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Meet the cast of the funny and powerful premiere of ‘Daniel’s Husband’ at Fountain Theatre

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Bill Brochtrup and Tim Cummings

Actors Bill Brochtrup and Tim Cummings, co-stars of the Fountain Theatre’s acclaimed 2013 production of The Normal Heart, will reunite for this season’s Southern California Premiere of Daniel’s Husband by Michael McKeever. Simon Levy, who helmed The Normal Heart, will direct. Daniel’s Husband opens May 4th.

Brochtrup and Cummings are joined by LA favorites Jenny O’Hara and Ed Martin. Jose Fernando makes his Fountain debut. 

Daniel and Mitchell are the perfect couple. Perfect house, perfect friends — even a mother who wants them married. They’d have the perfect wedding too, except that Mitchell doesn’t believe in gay marriage. A turn of events puts their perfect life in jeopardy, and Mitchell is thrust into a future in which even his love may not be enough. Daniel’s Husband is a bold reflection on love, commitment, and family in our perilous new world.   

The recent Off-Broadway production earned rave reviews. The New York Times hailed it as “Compelling”, the Huffington Post declared it was “Emotionally charged,” and the Daily Beast described it as “Beautiful and powerful.” 

bill-brochtrupBill Brochtrup (Daniel) appeared Off-Broadway in Secrets of the Trade at Primary Stages, Lost and Found at FringeNYC, and Snakebit at the Century Center. He’s acted with many LA theatre companies including South Coast Repertory (The Sisters Rosensweig, Shakespeare In Love, Noises Off), Antaeus Theatre Company (Cloud 9, Mrs. Warren’s Profession, Peace In Our Time) Rogue Machine Theatre (Les Blancs), Fountain Theatre (The Normal Heart). His many TV appearances include five seasons as savvy police psychologist “Dr. Joe” on Major Crimes, Shameless, Kendra, Dexter, and In the Life. Bill was a series regular on Public Morals, Total Security, and ten years as cheerful administrative aide “John Irvin” on NYPD Blue. He is the Co-Artistic Director of Antaeus Theatre Company. 

TimTim Cummings (Mitchell) recently earned his Master of Fine Arts in Creative Writing from Antioch University. He is the winner of Critical Read’s 2018 ‘Origins’ literary contest for his essay “You Have Changed Me Forever.” He is the recipient of three LA Drama Critics Circle Awards, for Dan O’Brien’s The House in Scarsdale: A Memoir for the Stage (2018 PEN American Award for Drama) at Boston Court, Larry Kramer’s The Normal Heart at The Fountain, and Enda Walsh’s The New Electric Ballroom at Rogue Machine. Selected LA: Cal in Camo with Red Dog Squadron at VS Theater; Need To Know at Rogue Machine, The Woodsman at Coeurage (StageSceneLA Award for Performance of the Year); Reunion and Eurydice at South Coast Rep, Hamlet and The Winter’s Tale at Theater 150, WAR and The Walworth Farce at Theater Banshee, Tartuffe at Boston Court, The Pursuit of Happiness at Laguna Playhouse. Bway & Off-Bway: The Guys directed by Jim Simpson, Frankie & Johnny in the Clair de Lune directed by Joe Mantello. Film/TV: Can You Ever Forgive Me, Grimm, Rosewood, Kensho at the Bedfellow, Criminal Minds, My Two Fans, Presence, The Box, etc. He holds a BFA in Acting from NYU.

Fernando_Page_1Jose Fernando (Trip) From the tropics of Costa Rica and the waters of Niagara Falls, Jose appeared in Breckenridge Theatre’s world premiere of  The 10th . He was seen on Disney Channel’s Disney 365 and on ABC’s Black-ish and Once Upon A Time . He currently has commercials in the works with Google and other tech companies.

 

Ed MartinEd Martin (Barry) has worked in theatres all over the country including Denver Center Theatre, The Arizona Theatre Company, Theatreworks, and the Laguna Playhouse. Favorite LA credits include work at the Boston Court, the Colony, the Davidson/Valentini, the Odyssey, the Hudson and Theatre 40. Ed is the recipient of the Ovation, Stage Raw, LA Weekly, Dramalogue and Robby Awards. TV and film credits include Angels and Demons, directed by Ron Howard, American Crime, Castle, Medium, Buffy the Vampire Slayer and many others.

