Katy Sullivan and Felix Solis in ‘Cost of Living’.
The Fountain Theatre’s acclaimed west coast premiere of Cost of Living by Martyna Majok has been named by Los Angeles Times theatre critic Charles McNulty as “Best in Theater in 2018.” McNulty writes, “The Fountain Theatre’s production of Majok’s “Cost of Living” confirmed just how indispensable 99-seat theaters still are to a healthy theater ecology.”
“Martyna Majok’s searing drama,” McNulty continues, “about the relationship between disabled persons and their caregivers was bravely essayed by the Fountain in a production directed by John Vreeke that revealed just how acutely this Pulitzer Prize-winning drama exposes some vulnerable truths at the heart of the human condition.”
Cost of Living features Tobias Forrest, Xochitl Romero, Felix Solis and Katy Sullivan. The run ends this Sunday, December 16.
The Fountain Theatre believes students and young people must have the opportunity to engage and consider meaningful human issues through the experience of live theatre. We love having students in our audience. They are the artists, arts patrons and arts leaders of tomorrow.
We’re always delighted when teacher Alan Goodson brings his students from Fashion Institute of Design & Merchandising to the Fountain Theatre. They recently enjoyed our funny and poignant West Coast Premiere of Martyna Majok’s Pulitzer Prize winning play, Cost of Living. Here are some of the reactions written by the students:
“Overall, the play was an excellent representation of everyday life, not just for one with disabilities, but for those who crave to be pulled out of loneliness. The way that Majok portrayed the play through the eyes of two characters in wheelchairs, as well as their caretakers, was an excellent way to grab the audience’s attention. It was an on-edge performance, with exceptional acting skills. While showing someone with disabilities can be a touchy subject for most, it’s important for others to see that they aren’t the only ones in life that may need a little extra love, or caretaking.”
Tobias Forrest and Xochitl Romero in “Cost of Living”
“Whether it be bathing, eating, or taking part in social life, Cost of Living is a reenactment of what millions of people go through. This thought-provoking piece allows the audience to be vulnerable, uncomfortable, and also gives people a chance the be thankful for the simple things that are often taken for granted.”
“Cost of Living was a production that completely changed my perception of those that are disabled. I believed that many were strong, and had to carry on with their lives after an incident happens, or even from birth. However, I didn’t realize the actual struggle that these people had to face in daily life, when it comes to daily, normal activities. I not only had sympathy for them, but I also saw their strength and courage and how it can be hard to accept help from others, especially when they see others carrying on their lives normally, when they physically are not able to do so. If the play was able to change my views, it’s able to change many others’ as well.”
“I believe the director and actors were able to show and bring to life that feeling of what the characters cost of living was. Personally, I can relate to the production in that I have a disability that at times hinders my ability to live life to my fullest. I try not to let it, but at times there is nothing I can do about it being my cost of living.”
“The play is about disabilities with people, not the other way around. The message of the play is that the biggest disabilities we can have are the ones that every person encounters at some point—loneliness and fear. The worst disabilities are not about having someone bathe or shave you, it’s the ones that make us human and make us all alike in some way. Personally, I found myself somewhere in this play, as I’m sure many others did. It captured me from the very first scene, and made me feel for each character and I related it to struggles in my own life.”
Theatre as a Learning Tool is the Fountain Theatre’s educational outreach program, making theatre accessible to students and young people throughout Southern California.
Playwright Martyna Majok almost missed receiving the call from her agent on winning the 2018 Pulitzer Prize for Drama for her play, Cost of Living. She was supposed to be serving jury duty that day. Instead, she had postponed it. She was, therefore, home in her New York apartment to receive the call that would change her career forever.
