Category Archives: designers

First rehearsal for stage version of Potok’s ‘The Chosen’ at the Fountain Theatre

CHOSEN 1st Reh 1First rehearsals are remarkable things. They can be dicey affairs. Actors, newly bound together for the coming months, meet and size each other up for the first time. The director faithfully plots the course ahead. Schedules are planned. Design diagrams are plotted. All of it based on the belief that, through magic and hard work, everything will wondrously come to fruition by Opening Night. How? As confirmed in the movie, Shakespeare in Love, “It’s a mystery.”

There was no mystery at last night’s first rehearsal for our upcoming premiere of The Chosen. Judged by the high quality of the actors, director and design team, this stage version of the acclaimed Chaim Potok novel will be unforgettable for audiences in January.

CHOSEN 1st Reh 3

Sam Mandel and Alan Blumenfeld

Celebrating the 50th Anniversary of the most beloved novel about the American Jewish experience of the 20th Century, this acclaimed stage adaption of The Chosen is more timely than ever. Set in Brooklyn, 1944, It is a coming-of-age story of two observant Jewish boys who come from very different homes. When Reuven is injured by Danny during a heated baseball game, a unique friendship is born. As the boys grow to manhood, they are forced to learn important lessons about each other, their fathers and themselves.

Adapted for the stage by Aaron Posner and Chain Potok, The Chosen is directed by Simon Levy. It features  Jonathan Arkin, Alan Blumenfeld, Sam Mandel, and Dorian Tayler. 

CHOSEN 1st Reh 2

Performances begin January 17, 2018. More info/get tickets

Advertisements

New Video: Timely new play ‘Runaway Home’ is lyrical and powerful

Previews start this Wednesday, September 13. Opens Saturday, September 16th.

More Info/Get Tickets

Next at the Fountain: Powerful world premiere ‘Runaway Home’ is a poetic mother-daughter tale set in New Orleans

RUNAWAY HOME title image

Sometimes what you’re searching for is right where you started. The Fountain Theatre presents a powerful, funny and deeply moving mother-daughter story by Jeremy J. Kamps. Multiple award-winning Shirley Jo Finney returns to the Fountain to direct the world premiere of Runaway Home for a Sept. 16 opening.

Three years after Hurricane Katrina, the unhealed wounds of New Orleans’ Lower 9th Ward continue to fester. Camille Spirlin (ABC’s American Koko, Fox TV’s Rosewood, Nickelodeon’s Marvin Marvin) stars as 14-year-old runaway Kali. Rhyming, stealing and scamming her way through the still-destroyed neighborhood, she embarks on a journey to pick through the wreckage of what used to be her life. While the rest of the country’s attention drifts, the neighborhood’s residents are left to repair the damage from the inside out. As their attempts at renewal leave a path of destruction in their wake, Kali bears witness to what the floodwaters left behind. Also in the cast are Leith Burke (Citizen: An American Lyric at the Fountain,Neighbors at the Matrix), Jeris Lee Poindexter (The Darker Face of the Earth, Central Avenue, Gem of the Ocean at the Fountain),Armando Rey (Men on the Verge of a His-panic Breakdown at Macha Theatre), Maya Lynne Robinson (In the Red and Brown Water at the Fountain – LADCC Award, Best Ensemble), Brian Tichnell (Dream Catcher at the Fountain, HBOs Silicon Valley, L.A. Theatre Works’ national tour of The Graduate) and Karen Malina White (Citizen: An American Lyric and The Ballad of Emmett Till – Best Ensemble LADCC and Ovation Awards – at the Fountain, currently in As You Like It at Antaeus).

“This play couldn’t be more timely,” says Fountain co-artistic director Stephen Sachs. “Hurricane Katrina may have ceased in 2005, but the storm of racism, poverty and class inequality rages on in our country to this day. We need look no further than Flint, Michigan, to see systemic government prejudice against citizens of color and the poor. But as Jeremy’s play so beautifully demonstrates, the bonds of family and community will weather any storm.”

When Kamps traveled to New Orleans two years after Katrina to volunteer “gutting and mucking” (stripping homes to the studs to remove mold), he had been teaching middle school in Connecticut. He already had an idea in his head about a runaway girl who collects other people’s garbage, finding meaning in the meaningless.

“Kali’s world paralleled the displacement, hope for renewal, fracture and resilience I was seeing in the social-political reality of the Lower 9th Ward,” he explains. “Whenever a character’s inner life and experience are so congruent with an important social issue, that’s the story I want to write.”

