Category Archives: Deaf

3,500 technical cues in the play? No problem for this mighty pair of stage managers

emily-deena-4.jpg

Stage Managers Deena Tovar and Emily Lehrer, “Arrival & Departure,” Fountain Theatre

You may know that the Fountain Theatre’s smash hit world premiere, Arrival & Departure, is highlighted as Critic’s Choice in the Los Angeles Times, has earned rave reviews everywhere, and has been delighting audiences in sold-out houses since it opened in July. What you don’t know is that the magical mixture of lights, video, sound, music and open captioning is operated by only two stage managers in the booth — executing the play’s 3,500 technical cues in a fast-paced running time of 90 minutes. How do they do it?

Production Stage Manager Emily Lehrer and Assistant Stage Manager Deena Tovar make an excellent team.  They share years of professional experience between them but Arrival & Departure marks the first time they have worked together. It’s also the first time they’ve managed a cast of Deaf and hearing actors. 

There was a learning curve on the American Sign Language front, for sure,” admits Emily. “That being said, everyone has been so helpful and supportive as I fumbled my way through.”   

Deena echoes the same enthusiasm. “This has been an amazing experience. Everyone involved with the show are truly remarkable and supportive. Even with my signing skills — or rather the lack thereof — everyone made sure I was learning.”

“I really want to start studying ASL more seriously,” adds Emily. “It’s a gorgeous language, and as a Stage Manager, communication is at the heart of everything I do. So having that asset in my communication toolbox would be amazing.”

Emily Lehrer is from Los Angeles and has worked as Production Stage Manager on several plays at the Fountain Theatre. She has also stage managed for The Latino Theatre CompanyThe Garry Marshall TheatreThe Odyssey TheatreSacred Fools, and at Universal Studios Hollywood.  Deena grew up in Eagle Rock. She has worked as a Stage Manager all over Los Angeles at such companies as Circle X, Open Fist, Casa0101, Shakespeare Center of LA and many more.

“The Fountain is a great place to work,” Deena beams. “It really is like a family. Anything I need is almost always available. Everyone is here to support the art and you can really feel that when you walk in every day.”

They clearly enjoy working together and make a kick-ass team in the booth and in the rehearsal room. What makes them such a dynamic duo?

“Complimentary skill sets, ” says Emily. “Honestly, a lot of it comes from Deena also being a great PSM, and because she knows how to think like a PSM, she is able to anticipate needs and fill in the gaps beautifully. It also doesn’t hurt that we enjoy each other’s company as people. Having team members you genuinely enjoy working with is a gift, and it makes every aspect of the process go more smoothly and easily.” 

Deena agrees. “We both absolutely love our jobs as Stage Managers. We don’t come to work wishing we were doing something else, we walk in knowing we are working in our dream profession. It also helps that we both have very similar styles of stage managing and from that we are able to predict exactly what is needed before it’s said out loud.”

Emily Deena 5

When Deena first read Stephen Sachs‘ script for Arrival & Departure, and its blend of both Deaf and hearing actors in a production that mixes lights, sound, music, video and open captioning, she was unsure how it would all come together.

“I originally felt it would be difficult for the audience to keep up with everything going on,” she admits. “But during the rehearsal process my concerns were very quickly extinguished. I saw exactly how each word and each scene had to be portrayed to make sure no one was missing out on any moment.”  Emily agrees. “I am so thrilled with the way it turned out.”  

Both have been blown away by the audience reaction. 

“It has been such a balm to see how audiences have responded to the show, ” says Emily. “Especially our Deaf audiences, as they realized with utter joy that this is a production created with them in mind.”

“The audiences have loved it, ” exclaims Deena. “They really enjoy the way the show captures both the Deaf and hearing experiences. I love looking at the audience during intense moments and seeing their reactions. My personal favorite was the reaction of these two women sitting in the front row. Just as the characters Sam and Emily are about to kiss, the two women grabbed each other and shook their heads like they wanted to yell out, “don’t do it!”

Both Emily and Deena feel the play — how it was conceived and the way it is performed — serves a valuable purpose.  

“This production is truly important because it incorporates elements of sign language, captioning and spoken English, ” Deena explains. “This show isn’t only for one audience. It is open for everyone. Everyone can watch and relate. That kind of inclusion is sadly lacking in the entertainment industry.”

“We live in weird, difficult, and downright terrifying times,” states Emily. “Times where hatred, bigotry, and closed mindedness are becoming the new normal. In times like these, creating art is an act of resistance. Creating art that is, by design, inclusive, a celebration of a woman coming into her own, a love story —  is nothing short of revolutionary. “

And now that the celebrated run is soon reaching its final performance? 

“I got to meet some of the funniest, most energetic, and kind-hearted  people, ” Deena confesses. “It really has been an excellent experience.”

“It has been such a beautiful, hopeful reminder of what we can be when we open our arms and our hearts to those who may on the surface appear different than us,” states Emily. “I will cherish it.” 

Emily in booth

Arrival & Departure ends September 30. 

