Category Archives: Outreach Program

Your stories matter: When encountering ‘the other’ becomes “just people being people”

diversity collageBy Dionna Michelle Daniel

Last week’s blog post,  I asked our Fountain friends and community to send in their own stories about how confronting “The Other” led to a deeper understanding and compassion. Below are a few responses we received. On the day we mark the 50th anniversary of the loss of Dr. Martin Luther King, we hope these stories on empathy and compassion inspire you.

Marrock Sedgwick, LGBTQ Activist & Filmmaker

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“I had some people come up to me after seeing my film that had some kind of spiritual reckoning within themselves making them tell me they will do better by LGBT people. That felt pretty damn good.Most of the time when I confront the other I just get told to ‘F’  off.” – Marrok Sedgwick

Manon Manavit, Director & Theatre Artist

Manon Manavit

Manon Manavit

“A man selling hotdogs in New York gave me a hot dog for free because he was ‘promoting peace between muslims and Jews’ it was so beautiful I cried..he was Palestinian” – Manon Manavit

Saurav Jammalamadugu, Actor

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“There was a moment where my family and I were on a train to Portland from San Jose and on the train, we were riding first class which meant we had access to a pretty fancy parlor car. Anyway, the lady who was serving us breakfast had to note and constantly point out “how strange it was” that my parents didn’t eat meat for religious purposes. So to calm the tension, I explained to her that we were Hindu, and that some people in our religion think that it’s harmful to eat something that’s killed but, I’d like a bacon, egg, and cheese sandwich. To which she again remarked how odd it was but after she walked away with our order seemed to realize that it was just people being people.” – Saurav Jammalamadugu

Thank you to all who responded, if you would like to share your story please email me at dionna@fountaintheatre.com! Your stories matter.

Dionna Michelle Daniel is the Outreach Coordinator at the Fountain Theatre.

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Tell me your story on how confronting “the other” led to deeper understanding

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An embrace at a rally in Gainesville, Florida

by Dionna Michelle Daniel

Several summers ago, I had one of the strangest morning commute experiences of my life.

I was working as a spoken word mentor to youth at Authoring Action Organization in Winston-Salem, NC. Every morning I’d ride my bike to the closest bus stop which was near the super Wal-Mart, wait around for the 7:40 bus, and travel across town to work. North Carolina summer mornings are particularly beautiful with the sun rising over a completely green landscape, the thickness of the humid air and the dew still sprinkled among the grass. Those bike rides became my daily ritual.

swatiska tatoo 2One morning I arrived at the bus stop to be met by a man completely covered head to toe in tattoos. The subject matter of his tattoos were of the white supremacist variety. He was completely bald and on the back of his head sat a large swastika. His arms and chest were also decorated in the Confederate flag. Not only did I feel uncomfortable as a black young woman who I had to be alone with this man, waiting for a late bus, but then it got even stranger when he decided to engage in small talk with me. He went on to talk about his past, how everyone he grew up with was a racist, how he became a skinhead, how he went to jail and how he realized his beliefs were awful after truly meeting and empathizing with people of color. He went on to say that he kept the tattoos as a reminder of his transformation and that people can change.

The bus eventually came and as I struggled to put my bike on the rack, he helped me out and then we parted ways. Why this man felt the need to tell me these things so early on hot humid morning, I have no idea. What I do know is that if this same man tried to have this conversation with me today, I’m not sure I would have engaged or listened.

After Trump was elected, I unapologetically deleted a slew of old Facebook friends. A lot of the ones deleted where old middle & high school classmates that I knew growing up in rural North Carolina. Now my Facebook feed is completely curated to a more liberal, anti-Trump demographic with the occasional far-right article that somehow finds it way onto my news feed. At that time, it was great to delete all of those people from my life. However, I’m sure they still say problematic things and are complicit to hate speech. The only thing that changed after deleting them was that I don’t have to view their rhetoric.

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“Gunshot Medley” by Dionna Michelle Daniel

As an artist and activist, I am interested in humanity’s capacity to change. I’m interested in transforming hearts & minds in a way that has lasting impact like the former skinhead I met at the bus stop. That’s why I believe that for real change to begin the divide has to be bridged and discourse must happen. I’m not saying that we should re-add every problematic person we deleted from Facebook after the 2016 elections. Neither should we try to humanize every racist, misogynist, xenophobe or any other person who doesn’t believe in a more diverse future. What I do believe is that if we keep ignoring one another, we will definitely keep the divide polarized. Beginning some sort of dialogue is the best way to bridge the gap. And the best way I know how to contribute to this conversation is through theatre.

