Category Archives: Fountain Theatre

Theater producer and consultant Diana Buckhantz joins Fountain Theatre Board of Directors

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The Fountain Theatre is pleased to welcome veteran theater producer and public relations consultant Diana Buckhantz to its Board of Directors.

Diana Buckhantz recently produced the critically acclaimed new musical Songbird in New York City which is about to have a second production at Two Rivers Theatre this June before an eventual return to New York. She was part of the producing team that brought the Tony-nominated musical Leap of Faith from the Ahmanson Theatre to Broadway. Her producing credits also include Standing on Ceremony: The Gay Marriage Plays at the Minetta Lane Theatre in New York and The Last Goodbye at the Old Globe.

“I have been seeing shows at the Fountain for many years and have always been so impressed by the quality of the work,” says Buckhantz. “Excellent writing, beautifully staged productions and wonderful acting – all wrapped around and illuminating the important social and moral issues of the day. I believe that theatre should entertain but also that it should stimulate audiences to challenge their values and belief systems.  The Fountain does this in engaging and thoughtful ways. I am excited to join the board to help support this important work and help the theatre to grow and expand its reach. “

Diana began her professional career producing award-winning documentaries including “Dying with Dignity,” “Hunger in the Promised Land, and “Not A Question of Courage,” all for KTLA. Her documentaries have also received two National EMMY awards, two local EMMY Awards, the Scripps Howard Award for Broadcast Journalism, the State Bar of California Public Service Award, the NAPTE National Iris Award, the National Education Award, three Angel Awards, and the Kenny Rogers World Hunger Media Award.

While a producer at ITC Productions, she received an Associate Producer credit for the feature film “Without A Clue,” starring Michael Caine and Ben Kingsley.

Currently, she also runs her family foundation which focuses on issues around runaway and homeless youth, arts education in the schools, aging, reproductive rights, and combating genocides and mass atrocities in Africa.

She proudly serves on the boards of Center Theatre Group, Los Angeles Youth Network, Jewish World Watch and Capital and Main.

Her greatest production, however, is her son Sam.

“Diana has been a fan of the Fountain for some time, ” says Co-Artistic Director Stephen Sachs. “Her professional experience as a theater producer and her dedicated service on notable non-profit boards makes her a very strong asset to our Fountain Family. We are thrilled to have her on our Board of Directors. “

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She strolled into the theatre lobby that night and my heart jumped

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The Canon Theatre, Beverly Hills

by Stephen Sachs

She called to take me up on my offer. I struggled to place who she was. A young woman from my Playwrighting Group in Hollywood willing to volunteer to usher at my theatre in Beverly Hills for the perk of seeing our long running hit play for free. I pretended to recognize her name but my mind raced. Who was she? A fellow writer? An actress?

“Sure, you can usher,” I muttered distractedly to the mysterious voice on the other line. “Be here at the theater tonight. Wear a black skirt or slacks. A white blouse. I’ll show you what to do.”

Part of my job as the theater manager at the Canon Theatre in Beverly Hills was to recruit volunteers to usher. The theatre was enjoying a celebrated 16-month run of A.R. Gurney’s play about friendship and romance, Love Letters, starring a rotating parade of famous actors, including Ben Gazarra, Gena Rowlands, Christopher Reeve, Whoopi Goldberg, Charlton Heston, Robert Wagner, Richard Thomas, Matthew Broderick, Helen Hunt, and many more. Because the celebrity roster changed every week, recruiting volunteer ushers eager to see the play wasn’t difficult. It often meant mobilizing a house staff of enlisted actors, wannabe screenwriters, middle-aged theatre junkies, and westside seniors looking for something to do. Then came the phone call from the enigmatic young woman.

She arrived that night precisely on time. I was standing in the theatre lobby, busily counting programs for that evening’s performance. I turned and glanced at the front entrance. Gliding in through the glass doors, the sun setting behind her and highlighting her slim form, strode a beautiful blonde in a black skirt, a white blouse, flashing a warm, inviting smile. My body jolted, even in my pressed suit. I stopped breathing. This is Los Angeles. Attractive women are everywhere. Something about her was different.

