Category Archives: actors

PHOTOS: Dazzling opening night of ‘Building the Wall’ at Fountain Theatre

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An electrifying thrill filled the air Saturday night, March 18, as the Fountain Theatre opened the highly-anticipated world premiere of Building the Wall by Tony Award and Pulitzer Prize winning playwright Robert Schenkkan.  Even before opening, our bold National New Play Network Rolling World Premiere has earned national attention in the New York Times, the Washington Post, and other outlets across the country.

The sold-out house Saturday night at the Fountain was packed with patrons, donors, board members, Fountain family and the press. Following the powerful performance, the crowd gathered upstairs in our indoor/outdoor cafe to enjoy a catered reception prepared by our new chef, Baltazar.  Playwright Robert Schenkkan and the cast were surrounded by well-wishers, congratulating them on an unforgettable evening in the theatre. By all accounts, it looks like the Fountain has another hit on its hands.  

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Fountain Theatre affirms its commitment to diversity at Hollywood gathering

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Deborah Lawlor and Stephen Sachs

Fountain friends, longtime and new, enjoyed an unforgettable afternoon Sunday at the magnificent Hollywood apartment of actress and Fountain board member Karen Kondazian. Delicious middle eastern fare from Adana was served to thirty invited special guests who marveled at Karen’s extraordinary home, the panoramic view of Hollywood,  and chatted about the achievements and future of the Fountain Theatre.

The afternoon salon was organized so distinguished friends and supporters of the Fountain could stay connected with the theatre and each other. New colleagues and associates from the Los Angeles business and arts communities were introduced to the Fountain’s inner circle. And the Fountain unveiled a new level of sponsorship, the Artistic Directors Circle, for elite donors who underwrite specific plays or programs or an entire season. 

Fountain Co-Artistic Directors Deborah Lawlor and Stephen Sachs were joined by Producing Director Simon Levy, Associate Producer James Bennett and Director of Development Barbara Goodhill.

“Diversity sits at the heart of our artistic mission,” said Sachs. “When Deborah and I founded the Fountain back in 1990, it was to offer an artistic home for theatre and dance artists, of all backgrounds, to create and develop new work that reflects the cultural diversity of our city and our nation. The Fountain Theatre sits in the center of District 13, the most ethnically and culturally diverse district in Los Angeles. 32 languages are spoken at the local high school.

“Our programing is community-driven. When we think about putting a season together, we ask ourselves which community needs to be served? Which cultural, religious or ethnic group is struggling with an issue that needs to be dramatized? Who’s voice needs to be heard?”       

The 2017-18 Fountain Theatre season includes the world premiere of Building the Wall by Robert Schenkkan, Citizen: An American Lyric by Claudia Rankine at the Kirk Douglas Theatre, the world premiere of Runaway Home by Jeremy Kamps, the world premiere of Freddie by Deborah Lawlor, the stage adaption of The Chosen by Chaim Potok, and the world premiere of Arrival and Departure by Stephen Sachs performed in Spoken English and American Sign Language.

 

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Fountain Board members Dorothy Wolpert, Karen Kondazian, Dick Motika, Jerrie Witfield, Don Zachary, and Oscar Arslanian welcomed guests Nyla Arslanian, Miles and Joni Benickes, Lorraine Evanoff, Bennard Gillison, Daniel Greenberg and Susan Steinhauser, Lucinda Cowell and Ron Michaelson, Victoria Meyers, Bonnie Nijist and Arthur Zeesman, Jacqueline Schultz, Mark Stankevich, Ron and Elaine Stein, , and Stanley Wolpert.

Stephen Sachs and Deborah Lawlor spoke to the group, reviewing the recent accomplishments of the Fountain Theatre, its fundraising goals, and outlining the upcoming 2017-18 season. They expressed the artistic heart and soul of the company and its dedication to diversity and inclusion by serving a wide variety of communities throughout Los Angeles. And they articulated the challenges and objectives moving forward, describing the Fountain as an essential treasure on the cultural landscape of Los Angeles. And declared that the Fountain’s longtime dedication to diversity was essential in these turbulent times. 