VIDEO: Marlee Matlin hails ‘Arrival & Departure’ at Fountain Theatre as “magic” and “brilliant”

Academy Award winning actress Marlee Matlin enjoyed seeing the Fountain Theatre’s world premiere of Arrival & Departure, hailing the innovative romantic drama as “magic” and “brilliant.”  After the performance, Matlin congratulated the cast and company and sat down with Abby Guerra of Fountain Films to share her excitement about the new play.

Written and directed by Stephen Sachs, Arrival & Departure stars Deanne Bray and Troy Kotsur. Highlighted as Critic’s Choice in the Los Angeles Times, the acclaimed production runs to September 30th.

More Info/Get Tickets 

Video and Photos: Opening night party for romantic world premiere ‘Arrival & Departure’

A&D Opening Night 1

Playwright/Director Stephen Sachs celebrates with the crowd on Opening Night. 

Love was in the air on Saturday night for the opening of our world premiere of Arrival & Departure, the funny and poignant new play inspired by the classic romantic movie, Brief Encounter. Written and directed by Stephen Sachs, Arrival & Departure  focuses on a Deaf man and a hard-of-hearing woman, married to different people, who meet accidentally in a New York City subway station. Their casual friendship soon develops into deeper feelings they never expected.

Saturday’s Opening Night performance compelled a sold-out audience to leap to its feet in a standing ovation. Afterward, a catered reception was held in our cafe. The warm summer weather was perfect for our invited guests to enjoy the cafe’s cozy outdoor balcony. 

This slideshow requires JavaScript.

The cast includes Jessica Jade Andres, Deanne Bray, Adam Burch, Brian Robert Burns, Shon Fuller, Kyra Kotsur, Troy Kotsur, Aurelia Myers, and Stasha Surdyke. They were celebrated at the party by Fountain staff, members of the press, members of the Fountain Theatre Board of Directors, and family and friends. The guests were impressed by the dazzling performance, many commenting on its power and poignancy.

Arrival & Departure is performed by Hearing and Deaf actors in a fully integrated, unique blend of Open Captioning, American Sign Language and Spoken English. In this short video clip, Deaf actors Troy Kotsur and Deanne Bray address the party guests.

Get Tickets/More Info

‘Arrival & Departure’ was unlike anything I have experienced before

by Saif Saigol

As a theatre lover, I have often struggled to qualify the artistic value of a show. What, for example, separates a great, large-scale Broadway musical from a great, smaller, experimental work? When it comes to art, does more money equal more success? I received my answer last Saturday, at the designer run-through rehearsal of the Fountain’s Arrival & Departure: a successful play is one that leaves its audience thinking.

Art has the power to leave a lasting impact and change the way we think. That is exactly what I experienced after watching Arrival & Departure.

The play, at its core, follows the classic, impossible love-story of two star-crossed soul mates who have the universe standing between them. The 90-minute play is filled with heart-wrenchingly beautiful acting on the part of the ensemble and a fantastic script by Stephen Sachs. The artists invite us into their most intimate and vulnerable thoughts, thoughts that were born in a reality that they created out of nothing. It seemed impossible that such genuineness had been bred in only a few weeks of rehearsal – it is beyond inspiring to see what the Fountain team is capable of.

Personally, it was especially moving to experience the power and beauty of Deaf theatre for the first time. The show’s interwoven and unique mélange of ASL and Spoken English creates a dynamic and multi-dimensional artistic medium in which authenticity prevails. Deanne Bray and Troy Kotsur conveyed a degree of beauty, truth, and honesty in their signing that cannot be expressed in other forms of communication – it was almost like watching a dance. Especially moving was Bray’s ability to convey her character’s struggles with identity as a hard-of-hearing woman, switching back and forth between ASL and Spoken English.

The play struck me as a type of ‘deconstructed theatre’. The various forms of art involved – from ASL, to Spoken English, to movement, to staging – are separated but harmoniously married, each holding its own and conveying breath-taking emotion, but also supporting one another to create one beautiful piece. I left the rehearsal pondering the very nature of art, and the ways in which society often creates pigeon-holes for artists. Arrival & Departure was unlike anything I have experienced before – it is novel and unique, and conveys emotion in ways that don’t conform to exclusive norms. This, I believe, is the point of theatre, and I cannot wait for others to experience the magic of Arrival & Departure.

More Info/Get Tickets

Saif Saigol is the Development Intern at the Fountain Theatre.  

Photos: Fountain Family brunch gives thanks to VIP donors for supporting ‘Arrival & Departure’

A&D Donor Brunch 1B

The backyard of Carrie Chassin & Jochen Haber

On a beautiful Sunday morning at the lovely Encino home of Fountain board member Carrie Chassin and husband Jochen Haber, members of the Fountain Family and supporters of Arrival & Departure gathered for a delicious brunch to salute our upcoming world premiere opening July 14. 

Arrival & Departure is the most innovative and ambitious production in our 28-year history, ” said Co-Artistic Director Stephen Sachs, in his remarks to the group. “We are deeply grateful to our extraordinary donors who make it possible for the Fountain to keep raising its bar of excellence.” 

