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Category Archives: African American
What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.
In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?
Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.
by Sean P. Thomas
The stage is set for a collection of Los Angeles’ creative minds to get a moment in the spotlight. Even better, those moments will take place in Downtown, and the performances will be free.
On Friday-Sunday, April 27-29, the inaugural Our L.A. Voices: Spring Arts Festival will fill Grand Park. The happening will bring more than 30 artists and groups to the 12-acre space, where there will be live theater, dance, music and more. There will be performances as well as opportunities to buy art.
Julia Diamond, Grand Park’s interim director, said that the festival was created through a joint venture with the Music Center. The goal is to showcase a wide spectrum of the L.A. art scene, with everything from sculptors to digital artists in a family-friendly environment.
“We’re really trying to tell a big story about L.A. as a center of massive amounts of creative energy,” Diamond said.
Grand Park opened in 2012 and has played host to numerous community events, everything from the annual New Year’s Eve celebration to a book festival. Frequently local artists have been involved, but were not the focus.
This weekend, Diamond said, the artists will be thrust front and center. Festivities run from 6-10 p.m. on Friday, 1-10 p.m. on Saturday and 1-6 p.m. on Sunday.
“We’re trying to tell the biggest story that we can,” Diamond said. “It’s about making a big splash for an important part of L.A.’s identity and giving the audience a chance to come see art in one place.”
Festival organizers have partnered with a number of artists and groups, among them the Fountain Theatre in East Hollywood. The theme of the festival is, “What does it mean to be a citizen?”
Aptly, the Fountain Theatre will perform Citizen: An American Lyric, an adaption of poet Claudia Rankine’s book of the same name that explores race relations and questions of citizenship in the United States. The novel was adapted by Stephen Sachs, artistic director of the Fountain, after coming across a book review in the New York Times. In the wake of the 2014 shooting death of Michael Brown in Ferguson, Mo., Sachs said that he wanted the theater to make a statement on race relations in America, and that Rankine’s words provided the proper avenue.
He described the book and the ensuing play as less of a sledgehammer and more of a scalpel, precisely dissecting racial narratives in American society to get to the core of what a citizen’s experience is like in the country. Citizen will be mounted on Friday and Saturday at 8 p.m.; each hour-long performance will be followed by a community discussion about the play and the festival.
Diamond said the play, which was previously on stage at the Fountain and the Kirk Douglas Theatre in Culver City, resonates with audiences and fits the theme of what she is trying to do with the Spring Arts Festival.
“It really became the core question of this year’s festival,” Diamond said. “Who belongs? Who is on the inside? Who is on the outside?”
Sachs said it is gratifying to have the work appear at the festival. However, he said he is disheartened that the issues that prompted the play are still relevant almost four years after Brown’s death.
“It’s very meaningful to me to have this work shared with as many people as possible,” Sachs said. “I love the idea of doing it in Grand Park in front of City Hall. I can’t think of anything more appropriate.”
“We encourage people to come out in full force and to bring the whole family,” Diamond said. “Art is meant to bring us together and get us thinking, and there is no better way to do that than across generations.”
The Our L.A. Voices: Spring Arts Festival runs Friday-Sunday, April 27-29, at Grand Park, 200 N. Grand Ave. or grandparkla.org/event/ourlavoices2018.
This post originally appeared in Downtown News.
The journey of veteran director Shirley Jo Finney to the Kirk Douglas Theatre’s Block Party with The Fountain Theatre’s Citizen: An American Lyric began two and a half years ago, when Fountain co-Artistic Director Stephen Sachs called to ask her if she had read Claudia Rankine’s New York Times bestseller Citizen. Or maybe it began in 1997, when Finney directed her first of eight works at the Fountain. Or perhaps decades earlier when, as a recent MFA graduate of UCLA, Finney participated in Center Theatre Group’s New Work Festival at the Mark Taper Forum. Or really long before that, when Finney grew up in a segregated neighborhood and attended all-white schools where she was the only person of color.
