‘In the Red and Brown Water’ Playwright Will Next Tackle Shakespeare

Tarell Alvin McCraney

In the Red and Brown Water playwright Tarell Alvin McCraney will direct and adapt a new production of Shakespeare’s Antony and Cleopatra as part of a collaboration among the Public Theater, GableStage in Miami and the Royal Shakespeare Company, the Public announced on Monday. The play will have its premiere at the Stratford-Upon-Avon home of the Royal Shakespeare Company, where Mr. McCraney is an artistic associate, in November 2013, before being staged in Miami in January 2014 and later that month at the Public.

In addition to directing the production, Mr. McCraney edited the text, reordered the scene structure and relocated the play to “the late 1700s against the backdrop of Saint-Domingue, on the eve of the Haitian Revolution against the French,” according to a news release. Casting will take place in London, New York and Miami, Mr. McCraney’s hometown.

Artistic leaders from all three companies say their faith in and admiration for McCraney is what led them to say yes to the collaboration.

Oskar Eustis

“One of the beautiful things about this is that it was driven by Tarell,” says Oskar Eustis, artistic director at the Public, which has presented all three of McCraney’s reputation-making Brother/Sister Plays. “The key to all of this is that we’re unabashed Tarell McCraney fans.”

“Tarell was our playwright in residence, and I wanted to see his take on Antony and Cleopatra,” emailed Michael Boyd, former artistic director of the RSC, who commissioned the script, adding that he was seeking “a bold new take on this difficult play.”

For GableStage’s Joseph Adler, McCraney’s Antony and Cleopatra is an opportunity to build on a relationship that began last season with McCraney’s staging of his The Brothers Size and this season with a January-February production of Hamlet, a 90-minute adaptation McCraney and Bijan Sheibani wrote for the RSC.

The Public’s Eustis explains why a McCraney Antony and Cleopatra set in Haiti is so appealing to him.

“This isn’t an idea you’d lay on top of the play. It’s not a contemporary, lively, anachronistic setting,” he says. “This is something that will allow people to hear this play differently. This brings it closer and makes us understand colonialism.”

“Tarell has a deep sense that his work is in service of something much bigger than himself. He’s trying to answer to an artistic imperative. It makes you want to throw your weight behind him,” Eustis says.

“His life will get more complicated, but one still feels the purity of that vision. Not just for his sake, you want to hold him out as an example that you don’t have to sell out to be a success.”

Tarell Alvin McCraney

A 2007 graduate of Yale, Mr. McCraney is best known for his trilogy The Brother/Sister Plays.  His other plays have been produced at major regional theaters throughout the United States and in England.  McCraney’s  play, Choir Boy, opened at London’s Royal Court Theatre to rave reviews.

Commissioned by New York’s Manhattan Theatre Club, where it will get its U.S. premiere with previews starting June 18 and an opening July 2,Choir Boy is set in a black boys’ prep school celebrating its 50th anniversary.  The headmaster’s nephew is at odds with Pharus, a gay student with a glorious tenor voice who is determined to become leader of the school’s famous gospel choir.  In her review in The Guardian, critic Lyn Gardner writes: “Threaded with searing gospel songs, McCraney’s play examines the shifting nature of truths, biblical and otherwise, and cleverly manipulates the hot-house setting to consider wider issues of black American history, from the brutal days of slavery to Obama’s cry of ‘yes we can!'”

His newest play,  Head of Passes, which will have its premiere at Steppenwolf Theatre Company in Chicago next year.

“In the Red and Brown Water” (Fountain Theatre, LA Premiere, 2012)

The Foutain Theatre‘s Los Angeles premiere production of McCraney’s In the Red and Brown Water is a critical and popular smash hit, earning rave reviews  including Critic’s Choice in the Los Angeles Times.

Stephen Sachs

“We’re thrilled with the overwhelming response to the play,” says Fountain Co-Artistic Director Stephen Sachs. “And proud to be the theatre that introduced this important new playwright to Los Angeles audiences. We look forward to continuing our relationship with Tarell. The Fountain is his home in Los Angeles.”

In the Red and Brown Water is now playing  to December 16th, call (323) 663-1525 or buy tickets.

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