While in New Orleans, Kamps met Antoine, a man in his ‘70s who had just returned to what had been his family’s home for generations. Antoine was going from house to house trying to trace relatives, friends, acquaintances and neighbors, to find out what had happened to them in the years since the storm. “His friendship helped me honor the stories of this community in a truthful way — to see the past, present and future of the Lower 9th through their eyes,” says the playwright.

According to Finney, “Because the media painted them as poor and impoverished, most people don’t realize that the residents of the Lower 9th were working class homeowners. Those homes had been in families for generations. Members of the community were expecting government funds so they could rebuild, but because of red tape and bureaucracy, the money never came, or it took so long that people had to end up using it for rent or just to eat.”

“The mother-daughter relationship becomes the pivotal heart space in this story about this community,” she continues. “The play is very funny because Kali is so spirited, but the rage, helplessness and loss that Kali and her mother share are the core of the play. That is the challenge they both struggle with to find their way back to each other and home. What happens to people when they aren’t seen, when they don’t feel safe? How do you begin to rebuild your life when nobody cares?”

Jeremy Kamps’s plays have received awards and recognition including the William Saroyan Human Rights Award Finalist (2016); Page 73 Semi-Finalist (2017); Ruby Lloyd Apsey Award (Gutting); The Goldberg Prize; Woodward International Playwriting (What It Means To Disappear Here); Hudson Valley Writers Center and the NYU Festival of New Works (Water Hyacinth). His play Breitwisch Farm will be produced by Esperance Theater Company in NYC later this year. Recent productions include Gutting, presented by the National Black Theatre of Harlem and What It Means To Disappear Here (Ugly Rhino, NYC). His work has been produced/developed with Esperance Theater Company, Company Cypher at the National Black Theatre of Harlem, Ugly Rhino, Dixon Place, Hudson Valley Shakespeare, The Amoralists and New York Theatre Workshop. His fiction has been published in The Madison Review and The Little Patuxent; has been honored with the H.E. Francis Award, the Howard/John Reid Fiction Prize and was a Lamar York Prize finalist; and has been recognized in Glimmertrain, Inkwell, The Caribbean Writer and New Millenium. He is a member of the Emerging Writers Group at the Public Theater. Also an educator and activist, Jeremy has lived and worked for lengthy periods of time in Latin America, India and East Africa, where he focused on support and empowerment for former child soldiers, displaced peoples and child rights. He recently received the Theatre Communications Group “On the Road” grant to return to Kenya where he conducted drama workshops as part of his research for a new play on flower farms. He has facilitated drama and writing workshops around the world and for all ages. He has an MFA in Dramatic Writing from NYU Tisch School of the Arts.

Shirley Jo Finney has previously directed acclaimed Fountain productions of Citizen: An American Lyric (selected for CTG’s first annual Block Party at the Kirk Douglas Theatre) The Brothers Size, In the Red and Brown Water (for which she earned her second Ovation award), Heart Song, The Ballad of Emmett TillYellowman, Central Avenue and From the Mississippi Delta.  Her work has been seen at the McCarter Theater, Pasadena Playhouse, Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, L.A. Theatre Works, Crossroads Theater Company, Actors Theater of Louisville Humana Festival, Mark Taper Forum, American College Theatre Festival, Kennedy Center for the Performing Arts and at the State Theater in Pretoria, South Africa, where she helmed a critically acclaimed production of the South African opera, Winnie, based on the life of political icon Winnie Mandela. For television, she directed several episodes of Moesha, and she garnered the International Black Filmmakers ‘Best Director’ Award for her short film, Remember Me.She is the recipient of the African American Film Marketplace Award of Achievement for Outstanding Performance and Achievement and leader in Entertainment.

The creative team for Runaway Home includes scenic designer Stephanie Kerley Schwartz, lighting designer Jennifer Edwards, composer/sound designer Peter Bayne, costume designer Naila Aladdin Sanders, props designer DeAnne Millais, choreographer TylerJanet Roston and dialect coach Tyler Seiple. The production stage manager is Jessaica Shields; associate producer is James Bennett; and Stephen SachsSimon Levy and Deborah Lawlor produce for the Fountain Theatre.

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the 2014 Ovation Award for Best Season and the 2014 BEST Award for overall excellence from the Biller Foundation; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s upcoming Block Party at the Kirk Douglas Theatre; and the naming of seven Fountain productions in a row as “Critic’s Choice” in the Los Angeles Times. The Fountain’s most recent production, the world premiere of Building the Wall by Pulitzer Prize-winning playwright Robert Schenkkan, ran for five months and was named “L.A. hottest ticket” by the Los Angeles Times.