“We are an immigrant nation, ” stated Sachs. “Los Angeles is a world city, rich with the multi-colored fabric of diversity.  At this moment in history, now more than ever, it is crucial that the Fountain Theatre maintain its mission of diversity and inclusion and community focus,  where people from all backgrounds are seen on our stage and in our audiences.”

“The Fountain Theatre may be small in size, ” he concluded. “But we are large in vision, in purpose, and in our commitment to creating and producing meaningful work that has the power to change lives.”

PHOTOS: ‘Bakersfield Mist’ ends another triumphant run at the Fountain Theatre

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When the new play Bakersfield Mist premiered at the Fountain Theatre in 2011 starring Jenny O’Hara and Nick Ullett, it earned rave reviews and ran for seven sold-out months. The current revival with the original cast has been equally successful, enjoying a four-month run and delighting full houses of enthusiastic audiences. The hit production concluded its run yesterday at Sunday’s matinee, followed by a lively reception in our upstairs cafe. 

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Playwright and director Stephen Sachs shared his thoughts and gratitude — and some history — on the play’s final performance at the Fountain.

Today at 2pm is the final performance of the current remount of Bakersfield Mist at the Fountain Theatre starring my original cast, Jenny O’Hara and Nick Ullett. That means, barring some unforeseen opportunity in the future, today will be last time the three of us will inhabit Maude’s trailer together.

It will probably also be the last time I watch a performance of the play. I’ve seen several productions through the years, all over the world. It’s not likely I’ll see more. It warms my heart deeply that my final viewing will be performed by the two glorious actors who first gave it life, for whom I wrote the play in the first place. We end today as we began. Together.

Bakersfield Mist has been an extraordinary, joyous ride for us. I wrote the play in 2010 with the voices of Jenny and Nick in my head. I called them to my house one night, where they read the first draft at my dining room table. They shepherded the play with me through new drafts and rewrites. We knew we liked the play ourselves, but we had no idea what we had until the first public reading in front of a live audience at Play Fest at Orlando Shakespeare Theatre in Florida. The audience roared with laughter, intensely listened, and applauded wildly at the end. And it’s been that way, everywhere, ever since.

The play opened at the Fountain Theatre in 2011, starring Jenny and Nick, and ran for seven sold-out months, raising the two actors to a full Equity contract. The play enjoyed a 3-month run on London’s West End and is now being performed in regional theatres across the country, has been translated into foreign languages and is being produced around the world.

I’m proud that Bakersfield Mist at the Fountain Theatre became a model example of the 99-Seat Plan working exactly as it should, as it was designed. This little play, created, developed and produced at an intimate theatre in Los Angeles under the 99-Seat Plan, has now generated dozens of Equity contracts across the country and created hundreds of jobs for theatre professionals around the world.

Most of all, the play is my gift, my valentine, to Nick and Jenny. These two remarkable people. Husband and wife, partners in art. Supremely skilled, true professionals, and a hell of a lot of fun. We gave birth to this play together. They gave their time, their talent, their expertise and enthusiasm, their decades of professional craft and wisdom to this play, all with a spirit of passion, great humor and deep caring. I love and respect them both dearly, and will be forever grateful.

 

Sneak Peek: First rehearsal for ‘Building the Wall’ at Fountain Theatre

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Judith Moreland and James Macdonald

First rehearsals are often delicate events. Actors meet for the first time. Designers share their conceptual approaches for the production. The director articulates his or her vision for the journey ahead. Like on a first date, artists eye each other nervously, hoping this night’s first encounter will lead to a meaningful relationship so magic can be created together.