At the Fountain, our current season is dedicated to inclusion and awareness of people who are generally marked as “other”. Our current show, The Chosen, focuses on two boys forming an unlikely friendship that all started because of their love of baseball. This summer, we will open an original work by Stephen Sachs called Arrival & Departure, which beautifully recognizes and brings attention to the Deaf community. That will be followed by the west coast premiere of Cost of Living, Martyna Majok’s poignant play dramatizing two characters with physical disabilities.

Our mission is to share diverse stories, break down barriers and bridge the divide. Now it’s your turn to tell me your story. I want to know about an experience when you bridged the gap and shared a moment/bonded with a person who was different from you.  Please email your story to me at dionna@fountaintheatre.com and perhaps we can share it here on the Fountain Blog.

Dionna Michelle Daniel is the Outreach Coordinator at the Fountain Theatre. 

 

Akiva Potok, son of ‘The Chosen’ author, joins cast of acclaimed production for Q&A

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Akiva Potok chats with the company of ‘The Chosen’ and audience in Q&A.

What’s it like to grow up in a house where your father is the author of a beloved internationally best-selling novel dubbed “the Jewish Catcher in the Rye” that is taught in classrooms around the world? Last night, you could have asked Akiva Potok this question yourself, when the Fountain hosted a Q&A discussion following the sold-out performance of the stage adaptation of Chaim Potok’s The Chosen. Akiva is Chaim Potok’s son. 

The lively conversation with Potok drew intriguing questions from the audience. Akiva described his relationship with his world-famous father as one that grew closer when Akiva was in his early twenties and his father gave himself permission to become more open and vulnerable with his son. Audience members commented on the skill and authenticity of the actors and the powerful appeal of the story.  One gentleman pointed out that the play’s central spiritual and philosophical theme, that two opposing realities can be true at the same time, has been proven in modern physics and quantum theory.  

Akiva was joined onstage by actors Jonathan Arkin, Alan Blumenfeld, Dor Gvirtsman, Sam Mandel, and director Simon Levy. The discussion was moderated by Co-Artistic Director Stephen Sachs. 

Our acclaimed production of The Chosen continues our relationship with the work of Chaim Potok, adaptor Aaron Posner, and Potok’s son, Akiva. The Fountain produced the Los Angeles premiere of Potok’s My Name is Asher Lev in 2014, also adapted by Posner. Akiva visited the Fountain and joined the company for a fascinating post-show discussion at that time, as well.  

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Akiva Potok (center) and the company of ‘The Chosen’. 

Akiva Potok is an award-winning screenwriter, film producer and cinematographer. His latest film, Haze (2016, cinematography) was released theatrically and is presently in distribution on Netflix.  It was hailed by Variety as “Accomplished and energetic” and the LA Times called it a “Fresh take on fraternity life.” It has screened at ten film festivals and at over fifty college campuses stimulating much-needed conversation on the topic of hazing. Akiva’s other films have featured at festivals such as Sundance, Cinequest and The Brooklyn Film Festival as well as many others. Akiva Potok received his MFA from USC’s School of Cinematic Arts in 2003 and presently resides in Beverly Hills, CA.

The sold out run of The Chosen has been extended to May 14th. Get Tickets/More Info

Photos: Fountain Theatre’s all-star reading of ‘All the President’s Men’ soars at LA City Hall

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The company of ‘All the President’s Men’

Saturday night’s exhilarating reading of All the President’s Men at Los Angeles City Hall was an historic event. Not only was it a powerful statement advocating Freedom of the Press and honoring American journalism, it demonstrated a watershed moment in our city’s engagement with local arts organizations. Never has the City of Los Angeles handed over its Council Chamber to a theatre company and partnered with it in this way. We applaud Councilmember Mitch O’Farrell and his staff for making it possible.

The Fountain Theatre believes that events like All the President’s Men, where art and politics intersect to enhance our civic discourse, are essential to an informed society.  We believe a small theatre can do big things.  As Charles McNulty stated in his feature story on our event in the Los Angeles Times, “it is heartening to see an intimate theater like the Fountain advocating for what is in our collective interest as a nation.”

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Jeff Perry and Joe Morton, co-stars on ABC-TV’s hit series Scandal, took on the roles of Washington Post editor Ben Bradlee and anonymous source “Deep Throat,” joining alumni of The West Wing Bradley Whitford as Bob Woodward and Joshua Malina as Carl Bernstein; Richard Schiff as Post local news editor Harry Rosenfeld; and Ed Begley, Jr. as managing editor Howard Simons. The cast also featured Sam AndersonLeith BurkeSeamus DeverJames Dumont, Arianna OrtizSpencer GarrettDeidrie HenryMorlan HigginsAnna KhajaKaren KondazianRob NagleVirginia NewcombLarry Poindexter and Andrew Robinson. The reading was directed by Stephen Sachs, with sound design by Peter Bayne. 

