Category Archives: non-profit organization

Cast announced for special reading of Lauren Gunderson’s ‘Natural Shocks’ at Fountain Theatre

Actresses Amy Pietz, Victoria Platt, Suanne Spoke, and Sabina Zuniga Varela will combine their versatile talents to play the same lead character in a special reading of Natural Shocks, Lauren Gunderson’s funny and powerful new play on gun violence and gun control, at the Fountain Theatre on Friday, April 20th at 11:19am. Co-Artistic Director Stephen Sachs directs.

The timing is intentional: April 20 is the 19th anniversary of Columbine and the day of the National School Walkout, organized by the student activists in Parkland, Florida. The reading at the Fountain Theatre starts on April 20th at 11:19am, the date and exact time of the Columbine shooting.

“The Fountain Theatre has a long history of social and political activism,” explains Sachs. “Our celebrity reading of All the President’s Men at LA City Hall and our world premiere of Robert Schenkkan’s Building the Wall are recent examples. With Lauren’s play, I believe we need to add our voice,  as theatre artists and citizens, to the national outcry of young people across the country against gun violence and advocate for gun control in this country.”

Amy PietzAmy Pietz has appeared in over 300 episodes of television, most recently starring opposite Jason Alexander on Hit The Road.  She was a series regular on No Tomorrow, The Nine Lives of Chloe King, Aliens in America, Rodney, The Weber Show, Muscle and Caroline in the City (SAG Award Nomination for Best Actress in a Comedy).  She has had recurring or guest starring roles on: You’re The Worst, The Magicians, The Office, Trust Me, Maron, How To Get Away With Murder, Dexter, Curb Your Enthusiasm, and many others.  Film roles include those in The Year of Spectacular Men, Halfway, Prom, The Pact II, Autumn Leaves, Rudy, Jingle All the Way, Dysenchanted, Jell-Oh Lady, The Whole Ten Yards, and others. Her favorite theatre credits include: Stupid Fucking Bird at the Theatre @ Boston Court (Ovation Award, LA Drama Critics Circle Award), The Boswell Sisters at The Old Globe Theatre, Christmas In Naples at the Williamstown Theatre Festival, Lobby Hero at the Odyssey Theatre (Ovation nominated), Fiorello and Company (Ovation Award nomination for Best Featured Actress in a Musical).  Currently producing a film on gun control called Bodyman, Amy is passionate about getting guns off of our streets.

Victoria PlattVictoria Platt is currently in Antaeus Theatre Company’s production of Native Son. THEATRE: Jelly’s Last Jam (BROADWAY), Building the Wall and Roxy in Cyrano (Fountain Theatre), Venice (Public Theater & Kirk Douglas Theatre – Ovation Award Nom), Sammy (Old Globe), Pippin (Mark Taper Forum, Asphalt (Red Cat), Atlanta (Geffen).  Select TV/FILM: Major Crimes, Bones, The Mentalist, Castle, Criminal Minds and contract roles on both All My Children & Guiding LightH4 (adaptation of Henry IV which she co-produced with Harry Lennix & Terrell Tilford) and as Josephine Baker in HBO’s Winchell. Upcoming film:  #Truth (Charles Murray dir.), The Gleaner (opp. Angus MacFadyen, Harry Lennix dir.), InterferenceFramed and CW’s Lucifer.

Suanne SpokeSuanne Spoke has an extensive career in theatre, television & film, appearing in the critically acclaimed film Whiplash and starring in the feature film Wild Prairie Rose,  winning multiple awards on the festival circuit. On television Suanne recurred on Switched at Birth, Famous in Love and has guest-starred on many others. She can currently be seen recurring on General Hospital. She has performed at numerous theatres and has won every major acting & producing award in Los Angeles including three-time recipient of the Ovation Award/Lead Performance by an Actress. She was most recently seen in the West Coast premiere of Athol Fugard’s Painted Rocks at Revolver Creek  at the Fountain Theatre. Suanne serves on the faculty at the California Institute of the Arts, teaching acting in the Graduate Film Directing program.

