Category Archives: Acting

New Casting Update: Seeking black actress for world premiere of ‘Runaway Home’ at Fountain Theatre

RUNAWAY HOME title imageUPDATE: The Fountain Theatre is casting for its upcoming world premiere production of Runaway Home by Jeremy J. Kamps, directed by Shirley Finney. Much of the cast is in place. The Fountain is still seeking the following supporting roles:

[SHANA] 35-45, Black, female. The unofficial “mayor” of the Lower 9th Ward in New Orleans. Moral courage, brash exterior, soft interior, lives by high standards of truth, courage and morality and expects the same from others, loyal and on the flip side, holds grudges, can be stubborn and judgmental, but 100% reliable to be the foundation, indefatigable, righteous in a way that sometimes bleeds into not being realistic. 

STORYLINE: Set in New Orleans, Lower 9th Ward, three years after Hurricane Katrina. In this funny and deeply moving story, 14 year-old Kali embarks on a journey. Rhyming, stealing, and scamming her way through her still-destroyed neighborhood, engaging the lively folk who remain and running from her worried mother, Kali picks through the wreckage of what used to be her life and is forced to confront the cost of moving forward and embrace the loving power of family.

In addition still casting:

[ARMANDO] 35 to 45 years old, Mexican male. Owns and runs the small local store in the Lower 9th Ward, New Orleans. Has two daughters in Mexico. Guarded, vulnerable, empathetic, longing, wistful, independent, self-sufficient, courageous, inner-turmoil, soft but with a temper. He offers Kali a job in his store, trying to help the young runaway girl, which leads to a harrowing but hopeful end.

Rehearsals start August 7th. The production opens September 16th and runs to November 5th.  The Fountain Theatre operates under the new AEA 99 Seat Agreement. Auditions will be held next week.  

Email submissions to casting@fountaintheatre.com 

NOW CASTING: Mexican shop owner in world premiere of new play ‘Runaway Home’ at Fountain Theatre

RUNAWAY HOME title imageThe Fountain Theatre is now casting the following role for its upcoming world premiere production of Runaway Home by Jeremy J. Kamps, directed by Shirley Finney.

[ARMANDO] 35 to 45 years old, Mexican male. Owns and runs the small local store in the Lower 9th Ward, New Orleans. Has two daughters in Mexico. Guarded, vulnerable, empathetic, longing, wistful, independent, self-sufficient, courageous, inner-turmoil, soft but with a temper. He offers Kali a job in his store, trying to help the young runaway girl, which leads to a harrowing but hopeful end.

STORYLINE: Set in New Orleans, Lower 9th Ward, three years after Hurricane Katrina. In this funny and deeply moving story, 14 year-old Kali embarks on a journey. Rhyming, stealing, and scamming her way through her still-destroyed neighborhood, engaging the lively folk who remain and running from her worried mother, Kali picks through the wreckage of what used to be her life and is forced to confront the cost of moving forward and embrace the loving power of family.

Rehearsals start August 7th. The production opens September 16th and runs to November 5th.  The Fountain Theatre operates under the new AEA 99 Seat Agreement.  

Email submissions to casting@fountaintheatre.com 

Victoria Platt is thrilled to join cast of ‘Building the Wall’ for second extension to Aug 27

Victoria Tillford

Victoria Platt

Sold out for four months and extended for the second time, Building the Wall and the Fountain Theatre have even more to celebrate: the return of Victoria Platt to our Fountain stage. Last seen at the Fountain as Roxy in Cyrano, you may recognize her from such popular TV shows as All My Children and The Chicago Code. Taking over the role of Gloria in our smash hit world premiere of Building the Wall, Platt begins performances this Saturday, June 24th. This second and final extension runs to August 27th.

In between her crazy rehearsal schedule, Victoria took time to talk about her roots, her love for the Fountain Theatre, and the importance of theatre in the age of Trump’s America.

Where are you from? What’s your background? 

I was born and raised in Queens, NY to a Polish father and West Indian mother. I have 8 siblings and there was 1 bathroom. That says it all! I started performing as a kid and then attended the High School of Performing Arts in Manhattan (the Fame school). I enrolled at Hunter College but work kept rolling in and I chose work.

What initially drew you to this project/script?

I heard about the production and how amazing it was but I was in a play at the same time so didn’t get a chance to see it. Then Simon Levy (Fountain Theatre’s Producing Director) emailed me about auditioning for the extension. I know Robert Schenkkan’s work and this play in particular is beyond relevant for our time so I was really excited about the possibility.