Sharing the story with our Fountain Theatre audience in a post-show Q&A discussion Saturday night, Martyna explained that her husband, actor Josiah Bania, had the day off work that day. They were planning on doing their taxes. He was taking a nap on the couch when Martyna’s phone rang around three o’clock. Her agent was on the phone screaming, “You won the Pulitzer!” Her reaction? She was furious. “How dare you!” she yelled back. “You know how much this means to me. This is not funny!” For nine minutes on the phone, Martyna’s agent tried to convince her. But she would have none it. It wasn’t until the texts began flooding in from friends — including one from her playwright pal Stephen Adly Guirgis — that she accepted that her wish had come true.
Since that fateful phone call, her life has spun into a whirlwind of national attention. Yet the work remains the same. The Fountain Theatre is proud to be producing the West Coast Premiere of her funny and beautiful play, and we’re pleased to now call her our friend and a member of our Fountain Family.
Have you ever met and talked with a Pulitzer Prize winning playwright? Now’s your chance. New York-based playwright Martyna Majok, author of the 2018 Pulitzer Prize winning drama Cost of Living now playing at the Fountain Theatre, visits this weekend to host two special events at the Fountain to engage audiences and interact with local theatre artists and professionals.
SAT NOV 10 • 8pm
Post-Show Q&A with Audience – Join Martyna and the cast of Cost of Living in a lively discussion immediately following the performance. Buy Tickets
MON NOV 12 • 5pm
An Insider Meeting – Engage in a open dialogue with the Pulitzer Prize winner. Discuss playwriting and the business of working in the theater. LA theatre artists, professionals and general theater-lovers welcome. FREE. Must RSVP here. Followed by the Pay What You Want performance of Cost of Living at 8pm.
Xochitl Romero and Tobias Forrest in “Cost of Living”
Achingly human and surprisingly funny, Cost of Living is about the forces that bring people together and the realities of facing the world with physical disabilities.
In a Nov 2 feature in the Los Angeles Times, theatre journalist Kathleen Foley states, “Defying easy sentiment and conventional expectations, Majok shatters stereotypes with her characters, who are drawn with such truth and specificity that they evoke a frisson of voyeuristic unease. Showered with awards and accolades over the decades, the Fountain has become the West Coast home to world-class playwrights. Scoring the West Coast premiere of Majok’s extraordinary drama is yet another in a long line of coups for this venerable company, while veteran director John Vreeke’s involvement also bodes well for this production.”
To buy tickets to the Q&A performance SAT Nov 10click here.
To RSVP to the Insider Meeting MON Nov 12 at 5pm click here or call (323) 663-1525
Winner of the 2018 Pulitzer Prize, Cost of Living by Martyna Majok is a funny and poignant play about human connection. The West Coast Premiere at the Fountain Theatre stars Tobias Forrest, Xochitl Romero, Felix Solis and Katy Sullivan, directed by John Vreeke.
Robert Symonds, Elizabeth Reilly, and Nathaniel Hawthorne.
by Stephen Sachs
In honor of National Cat Day, I celebrate Nathaniel Hawthorne — the fat, furry feline I rescued from a shelter to co-star in our Fountain Theatre production of Park Your Car in Harvard Yard starring Robert Symonds and Elizabeth Reilly in 1995.
The script called for a fat cat to be brought on stage. I searched animal shelters throughout LA. until I discovered Nathaniel stuffed in a cage in Glendale. “That’s him,” I said, and brought him back to the Fountain. Nathaniel hung out with us in the office all day during the run. At curtain time, he would be brought downstairs to the theatre and wait backstage for his cue. At the proper time in the play, Bob Symonds would carry the cat out on stage for his one scene. After the performance, Nathaniel was returned upstairs and slept in the office, enjoying the actor’s life. This routine happened nightly.
Well … the production was a smash hit. We moved the show to the Odyssey Theatre Ensemble on the West Side. Nathaniel could not stay overnight at the Odyssey. Therefore, four times a week, the cat was put in a car at the Fountain, driven across town to the Odyssey, would do his one scene with Bob and Liz, and then be driven back to the Fountain that night. For three months. When the Odyssey run was finally over, Nathaniel lived at the Fountain, yet another out of work actor. He spent the remainder of his life with us as a happy and well-loved theatre cat at the Fountain.