VIDEO: For playwright Idris Goodwin, hip hop play ‘Hype Man’ is about friendship

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Fountain Theatre nominated for two Los Angeles Drama Critics Circle Awards

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Felix Solis in “Cost of Living” at the Fountain Theatre

Two acclaimed Fountain Theatre productions in 2018 have been nominated for Los Angeles Drama  Critics  Circle Awards, it was announced today.  The outstanding Felix Solis in the Fountain Theatre West Coast Premiere of Cost of Living by Martyna Majok has been nominated for Best Featured Actor. And the dazzling video design of Nicholas E. Santiago for the Fountain World Premiere of Stephen Sachs’ Arrival & Departure was nominated Best Video Design.

Take a look Nick’s video design work in the opening sequence from Arrival & Departure:

Winners will be announced on Monday, April 8, 2019 at one of the region’s most historic and beautiful theatres, Pasadena Playhouse.

The Los Angeles Drama Critics Circle (LADCC), presented its first awards for excellence in Los Angeles, Orange County, and Ventura County a half-century ago. The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

Full List of Nominees

NEW VIDEO: A backstage look behind the scenes of ‘Hype Man’ at Fountain Theatre

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VIDEO: What is hip hop?

What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.

In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?

Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.

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Celebrity reading of ‘MS. SMITH GOES TO WASHINGTON’ at LA City Hall is “awe-inspiring”

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“Ms. Smith Goes to Washington” at Los Angeles City Hall

by Christine Deitner

On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique experience–The Fountain Theatre’s reading of a gender-switched adaptation of Sidney Buchman’s screenplay, Mr. Smith Goes To Washington.  The Fountain’s Co-Artistic Director Stephen Sachs adapted the work that was hosted by Los Angeles City Councilmember Mitch O’Farrell.  An impressively talented ensemble of tv, film, and theatre veterans gathered in the John Ferraro Council Chamber in Los Angeles City Hall and though the original work is 79 years old the gender switch makes it feel like yesterday’s tweetstorm or this morning’s news.

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Sponsored, in part, by the Feminist Majority Foundation and in association with the League of Women Voters, the event’s cast included Joshua Malina, Jeff PerryBellamy Young, Sam Waterston, Alan Blumenfeld, Gilbert Glenn Brown, Leith Burke, Tim Cummings, Cameron Dye, Spencer Garrett, Chet Grissom, Morlan Higgins, Aurelia Myers, Jenny O’Hara, Felix Solis, Jack Stehlin, Mark Taylor, and Sal Viscuso.

Councilmember O’Farrell introduced Mr. Sachs with a moving speech about the importance of the arts in society. 

“Politics falls short of completely illuminating the complexity of issues,” he stated, “this is where the arts come in.”

In 2017, Mr. O’Farrell hosted the Fountain’s reading of All The Presidents Men and he noted that he hopes this will become an annual event.  Reflecting on the record number of women who now hold public office, O’Farrell also spoke about the role that local artists play as public servants, illuminating issues in unique ways.

In Sachs’ version, an idealistic, newly elected female senator finds herself fighting corruption in male-dominated Washington. Bellamy Young’s take on the movingly patriotic Jennifer Smith [originally Jefferson played by James Stewart] is endearing and as successful as a figure of naive nobility as Mr. Stewart was in the film.  It doesn’t seem like Mr. Sachs had to change very much beyond references to gender [Girl Rangers here instead of Boy Rangers] and one reference to “fake news” that worked very well in context, but boy does Jennifer Smith’s predicament feel familiar.

It’s Governor Hopper’s daughter [it was a son in the film] who encourages her father to choose Jennifer with the line “It’s 1939, not the dark ages, pop.” and a list of women who have held office before.  It shouldn’t have been surprising to hear it but we can thank Mr. Sachs for educating us about these women that included Senators Rebecca Latimer Felton [1922] and Hattie Caraway [1932].  Sam Waterston has the role of one of two villains, Senator Joseph Paine; a man who knew Jennifer’s father yet openly wonders whether they can “control a woman” in Congress.  The other is Jim Taylor, a nefarious businessman/mob figure played by Jeff Perry.

Fans of the film will know that Smith speaks fondly of his father a number of times, recalling that he often said, “Lost causes are the only ones worth fighting for.” As Jennifer learns that a swath of land in her state is going to be turned into a useless dam that is only an avenue for graft, she becomes determined to fight for that land where she was hoping to create a girls camp for young women across the nation.  Joshua Malina is her charmingly cynical assistant Chester Saunders [Jean Arthur in the film] who begrudgingly assists her in writing a bill for that girl’s camp.  As they work together, Jennifer’s enthusiasm for the bill starts to wear down Saunders’ certainty it will fail and when she becomes aware of the relief bill that includes the dam, she decides to filibuster with his help.