After the election, many theatre artists declared that their work was more important than ever. Do you agree with this and how does Building the Wall relate?

I do agree. There was a time when the common goal of artists was to challenge, to awaken, to question the status quo and hopefully incite change. At some point it became about foreign sales and social media followers and witty sound bites. This election seemed to remind the artistic community of our responsibility in the world. Why most of us got into this business to begin with. Building The Wall is looking directly at the issues and asking some really important questions.

BUILDING THE WALL prod photo VP 2

Victoria Platt and Bo Foxworth in ‘Building the Wall’

What is it like to join a hit production that has been sold out for four months?

It’s like trying to jump onto a moving train! A bit challenging. I’ve done this before however, with The Fountain’s production of Cyrano. My goal is to find that delicate balance between giving the other actors a familiar anchor while also honoring the truth of my own interpretation and performance. Bo and [director] Michael Michetti have been really wonderful in allowing me the space to find things on my own as well as offer the tried and true shortcuts. I’m not too proud to take a short cut!

How does it feel coming back to the Fountain Theatre?

I love The Fountain; seeing productions here and working here. They’re really dedicated to bringing thought provoking and challenging work to the community. They’re actively involved and take responsibility for making the world a better place in a tangible way, all the way down to providing a stamped and addressed postcard that patrons can send to the president! It makes working with them even more inspiring and I feel compelled to match their dedication, passion and commitment.

First preview tonight for Fountain’s ‘Citizen: An American Lyric’ at Kirk Douglas Theatre

2 horizontal B&WCenter Theatre Group‘s Block Party continues with the opening of The Fountain Theatre production of “Citizen: An American Lyric” this Sunday, April 30 at 6:30 p.m. at the Kirk Douglas Theatre. Based on a book of poetry by Claudia Rankine, adapted for the stage by Fountain Co-Artistic Director Stephen Sachs and directed by Shirley Jo Finney, “Citizen: An American Lyric” will begin previews tonight April 28 and continue for 11 performances only through May 7, 2017.

Block Party highlights some of the remarkable work being done in other, more intimate theatres throughout Los Angeles by fully producing three previously staged productions. The three productions receive the full support of Center Theatre Group and its staff in order to fund, stage and market each production. Block Party began with the Coeurage Theatre production of “Failure: A Love Story” April 14 through 23 and will continue with The Echo Theater Company’s production of “Dry Land” running May 12 through 21.

“Citizen: An American Lyric” fuses poetry, prose, movement, music and the video image in a provocative stage adaptation of Claudia Rankine’s internationally acclaimed book of poetry about everyday acts of racism in America. Of Rankine’s “Citizen,” The New Yorker wrote that it was “brilliant… [and] explores the kinds of injustice that thrive when the illusion of justice is perfected.” The New York Times wrote that “Rankine brilliantly pushes poetry’s forms to disarm readers and circumvent our carefully constructed defense mechanisms against the hint of possibly being racist ourselves.”

The cast of “Citizen: An American Lyric” includes Bernard K. Addison, Leith Burke, Tony Maggio, Monnae Michaell, Simone Missick and Lisa Pescia. Scenic and projection design is by Yee Eun Nam, costume design is by Naila Aladdin-Sanders, lighting design is by Pablo Santiago and original music and sound design is by Peter Bayne. Anastasia Coon is the movement director and Shawna Voragen is the production stage manager.

Audiences are also invited to engage in discussion with the “Citizen” cast and company following each performance during moderated Stage Talks. There will be no Stage Talk held on opening night.

Actor Bo Foxworth on revolutionary ‘Building the Wall’: “I’m supposed to do this”

More Info/Get Tickets

Fountain Theatre honored with 3 Ovation Award nominations for ‘My Mañana Comes’

MY MAÑANA COMES

Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco

The Fountain Theatre has been honored with three Ovation Award nominations for its Los Angeles Premiere of My Mañana Comes by Elizabeth Irwin. Directed by Armando Molina, the fast-paced comedy/drama about four busboys in the kitchen of an upscale restaurant drew rave reviews. The talented cast featured Richard Azurdia, Pablo Castelblanco, Peter Pasco and Lawrence Stallings.

The Ovation Awards are the only peer-judged theatre awards in Los Angeles, created to recognize excellence in theatrical performance, production and design in the Greater Los Angeles area.