Get Tickets/More Info

Sneak Peek: First rehearsal for ‘Building the Wall’ at Fountain Theatre

img_8775

Judith Moreland and James Macdonald

First rehearsals are often delicate events. Actors meet for the first time. Designers share their conceptual approaches for the production. The director articulates his or her vision for the journey ahead. Like on a first date, artists eye each other nervously, hoping this night’s first encounter will lead to a meaningful relationship so magic can be created together.

The tone of Monday night’s first rehearsal for the powerful new play Building the Wall by Robert Schenkkan was one of purpose, more than jittery vulnerability. Everyone in the room felt exhilarated by the social and political conviction of the project and aware of the publicity the new play has already generated nationwide. Schenkkan is a Tony Award and Pulitzer Prize winning playwright, and screenwriter of the Academy Award nominated Hacksaw Ridge

In Building the Wall, the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. As a writer interviews the former supervisor of a private prison, it becomes clear how federal policy has escalated into something previously unimaginable.   

This slideshow requires JavaScript.

Even before opening, the Fountain premiere of the new play has already been featured in the New York Times and the Washington Post. Our production is part of a National New Play Network Rolling World Premiere, with other openings set to take place at the Curious Theater in Denver, Forum Theater in Silver Spring, Md., Borderlands Theater in Tucson and City Theatre in Miami. 

The world premiere at the Fountain Theatre is directed by Michael Michetti, and features Judith Moreland and James Macdonald.  At Monday night’s first rehearsal, Co-Artistic Director Stephen Sachs welcomed the team and gave a short history of how the play came to the Fountain. Producer Simon Levy reviewed production protocol. Michetti spoke about the play.  Then, the actors opened their scripts and read the play together for the first time. The two actors were riveting, and the play will take audiences on a roller-coaster ride to its shattering ending. 

Now the work begins. Rehearsals are underway. Our world premiere of Building the Wall opens March 18 and runs to May 21.

Advance tickets for Building the Wall are selling quickly. We urge you to make your reservations early for this urgent and important new play by a major voice in the American Theatre.

More Info/Get Tickets        

Fountain Theatre honored with 3 Ovation Award nominations for ‘My Mañana Comes’

MY MAÑANA COMES

Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco

The Fountain Theatre has been honored with three Ovation Award nominations for its Los Angeles Premiere of My Mañana Comes by Elizabeth Irwin. Directed by Armando Molina, the fast-paced comedy/drama about four busboys in the kitchen of an upscale restaurant drew rave reviews. The talented cast featured Richard Azurdia, Pablo Castelblanco, Peter Pasco and Lawrence Stallings.

The Ovation Awards are the only peer-judged theatre awards in Los Angeles, created to recognize excellence in theatrical performance, production and design in the Greater Los Angeles area.

The Fountain Theatre production of My Mañana Comes has received the following nominations:

  • Best Production of a Play 
  • Best Acting Ensemble of a Play – Richard Azurdia, Pablo Castelblanco, Peter Pasco and Lawrence Stallings
  • Best Scenic Design – Michael Navarro 

For the 2015/16 Ovation Awards voting season, there were 280 productions registered from 116 different organizations, resulting in nominations for 70 productions from 45 organizations. These productions were voted on by 233 Ovation Awards voters — vetted individuals from the Greater Los Angeles area who are working theatre professionals.

The 27th Annual LA STAGE Alliance Ovation Awards will occur on Tuesday, January 17, 2017 at The Ahmanson Theatre in Downtown Los Angeles. More info

Full list of nominees

Fountain Theatre honored with 21 StageSceneLA Awards

4

Philip Solomon, Thomas Silcott “The Painted Rocks at revolver Creek”

The Fountain Theatre has been honored with 23 awards of excellence from StageSceneLA for productions in its 2015-16 season. Fountain productions awarded were the west coast premiere of Athol Fugard’s The Painted Rocks at Revolver Creek, the world premiere of Dream Catcher by Stephen Sachs, the Los Angeles premiere of My Mañana Comes by Elizabeth Irwin, and the west coast premiere of Tennessee Williams’ Baby Doll.   

Since 2007, Steven Stanley’s StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Awards. 

