Category Archives: non-profit organization

Victoria Platt is thrilled to join cast of ‘Building the Wall’ for second extension to Aug 27

Victoria Tillford

Victoria Platt

Sold out for four months and extended for the second time, Building the Wall and the Fountain Theatre have even more to celebrate: the return of Victoria Platt to our Fountain stage. Last seen at the Fountain as Roxy in Cyrano, you may recognize her from such popular TV shows as All My Children and The Chicago Code. Taking over the role of Gloria in our smash hit world premiere of Building the Wall, Platt begins performances this Saturday, June 24th. This second and final extension runs to August 27th.

In between her crazy rehearsal schedule, Victoria took time to talk about her roots, her love for the Fountain Theatre, and the importance of theatre in the age of Trump’s America.

Where are you from? What’s your background? 

I was born and raised in Queens, NY to a Polish father and West Indian mother. I have 8 siblings and there was 1 bathroom. That says it all! I started performing as a kid and then attended the High School of Performing Arts in Manhattan (the Fame school). I enrolled at Hunter College but work kept rolling in and I chose work.

What initially drew you to this project/script?

I heard about the production and how amazing it was but I was in a play at the same time so didn’t get a chance to see it. Then Simon Levy (Fountain Theatre’s Producing Director) emailed me about auditioning for the extension. I know Robert Schenkkan’s work and this play in particular is beyond relevant for our time so I was really excited about the possibility.

After the election, many theatre artists declared that their work was more important than ever. Do you agree with this and how does Building the Wall relate?

I do agree. There was a time when the common goal of artists was to challenge, to awaken, to question the status quo and hopefully incite change. At some point it became about foreign sales and social media followers and witty sound bites. This election seemed to remind the artistic community of our responsibility in the world. Why most of us got into this business to begin with. Building The Wall is looking directly at the issues and asking some really important questions.

BUILDING THE WALL prod photo VP 2

Victoria Platt and Bo Foxworth in ‘Building the Wall’

What is it like to join a hit production that has been sold out for four months?

It’s like trying to jump onto a moving train! A bit challenging. I’ve done this before however, with The Fountain’s production of Cyrano. My goal is to find that delicate balance between giving the other actors a familiar anchor while also honoring the truth of my own interpretation and performance. Bo and [director] Michael Michetti have been really wonderful in allowing me the space to find things on my own as well as offer the tried and true shortcuts. I’m not too proud to take a short cut!

How does it feel coming back to the Fountain Theatre?

I love The Fountain; seeing productions here and working here. They’re really dedicated to bringing thought provoking and challenging work to the community. They’re actively involved and take responsibility for making the world a better place in a tangible way, all the way down to providing a stamped and addressed postcard that patrons can send to the president! It makes working with them even more inspiring and I feel compelled to match their dedication, passion and commitment.

Fountain Theatre welcomes financial adviser Miles Benickes to its Board of Directors

Miles Benickes

Miles Benickes

The Fountain Theatre is pleased to announce that esteemed financial adviser Miles Benickes has joined its Board of Directors. Miles Benickes is Managing Director for Municipal Trading and Executive Vice President for Hilltop Securities Inc.

“Going to the theatre has always been a part of my life since growing up in New York in the 1950’s,” says Benickes. “Thanks to my parents, I have a collection of Playbills that go even further back, to the Yiddish Theatre in New York in the 1920’s.  Becoming a member of The Fountain Theatre Board of Directors is an exciting new step in my lifelong theatrical journey.  I look forward to helping to ensure that The Fountain continues to entertain, educate, enlighten and engage the diverse audience of Los Angeles for many years into the future. ”

Miles is a leader in the financial services industry. He began his career as a municipal bond sales representative with Stern, Brenner & Co., the predecessor firm of M.L. Stern & Co., in July 1975. With the establishment of M.L. Stern & Co. in September 1980, Miles became one of the firm’s municipal bond traders. In December 1991, he was designated as Director of Fixed Income Trading and Marketing with responsibility for all taxable and tax exempt bond activities. With the purchase of M.L. Stern & Co. by Southwest Securities, Inc. in March 2008, Miles assumed responsibility for managing the California municipal bond trading activities of the Dallas based NYSE firm. He was a founding member of the Board of Directors of the Bond Dealers Association of America and is a member of the Los Angeles Municipal Bond Club. Miles was the President of Arcola Pictures Corporation and currently manages the activities of the successor DBA of Arcola Pictures which has proprietary interests in such motion pictures as Mutiny on the Bounty, Move Over Darling, Tony Rome, Lady in Cement and The Detective as well as the Daniel Boone television series. He is a member of the Writers Guild of America, West.

