Category Archives: performing arts

Meet the cast of the funny and powerful premiere of ‘Daniel’s Husband’ at Fountain Theatre

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Bill Brochtrup and Tim Cummings

Actors Bill Brochtrup and Tim Cummings, co-stars of the Fountain Theatre’s acclaimed 2013 production of The Normal Heart, will reunite for this season’s Southern California Premiere of Daniel’s Husband by Michael McKeever. Simon Levy, who helmed The Normal Heart, will direct. Daniel’s Husband opens May 4th.

Brochtrup and Cummings are joined by LA favorites Jenny O’Hara and Ed Martin. Jose Fernando makes his Fountain debut. 

Daniel and Mitchell are the perfect couple. Perfect house, perfect friends — even a mother who wants them married. They’d have the perfect wedding too, except that Mitchell doesn’t believe in gay marriage. A turn of events puts their perfect life in jeopardy, and Mitchell is thrust into a future in which even his love may not be enough. Daniel’s Husband is a bold reflection on love, commitment, and family in our perilous new world.   

The recent Off-Broadway production earned rave reviews. The New York Times hailed it as “Compelling”, the Huffington Post declared it was “Emotionally charged,” and the Daily Beast described it as “Beautiful and powerful.” 

bill-brochtrupBill Brochtrup (Daniel) appeared Off-Broadway in Secrets of the Trade at Primary Stages, Lost and Found at FringeNYC, and Snakebit at the Century Center. He’s acted with many LA theatre companies including South Coast Repertory (The Sisters Rosensweig, Shakespeare In Love, Noises Off), Antaeus Theatre Company (Cloud 9, Mrs. Warren’s Profession, Peace In Our Time) Rogue Machine Theatre (Les Blancs), Fountain Theatre (The Normal Heart). His many TV appearances include five seasons as savvy police psychologist “Dr. Joe” on Major Crimes, Shameless, Kendra, Dexter, and In the Life. Bill was a series regular on Public Morals, Total Security, and ten years as cheerful administrative aide “John Irvin” on NYPD Blue. He is the Co-Artistic Director of Antaeus Theatre Company. 

TimTim Cummings (Mitchell) recently earned his Master of Fine Arts in Creative Writing from Antioch University. He is the winner of Critical Read’s 2018 ‘Origins’ literary contest for his essay “You Have Changed Me Forever.” He is the recipient of three LA Drama Critics Circle Awards, for Dan O’Brien’s The House in Scarsdale: A Memoir for the Stage (2018 PEN American Award for Drama) at Boston Court, Larry Kramer’s The Normal Heart at The Fountain, and Enda Walsh’s The New Electric Ballroom at Rogue Machine. Selected LA: Cal in Camo with Red Dog Squadron at VS Theater; Need To Know at Rogue Machine, The Woodsman at Coeurage (StageSceneLA Award for Performance of the Year); Reunion and Eurydice at South Coast Rep, Hamlet and The Winter’s Tale at Theater 150, WAR and The Walworth Farce at Theater Banshee, Tartuffe at Boston Court, The Pursuit of Happiness at Laguna Playhouse. Bway & Off-Bway: The Guys directed by Jim Simpson, Frankie & Johnny in the Clair de Lune directed by Joe Mantello. Film/TV: Can You Ever Forgive Me, Grimm, Rosewood, Kensho at the Bedfellow, Criminal Minds, My Two Fans, Presence, The Box, etc. He holds a BFA in Acting from NYU.

Fernando_Page_1Jose Fernando (Trip) From the tropics of Costa Rica and the waters of Niagara Falls, Jose appeared in Breckenridge Theatre’s world premiere of  The 10th . He was seen on Disney Channel’s Disney 365 and on ABC’s Black-ish and Once Upon A Time . He currently has commercials in the works with Google and other tech companies.

 

Ed MartinEd Martin (Barry) has worked in theatres all over the country including Denver Center Theatre, The Arizona Theatre Company, Theatreworks, and the Laguna Playhouse. Favorite LA credits include work at the Boston Court, the Colony, the Davidson/Valentini, the Odyssey, the Hudson and Theatre 40. Ed is the recipient of the Ovation, Stage Raw, LA Weekly, Dramalogue and Robby Awards. TV and film credits include Angels and Demons, directed by Ron Howard, American Crime, Castle, Medium, Buffy the Vampire Slayer and many others.

Jenny O'HaraJenny O’Hara (Lydia) is best known to Fountain audiences as originating the role of Maude Gutman in the smash hit Bakersfield Mist. She co-starred on Broadway opposite Alec Guiness in Dylan. Other Broadway credits are The Fig Leaves are Falling, Promises, Promises, The Odd Couple (female version), and The Iceman Cometh. On TV, she’s been seen on Transparent, The Mindy Project, The King of Queens, and Big Love, and guest appearances in Mike and Molly, Hot in Cleveland, Rizzoli and Isles, The Closer, NCIS, CSI, House, Nip/Tuck, Six Feet Under and numerous others. Films include BFF, Sassy Pants, The Seven Psychopaths, Devil (M. Night Shyamalan), Mystic River (Clint Eastwood), Matchstick Men (Ridley Scott), Extract, Forty Shades of Blue, Two Weeks, How to Make Love to a Woman and Heartbeat

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Richard Gallegos joins Fountain Theatre team as Development and Outreach Coordinator

Richard G 3by Richard Gallegos

Hello Fountain Theatre family! I am Richard Gallegos and I’m thrilled to announce that I am the new Development and Outreach Coordinator at The Fountain.