In 2015, Sachs told Finney he was considering adapting Citizen for the stage, and that she was the right director for the project. “I read it, and I went, ‘Oh, this is my life,'” said Finney, recognizing her own experiences of “walking through and navigating those torrential waters of mainstream America when you are a person of color or ‘other,’ and what you have to swallow in order to survive.”
Citizen premiered at the Fountain in August 2015; last summer, Finney directed it again at the Spoleto Festival USA in Charleston, South Carolina, just one year after the city was devastated by a deadly assault that took the lives of nine African-Americans at Emanuel African Methodist Episcopal Church. Every performance was followed by a discussion with the audience. “We felt it was necessary while that community was still healing and that wound was oozing,” said Finney.
There will also be Stage & Audience Talks after every performance at the Douglas, where Citizen is onstage April 28 – May 7, 2017. Citizen touched audiences deeply in Los Angeles in 2015, but much has changed since then—for the cast and crew and for the audience.
“As human beings we’ve been living our lives…we all evolve,” said Finney of herself and the company. “At the same time, in those two years, there has been a transformation in the collective. I’m interested to see, now, how it’s going to land with our audiences. Because what was maybe specific to a tribe has now expanded…something has been awakened, because ‘the other,’ now, is everyone.” The election, said Finney, “fractured what our belief system is about being an American and being a citizen, and what that culpability and responsibility is.” She added, “Not only do you have to say, ‘What does it mean to be a citizen?’ But also, ‘What does it mean to be a human being?'”
The re-staging at the Douglas offers an opportunity for the show to make a bigger impact in other ways as well. “My designer is excited because we have the height now onstage that we didn’t have in the [Fountain]. Our projections are going to have the impact that we wanted to have,” said Finney.
“I think it’s a healing piece with a historical narrative, and we need it at this point in time,” she concluded. “When you look at what we need as human beings, the three things, if you cut everything away, are: we need to be seen, we need to feel nurtured, and we need to feel safe. Citizen, I think, makes us aware and opens that space for that healing to begin.”
Citizen: An American Lyric is now playing at the Kirk Douglas Theatre to May 7th.
This post originally appeared in CTG News & Blogs.
Center Theatre Group‘s Block Party continues with the opening of The Fountain Theatre production of “Citizen: An American Lyric” this Sunday, April 30 at 6:30 p.m. at the Kirk Douglas Theatre. Based on a book of poetry by Claudia Rankine, adapted for the stage by Fountain Co-Artistic Director Stephen Sachs and directed by Shirley Jo Finney, “Citizen: An American Lyric” will begin previews tonight April 28 and continue for 11 performances only through May 7, 2017.
Block Party highlights some of the remarkable work being done in other, more intimate theatres throughout Los Angeles by fully producing three previously staged productions. The three productions receive the full support of Center Theatre Group and its staff in order to fund, stage and market each production. Block Party began with the Coeurage Theatre production of “Failure: A Love Story” April 14 through 23 and will continue with The Echo Theater Company’s production of “Dry Land” running May 12 through 21.
“Citizen: An American Lyric” fuses poetry, prose, movement, music and the video image in a provocative stage adaptation of Claudia Rankine’s internationally acclaimed book of poetry about everyday acts of racism in America. Of Rankine’s “Citizen,” The New Yorker wrote that it was “brilliant… [and] explores the kinds of injustice that thrive when the illusion of justice is perfected.” The New York Times wrote that “Rankine brilliantly pushes poetry’s forms to disarm readers and circumvent our carefully constructed defense mechanisms against the hint of possibly being racist ourselves.”
The cast of “Citizen: An American Lyric” includes Bernard K. Addison, Leith Burke, Tony Maggio, Monnae Michaell, Simone Missick and Lisa Pescia. Scenic and projection design is by Yee Eun Nam, costume design is by Naila Aladdin-Sanders, lighting design is by Pablo Santiago and original music and sound design is by Peter Bayne. Anastasia Coon is the movement director and Shawna Voragen is the production stage manager.
Audiences are also invited to engage in discussion with the “Citizen” cast and company following each performance during moderated Stage Talks. There will be no Stage Talk held on opening night.