Jenny O'HaraJenny O’Hara (Lydia) is best known to Fountain audiences as originating the role of Maude Gutman in the smash hit Bakersfield Mist. She co-starred on Broadway opposite Alec Guiness in Dylan. Other Broadway credits are The Fig Leaves are Falling, Promises, Promises, The Odd Couple (female version), and The Iceman Cometh. On TV, she’s been seen on Transparent, The Mindy Project, The King of Queens, and Big Love, and guest appearances in Mike and Molly, Hot in Cleveland, Rizzoli and Isles, The Closer, NCIS, CSI, House, Nip/Tuck, Six Feet Under and numerous others. Films include BFF, Sassy Pants, The Seven Psychopaths, Devil (M. Night Shyamalan), Mystic River (Clint Eastwood), Matchstick Men (Ridley Scott), Extract, Forty Shades of Blue, Two Weeks, How to Make Love to a Woman and Heartbeat

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Richard Gallegos joins Fountain Theatre team as Development and Outreach Coordinator

Richard G 3by Richard Gallegos

Hello Fountain Theatre family! I am Richard Gallegos and I’m thrilled to announce that I am the new Development and Outreach Coordinator at The Fountain.

My background: I am a native Angeleno. I am also a first-generation Salvadoran-American. I have been involved in the performing arts since I was in elementary school, and as a matter of fact, I credit my arts education teachers for shaping a very unruly and energetic child into the passionate, actor and theatre arts advocate that I am today.

My passion in theatre arts education is personal and it runs deep. It began as a last-ditch effort to curb my behavior, and over time the skills that I learned morphed into a sort of life curriculum. I have taught students from grades K-12, as well as college conservatory. Because I believe in the life changing potential of arts education, most of my work with youth has been about creating and implementing workshops that teach theatre skills, and include writing components, all with the goal of collectively devising new, non-linear works of theatre. I have collaborated with many students from various LAUSD schools and organizations (LACER, artworxLA, Company of Angels, Will & Company, Open Window, Bilingual Foundation of the Arts), and in my capacity as Resident Artist at PCPA-Pacific Conservatory Theatre. I am currently Theatre Director at Ramona Convent Secondary School and I love that I get to tackle some of my favorite plays with my super awesome students.

As an actor, I have been a long-time member of Critical Mass Performance Group, and my credits with CMPG are: AMERYKA (Kirk Douglas Theatre)Apollo; Parts 1 & 2 (World Premiere at Kirk Douglas Theatre), Apollo; Parts 1, 2 & 3 (Portland Center Stage), Antigone (Workshop, The Actors’ Gang). Other theatre credits include: The Secret Garden, Frost/Nixon, Art, Othello, Anna in the Tropics, Sylvia, Hortencia and the Museum of Dreams, Much Ado About Nothing. As a member of Rosanna Gamson/Worldwide I’ve performed in Grand Hope Flower, Aura, Rita Goes to Hell, Lovesickness, Tov. I am a member of AEA. 

 I couldn’t be more thrilled to be working as Development/Outreach Coordinator here at The Fountain. The work that is produced here is compelling, evocative, and at times deliciously provocative- all the things that I love about theatre. It is for these reasons that I’m really looking forward to growing our community support and involvement. My goal is to bring into our theatre the very people whose stories are getting a voice on our stage.

My website is www.richardgallegos.com.

VIDEO: Enjoy the ‘Ms. Smith Goes to Washington’ post-show party at LA City Hall

With Samuel French Bookshop’s fatal end, the tragic flaw is our own

Samuel French Bookshop LA

by Stephen Sachs

If our beloved Samuel French bookstore were a play, its shocking violent demise this week makes the ending a tragedy. A tragic drama not wrought by a fatal flaw of the store’s own making. The tragic flaw exposed here is our own. The fate of Samuel French bookstore reveals a deeply disturbing character defect of our city, our country and our culture.

According to police, the store was broken into and seriously vandalized on Monday night, March 4th following a confrontation with several unidentified male customers who tried to intimidate one of the store employees. The police have closed the store pending their investigation and to protect the staff’s safety. The shop will not reopen. Ever.

Samuel French bookstore had already announced it was closing at the end of this month. Yet another casualty of e-commerce, book sales at the store have been steadily declining. Over 80% of Samuel French’s retail sales are now made online. Still, the sudden announcement of the store’s imminent closure caught us all by surprise and shook our LA theatre community to its core. News of Monday night’s vandalism drives a dagger into our heart. The loss of Samuel French bookshop is a death in the family.

For decades, as a once-upon-a-time actor and now a director/playwright and overseer of a theatre company, each time I walked into the bookstore on Sunset Blvd I breathed a deep sigh of reverence and gratitude, like stepping into a sanctuary. I experienced a spiritual and physical healing when I walked into Samuel French bookstore. The smell of its books was aromatherapy. The brick walls, the catacomb of shelves, the stacks of books, large and small, piled in corners like paper pillars. One enters Samuel French bookstore to be lost and found. To lose oneself reading a script on a calm afternoon, to find oneself as an artist through what one found in its pages. The vandalism of Samuel French bookshop, to me, is a desecration of a sacred place.     

