Busboys juggle plates, friendship and immigration in funny, powerful L.A. premiere of ‘My Mañana Comes’ at Fountain Theatre

FT MY MANANA Discover Hollywood ad copyJust beyond the elegant dining room of an Upper East Side restaurant, service workers angle for shifts, pray for tips and cling to dreams of life beyond their daily back-of-house grind. Armando Molina directs the Los Angeles premiere of My Mañana Comes by Elizabeth Irwin, opening April 16 at the Fountain Theatre in Hollywood.

The minimum wage crisis and rights for undocumented workers lie at the center of Irwin’s funny and powerful new play.

Starring as four busboys working in the kitchen of an upscale French restaurant in Manhattan are Richard Azurdia (Backyard at Echo Theater Company, Bill & Joan at Sacred Fools, one of 54 “fascinating Angelenos” profiled in LA Weekly’s 2015 People issue), Pablo Castelblanco (Sálvese quien pueda at the Leonardus Theatre in his native Bogotá, Colombia) Peter Pasco (Our Lady of 121st Street at the Victory, Seven Spots on the Sun at Theatre @ Boston Court) and Lawrence Stallings (original productions of Book of Mormon on Broadway, Hair and Passing Strange off-Broadway).

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Expertly juggling delicate entrees and fussy customers, the young men face off with management and with each other when a sudden pay cut threatens their dignity, their dreams for a better life — and their friendship.

“This is exactly the kind of play we like to do at the Fountain,” suggests co-artistic director Stephen Sachs. “It’s fast-paced, hip and funny, but it also opens a window into a community we don’t often see, gives voice to a community that is usually not heard. You really get to know and care about these guys – the relationships, camaraderie and the sharing of dreams.”

According to Molina, “Irwin gets to the truth about who these guys are, the reality beneath the tropes. She shatters preconceptions.”

Irwin, who worked in the restaurant industry for many years, wanted to explore what undocumented immigration means to people who are directly affected by it — both those who are undocumented and those who work alongside and have relationships with them.

“This story explores the complications and nuances of their lives,” she said in an interview.

Set design for My Mañana Comes is by Michael Navarro; lighting design is by Jennifer Edwards; sound design is by Christopher Moscatiello; costume design is by Magdalena Guillen; props and set dressing are by Dillon Nelson; production stage manager is Emily Lehrer; associate producer is James Bennett; and Stephen Sachs, Simon Levy and Deborah Lawlor produce for the Fountain Theatre.

Join us! Your dining experience will be excellent. More Info/Get Tickets 

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