The Fountain has been honored with the following awards this 2015-16 season:

YEAR’S BEST INTIMATE THEATERS
The Fountain Theatre

OUTSTANDING PRODUCTION, DRAMA (INTIMATE THEATER)
The Painted Rocks At Revolver Creek 

OUTSTANDING PRODUCTION, COMEDY-DRAMA (INTIMATE THEATER)
My Mañana Comes 

OUTSTANDING PRODUCTION, COMEDY (INTIMATE THEATER)
Baby Doll 

b_d_0663

Daniel Bess, Lindsay LaVanchy, John Prosky in “Baby Doll”

STAR-MAKING PERFORMANCE (Play)
Lindsay LaVanchy in Baby Doll

OUTSTANDING PERFORMANCE BY AN ACTOR IN A LEADING ROLE—DRAMA (INTIMATE THEATER)
Gilbert Glenn Brown, The Painted Rocks At Revolver Creek
Thomas Silcott, The Painted Rocks At Revolver Creek

OUTSTANDING PERFORMANCE BY AN ACTRESS IN A LEADING ROLE—DRAMA (INTIMATE THEATER)
Suanne Spoke, The Painted Rocks At Revolver Creek

OUTSTANDING PERFORMANCE BY AN ACTOR IN A LEADING ROLE—COMEDY (INTIMATE THEATER)
John Prosky, Baby Doll

OUTSTANDING PERFORMANCE IN A TWO-HANDER (INTIMATE THEATER)
Elizabeth Frances and Brian Tichnell, Dream Catcher

DC_A0134 (2)

Elizabeth Frances and Brian Tichnell in “Dream Catcher”

OUTSTANDING PERFORMANCE BY A CHILD ACTOR
Philip Solomon, The Painted Rocks At Revolver Creek

OUTSTANDING PERFORMANCE BY AN ACTOR IN A FEATURED ROLE—COMEDY (INTIMATE THEATER)
Daniel Bess, Baby Doll

OUTSTANDING PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE—COMEDY (INTIMATE THEATER)
Karen Kondazian, Baby Doll

OUTSTANDING ENSEMBLE CAST PERFORMANCE—COMEDY-DRAMA (INTIMATE THEATER)
Richard Azurdia, Pablo Castelblanco, Peter Pasco, and Lawrence Stallings, My Mañana Comes

MY MAÑANA COMES

Lawrence Stallings, Pablo Castelblanco,  Richard Azurdia, Peter Pasco, “My Manana Comes”

OUTSTANDING DIRECTION (MULTIPLE PRODUCTIONS)
Simon Levy—Baby Doll, The Painted Rocks At Revolver Creek

OUTSTANDING DIRECTION, COMEDY-DRAMA (INTIMATE THEATER)
Armando Molina—My Mañana Comes

OUTSTANDING PRODUCTION DESIGN (INTIMATE THEATER)
Baby Doll , My Mañana Comes, The Painted Rocks At Revolver Creek 

OUTSTANDING FIGHT CHOREOGRAPHY
Mike Mahaffey,  Baby Doll

OUTSTANDING LIGHTING DESIGNER
Luke Moyer

COMPOSER OF THE YEAR                                                                                                                    Peter Bayne, Dream Catcher 

SCENIC DESIGNER OF THE YEAR
Jeff McLaughlin

SOUND DESIGNER OF THE YEAR
Peter Bayne

Congratulations to all the winners. Full list here

The magic glows to life at ‘Baby Doll’ tech rehearsal

1

Baby Doll tech rehearsal 

It happens so often at tech rehearsal. And yet, each time it happens, it feels like the first. That magic moment when the colored lights are turned on the first time, the sound is turned up, the costumes are put on, the props are placed in hand. Suddenly the weeks of hard work in the empty rehearsal room blossom to life as the design elements add their wonder. This happened, this week, in tech rehearsals for our upcoming West Coast Premiere of Tennessee Williams’ Baby Doll. It opens July 29.

The cast worked through their cues under the watchful eyes of lighting designer Ken Booth, set designer Jeff McLaughlin, sound designer/composer Peter Bayne, costume designer Terri A. Lewis and props designer Terri Roberts, all under the guidance of production stage manager Emily Lehrer and director Simon Levy.

The meticulous process of technical rehearsals — when light & sound cues are painstakingly timed and drilled — can be tedious. But the end result can be marvelous. As was the case this week with Baby Doll. It’s going to be a beautiful production.  

Enjoy these snapshots from tech rehearsal. You’ll be dazzled when you see the finished production.  

This slideshow requires JavaScript.

More Info/Get Tickets