My hands shook as I demonstrated to her how to properly tear a theater ticket stub. Did she spot I was trembling? She leaned forward. Her warmth smelled delicious. Inside the theater before opening the doors, I stumbled down the carpeted aisle of empty seats with her, doing my best to outline our audience seating protocols, all the while my thoughts catapulting into a pathetic frenzied mantra, Ask her out, you idiot! Ask her out! Don’t let her get away. When the night’s performance ended, as we picked up littered programs from the floor and flipped up the seats, I asked her to join me for a bite to eat. She said yes.

We strolled south down Beverly Drive to an Italian restaurant still open and had pizza. Over wine, I explained that I was coming out of a long-term relationship and just wanted to stay casual. She confessed that she was ready to give up on dating and didn’t know how to be casual. We talked, we laughed, and we closed the place down.

Soon, we were catching new plays at The Music Center, having a ball at a jazz club in Encino, savoring intimate dinners on Melrose. We’d step out of my small apartment in Beachwood Canyon for late night strolls through the Hollywood Hills, talking non-stop, plotting our careers and confiding aspirations. The production of Love Letters at my theater provided the perfect background for our blossoming relationship. The play chronicles the bond that develops between a man and a woman as they share their hopes and ambitions, their dreams and disappointments, their triumphs and heartbreak.

Because Love Letters starred a new pair of celebrity actors each week, our theater was bombarded with flowers delivered to the stage door by fans. I would collect the dozens of bouquets and vases and display them around our lobby, filling the entranceway with bright color and sweet fragrance. Never imagining that one bouquet would help change the course of my life.

Late one night, following another sold out performance, I was locking up the Canon Theatre for the evening. The audience had gone home, the theatre was dark and empty. She was waiting patiently for me outside as I closed. We were on our way to a party in Brentwood. It was a warm August evening and she wore a lovely white linen dress. She beamed, fresh and radiant. I grabbed a large bouquet of flowers from the lobby and presented them to her with a flourish under the front marquee outside. She blushed and kissed me. We then turned and walked down Canon Drive to the car.

What happened next is difficult to describe.

As we strolled down the narrow sidewalk, she suddenly took my arm. We marched forward, arm in arm. I then glanced at her. At the two of us, together, arms interlocked. My suit. Her white dress. Flowers clutched in her hand. In that instant, I saw us. In a flash, time stopped, collapsed, and rushed forward. It was like peering into a looking glass, a crystal ball and a rear-view mirror, all at the same time. I saw our past, present and future together, as best friends, as life partners, as husband and wife, compressed into one perfect vision. I saw it.

“It’s you, isn’t it?” I whispered.

A recognition of the other.

It’s you.

We were married, exactly one year from the night we first met. One year to the day from that first afternoon when she stepped through those glass doors and into the lobby, and my life, forever.

Stephen Sachs is the Co-Founder and Co-Artistic Director of the Fountain Theatre in Hollywood. Stephen and his wife, Jacqueline, have been married twenty-seven years and have two sons. 

Akiva Potok, son of ‘The Chosen’ author, joins cast of acclaimed production for Q&A

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Akiva Potok chats with the company of ‘The Chosen’ and audience in Q&A.

What’s it like to grow up in a house where your father is the author of a beloved internationally best-selling novel dubbed “the Jewish Catcher in the Rye” that is taught in classrooms around the world? Last night, you could have asked Akiva Potok this question yourself, when the Fountain hosted a Q&A discussion following the sold-out performance of the stage adaptation of Chaim Potok’s The Chosen. Akiva is Chaim Potok’s son. 

The lively conversation with Potok drew intriguing questions from the audience. Akiva described his relationship with his world-famous father as one that grew closer when Akiva was in his early twenties and his father gave himself permission to become more open and vulnerable with his son. Audience members commented on the skill and authenticity of the actors and the powerful appeal of the story.  One gentleman pointed out that the play’s central spiritual and philosophical theme, that two opposing realities can be true at the same time, has been proven in modern physics and quantum theory.  

Akiva was joined onstage by actors Jonathan Arkin, Alan Blumenfeld, Dor Gvirtsman, Sam Mandel, and director Simon Levy. The discussion was moderated by Co-Artistic Director Stephen Sachs. 