Paine and his pro-dam cohorts do all they can to attack Jennifer’s character as they angrily state any blocking of the relief bill will lead to starving the people.  Paine likens her attempt to hold the floor to holding the people hostage.  There was an audible gasp in the audience followed by a few laughs for this reading took place near the end of Trump’s wall-inspired government shutdown.  All of the pain that shutdown was inflicting on government workers was present in the room at that moment.

Jennifer stands firm in her convictions, even when Paine reads telegrams purportedly from her home state asking her to stop. She reads the Constitution and the Declaration of Independence and goes on till her voice is hoarse and even Paine can’t take her suffering anymore.  He breaks down and admits everything – and when Waterston embodied that moment, he tore the roof off the place, it was awe-inspiring.  Jennifer and Saunders have one last moment of celebration before the ends that felt a little rushed but that might have been due to the fact that the TVs behind the cast popped on. 

In lieu of credits, images of every woman who has held a seat in Congress appeared in succession on the screens. Members of the audience stood to applaud them, with more standing when California’s own Nancy Pelosi and Diane Feinstein appeared.  But it wasn’t till the video closed on a split screen image featuring Kamala Harris and Elizabeth Warren that the whole house got to their feet shouting.  It was a memorable, moving moment that reminded this reviewer of all the things that can be good and honorable and right in this country.  It also seemed like a hell of an idea for a presidential ticket in 2020 but that just shows how easy it was to get swept up in Jennifer Smith’s patriotic fervor.  Ms. Smith may seem naive and inexperienced, but that character’s faith in what is good in the country is honorable and constant – and those are traits we could all stand to develop in our own lives today.

This post originally appeared in The Theatre Times.

 

Meet the young cast of the West Coast Premiere of ‘Hype Man’ at Fountain Theatre

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Matthew Hancock, Clarissa Thibeaux, Chad Addison in rehearsal for “Hype Man”

Three young actors. Different personal backgrounds. A trio of distinct professional credits in stage, TV and film. Somehow, under guidance from director Deena Selenow, they must instantly create a close bond to portray a rocketing hip hop band on the brink of national attention in the Fountain Theatre West Coast Premiere of Hype Man by Idris Goodwin, opening February 23.   

Meet the talented cast of this funny, powerful and thought-provoking new “break beat play” the Boston Globe describes using “hip hop culture as a crucible where issues of racial identity, gender inequity, ambition, and friendship collide.”

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Chad Addison

Originally from outside Boston, Chad Addison  has been in LA for 13 years. He’s excited to be working in his first play with The Fountain Theatre and to be able to dive into such a poignant piece of art. Music has always been a passion for him, so it’s an honor to combine the two in such a way. He was last seen on stage in the play Connect at Theatre 68. Aside from theater, he’s been pursuing TV/Film. Some notable credits include FOX’s 9-1-1, Most Likely to Die (on Netflix), NCIS: New Orleans, Grimm, Grey’s Anatomy & Bones. He was also a producer/actor on the independent film Paint It Red, which is now streaming on demand. 

Matthew Hancock

Matthew Hancock

Matthew Hancock is excited to be back at the Fountain. Favorite theatre credits include: the Los Angeles premiere of the NAACP and Ovation Award nominated The Brothers Size (Oshoosi), I and You (Anthony), Trans Scripts (Zakia). Matthew has recurred on I’m Dying Up Here (Showtime), Emmy Nominated Giants (Youtube), Five Points (Facebook Watch). In addition,  he has appeared in Snowfall (FX) and Prince of Peoria (Netflix) While not on the stage or in front of the camera, Matthew enjoys musical endeavors as Michael Siren.   He is a LA Drama Critics Circle, Stage Raw award winner and Ovation Nominee for Hit the Wall (Carson).  Matthew holds a BFA from Adelphi University (cum laude). To his incredibly supportive Family, Thank you. Follow Matthew on Instagram: @imatthewhancock.

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Clarissa Thibeaux

Clarissa Thibeaux is an LA based actor/writer/producer working in television, film, theater, and new media. You can catch Thibeaux in Marvel’s Runaways as Xavin on Hulu. Previously, you may have seen Thibeaux in Echo Theatre Company’s production of The Found Dog Ribbon Dance as Trista, or in the horror films Flight 666, and Ice Sharks.  She graduated with her B.A. in Theatre Arts from San Diego State University. Thibeaux currently resides in West Hollywood, CA enjoying every opportunity that comes her way.

 

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VIDEO: Catch the beat of our west coast premiere of ‘Hype Man’ at Fountain Theatre

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