Sabina Zuniga VeraleSabina Zuniga Varela, a native New Mexican based in Los Angeles, is an artist, educator and organizer committed to the path of social justice, authentic representation and storytelling.  She is an award winning theatre actor with an MFA from the University of Southern. California. She also holds an MA in Special Education with a focus on twice-exceptional/gifted learning. She is currently a producing director for the LA based theatre company: By The Souls of Our Feet. Most recently she was seen on stage at The Oregon Shakespeare Festival & Portland Center Stage in the title role of Luis Alfaro’s Mojada: A Medea in Los Angeles and was seen in Season 3, Episode 3 of ABC’s American Crime.

Based on Hamlet’s “To be or not to be,” Natural Shocks is a classic Gunderson play: a 60-minute tour-de-force that bursts to life when we meet a woman waiting out an imminent tornado in her basement. She overflows with quirks, stories, and a final secret that puts the reality of domestic violence and guns in America in your very lap. The play is part confessional, part stand up, and part reckoning.

“The play is written as a solo play for one actress,” explains Sachs. “I have Lauren’s permission to have four actresses read the role, as one voice. Together, they are one woman — and all women. I think having the play read by four women adds diversity, theatricality and a stylized musicality that is worth exploring.”

“I wrote the story to continue to push the narrative away from the perpetrators of gun violence and toward the people whose lives are lost, shattered, and shadowed because of it. So many of these people are women. And there is such a tight connection between violence against women and gun violence,” insisted Gunderson.

Gunderson is right: the connection between domestic violence and gun violence is well documented. More than half of the mass shootings from 2009-2016 involved a partner or family member. Nearly half of American women who are murdered are killed by their intimate partners. American women are 16 times more likely to be killed by a gun than women in other developed nations. The presence of a gun in a domestic violence situation makes it five times more likely that the woman will be killed. In short, domestic violence and grievances against women are the “canary in the coalmine” for gun violence. Any effort to end gun violence must address domestic violence as well.

Lauren GundersonLauren M. Gunderson is the most produced playwright in America of 2017, the winner of the Lanford Wilson Award, the Steinberg/ATCA New Play Award and the Otis Guernsey New Voices Award, she is also a finalist for the Susan Smith Blackburn Prize and John Gassner Award for Playwriting, a recipient of the Mellon Foundation’s 3-Year Residency with Marin Theatre Company, and a commissioned playwright by Audible. She studied Southern Literature and Drama at Emory University, and Dramatic Writing at NYU’s Tisch School where she was a Reynolds Fellow in Social Entrepreneurship. Her work has been commissioned, produced and developed at companies across the US including South Cost Rep (Emilie, Silent Sky), The Kennedy Center (The Amazing Adventures of Dr. Wonderful And Her Dog!), Oregon Shakespeare Festival, The O’Neill, The Denver Center, San Francisco Playhouse, Marin Theatre, Synchronicity, Berkeley Rep, Shotgun Players, TheatreWorks, Crowded Fire and more. She co-authored Miss Bennet: Christmas at Pemberley with Margot Melcon, which was one of the most produced plays in America in 2017. Her work is published at Playscripts (I and You, Exit Pursued By A Bear, The Taming, and Toil And Trouble), Dramatists (The Revolutionists, The Book of Will, Silent Sky, Bauer, Miss Bennet) and Samuel French (Emilie). Her picture book Dr Wonderful: Blast Off to the Moon was released from Two Lions / Amazon in May 2017.

Reserve Seats to Natural Shocks at Fountain Theatre. National website

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VIDEO: Actors and director from’The Chosen’ share insights on acting, theatre and hit play

Sam Dor radio

Sam Mandel, Dor Gvirtsman with Deborah Kobylt

Director Simon Levy and actors Sam Mandel and Dor Gvirtsman enjoyed chatting about our smash hit production of The Chosen with talk radio/TV host Deborah Kobylt on Wednesday. The acclaimed sold-out run of The Chosen has been extended to June 10th. 