Miles is a member of the Music Center Leadership Council.  He has been an active member of Center Theatre Group’s Inner Circle since 1994 and has served as an Inner Circle Ambassador since 2007.  He and his wife, Joni, are the founders and co-chairs of CTG’s Artists and Educators Forum, a support group dedicated to encouraging new works and engaging new audiences.  He is an avid supporter of numerous arts organizations throughout Southern California including CTG’s Block Party, Los Angeles Master Chorale, UCLA School of Film and Television, Writers Guild Foundation, The Drama League, Ojai Playwrights Conference and The Old Globe Theatre.

Miles was born and raised in New York and remembers his first Broadway show was New Faces of 1952, which included Eartha Kitt, Paul Lynde, Carol Lawrence and Mel Brooks. He graduated with a BFA from the UCLA Film School in 1968. He and his wife, Joni, have four children, Erika, Allyn, Torrie and Jason — all avid theatergoers. They have three granddaughters, Hailey, Greer and Zoey. He enjoys tennis (he met his wife while giving her tennis lessons), biking, travelling and spending time with his family.

“We are thrilled and honored to have Miles join our Board,” beams Co-Artistic Director Stephen Sachs. “He not only brings an abundance of financial expertise, organizational wisdom and a depth of Board experience — he’s a lifelong theatre lover. The Fountain is fortunate to have him on the Board and in our family.”  

New Fountain cafe chef Baltazar: “Great art should be accompanied by great food”

Baltzazar cafe 2

Chef Baltazar Gaytan

If you’ve visited our Fountain Café in the last three months, you’ve already noticed the number of changes occurring. With its cheese and delicious snicker doodles topped with black Himalayan salt, its savory pastries, improved wines, finer coffee, its warm and inviting atmosphere, the Café is becoming the place to visit before and after shows here at the Fountain Theatre. Your Fountain Theatre experience is not complete without a drink on our rooftop patio, deep in discussion over the play you just saw.

We cannot talk about the Café’s stunning transformation without hailing our new breakout chef, Baltazar Gaytan. Originally from Salinas, California, Baltzar studied at Le Cordon Bleu Culinary Arts Academy in Pasadena and is wowing crowds with his inventive baked goods and dedication to the Café.

Cafe buzzing

The Fountain cafe busy and buzzing. 

While Baltzar’s skills speak for themselves, we sat down for a little Q&A to learn more about the Fountain’s chef and mastermind of the Café, as well as his goals for the future.

Tell us about your background. Where did you grow up and study cooking?

I grew up in a family of six with a single mother in Salinas, CA. We weren’t the most financially stable family, but it taught me to be resourceful and creative with my limited ingredients. A few years after high school, I decided to take a leap and decided to refine and expand my culinary knowledge at Le Cordon Bleu Culinary Arts Academy in Pasadena, CA.

Was there one person or one event in your life that turned you on to cooking? 

During my gap years, my mother became more ill due to a genetic kidney disorder that my family carries. Unfortunately, this brought on a great deal of dietary restrictions, limiting her to an incredibly bland diet. After doing more research, I began to understand what grains and proteins she could have, giving me the ability to make her flavorful dishes despite her restrictions. While she was stubborn about this at first, she began to look forward to see what I’ve created for her. The joy that I gave to my mother when she eat was the point when I decided that I had a talent and it should be shared with others to enjoy.

What is it about cooking that fuels your passion?

I love the magic that I get to make. I mean, look at some of the plates that chefs are doing. They are works of art. We have an open mind to where we almost never say no. If no answer is provided, we seek that knowledge in the hopes of having a culinary breakthrough. The one who discovers the perfect potion. Chefs can play mad scientist, we just try and try until we figure out the perfect potion.

Cafe colorful May 2017

The outdoor balcony of the Fountain cafe. 

Had you been to the Fountain Theatre before becoming the new chef?

I have once back in January to see Bakersfield Mist. I was visiting my childhood best friend Marisela Hughes (Fountain’s Box Office Manager). I enjoyed the theatre and its intimate, classic theatre ambiance.

How did you become the new chef at the Fountain?

By faith actually, when I decided to move down to Hollywood, the Fountain has been looking for a chef to take over after Bakersfield Mist. Marisela was helping me look for a job and this one seemed to be the perfect match. The universe will tell us when to make a move. And if we don’t make them our selves, well, sometimes the universe will force us to make that change. It’s a growing opportunity and effect that is designed to happen. 

Baltzazar cafe 1

Chef Baltazar

What kind of changes are you making to the new cafe? How is it now different?

