directing by the Los Angeles Drama Critics Circle. Directing credits at the Fountain include A House Not Meant to Stand; Opus; Photograph 51;The Milk Train Doesn’t Stop Here Anymore; The Gimmick with Dael Orlandersmith (Ovation Award-Solo Performance); Master Class (Ovation Award-Best Production); Daisy in the Dreamtime; Going to St. Ives; The Night of the Iguana; Summer & Smoke (Ovation Award-Best Production); The Last Tycoon, which he wrote and directed, (5 Back Stage West awards, including Best Adaptation and Direction); and Orpheus Descending (6 Drama-Logue awards, including Best Production and Direction). What I Heard About Iraq, which he wrote and directed, was produced worldwide including the Edinburgh Fringe Festival (Fringe First Award) and the Adelaide Fringe Festival (Fringe Award), was produced by BBC Radio, and received a 30-city UK tour culminating in London.

Troy Kotsur (Cyrano) and Erinn Anova (Roxy).

Cyrano opens on Saturday, April 28, with performances Thursdays, Fridays, and Saturdays @ 8 pm and Sundays @ 2 pm through June 10. Preview performances take place April 20-27 on the same schedule with an additional preview performance on Wednesday, April 25 @ 8 pm. Tickets are $30 on Thursdays and Fridays and $34 on Saturdays and Sundays, except previews which are $15. On Thursdays and Fridays only, students with ID are $20 and seniors are $25. The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Secure, on-site parking is available for $5. The Fountain Theatre is air-conditioned and wheelchair accessible. For reservations and information, call 323 663-1525 or go to www.FountainTheatre.com.

Photo Credit: Ed Kreiger 

Casting Notice: World Premiere of Modern Day Deaf/Hearing Version of the Classic ”Cyrano de Bergerac” at the Fountain Theatre

The Fountain Theatre is now casting its upcoming production of Cyrano, a co-production with Deaf West Theatre scheduled to open in April. The world premiere of a new play written and directed by Stephen Sachs, Cyrano is a modern day reimagined deaf/hearing version of  “Cyrano de Bergerac”,  adapted from the Edmond Rostand classic. Acclaimed deaf actor Troy Kotsur will star as Cyrano. The project is supported by a grant from the National Endowment for the Arts.

STORYLINE: The setting is present day. Cyrano is a brilliant deaf poet in a modern day city. He is hopelessly in love with a beautiful hearing woman, Roxy. But she doesn’t understand sign language and instead loves his hearing brother, Chris. Can Cyrano express his love for Roxy with his hands – the source of such deaf pride and shame? Or must he teach Chris to “speak his words” for him, to woo her? ASL becomes the language of love in this modern sign language spin on a classic love story.

[ROXY] Female, hearing, mid-20′s to 30′s. Beautiful, classy, alluring, intelligent with a likable sense of humor. A lover of language and literature. Smart with a deeply romantic heart. Seeking an experienced stage actress with a wide emotional range and comic/tragic sense. Classical training an asset. Note: DOES NOT NEED TO KNOW SIGN LANGUAGE.

[BRANDON] Male, deaf, 40′s to 60′s. Cyrano’s close friend, confidant and advisor. Kind, gentle, wise, warm-hearted. Likable and easy-going with a whimsical and wry sense of humor. Has deep affection for Cyrano but not afraid to set him straight when needed. Seeking a strong deaf stage actor with a deep emotional well, good comic timing, and strong ASL skills.

[DEAF ENSEMBLE] Male and Female, 20′s – 50′s, versatile actors with a wide emotional range. Seeking experienced and trained stage actors with a strong physicality, alive in their bodies, good comic timing and strong dramatic sense, to play various roles. Must have strong ASL skills.

[HEARING ENSEMBLE] Male and Female, 20′s – 50′s, versatile actors with a wide emotional range. Seeking experienced and trained stage actors with a strong physicality, alive in their bodies, good comic timing and strong dramatic sense, to play various roles. Will play roles and “voice” deaf actors. Prior (or partial) knowledge of sign language a plus, but not required. Note: DOES NOT REQUIRE PRIOR KNOWLEDGE OF SIGN LANGUAGE.

This play will be performed in American Sign Language and Spoken English. Accessible to both deaf and hearing audiences. The deaf characters of the play use ASL and are ”voiced” or ”voice acted” by a member of the Company. NOTE: DOES NOT REQUIRE PRIOR KNOWLEDGE OF SIGN LANGUAGE.

Email Pic & Res to: Stephen@FountainTheatre.com

Or mail to: Fountain Theatre, Attn: “Cyrano”, 5060 Fountain Avenue, Los Angeles, CA 90029 

Award-winning Writer/Director Stephen Sachs is the Co-Artistic Director of the Fountain Theatre in Los Angeles. He is writer/director of the recent smash hit (now London/Broadway bound)  BAKERSFIELD MIST and the ASL play SWEET NOTHING IN MY EAR, made into a CBS TV movie starring Marlee Matlin and Jeff Daniels.

Deaf West Theatre is the foremost deaf theater company in the United States, winning numerous awards in its twenty-year history including a special Tony Award for its acclaimed and groundbreaking ASL/Hearing version of the musical BIG RIVER on Broadway.