A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless father-son story about recognition and acceptance of “the other.”

CRITIC’S CHOICE… DEEPLY EMOTIONAL… reminds us to reach across divides” — Los Angeles Times

MAGIC… brilliantly presented… four stand-out actors… directed with visionary insight” — Broadway World

Deborah Kobylt hosts her own online radio/TV talk program, Deborah Kobylt LIVE, every Wednesday at 1pm on Universal Broadcasting Network (UBN).  

More Info/Get Tickets to The Chosen

Now Hiring: paid summer internship for college student at the Fountain Theatre

Annie at County Intern event June 2017Know a college student looking for a paying job this summer? A young person who likes theatre and enjoys working in a crazy, eccentric theatrical environment? Search no further. The Fountain Theatre is the place.

The Fountain Theatre is now accepting applications to hire one Development Intern for 10 weeks this summer between June and August. It is a full-time position (40 hours per week for 10 weeks) that pays $530 per week.   

Now in its 28th year, the award-winning Fountain Theatre is one of the most highly regarded intimate theatres in Los Angeles. The Fountain is dedicated to new plays that reflect the diversity of Los Angeles, educational outreach programs that enhance the lives of young people and utilizing theatre as a trigger for social action and community engagement.

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2016 Arts Intern Victoria Montecillo with Director of Development Barbara Goodhill

The Los Angeles County Board of Supervisors established the Arts Internship Program to provide undergraduate students with meaningful on-the-job training and experience in working in nonprofit arts organizations, while assisting arts organizations to develop future arts leaders. This is our fifth year participating in the program and we’ve had great luck with our summer interns. Each one has been incredibly helpful, has learned a great deal, and became part of our Fountain Family. We are still in contact with all of them.

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2017 Arts Intern Annie Barker with Fountain staff

2018 Arts Internship positions will be open to currently enrolled undergraduate (2 or 4-year) college students who reside or attend college in Los Angeles County. Students must have completed at least one semester of college by June 1, 2018, or will complete their undergraduate degree between May 1 – September 1, 2018 in order to participate. Students must be able to legally work in the United States. Students who have already earned a BA, BS or a higher degree are not eligible.

The Development Intern will receive valuable on-the-job training and professional experience in researching, writing, and submitting grant proposals to foundations and other funding organizations. The intern will assist in targeting and contacting new funding sources, creating and implementing new fundraising materials, and facilitate special events for donors and community partners.

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Arts Intern Lowes Moore

The intern candidate must have basic computer and word-processing skills (PC, Word, Excel, Internet), good communications skills and pleasant phone manner, organizational skills, be detailed oriented, and have the ability to multi-task in an intimate office environment. A sense of humor and a willingness to learn many aspects of theatre management. She/he should be self-motivated and have the ability to take initiative when required. She/he should also have a passion for theatre. Excellent writing and editing skills. An ability to work effectively both independently and cooperatively. Creativity, enthusiasm for learning, and an outgoing friendly demeanor. 

To apply, please email cover letter and resume to Stephen Sachs, Artistic Director, at stephen@fountaintheatre.com

This internship is sponsored by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission. 179  undergraduate interns will participate in the program this year at 127 performing, presenting, and literary nonprofit arts organizations and municipal arts agencies throughout LA County. In addition to their full-time 10 week paid internship, interns will participate in educational events as part of the program, which is funded by the Getty Foundation. The educational events are designed to provide interns with a broader perspective of the vibrant arts and cultural landscape of the County. For additional information on the Los Angeles County Arts Commission, the Arts Internship Program, and for a complete list of all the internships offered this summer, visit the Arts Commission website at https://www.lacountyarts.org/opportunities/arts-internship-program-students/about-arts-internship-program-students