Our acclaimed production of The Chosen continues our relationship with the work of Chaim Potok, adaptor Aaron Posner, and Potok’s son, Akiva. The Fountain produced the Los Angeles premiere of Potok’s My Name is Asher Lev in 2014, also adapted by Posner. Akiva visited the Fountain and joined the company for a fascinating post-show discussion at that time, as well.  

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Akiva Potok (center) and the company of ‘The Chosen’. 

Akiva Potok is an award-winning screenwriter, film producer and cinematographer. His latest film, Haze (2016, cinematography) was released theatrically and is presently in distribution on Netflix.  It was hailed by Variety as “Accomplished and energetic” and the LA Times called it a “Fresh take on fraternity life.” It has screened at ten film festivals and at over fifty college campuses stimulating much-needed conversation on the topic of hazing. Akiva’s other films have featured at festivals such as Sundance, Cinequest and The Brooklyn Film Festival as well as many others. Akiva Potok received his MFA from USC’s School of Cinematic Arts in 2003 and presently resides in Beverly Hills, CA.

The sold out run of The Chosen has been extended to May 14th. Get Tickets/More Info

When City Hall and local artists work together, all citizens of our city benefit

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Reading of ‘All the President’s Men’, LA City Hall, Jan 27th, 2018.

by Stephen Sachs

Los Angeles is hailed as The City of Dreams. But our one-night reading of William Goldman’s screenplay for All the President’s Men at City Hall inspired me in one way that I could never imagine.

We knew we had a good idea. The right project at the right time delivering the right message for the right reason. We knew inviting celebrity actors to participate would heighten public interest. We knew we had the ideal location in the Los Angeles City Council Chamber at City Hall. What I didn’t know, what caught me by surprise, were the men and women who work there.   

The Fountain Theatre has enjoyed a longtime friendship with the City of Los Angeles. We have benefited from the generous grant support of the Department of Cultural Affairs for more than twenty-five years.

Eric Garcetti was our City Councilmember in District 13. His parents, Gil Garcetti and Sukey Roth Garcetti, are longstanding Fountain Theatre members. Eric was more than our Councilmember for twelve years. He was our friend. I am forever grateful to Eric and his staff for coming to our side at the Fountain Theatre’s moment of darkest tragedy.

Our beloved Fountain colleague Ben Bradley was savagely murdered in his apartment on New Year’s Day, 2010. We were inundated with calls and emails of condolence from the LA theatre community. Eric’s staff at Council District 13 came by our office, in person, asking, “What can we do to help?” I was blown away. We sat down together, shared memories of Ben, and planned his memorial service at the Gallery Theatre in Barnsdall Park. Eric’s office arranged for us to have access to the venue at no charge. Eric attended the memorial and spoke at the service. He showed up for us. He was there.        

Eric was elected mayor of Los Angeles in 2013. My wife and I happily attended his reelection swearing-in ceremony last year on the steps of City Hall. For five years, The Fountain’s City Councilmember has been Garcetti’s former District Director and senior advisor, Mitch O’Farrell.

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Stephen Sachs and Councilmember Mitch O’Farrell

Mitch has always been a strong advocate for the arts in Los Angeles. For years, Mitch has championed the significance of the network of intimate theatres throughout our city. He took a stand and spoke out publicly on our behalf when we battled with Actors Equity Association over the 99-Seat Plan. He was instrumental in designating a section of Santa Monica Blvd in Hollywood as Theatre Row. He knows intimate theatres enhance the cultural landscape of Los Angeles. Once an actor and dancer himself, he is one of us. He gets it.

I placed a call to Mitch’s Field Deputy, Dan Halden, last year about our reading of All the President’s Men. I was adamant that the reading happen close to January 20th, the one-year anniversary of the Trump administration. I was looking for the appropriate location. It needed it to be some place symbolic. I wanted the building itself to hold meaning, make a statement. I called Dan thinking a room at City Hall would be good. Dan agreed. I was then floored when he suggested, “You know, the City Council Chamber might be available. Your actors could sit in the Councilmembers’ chairs …” It was then that the event crystalized from an idea in my mind into something I could see.