When I walked into the café for the first time as Chef, I saw this vision of comfort, warmth with a little bohemian/Mediterranean chic, lanterns and a garden. Patrons can have a nice romantic dinner underneath the open sky with a glamorous view of the skyline of downtown LA. So here I am, providing quality product made by myself. I’m now providing as many in-home goods as I can possibly produce. Part of this is introducing a cheese course, our first introduction to savory goods. From there we work our way up based on demand and profit. I’d like to turn the Café into a bistro with warm foods and table-side service, being open on days that there isn’t a show going on. Great Performing Art should be accompanied by great food. I’m seeing brunches and dinner parties before the show happening in the future.

What are you hoping to achieve with the new Fountain cafe?

Success! I want to introduce myself as an artist and introduce the beauty in culinary arts. How ones own imagination can go beyond just the eyes, but into taste the stimulate memories and sensors—just like in the theatre.

March 2017 night

Fountain folk enjoy the cafe on a warm summer night. 

What words would you choose to describe the new Fountain café?

Welcoming, peaceful, fun, adorable, hidden oasis, no sense of time and space. These are a few words of which I’ve already heard people say about the New Café

How do you see a Fountain patron’s dining experience in the cafe complementing their experience of seeing a play here?

Well you’d start off with getting a great parking space. Not just that but you’re going to save yourself time. From transporting from place to place and, lets be real, finding parking in LA on a Saturday evening isn’t the most pleasant of task. But once you get here you’ll feel like you’re just at home. In an intimate setting just like our theatre, only a select few will be joining you in a journey that is unique, artistic and creative. No two menus will be alike. The Fountain Café will be the most exclusive dinning destination in Hollywood.

What can we look forward to in the cafe? Any new items or ideas you can share for what’s coming?

We’ve already implemented new items to the café such as gourmet cheese plates and freshly baked beer bread, complete with bacon marmalade and freshly whipped honey butter. We use fresh herbs from the herb garden that I began to grow on the porch, in many of the items now being served. I make a classic from a classic (i.e. PB&J Cookie) I’m letting you enter my mind of culinary imagination, where there is no walls. Brunch and dinner before the show are all on the horizon for the Fountain Café.

More on our website

After 3rd sold-out month, ‘Building the Wall’ extends again to August 27 at Fountain Theatre

BTW_0238

Judith Moreland and Bo Foxworth in ‘Building the Wall’ at Fountain Theatre

Now in its 3rd sold-out month, The Fountain Theatre’s acclaimed world premiere of the powerful new play Building the Wall has been extended to August 27th.

In the newest play by Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan (The Kentucky Cycle, All the Way, Hacksaw Ridge), the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. As a writer interviews the former supervisor of a private prison, it becomes clear how federal policy has escalated to a terrifying, seemingly inconceivable, yet inevitable conclusion.

Directed by Michael Michetti, the original cast features Judith Moreland as Gloria, and Bo Foxworth as Rick. Victoria Platt will assume the role of Gloria starting June 24th.

The Fountain Theatre’s world premiere, the first in a series of productions taking place across the U.S. as part of a National New Play Network Rolling World Premiere, has received national and international attention from TIME magazine,  The New York Times, Washington Post, BBC News Hour, Radio Canada, Agence France-Presse, Breitbart News and more. The Los Angeles Times calls it “L.A.’s Hottest Ticket!”

A REVOLUTIONARY NEW PLAY”— TIME magazine

L.A.’S HOTTEST TICKET… terrifyingly plausible… should be seen and shuddered over, if only to heighten our collective vigilance.” — Los Angeles Times

PACKS PUNCH AFTER PUNCH”—Daily News

MESMERIZING… logically illustrates, step by step, how fascism can gradually take root among people who abhor it.” —The Hollywood Reporter

COMPELLING… Don’t miss this play” — KCRW

RIVETING… an urgently important call to arms” — Arts In LA

A TOUR DE FORCE… riveting, harrowing and illuminating” — Broadway World

ONE HELL OF A SCARY PLAY… a necessary wake-up call to action.” — EDGE

GRIPPING… timely and relevant” — LA Splash

SEE IT WHILE YOU CAN” — People’s World

More Info/Get Tickets

Fountain Theatre awarded $15,000 grant from The Shubert Foundation

Shubert Theatre

The Shubert Theatre, New York.

The Fountain Theatre has been awarded a 2017 grant in the amount of $15,000 from The Shubert Foundation to support the general operating of the organization.  The Shubert Foundation provides grants only to organizations that have an established artistic and administrative track record, as well as a history of fiscal responsibility.

The award marks the second year in a row that the Fountain Theatre has received support from the Shubert Fountain. This year the award amount was increased.

“This grant is a substantial award from a foundation whose mission is to lend support to theatres of varying sizes across the country,” notes Barbara Goodhill, Fountain Director of Development. “This is another step up forward in a year of growth for The Fountain.”