VIDEO: Actress Monnae Michaell invites you to ‘Citizen’ at Our L.A. Voices at Grand Park

Monna Michaell

Monnae Michaell

The Fountain Theatre’s critically acclaimed, award-winning stage adaptation of Claudia Rankine’s Citizen: An American Lyric has been chosen as the centerpiece of Our L.A. Voices, a new festival celebrating the diversity and excellence of the arts in Los Angeles that will launch April 27-29 at Grand Park in downtown Los Angeles. A compelling play about racism in America, Citizen will represent excellence in Los Angeles theater at the multi-arts festival, with performances set for Friday, April 27 and Saturday, April 28. All performances are free to the public. 

Citizen: An American Lyric was adapted for the stage by acclaimed playwright and Fountain co-artistic director Stephen Sachs from Rankine’s National Book Critics Circle award-winning book of poetry. In this intensely provocative and unapologetic rumination on racial aggression directed by Shirley Jo Finney, seemingly everyday acts of racism are scrutinized as part of an uncompromising testimony of “living while Black” in America — from the shooting of Trayvon Martin, to the tennis career of Serena Williams to the aftermath of Hurricane Katrina.

Actress Monnae Michael invites you to join her and fellow cast members — Bernard K. Addison, Leith Burke, Tony Maggio, Adenrele Ojo and Lisa Pescia — to enjoy what Stage Raw critic Myron Meisel called “a transcendent theatrical experience.” 

 

More Info

Your stories matter: When encountering ‘the other’ becomes “just people being people”

diversity collageBy Dionna Michelle Daniel

Last week’s blog post,  I asked our Fountain friends and community to send in their own stories about how confronting “The Other” led to a deeper understanding and compassion. Below are a few responses we received. On the day we mark the 50th anniversary of the loss of Dr. Martin Luther King, we hope these stories on empathy and compassion inspire you.

Marrock Sedgwick, LGBTQ Activist & Filmmaker

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“I had some people come up to me after seeing my film that had some kind of spiritual reckoning within themselves making them tell me they will do better by LGBT people. That felt pretty damn good.Most of the time when I confront the other I just get told to ‘F’  off.” – Marrok Sedgwick

Manon Manavit, Director & Theatre Artist

Manon Manavit

Manon Manavit

“A man selling hotdogs in New York gave me a hot dog for free because he was ‘promoting peace between muslims and Jews’ it was so beautiful I cried..he was Palestinian” – Manon Manavit

Saurav Jammalamadugu, Actor

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“There was a moment where my family and I were on a train to Portland from San Jose and on the train, we were riding first class which meant we had access to a pretty fancy parlor car. Anyway, the lady who was serving us breakfast had to note and constantly point out “how strange it was” that my parents didn’t eat meat for religious purposes. So to calm the tension, I explained to her that we were Hindu, and that some people in our religion think that it’s harmful to eat something that’s killed but, I’d like a bacon, egg, and cheese sandwich. To which she again remarked how odd it was but after she walked away with our order seemed to realize that it was just people being people.” – Saurav Jammalamadugu

Thank you to all who responded, if you would like to share your story please email me at dionna@fountaintheatre.com! Your stories matter.

Dionna Michelle Daniel is the Outreach Coordinator at the Fountain Theatre.

Actor Dor Gvirtsman embraces a complicated role in hit play ‘The Chosen’ at Fountain Theatre

Dorian Tayler

Dor Gvirtsman

After taking a brief hiatus for the Passover holidays, our smash hit production of Chaim Potok’s The Chosen restarts its critically acclaimed run this weekend. With every performance sold-out since it opened in January, this second and final extension continues to June 10th. 

We caught up with actor Dor Gvirtsman as he prepared to leap back into the role of Danny Saunders, the brilliant and troubled son of the tzaddik Reb Saunders and destined to follow in his father’s footsteps as the leader of his ultra-Orthodox Hasidic community. 