Actors Deanne Bray and Troy Kotsur joined Fountain staff members Sachs and his wife Jacqueline Schultz, Deborah Lawlor, Barbara Goodhill and James Bennett at the festive backyard get-together. Hosts Chassin and Haber welcomed board member and donor Karen Kondazian, donors Debbi and Ashley Posner, board president and donors Dorothy Wolpert and husband Stanley Wolpert, and board member and donor Don Zachary. Andrew Leyva provided ASL interpretation. 

This slideshow requires JavaScript.

The savory spread included salmon, salad, fruit, roasted vegetables and bagels. It was a glorious afternoon enjoyed in a beautiful outdoor setting, celebrating some of the remarkable donors who have nurtured the creation, development and soon-to-be opening of this highly anticipated new play at the Fountain. 

Enjoy the photos! And get your tickets soon for Arrival & Departure.    

VIDEO: A behind-the-scenes peek in the rehearsal room of ‘Arrival & Departure’

More Info/Get Tickets

New play ‘Arrival & Departure’ inspired by “the most romantic film ever made”

profile

Trevor Howard and Celia Johnson in ‘Brief Encounter.’

Everyone has their most-cherished romantic movie. Even the professionals who make movies. When Time Out London recently polled 101 motion picture experts to select the 100 Best Romantic Films of all time, the panel voted the 1945 classic film Brief Encounter as #1, declaring it “the most romantic film ever made.” They’re not the only ones who think so. The Film Society of Lincoln Center named it “one of the most achingly romantic films ever made.”

What makes Brief Encounter so beloved and unforgettable? Have you seen it? No?  

Directed by David Lean with a screenplay by Noël Coward and starring Celia Johnson and Trevor Howard, Brief Encounter is a passionate film about a chance meeting, forbidden love, and finding one’s soul mate.

Now, seventy-three years after the release of the romantic masterpiece, Fountain Co-Artistic Director Stephen Sachs has been awarded exclusive permission by the Noel Coward Estate to transform the film Brief Encounter into his innovative new play, Arrival & Departure, opening July 14.  

Brief Encounter is a classic romantic drama set in 1945 during WWII in and around a London railway station. A married woman, with children, Laura (Celia Johnson), meets a stranger, a doctor (Trevor Howard) named Alec in the train station’s tea room, who kindly removes a piece of grit from her eye then leaves to catch his train. During her subsequent shopping trips every Thursday, Laura bumps into Alec and a friendship develops. Soon, the weekly meetings become an arranged rendezvous. Finally, they confess that they are deeply, overwhelmingly in love.

brief-encounter-1945-celia-johnson-trevor-howard-railway-station-00m-l0v-1920x1080

With its evocatively fog-enshrouded setting, swooning Rachmaninoff score, and pair of remarkable performances (Johnson was nominated for an Oscar), the film explores the thrill, pain, and tenderness of an illicit romance, and has influenced many a cinematic brief encounter since its release.

The screenplay was adapted and based on playwright Noel Coward’s 1935 short one-act (half-hour) stage play Still Life. It was expanded from five short scenes in a train station to include action in other settings (Laura’s house, the apartment of the married man’s friend, restaurants, parks, train compartments, shops, a car, a boating lake and at the cinema).

The central action of the film, the romance, takes place entirely in flashback, confessed via Laura’s voice-over narration, within Laura’s mind. She simultaneously recounts the story and lives it.

Brief Encounter is unlike other films of this era in its treatment of love and adultery. The honest portrayal of Laura and Alec make them both sympathetic. The two characters, both well-meaning commuters thrown into the rush of wrongful temptation,  remain unpunished for their sins. Although Brief Encounter has been labeled as “the British Casablanca”, the two masterpieces have different views of adultery. Casablanca carefully sides against it, the two lovers acknowledging that in times of war the needs of two people “don’t amount to a hill of beans in this crazy world.” Brief Encounter is far more ambiguous, offering both empathy to the characters’ plight and no clear conclusion on the morality of love and passion. They are just two ordinary people who live ordinary lives, but for a brief span of Thursdays, stand on the edge of something extraordinary.

ARRIVAL & DEPARTURE 2

Deanne Bray and Troy Kotsur in ‘Arrival & Departure.’

In Sachs’ new theatrical spin, Arrival & Departure, a Deaf man and a hard-of-hearing woman, two married strangers, meet accidentally in a New York City subway station. As their casual friendship develops into something deeper, each is forced to confront how their simmering relationship could forever change their lives and the lives of those they love.

The play is performed simultaneously in spoken English and American Sign Language with additional use of open captioning, so that both Deaf and hearing audiences can enjoy the production. Proving that whether it’s a movie transformed into a stage play, a screenplay adapted into a theatre script, or spoken English translated into American Sign Language, in matters of the heart, love is a universal language.

To watch David Lean’s classic romantic film, Brief Encounter, click here. To experience Stephen Sachs’ funny and heart-rending stage adaptation, Arrival & Departure, click here and come to the Fountain Theatre.

For both, bring a box of tissues and someone you love.