The reading supported, in part, the Society of Professional Journalists, the nation’s oldest organization representing American journalists, founded to protect journalism and dedicated to the continuation of a free press. We were honored to be joined by the Los Angeles Press Club, which supports, promotes, and defends quality journalism in Southern California with the belief that a free press is crucial to a free society. And The American Civil Liberties Union of Southern California, defending the fundamental rights of each citizen as outlined in the United States Constitution and the Bill of Rights.

“We have a commander-in-chief who does not respect or even understand the freedoms embedded in our Constitution or its First Amendment,” said Councilman Mitch O’Farrell, who hosted the reading in the John Ferraro Council Camber. “The Trump administration’s war on the First Amendment includes repeated degradations of the role of media in our society and repeated invocations of ‘fake news’ when the absolute truth does not suit him, blacklisting press on occasion, including, and not ironically, The Washington Post, [and] open discrimination and intolerance under the guise of religious freedom.”

“In Los Angeles, we hold these values dear,” O’Farrell continued. “Donald Trump and his administration do not represent our values. The state of California and the city of Los Angeles, we are leading the resistance. All of us gathered here tonight, we are part and parcel of that resistance.”

“I am so proud of our city,” stated Stephen Sachs in his remarks before the reading. “What other major city in the country would hand over City Hall to its artists? Would have its Councilmembers allowing artists to literally sit in their seats for one night to express an urgent fundamental truth about our country through their art?”

“To every news man and news woman in this room,” Sachs continued. “To every reporter, every elected official, every artist, every citizen – we offer this reminder of hope. The truth will set us free.”

Ralph M. Parsons Foundation awards grant to Fountain Theatre for outreach programs

A Place Called Home

Outreach Coordinator Dionna Daniel with women from A Place Called Home.

The Ralph M. Parsons Foundation has awarded the Fountain Theatre a grant for $14,000.00 to support the theatre’s educational outreach programs.  The Ralph M. Parsons Foundation improves the well-being of the residents of Los Angeles County through grantmaking that enriches cultural experiences and active civic engagement.

The grant award is for general support of the Fountain Theatre organization, including the producing of new plays and educational outreach programs. The Fountain will be allocating funds to support Theatre as a Learning Tool and hiring a new Outreach Coordinator.

Central to the Fountain’s mission is providing youth throughout our diverse region with an equal access experience in the arts; one that encourages understanding and mutual respect. Theatre as a Learning Tool brings underserved students from across Southern California — many of whom have never been to an intimate theatre — to The Fountain Theatre to experience live theater at one of Los Angeles’ premiere venues. Known for producing work that is both artistically excellent and dedicated to strengthening attitudes of tolerance and social justice, The Fountain provides young people with a uniquely intimate educational experience. By watching a play, studying the script and accompanying study guide, and engaging in a post-show discussion with the artists, students can share their thoughts and feelings with one another, their teachers and professional theatre artists in meaningful dialogue about issues that matter.

“Serving the artistic needs of young people is at the heart of who we are and what we do,” says Fountain Co-Artistic Director Stephen Sachs. “We thank the Ralph M. Parsons Foundation for its partnership. This grant will help support the hiring of our new Outreach Coordinator, Dionna Daniel, and will broaden our reach through Theatre as a Learning Tool.  A great way to start the new year.”

10 reasons to support the arts in 2018

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Katie McConaughy and Susan Wilder in ‘Freddy’, 2017. 

by Randy Cohen

The arts are fundamental to our humanity. They ennoble and inspire us—fostering creativity, goodness, and beauty. The arts bring us joy, help us express our values, and build bridges between cultures. The arts also are a fundamental component of healthy communities, strengthening them socially, educationally, and economically—benefits that persist even in difficult social and economic times.