Where were you born? 

I was born in Tel-Aviv, Israel, and grew up in the San Francisco Bay Area, primarily in Mountain View. Mountain View is a delightful, quiet suburb whose flashiest and most famous resident is Google.

Where did you train as an actor?

I started acting when I was in fourth grade, but I would say my formal training began at the California State Summer School for the Arts in 2011. It was the first time I was immersed in a conservatory-style program, learning about and actively training in theatre, day in and day out. Being involved with that program the summer after my junior year of high school solidified my decision to pursue a degree in acting.

The majority of my acting training occurred at the University of Southern California. That was where I truly learned the craft of acting: breaking ideas down into techniques that I could polish and practice through exercises, scene work, analysis, and performance. My third year I spent a semester training classically at the British American Drama Academy in London. It was a delightful opportunity to build and polish my technical skills by studying and working on Greek plays, Shakespeare, and Restoration Comedy in one of the greatest theatre cities in the world.

How long have you been in Los Angeles?

Six years. I came down here to study at USC, and then I made friends, fell in love, and started working.

In The Chosen, which aspect of Danny’s character do you identify with most?

Danny and I share a desire to understand people. Danny is raised in an absolute, fundamentalist world. The Biblical texts provide astounding analytical insight into law, sociology, and even general insights into the human condition, but provide fewer answers about detailed interpersonal dynamics. Those who are closest to Danny are a mystery. His father is revered by his friends and neighbors, yet provides Danny with no direct guidance or advice on how he is to fill his large shoes. Freud provides Danny with the tools to start understanding how and why people do what they do, in more absolute, specific terms than the Golden Rule.

One of the reasons I love acting is because it gives me the opportunity to think like, behave as, and understand people different than I am. A character I play may make choices I would never make, but in order to play those choices truthfully on stage or on screen, I must learn to understand why they are being made. What Danny sees in Freud, I see in acting: The opportunity to make sense of the people and the world around me, to embrace the complexity of a world that is far from absolute.

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Dor Gvirtsman and Sam Mandel

The difficult relationship between Danny and his father is key to the The Chosen. What’s it like acting opposite a partner who rarely speaks or looks at you?  

The onstage life between Danny and Reb Saunders is a delicate balancing act. When we do interact, we each need to respond to what the other is doing in as thoughtful, specific, and vulnerable a manner as possible. This is not only for the audience’s benefit, but also for each other. It’s how we can communicate: If I know exactly what Steve means by his action, it is easier to respond, and vice versa. The rest is built on the trust that when we aren’t interacting, we are each forwarding our story in our own way. This is developed through conversations between the actors and with the guidance of our director, Simon. Simon’s eye it vital when we actors can’t see each other.

When we do finally get to look at each other, I find many of the denser ideas in the play give way to the human story: A relationship between a father and a son who love each other. Danny defends his father throughout the play, even through his confusion and fury. When Red Saunders and Danny finally speak at the end of the play (spoilers!), the complexities in their relationship seem to give way to one of the most basic things adolescents hope to hear from their parents: I love you, and I am proud of the adult you have become. Having only recently come into an age where I could share moments like that with my own parents, its tremendously emotional experiencing that on stage. 

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The play served as important trigger in your artistic life. 

The Chosen was the first professional stage play I ever saw. I had seen, and performed in, school plays, but seeing The Chosen was the first time I saw theatre in the real world. They were using the medium not only to entertain, as school shows primarily do, but to ask real questions that pertained to my Jewish life and my prescient adolescence. It helped me regain confidence in my desire to act at a time when I was almost dead-set on giving it up because “that’s not what kids with actual friends do” in the mind of a young teenager. The Chosen was the right play at the right time, and it helped set me on my path to where I am today.

What’s it like being part of such a hit production?