Months of planning quickly followed. We had to move fast. The Fountain staff leaped into action. A casting director was hired. A consulting firm was brought on. Most remarkably, Dan Halden and his team at Council District 13 were hands-on, all the way. When using a City building for a public event, every detail must be worked out. Security, parking, access, maintenance, the LAPD, the Fire Department, the press, catering, the offices that oversee use of equipment. All of this was handled through a blizzard of emails, phone calls and in-person meetings with Fountain staff and CD13 personnel. Everything overseen by Councilmember Mitch O’Farrell.  

Receiving a grant award from the City of Los Angeles is a wonderful thing. Financial support from the city is essential and the Fountain is deeply grateful each year. All the President’s Men demanded a different kind of support from the city. It was more than just signing contracts and receiving a check in the mail. This was the rare, exhilarating experience of two teams working together, of Fountain staff and City staff rolling up their sleeves and getting the nuts-and-bolts items done. We were truly partners. Fully invested personally, professionally and ideologically. All of it executed with efficiency, good humor, and energized by knowing that we were pulling off something that had never been done before in that building.

I am so proud of our city. What other major city in the country would hand over City Hall to its artists? Would have its Councilmembers allow artists to literally sit in their seats for one night to express an urgent fundamental truth about our country through their art?

As Washington wallows mired in stagnant gridlock, the city of Los Angeles offers a lesson in public partnership to the nation. When I first called Mitch O’Farrell’s office with the idea to use City Hall as a civic performance space for this reading, the expected government response would have been “no”. Instead, carrying forward the heartfelt spirt of his predecessor, Mitch O’Farrell answered, “What can we do to help?”

I believe last Saturday night’s reading of All the President’s Men at City Hall was a watershed moment in our city’s engagement with local arts organizations. We should not let it end there, on that evening. Our hope is that we use the lessons and rewards earned from this experience to discuss more partnerships like this in the future. When local artists and city government officials work together, all citizens of our city benefit.  

“Art can highlight things that need to change,” Mitch O’Farrell pointed out to the City Hall crowd in his opening remarks for All the President’s Men. “And draw parallels to historical lessons that can propel humanity forward.”  

Stephen Sachs is the Co-Artistic Director of the Fountain Theatre.  

Photos: Fountain Theatre’s all-star reading of ‘All the President’s Men’ soars at LA City Hall

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The company of ‘All the President’s Men’

Saturday night’s exhilarating reading of All the President’s Men at Los Angeles City Hall was an historic event. Not only was it a powerful statement advocating Freedom of the Press and honoring American journalism, it demonstrated a watershed moment in our city’s engagement with local arts organizations. Never has the City of Los Angeles handed over its Council Chamber to a theatre company and partnered with it in this way. We applaud Councilmember Mitch O’Farrell and his staff for making it possible.

The Fountain Theatre believes that events like All the President’s Men, where art and politics intersect to enhance our civic discourse, are essential to an informed society.  We believe a small theatre can do big things.  As Charles McNulty stated in his feature story on our event in the Los Angeles Times, “it is heartening to see an intimate theater like the Fountain advocating for what is in our collective interest as a nation.”

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Jeff Perry and Joe Morton, co-stars on ABC-TV’s hit series Scandal, took on the roles of Washington Post editor Ben Bradlee and anonymous source “Deep Throat,” joining alumni of The West Wing Bradley Whitford as Bob Woodward and Joshua Malina as Carl Bernstein; Richard Schiff as Post local news editor Harry Rosenfeld; and Ed Begley, Jr. as managing editor Howard Simons. The cast also featured Sam AndersonLeith BurkeSeamus DeverJames Dumont, Arianna OrtizSpencer GarrettDeidrie HenryMorlan HigginsAnna KhajaKaren KondazianRob NagleVirginia NewcombLarry Poindexter and Andrew Robinson. The reading was directed by Stephen Sachs, with sound design by Peter Bayne. 

The reading supported, in part, the Society of Professional Journalists, the nation’s oldest organization representing American journalists, founded to protect journalism and dedicated to the continuation of a free press. We were honored to be joined by the Los Angeles Press Club, which supports, promotes, and defends quality journalism in Southern California with the belief that a free press is crucial to a free society. And The American Civil Liberties Union of Southern California, defending the fundamental rights of each citizen as outlined in the United States Constitution and the Bill of Rights.