The tone of Monday night’s first rehearsal for the powerful new play Building the Wall by Robert Schenkkan was one of purpose, more than jittery vulnerability. Everyone in the room felt exhilarated by the social and political conviction of the project and aware of the publicity the new play has already generated nationwide. Schenkkan is a Tony Award and Pulitzer Prize winning playwright, and screenwriter of the Academy Award nominated Hacksaw Ridge

In Building the Wall, the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. As a writer interviews the former supervisor of a private prison, it becomes clear how federal policy has escalated into something previously unimaginable.   

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Even before opening, the Fountain premiere of the new play has already been featured in the New York Times and the Washington Post. Our production is part of a National New Play Network Rolling World Premiere, with other openings set to take place at the Curious Theater in Denver, Forum Theater in Silver Spring, Md., Borderlands Theater in Tucson and City Theatre in Miami. 

The world premiere at the Fountain Theatre is directed by Michael Michetti, and features Judith Moreland and James Macdonald.  At Monday night’s first rehearsal, Co-Artistic Director Stephen Sachs welcomed the team and gave a short history of how the play came to the Fountain. Producer Simon Levy reviewed production protocol. Michetti spoke about the play.  Then, the actors opened their scripts and read the play together for the first time. The two actors were riveting, and the play will take audiences on a roller-coaster ride to its shattering ending. 

Now the work begins. Rehearsals are underway. Our world premiere of Building the Wall opens March 18 and runs to May 21.

Advance tickets for Building the Wall are selling quickly. We urge you to make your reservations early for this urgent and important new play by a major voice in the American Theatre.

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Fountain Celebrates CTG’s Block Party and ‘Citizen’ at Kirk Douglas Theatre

party-logosWe came to the Kirk Douglas Theatre on Monday night to express our gratitude to Center Theatre Group, we came to congratulate three local companies and their productions, we came to celebrate intimate theatre in Los Angeles. And, most of all, we came to PARTY!

Approximately 300 theatre folk from all over the LA area gathered for a night of camaraderie, cocktails, live music and tacos as CTG launched its Kick Off soiree for Block Party, its pilot program remounting three intimate theatre productions selected from 2015. The Fountain production of Citizen: An American Lyric joins Coeurage Theatre Company’s production of Failure: A Love Story and Echo Theater Company’s production of Dry Land in this first-ever festival running April 14 – May 21, at the Kirk Douglas Theatre in Culver City. 

CTG Artistic Director Michael Ritchie welcomed the crowd of party-goers on Monday night in the lobby, stressing the importance and value of intimate theatre in Los Angeles and the need to support the high quality of work it creates. After his brief remarks, Ritchie declared, “Time to party!” The happy crowd then moved into the theatre. 

Inside the Kirk Douglas Theatre, each seat was labeled with the name of an intimate theatre company in Los Angeles. It was a meaningful demonstration of the size and variety of the community.

Live music soared from a local high school jazz band. A DJ then kept the party pounding with dance tunes. Free tacos were served to hungry guests. An open bar offered specialty cocktails named for each Block Party company. Our cocktail was named “Fountain Passion,” a tangy mixture of vodka and fruit juices over ice.  

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More than anything else, Monday night’s party was an evening for local theatre folk to get together, network, and simply have a good time. It also marked a turning point in the relationship between the city’s largest and most influential theatre organization and the network of smaller companies that populate Southern California.

Center Theatre Group’s goal with Block Party is to acknowledge the high quality of work being created in the intimate theatre community, and to welcome these artists and new audiences in a partnership that celebrates the vibrancy and diversity of Los Angeles.

Let’s get this party started.   

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Statement by The Fountain Theatre: Moving forward in this new landscape

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The Fountain Theatre has stood at the center of the battle against Actors’ Equity Association’s attempt to dismantle and fragment the intimate theatre community of L.A. with its Promulgated Plans that favor some of our theatres and disfavor others. We have hosted countless Pro99 and Review Committee meetings at our theatre. We offered our name in pledges of support. Our Producing Director served as a volunteer on the Review Committee, dedicated incalculable hours over nearly two years of meetings, conference calls and intense negotiations with Equity representatives, and even took the bold step of including his own name as a plaintiff in the lawsuit against the union on behalf of the L.A. intimate theatre community.