The Fountain Theatre production of My Mañana Comes has received the following nominations:

  • Best Production of a Play 
  • Best Acting Ensemble of a Play – Richard Azurdia, Pablo Castelblanco, Peter Pasco and Lawrence Stallings
  • Best Scenic Design – Michael Navarro 

For the 2015/16 Ovation Awards voting season, there were 280 productions registered from 116 different organizations, resulting in nominations for 70 productions from 45 organizations. These productions were voted on by 233 Ovation Awards voters — vetted individuals from the Greater Los Angeles area who are working theatre professionals.

The 27th Annual LA STAGE Alliance Ovation Awards will occur on Tuesday, January 17, 2017 at The Ahmanson Theatre in Downtown Los Angeles. More info

Full list of nominees

Fountain Theatre honored with 21 StageSceneLA Awards

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Philip Solomon, Thomas Silcott “The Painted Rocks at revolver Creek”

The Fountain Theatre has been honored with 23 awards of excellence from StageSceneLA for productions in its 2015-16 season. Fountain productions awarded were the west coast premiere of Athol Fugard’s The Painted Rocks at Revolver Creek, the world premiere of Dream Catcher by Stephen Sachs, the Los Angeles premiere of My Mañana Comes by Elizabeth Irwin, and the west coast premiere of Tennessee Williams’ Baby Doll.   

Since 2007, Steven Stanley’s StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Awards. 

The Fountain has been honored with the following awards this 2015-16 season:

YEAR’S BEST INTIMATE THEATERS
The Fountain Theatre

OUTSTANDING PRODUCTION, DRAMA (INTIMATE THEATER)
The Painted Rocks At Revolver Creek 

OUTSTANDING PRODUCTION, COMEDY-DRAMA (INTIMATE THEATER)
My Mañana Comes 

OUTSTANDING PRODUCTION, COMEDY (INTIMATE THEATER)
Baby Doll 

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Daniel Bess, Lindsay LaVanchy, John Prosky in “Baby Doll”

STAR-MAKING PERFORMANCE (Play)
Lindsay LaVanchy in Baby Doll

OUTSTANDING PERFORMANCE BY AN ACTOR IN A LEADING ROLE—DRAMA (INTIMATE THEATER)
Gilbert Glenn Brown, The Painted Rocks At Revolver Creek
Thomas Silcott, The Painted Rocks At Revolver Creek

OUTSTANDING PERFORMANCE BY AN ACTRESS IN A LEADING ROLE—DRAMA (INTIMATE THEATER)
Suanne Spoke, The Painted Rocks At Revolver Creek

OUTSTANDING PERFORMANCE BY AN ACTOR IN A LEADING ROLE—COMEDY (INTIMATE THEATER)
John Prosky, Baby Doll

OUTSTANDING PERFORMANCE IN A TWO-HANDER (INTIMATE THEATER)
Elizabeth Frances and Brian Tichnell, Dream Catcher

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Elizabeth Frances and Brian Tichnell in “Dream Catcher”

OUTSTANDING PERFORMANCE BY A CHILD ACTOR
Philip Solomon, The Painted Rocks At Revolver Creek

OUTSTANDING PERFORMANCE BY AN ACTOR IN A FEATURED ROLE—COMEDY (INTIMATE THEATER)
Daniel Bess, Baby Doll

OUTSTANDING PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE—COMEDY (INTIMATE THEATER)
Karen Kondazian, Baby Doll

OUTSTANDING ENSEMBLE CAST PERFORMANCE—COMEDY-DRAMA (INTIMATE THEATER)
Richard Azurdia, Pablo Castelblanco, Peter Pasco, and Lawrence Stallings, My Mañana Comes

MY MAÑANA COMES

Lawrence Stallings, Pablo Castelblanco,  Richard Azurdia, Peter Pasco, “My Manana Comes”

OUTSTANDING DIRECTION (MULTIPLE PRODUCTIONS)
Simon Levy—Baby Doll, The Painted Rocks At Revolver Creek

OUTSTANDING DIRECTION, COMEDY-DRAMA (INTIMATE THEATER)
Armando Molina—My Mañana Comes

OUTSTANDING PRODUCTION DESIGN (INTIMATE THEATER)
Baby Doll , My Mañana Comes, The Painted Rocks At Revolver Creek 

OUTSTANDING FIGHT CHOREOGRAPHY
Mike Mahaffey,  Baby Doll

OUTSTANDING LIGHTING DESIGNER
Luke Moyer

COMPOSER OF THE YEAR                                                                                                                    Peter Bayne, Dream Catcher 

SCENIC DESIGNER OF THE YEAR
Jeff McLaughlin

SOUND DESIGNER OF THE YEAR
Peter Bayne

Congratulations to all the winners. Full list here