The Studio City bookshop on Ventura Boulevard closed in 2012. Now, our beloved store on Sunset Boulevard is gone forever. Closed early. Due to violence.

We have no one to blame but ourselves.

Like the art form it celebrated, Samuel French bookstore engaged in a daily battle for its own survival against online technology.  Why leave your home when you can download a book? A bookstore is much like a theatre. A live experience. Physically walking into a book store, interconnecting with fellow human beings, holding an actual book in your hand, turning its pages – these are visceral sensations no e-book can duplicate. A book store and a local theatre create community. A place to meet, to gather, to interact. Both a theatre and a book store are places of worship, both serving an art form greater than themselves.

In my opinion, the Samuel French bookstore didn’t just die in the war against online retailing, we killed it. We made our choice. Eight out of ten plays are now bought online. We choose digital over paper. This is the Amazon-era. We click-shop. Our goods are now delivered to our door. We barely need to get up off the couch. The fault, dear consumer, is not in our stars, but in ourselves.       

Once again, Los Angeles has proved we are not New York. Last October, Drama Book Shop, the legendary 100-year old independent bookstore in Manhattan that has one of the largest selections of plays in the country, announced it was closing. The rent was too high. It didn’t take long for the city and its artists to leap into action. By January, it was announced that Lin-Manuel Miranda and three of his “Hamilton” collaborators purchased the Drama Book Shop. The quartet is currently working with the City of New York to find an affordable space for the store.

“The store is a gem and a cultural institution in New York, and we want to make sure it’s saved,” said Julie Menin, the mayor’s media and entertainment commissioner.

Where is the public statement from the mayor’s office in Los Angeles advocating to save or relocate Samuel French bookshop? Aye, there’s the rub. In Los Angeles, there is no Lin-Manuel Miranda.

We do have Nicki Monet. A platoon of local theatre artists led by actress/producer Nicki Monet launched a petition campaign to protest the store’s closing. The petition collected more than 7,000 signatures. Now violence has struck. Who knows what now will happen? Music conglomerate Concord Music, which purchased the store, said it would be willing to support a new L.A. store “with favorable pricing and payment terms.” We shall see.

In the bookshop’s final hours, Monday night’s vandalism exposes perhaps the most disturbing truth of all. An unsettling truth about ourselves and the temperature of today. The boiling social and political bile of this nation, fanning the flames of hatred and racism and division, ignited on Sunset Boulevard Monday night. Abuse and intimidation in the bookshop by day led to violence and physical destruction in the darkness of night. A depressing reminder of who we are as a people and where we are plummeting as a nation. This is who we have become. Of course, the defacing of a theatre book store in Los Angeles pales when compared to the uncountable acts of fatal violence and hatred executed every day nationwide. Yet Monday night’s act hurts me deeply because it is a symptom of a larger hurt, a greater ill in our country. Shakespeare warned us not to drink the Kool-Aid of anger and hatred. As he warns in Measure for Measure, “Our natures do pursue a thirsty evil; and when we drink, we die.”

In any tragic story, anagnorisis is the moment when the main character discovers his/her true nature, recognizes the truth about his or her true self. I am willing to stay for the Third Act of this play, if there is one. Hopefully, this dramatic story ends with a cathartic spiritual renewal of resurrection.

Stephen Sachs is Co-Artistic Director of the Fountain Theatre in Los Angeles.

VIDEO: Watch rehearsal for celebrity reading ‘Ms. Smith Goes to Washington’ at LA City Hall

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Stanley Wolpert: A lifelong love of India and Dorothy

Stanley Wolpert

Stanley Wolpert, 2017.

by Stephen Sachs

Shortly after Stanley Wolpert met Dorothy Guberman in an American government class at New York City College in 1953, he knew he wanted to marry her. They both knew. They had been thrown together to buy a present for a class professor, yet it was clear very quickly to these two perceptively analytical yet free-minded young people that they were meant to be life partners. They married six weeks later, on June 12th. Their bond continued sixty-five years. Stanley Wolpert passed away last Tuesday, on February 19th. He was ninety-one years old. 

I met and knew Stanley through Dorothy, who joined our Fountain Theatre’s Board of Directors and now serves as its President. Stanley and I chatted often at Fountain opening nights and fundraising events. Always gracious, charming and warm-hearted, Stanley was a sharp-eyed gentleman with an easy smile and a comfortable manner that belied his stunning intellect and depth of knowledge. To me, the first few months after meeting him, he was simply “Dorothy’s husband” — a moniker for which I’m sure he’d have been happy to be known. But soon I discovered how formidable he truly was. Yes, Stanley was Dorothy’s husband, her partner, fellow traveler, her best friend. I quickly learned he was also Stanley Wolpert: nationally heralded scholar, author, lecturer and beloved UCLA teaching professor, the foremost historian of India in the United States. 