It is a humbling, extraordinary privilege. I am touched and amazed by the fact that audiences continue to want to share their afternoons and evenings with us.

Deep into our run, we still have the pleasure to perform for sold-out houses. The jokes still land, the energy still changes in the room when we arrive at an emotional moment, and the role and the show provide new layers and moments to be uncovered. As we head into our extension, I’m starting to realize it may be a good long while until I have the pleasure of being a part of a show like this again. I’m thankful for every bite I get. It’s a little hard to not get sentimental about it.

What’s the most memorable thing an audience member has said to you after a performance?

I have gotten a few Brooklynites who come up to me after then show and told me they have seen and met some Williamsburg Hasids, and that I could pass for one. That is not only a fun premise for an Ocean’s Eleven style heist, but a profoundly moving comment to hear.

Even as a Reform Jew, the Orthodox world seems distant, and at times even foreign. It is often hard to reconcile the fact that people who are part of the same Jewish community as I am could see the world so differently than I do. Knowing that someone who is more intimately connected to the New York Hassidic community sees truth in Danny Saunders makes me feel like I have learned a little about a world I am not a part of. To me, that’s beautiful.

THE CHOSEN out front FT

What’s it like working at the Fountain Theatre?

Oh, it’s tremendous. To me, working at the Fountain is a gift for a young actor. To get to work on a play of substance with people of substance who care about this art form is special. I recognize that. We had the luxury of a long rehearsal process, so we had time to play with this show and experiment with our characters and relationships. We had the extraordinary privilege to work with our director, Simon Levy. He is an artist as passionate as he is compassionate, a patient and specific director with a beautiful vision. I always felt listened to and cared for, as a person and as a professional. Atmospherically, it was great getting to work at a theater where the staff like each other and enjoy working together. It’s not obvious. Artists don’t always get along, and that warmth goes a long way in making the artistic process feel safe and supported. I absolutely understand how the Fountain has cultivated its excellent reputation.

Dor Gvirtsman is an unusual name for an actor. Why did you revert back to it after first changing professionally it to Dorian Tayler? What led to that decision?

Dor backstage

Backstage at ‘The Chosen’

Dor Gvirtsman is the name on my birth certificate. It’s the original. Unfortunately, it’s not a typical “show business name”. People would ask me: What kind of a name is Dor? Dor, like a door? For years, people told me I would likely need to change my name if I want to be an actor. Gvirtsman has lots of consonants in a row; It wasn’t marketable. And I want to be an actor, so I ran with it.

People meeting me for the first time thought Dor might be short for Dorian. I’m a big Oscar Wilde fan, and I love the name Dorian, so that part was easy. Tayler came about as the result of my working at a summer theater program. The kids took one look at me and decided my name was Taylor. I thought it was odd, but interesting that the pure eyes of children decided this name was right for me. I liked the flow of Dorian Tayler: it sounded akin to the names of the English celebrities that I admired and were popular at the time.

However, in the past few years, the world has begun to change. We seem to be seeking a popular culture that reflects more of the population that consumes it. As a result, being your authentic self is becoming more celebrated. I thought, “If Saoirse Ronan could use her guest segment on Stephen Colbert’s show to explain how to pronounce her name, then there is a future for Dor Gvirtsman”. As more people in my professional acting life found out my real name, and didn’t run away in disgust and terror, I became more comfortable with the idea of using my real name in my acting career. When I was cast in The Chosen, I had the opportunity to join Equity. The application asked me what I wanted my professional name to be – I chose my authentic one.

It seems you guys in the cast get along well. What’s the backstage life like?

We get along fantastically well. It’s quite remarkable. We trust each other and love each other as artists and people. It made rehearsing this play a safe, special artistic experience, and it makes for a wonderful long run. This is a group of people I am excited to come in and work with every week.