“We have a commander-in-chief who does not respect or even understand the freedoms embedded in our Constitution or its First Amendment,” said Councilman Mitch O’Farrell, who hosted the reading in the John Ferraro Council Camber. “The Trump administration’s war on the First Amendment includes repeated degradations of the role of media in our society and repeated invocations of ‘fake news’ when the absolute truth does not suit him, blacklisting press on occasion, including, and not ironically, The Washington Post, [and] open discrimination and intolerance under the guise of religious freedom.”

“In Los Angeles, we hold these values dear,” O’Farrell continued. “Donald Trump and his administration do not represent our values. The state of California and the city of Los Angeles, we are leading the resistance. All of us gathered here tonight, we are part and parcel of that resistance.”

“I am so proud of our city,” stated Stephen Sachs in his remarks before the reading. “What other major city in the country would hand over City Hall to its artists? Would have its Councilmembers allowing artists to literally sit in their seats for one night to express an urgent fundamental truth about our country through their art?”

“To every news man and news woman in this room,” Sachs continued. “To every reporter, every elected official, every artist, every citizen – we offer this reminder of hope. The truth will set us free.”

Jeff Perry and Joe Morton of ‘Scandal’ join cast of ‘All the President’s Men’ at City Hall

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Full cast announced for celebrity reading

Final casting has been announced for the all-star reading of William Goldman’s screenplay for All The President’s Men scheduled to take place this SaturdayJan. 27 in the John Ferraro Council Chamber of Los Angeles City Hall.

Based on the book by Washington Post reporters Bob Woodward and Carl Bernstein, the 1976 film All The President’s Men tells the story of their Pulitzer Prize-winning investigation of the Watergate scandal, which brought down the presidency of Richard M. Nixon.

Jeff Perry and Joe Morton, co-stars on ABC-TV’s hit series Scandal, will take on the roles of Washington Post editor Ben Bradlee and anonymous source “Deep Throat,” joining previously announced alumni of The West Wing Bradley Whitford as Woodward and Joshua Malina as Bernstein; Richard Schiff as Post local news editor Harry Rosenfeld; and Ed Begley, Jr. as managing editor Howard Simons. The cast will also feature Sam AndersonLeith BurkeSeamus DeverJames Dumont, Arianna OrtizSpencer GarrettDeidrie HenryMorlan HigginsAnna KhajaKaren KondazianRob NagleVirginia NewcombLarry Poindexter and Andrew Robinson.

The reading is being presented by the award-winning Fountain Theatre and co-sponsored by the City of L.A., the Los Angeles Press ClubDavis Wright Tremaine LLP and the American Civil Liberties Union as a statement asserting the First Amendment, advocating freedom of the press and honoring the tenacity of American journalism in a free society. Although admission to the reading is free of charge, any voluntary donations will support, in part, the Society of Professional Journalists, the nation’s oldest organization representing American journalists, founded to improve and protect journalism and dedicated to the perpetuation of a free press.

To date, over 5,000 reservation inquiries have been received. With only 240 seats available in the council chamber at City Hall, the producers have instituted a lottery system. No further requests are being accepted.

“We knew this would be a must-see event but this goes beyond our wildest expectations,” says Fountain Theatre co-artistic director Stephen Sachs. “It shows how passionate the public feels about these urgent issues of Freedom of the Press and the sanctity of the First Amendment.”

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PHOTOS: Cast and guests enjoy opening night party for ‘The Chosen’

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The company of ‘The Chosen’

A beautiful and heartfelt performance was followed by a lively party as cast and audience members celebrated the opening of The Chosen at the Fountain Theatre on Saturday night, January 20th.   The sold-out house leapt to their feet in a standing ovation, then gathered upstairs in our indoor/outdoor cafe for food, drink and festivities with the company.

Actors Jonathan Arkin, Alan Blumenfeld, Dor Gvirtsman and Sam Mandel were feted by Fountain VIP donors, invited guests and members of our Board of Directors.

Looks like the Fountain has another hit on its hands. performances for The Chosen are already selling out in advance. Get Tickets/More Info