The son of Nathan and Frances Wolpert, Stanley grew up in Brooklyn. He attended Brooklyn Technical High School and the New York State Maritime Academy.  On his twentieth birthday, while serving as an engineer aboard a U.S. Merchant Marine ship, Stanley set sail to Bombay, India, for the first time. What he experienced there, the first day, would transform him.  

Gandhi ashes Ganges

Urn with Mahatma Gandhi ashes carried to confluence of rivers Ganges, Yamuna and Saraswati at Allahabad, Uttar Pradesh, India, February 12, 1948.

On the day Stanley arrived in Bombay, Mahatma Gandhi had been killed just two weeks earlier and the nation was overwhelmed by grief. Stanley had never seen anything like it. Standing on a hilltop overlooking the holy Ganges River, he witnessed millions of mourning Indians rush to touch the ship moored at the sandy riverbank on which Gandhi’s ashes were placed to be scattered into the water below. As the ashes touched the water, the sea of countless mourners joined in a great roar of “Mahatma Gandhi ki jai” — victory to Mahatma Gandhi. Some wept. Some stood mute, their hands clasped before their faces. The scene of teeming multitudes deeply impacted the young engineer from Brooklyn. 

“That early encounter with India,” wrote Stanley, “Changed the course of my life.”

Returning home to Brooklyn, Stanley abandoned his career in marine engineering for the study of Indian history. He received a B.A. from New York City College in 1953 and was awarded the Pell Medal for academic achievement in History.  A fellowship from the Ford Foundation enabled him to pursue Indian Studies at the University of Pennsylvania, learning Sanskrit and earning his Ph.D. in 1959. His dissertation, published as Tilak and Gokhalewas selected for the Watumull Prize of the American Historical Association in 1962, recognizing “the best book on the history of India originally published in the United States.”

Stanley Wolpert UCLAStanley Wolpert became a world-renowned historian of India. He began teaching in the Department of History at UCLA in 1959. Over the years, he helped build the ranking of the History Department nationwide. He was appointed Chairman of the Department and Vice Chancellor for Academic Affairs and was honored with UCLA’s Distinguished Teaching and University Service awards. His devotion to teaching earned him the gratitude and affection of thousands of students over the course of his 59-year teaching career. 

Every work morning, Stanley would walk from his Westwood home to the UCLA campus. He’d grab a coffee and a bagel at a nearby coffee shop. On campus, he’d stride up the five flights of stairs to his office, balancing coffee and bagel, then plop at his desk to prepare for class, do research and write. Stacks of books littered his office. His advice to young writers was “Read everything.” His classroom was a mecca for history students for nearly six decades. He taught his last seminar at UCLA at 90.  

In addition to his national reputation as a teacher and scholar, Stanley was a distinguished author. When Dorothy was asked if Stanley missed New York, she answered that as long as Stanley had his typewriter, he was fine where he was. He published fifteen books, including several highly praised textbooks and four novels, and was Editor in Chief of the Encyclopedia of India. His celebrated novel on the assassination of Gandhi, Nine Hours to Rama, was made into a feature film in 1963 starring José Ferrer. His A New History of India was hailed as “the best textbook on Indian history now available.” 

Stanley was a man of impressive achievements. I would wager that he knew, deep in his heart and soul, that his greatest triumph was his marriage and his family. Ever a die-hard New Yorker, Dorothy begrudgingly moved to Los Angeles with Stanley in 1959 so he could pursue his teaching at UCLA. Stanley steadfastly acknowledged her contribution to his research and editor for many of his books. She joined him on numerous trips to India and was with him when he interviewed Jawaharlal Nehru for his book, A Tryst With Destiny. And Dorothy is notable in her own right. A Founding Principal of the Century City law firm of Bird, Marella, Boxer, Wolpert, Nessim, Drooks, Lincenberg & Rhow, Dorothy Wolpert was selected to Benchmark Litigation’s “Top 250 Women in Litigation” in the United States for 2017. In 2018, Dorothy was chosen by her peers for inclusion in the 2019 edition of Best Lawyers in America. Dorothy and Stanley have two sons — Daniel and Adam — and three grandchildren—Sam, Max, and Sabine.

Stanley and Dorothy were partners. In life, work, and public giving. Best friends and soul mates who read books aloud to each other in bed every night. They were, as Gandhi taught, the unity of heart, mind, body and spirit.  

A memorial for Stanley Wolpert is planned for the spring. 

Stephen Sachs is the Co-Artistic Director of the Fountain Theatre.

VIDEO: For playwright Idris Goodwin, hip hop play ‘Hype Man’ is about friendship

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