Our position has been that the Fountain Theatre would continue to operate under the 99-Seat Plan, as we always have, even in defiance of the December 14th deadline, until the court made a ruling, which it did on December 8th. Sadly, the decision was not in our favor. We are angry and heartbroken because we believe that everyone will suffer: the intimate theater community, the members of Actors’ Equity who will lose opportunities, and the citizens of Los Angeles who will be deprived of the benefits that the 99-Seat Plan has provided. Now we, as an organization, need to move forward.

Since the Court’s ruling, we have struggled with the challenge of extending our current production, produced under the 99-Seat Plan, with Equity actors who now are threatened with reprisals by their union. We have told Equity that we will not sign the new seasonal agreement going forward, and have negotiated terms only for the extension of our current production. We do so under protest and duress. Our position that Equity’s tactics are harmful and destructive to our theatre community has not changed. But the Fountain Theatre will not become a non-union theatre. We are committed to delivering to our audiences the highest level of work possible. That necessitates, in addition to talented non-union actors, access to the echelon of professional, trained and experienced Equity talent pool.

We firmly believe that all actors in Los Angeles — including members of Equity — have the right, if they so choose, to exercise their craft in intimate theatres, whether as volunteers, independent contractors or employees. Therefore, The Fountain Theatre will do its best to assure that Equity actors are not excluded from working on our stage. This is a hardship we are forced to undertake to guarantee that The Fountain is accessible to ALL actors in Los Angeles. It is our position that actors and stage managers who are members of Equity should not be denied the right to work at our theatre by an Equity “blacklist” because of the misguided leadership of their own union. For 27 years, the Fountain Theatre has created productions with casts comprised mostly of Equity actors. The contribution of their artistry has helped make the Fountain the success it has become. We will not turn our back on them now.

We do not take this position lightly. It is a difficult and challenging road to take. We are assuming this burden for the integrity of our work, for the sake of all L.A. actors and to continue our role as a leader in presenting the best possible theatre in Los Angeles. Inclusion sits at the heart of our artistic mission. The Fountain will fight to remain a safe haven for all actors to exercise their art. We blacklist no one. Our doors — and our stage — are open to the finest artists we can find.

All of us in the intimate theatre community find ourselves in difficult, unchartered territory. Issues remain unresolved. More challenges lie ahead. Further action may be taken. Our common goal, together, must be to ensure that Los Angeles continues to be a city where meaningful, high-quality theatre is created and to maintain the spirit, artistry and integrity of our intimate theatre community.    

The Fountain Theatre Board of Directors and Staff

‘Bakersfield Mist’ holiday party donates toys for homeless children

bm-holiday-party-3Holiday theatre-goers enjoyed a special treat last night at our smash hit production of Bakersfield Mist. After leaping to their feet in a standing ovation for the funny and thought-provoking performance, the crowd gathered upstairs in our festively-decorated cafe for a holiday party with the cast and company. Patrons brought unwrapped toys and gifts to be donated by Fountain staff to homeless children at the Union Rescue Mission in downtown Los Angeles.

Party revelers enjoyed tasty holiday foods and yummy drinks. Guests included Fountain patrons, Fountain staff, the company of Bakersfield Mist, and members of the LA theatre community. 

Bakersfield Mist continues its extended run through January 30th. The hit comedy/drama starring Jenny O’Hara and Nick Ullett has earned rave reviews everywhere and is highlighted as Critic’s Choice in the Los Angeles Times, hailed as a “delightful and provocative comedy.” 

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Wishing you a safe and joyous holiday season, from our Fountain Family to yours.

Bakersfield Mist extended to Jan 30th