  1. Arts improve individual well-being. 63 percent of the population believe the arts “lift me up beyond everyday experiences,” 64 percent feel the arts give them “pure pleasure to experience and participate in,” and 73 percent say the arts are a “positive experience in a troubled world.”
  2. Arts unify communities. 67 percent of Americans believe “the arts unify our communities regardless of age, race, and ethnicity” and 62 percent agree that the arts “help me understand other cultures better”—a perspective observed across all demographic and economic categories.
  3. Arts improve academic performance. Students engaged in arts learning have higher GPAs and standardized test scores, and lower drop-out rates. The Department of Education reports that access to arts education for students of color is significantly lower than for their white peers, and has declined for three decades. Yet, research shows that low socio-economic-status students have even greater increases in academic performance, college-going rates, college grades, and holding jobs with a future. 88 percent of Americans believe that arts are part of a well-rounded K-12 education.
  4. Arts strengthen the economy. The arts and culture sector is a $730 billion industry, which represents 4.2 percent of the nation’s GDP—a larger share of the economy than transportation, tourism, and agriculture (U.S. Bureau of Economic Analysis). The nonprofit arts industry alone generates $135 billion in economic activity annually (spending by organizations and their audiences), which supports 4.1 million jobs and generates $22.3 billion in government revenue.
  5. Arts are good for local businesses. Attendees at nonprofit arts events spend $24.60 per person, per event, beyond the cost of admission on items such as meals, parking, and babysitters—valuable revenue for local commerce and the community. Attendees who live outside the county in which the arts event takes place spend twice as much as their local counterparts ($39.96 vs. $17.42).
  6. Arts drive tourism. Arts travelers are ideal tourists, staying longer and spending more to seek out authentic cultural experiences. Arts destinations grow the economy by attracting foreign visitor spending. The U.S. Department of Commerce reports that, between 2003-2015, the percentage of international travelers including “art gallery and museum visits” on their trip grew from 17 to 29 percent, and the share attending “concerts, plays, and musicals” increased from 13 to 16 percent.
  7. Arts are an export industry. The arts and culture industries had a $30 billion international trade surplus in 2014, according to the Bureau of Economic Analysis. U.S. exports of arts goods (e.g., movies, paintings, jewelry) exceeded $60 billion.
  8. Arts spark creativity and innovation. Creativity is among the top 5 applied skills sought by business leaders—with 72 percent saying creativity is of high importance when hiring. The Conference Board’s Ready to Innovate report concludes, “The arts—music, creative writing, drawing, dance—provide skills sought by employers of the 3rd millennium.” Research on creativity shows that Nobel laureates in the sciences are 17 times more likely to be actively engaged in the arts than other scientists.
  9. Arts improve healthcare. Nearly one-half of the nation’s healthcare institutions provide arts programming for patients, families, and even staff. 78 percent deliver these programs because of their healing benefits to patients—shorter hospital stays, better pain management, and less medication.
  10. Arts and healing in the military. The arts are part of the military continuum—promoting readiness during pre-deployment as well as aiding in the successful reintegration and adjustment of Veterans and military families into community life. Service members and Veterans rank art therapies in the top 4 (out of 40) interventions and treatments.

Happy New Year!

Randy Cohen is Vice President of Research and Policy at Americans for the Arts, the nation’s advocacy organization for the arts.

Fountain workshop teaches young people how theatre can be a gateway to empathy

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Dionna Daniel and the GirlPower group at A Place Called Home.

by Dionna Daniel

I had the pleasure of joining the GirlPower group at A Place Called Home on November 1st, 2017. The Fountain Theatre is always excited to have the students of APCH come see the productions at our theatre. For the first time ever, I was able to lead a short post-show workshop with the youth through our educational outreach program, Theatre as a Learning Tool.  

When I visited the students at their space, we began the afternoon together with a round of theater games.  The laughter echoed in the room as we all introduced ourselves with funny gestures and sounds. Then we began to discuss the Fountain’s production of Runaway Home and how they connected with the show. Many of the students said that they connected with the rocky relationship between the character Kali and her mother. We then began to talk about the historical context of Hurricane Katrina. It was eye opening for me to realize that these students were just babies when one of the most disastrous storms to ever make landfall hit the southern United States. They really didn’t have much context to this show at all.

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The group dives into a writing exercise.

As I showed the students video coverage of the devastation that Katrina caused, our discussion shifted to the themes of displacement in Runaway Home and how it relates to people in Los Angeles. Many Angelenos are being displaced due to the growing housing crisis in LA and the rise of gentrification in LA’s east side. We discussed the erasure of black and brown neighborhoods and communities that is currently taking place in LA. A lot of the gentrification looking very similar to what happen to New Orleans’ black communities. We ended our session together with a quick free-write and said one word that resonated with us in that moment. While some students said such words as “inspired” and “hopeful”, I reflected on how this experience was equally inspiring for me.

As I say often, I believe art must do something. During my time at APCH, I witnessed that theater can be utilized as a gateway to empathy, to not only discuss the historical context of the traumas of people in New Orleans but to also reflect on ourselves and our own communities. Art is vital to understanding the human condition. Theatre matters.

Dionna Daniel is a playwright, performer, and Outreach Coordinator at the Fountain Theatre.