On another note, we are a cast comprised of men spanning generations. John and Steve have had more experience in the industry than Sam and I. They will sometimes tell us stories about shows they’ve done and experiences they’ve had over the years, and it is delightful to hear and learn from their experience. We are all quite silly and irreverent for a cast of a show so full of ideas and tenderness. 

Any plans after this long run of The Chosen finally ends?   

I’m traveling back home to Israel to see my family and celebrate with them at my aunt’s wedding! After that, I want to dive right in to a new project. Any takers?

The Chosen is now playing to June 10th. More Info/Get Tickets

Communications specialist Carrie Chassin joins the Fountain Theatre Board of Directors

Carrie Chassin

Carrie Chassin

The Fountain Theatre continues to expand and broaden its Board of Directors with an elite team of highly-regarded and successful business, arts, legal and financial professionals. The Fountain is honored to welcome Carrie Chassin to the Board.  

“I am thrilled to be joining the dedicated members of the Fountain board in advancing the goals of this sparkling gem of Los Angeles, ” says Ms. Chassin. “The fearless productions have often reminded me of the role of drama in ancient Athens : inspiring, educating , entertaining, stimulating, challenging and uplifting. The clarity and talent on display at the Fountain stage have consistently provided me with the most satisfying theatre experience in our city.”

Carrie has spent her professional life engaged in controversial issues and crisis communications on behalf of Fortune 100 companies, governments, non-governmental organizations, environmental groups, industry associations, and Indian tribes. She developed and executed strategies responding to complex legal, legislative, regulatory, public opinion and media challenges. Many of these assignments involved advising CEOs, establishing and mobilizing grassroots organizations, media training, multiple forms of communication and complex negotiations. Her issues included major project siting, product liability, air quality, utility deregulation, labor disputes, water resources and preservation of wild lands and architecturally significant buildings. 

“Carrie brings a high level of clear organizational thinking to our Board of Directors,” states Co-Artistic Director Stephen. “She has dedicated her career to passionately defending the rights of people and groups fighting for the public good. She has strongly  advocated for issues that make the world a better place.”

Sachs jokes, “Besides, every non-profit theatre organization should have an expert on crisis management on its Board of Directors.” 

Carrie retired 6 years ago from her position as Executive Vice President at Winner & Associates, an international issue management firm and Winner & Mandabach Campaigns, a national, full-service ballot measure campaign firm where she managed all aspects of ballot measure and issue campaigns, including strategic planning, public opinion research, advertising, direct mail, digital/social media, phone banks, earned media, and grassroots/outreach activities.

Her successful campaigns in California included park and water bonds, eminent domain, taxes for rapid transit, and the legalization of Indian gaming. She was honored by 88 California tribes as a Great Warrior Woman during that campaign. She also represented the Choctaw Nation in preserving their water rights and in negotiations with the Smithsonian for what is now the annual Choctaw Days festival at the National Museum of the American Indian. Her theater work involved advising the Nederlander organization on their Greek Theatre contract with the City of Los Angeles.

She spent almost a decade at Exxon directing corporate philanthropy to the arts, education and community programs in the Western region. She served as media spokesperson, lobbyist, strategist and on the negotiating team that obtained federal, state and local permits for a $3 billion onshore and offshore oil and gas project in Santa Barbara County. She was also involved in legislative and regulatory issues related to all areas of Exxon’s interests in exploration, production, shipping, pipelines, refining and marketing.

Prior to working in the private sector, she served as a deputy to Los Angeles City Councilman Marvin Braude. Carrie has served on the board of directors of the Baldwin Hills Conservancy, the Los Angeles Regional Food Bank, Hillel and the Los Angeles Child Development Center. She was the first Chief Operating Officer of CALSTART, dedicated to the growth of a clean transportation.

Carrie has been married to Jochen Haber for almost 40 years. She swam into him at the Rec Center pool while a graduate student in urban and regional planning at UCLA. They still swim there together. She has one son and 3 grandchildren living in Amsterdam. She is also sculpts, paints, gardens and travels as much as possible.