Barbara Goodhill at Fountain desk

Barbara Goodhill

Theatres are evaluated individually and with appropriate allowance for size and resources. The standard for awarding these grants is based on an assessment of each organization’s operation and its contribution to the field. Artistic achievement, administrative strength and fiscal stability are factored into each evaluation, as is the company’s development of new work and other significant contributions to the field of professional theatre in the US.

The Shubert Foundation, Inc. is dedicated to sustaining and advancing the live performing arts in the United States, with a particular emphasis on theatre. The Foundation’s Board of Directors believes that the most effective way to encourage the artistic process is by providing the general operating support that reinforces the structure that nurtures its development. Accordingly, The Foundation does not earmark its awards; all allocations are unrestricted.

The Shubert Foundation, Inc. was established in 1945 by Lee and J.J. Shubert in memory of their brother Sam, and is the sole shareholder of The Shubert Organization, Inc., which currently owns/operates 21 theatres: 17 on Broadway, one Off-Broadway theatre (The Little Shubert), and one each in Boston and Philadelphia. The Shubert Archive, a working repository of more than 10 million theatrical documents and related items, operates under the aegis of The Shubert Foundation.

“We sincerely thank the Shubert Foundation for its ongoing support,” said Fountain Co-Artistic Director Stephen Sachs. “The Shubert name is synonymous with excellence in the American Theatre.  It’s an honor for us to be recognized by one of the most highly respected foundations and organizations in our field. “

Video: Triumphant toast for Fountain’s ‘Citizen: An American Lyric’ at Kirk Douglas Theatre

Company backstage SSThe Fountain Theatre’s stunning encore production of Citizen: An American Lyric concluded its run as the centerpiece to Center Theatre Group’s Block Party Sunday night. After the final performance, the company gathered backstage with CTG and Fountain staff to toast their triumphant accomplishment. Take a look.  

Fountain stands for social and political theatre in LA with ‘Building the Wall’ and ‘Citizen’

CITIZEN WALL layout

That Was The Week That Was was a satirical television show in the early 1960’s that brought focus to social and political issues of the day. The Fountain Theatre may look back on this current week, May 1 – May 7 in 2017, and brand it the same name. This week, in an unplanned juncture of synchronicity, the Fountain Theatre has two acclaimed productions running simultaneously in Los Angeles — one at its 78-seat Hollywood home on Fountain Avenue, the other at the 300-seat Kirk Douglas Theatre in Culver City —  each dramatizing in mesmerizing fashion the urgent issues of race, injustice, and politics.

The Fountain’s National New Play Network Rolling World Premiere of Building the Wall by Robert Schenkkan was a smash hit the moment it opened in March at the intimate Fountain Theatre, selling out weeks in advance.  Set in the near future, the powerful new drama unfolds as a man awaits sentencing in a federal prison for carrying out the orders of Trump’s national policy to round-up and detain immigrants by the millions.    

 

Meanwhile, across town at the mid-sized Kirk Douglas Theatre, the Fountain’s acclaimed and award-winning encore production of Citizen: An American Lyric by Claudia Rankine, adapted for the stage by Stephen Sachs, is galvanizing audiences. The centerpiece of Center Theatre Group‘s inaugural Block Party celebrating intimate theatre in Los Angles, Citizen is a searing, poetic riff on race in America based on the best-selling book.   

 

“To have these two important, meaningful productions running concurrently, one in an intimate theatre and the other in a mid-sized venue, is extraordinary,” says Fountain Co-Artistic Director Stephen Sachs. “It exemplifies who we are, what we do, and why we do it.”

Tony Award and Pulitzer Prize winning playwright Robert Schenkkan agrees. “Both Citizen and Building the Wall deal with the issue of race and the fundamental question of who is it we mean when we say, ‘We, the people,'” explains Schenkkan. “For more than twenty five years, the Fountain Theatre has been presenting exhilarating, necessary theater, wrestling with the most pressing social and political issues of the day.” 

LA Stage Alliance Executive Director Steven Leigh Morris points out that this week is no anomaly. Morris notes, “That the Fountain Theatre has two productions running simultaneously — one at its home space in East Hollywood and the other at the Kirk Douglas Theatre as part of Center Theatre Group’s Block Party program — is a testament to the rigor and meticulous artistry that has been part of The Fountain tradition for twenty-seven years.”

By all accounts, this is an unforgettable week for the Fountain. We vow to continue our commitment to create, develop and produce meaningful new plays that bring to life urgent issues, week after week, for many years to come. 

Tickets/Info BUILDING THE WALL

Tickets/Info CITIZEN: AN AMERICAN LYRIC