My background: I am a native Angeleno. I am also a first-generation Salvadoran-American. I have been involved in the performing arts since I was in elementary school, and as a matter of fact, I credit my arts education teachers for shaping a very unruly and energetic child into the passionate, actor and theatre arts advocate that I am today.

My passion in theatre arts education is personal and it runs deep. It began as a last-ditch effort to curb my behavior, and over time the skills that I learned morphed into a sort of life curriculum. I have taught students from grades K-12, as well as college conservatory. Because I believe in the life changing potential of arts education, most of my work with youth has been about creating and implementing workshops that teach theatre skills, and include writing components, all with the goal of collectively devising new, non-linear works of theatre. I have collaborated with many students from various LAUSD schools and organizations (LACER, artworxLA, Company of Angels, Will & Company, Open Window, Bilingual Foundation of the Arts), and in my capacity as Resident Artist at PCPA-Pacific Conservatory Theatre. I am currently Theatre Director at Ramona Convent Secondary School and I love that I get to tackle some of my favorite plays with my super awesome students.

As an actor, I have been a long-time member of Critical Mass Performance Group, and my credits with CMPG are: AMERYKA (Kirk Douglas Theatre)Apollo; Parts 1 & 2 (World Premiere at Kirk Douglas Theatre), Apollo; Parts 1, 2 & 3 (Portland Center Stage), Antigone (Workshop, The Actors’ Gang). Other theatre credits include: The Secret Garden, Frost/Nixon, Art, Othello, Anna in the Tropics, Sylvia, Hortencia and the Museum of Dreams, Much Ado About Nothing. As a member of Rosanna Gamson/Worldwide I’ve performed in Grand Hope Flower, Aura, Rita Goes to Hell, Lovesickness, Tov. I am a member of AEA. 

 I couldn’t be more thrilled to be working as Development/Outreach Coordinator here at The Fountain. The work that is produced here is compelling, evocative, and at times deliciously provocative- all the things that I love about theatre. It is for these reasons that I’m really looking forward to growing our community support and involvement. My goal is to bring into our theatre the very people whose stories are getting a voice on our stage.

My website is www.richardgallegos.com.

VIDEO: Enjoy the ‘Ms. Smith Goes to Washington’ post-show party at LA City Hall

With Samuel French Bookshop’s fatal end, the tragic flaw is our own

Samuel French Bookshop LA

by Stephen Sachs

If our beloved Samuel French bookstore were a play, its shocking violent demise this week makes the ending a tragedy. A tragic drama not wrought by a fatal flaw of the store’s own making. The tragic flaw exposed here is our own. The fate of Samuel French bookstore reveals a deeply disturbing character defect of our city, our country and our culture.

According to police, the store was broken into and seriously vandalized on Monday night, March 4th following a confrontation with several unidentified male customers who tried to intimidate one of the store employees. The police have closed the store pending their investigation and to protect the staff’s safety. The shop will not reopen. Ever.

Samuel French bookstore had already announced it was closing at the end of this month. Yet another casualty of e-commerce, book sales at the store have been steadily declining. Over 80% of Samuel French’s retail sales are now made online. Still, the sudden announcement of the store’s imminent closure caught us all by surprise and shook our LA theatre community to its core. News of Monday night’s vandalism drives a dagger into our heart. The loss of Samuel French bookshop is a death in the family.

For decades, as a once-upon-a-time actor and now a director/playwright and overseer of a theatre company, each time I walked into the bookstore on Sunset Blvd I breathed a deep sigh of reverence and gratitude, like stepping into a sanctuary. I experienced a spiritual and physical healing when I walked into Samuel French bookstore. The smell of its books was aromatherapy. The brick walls, the catacomb of shelves, the stacks of books, large and small, piled in corners like paper pillars. One enters Samuel French bookstore to be lost and found. To lose oneself reading a script on a calm afternoon, to find oneself as an artist through what one found in its pages. The vandalism of Samuel French bookshop, to me, is a desecration of a sacred place.     

The Studio City bookshop on Ventura Boulevard closed in 2012. Now, our beloved store on Sunset Boulevard is gone forever. Closed early. Due to violence.

We have no one to blame but ourselves.

Like the art form it celebrated, Samuel French bookstore engaged in a daily battle for its own survival against online technology.  Why leave your home when you can download a book? A bookstore is much like a theatre. A live experience. Physically walking into a book store, interconnecting with fellow human beings, holding an actual book in your hand, turning its pages – these are visceral sensations no e-book can duplicate. A book store and a local theatre create community. A place to meet, to gather, to interact. Both a theatre and a book store are places of worship, both serving an art form greater than themselves.

In my opinion, the Samuel French bookstore didn’t just die in the war against online retailing, we killed it. We made our choice. Eight out of ten plays are now bought online. We choose digital over paper. This is the Amazon-era. We click-shop. Our goods are now delivered to our door. We barely need to get up off the couch. The fault, dear consumer, is not in our stars, but in ourselves.       

Once again, Los Angeles has proved we are not New York. Last October, Drama Book Shop, the legendary 100-year old independent bookstore in Manhattan that has one of the largest selections of plays in the country, announced it was closing. The rent was too high. It didn’t take long for the city and its artists to leap into action. By January, it was announced that Lin-Manuel Miranda and three of his “Hamilton” collaborators purchased the Drama Book Shop. The quartet is currently working with the City of New York to find an affordable space for the store.

“The store is a gem and a cultural institution in New York, and we want to make sure it’s saved,” said Julie Menin, the mayor’s media and entertainment commissioner.

Where is the public statement from the mayor’s office in Los Angeles advocating to save or relocate Samuel French bookshop? Aye, there’s the rub. In Los Angeles, there is no Lin-Manuel Miranda.

We do have Nicki Monet. A platoon of local theatre artists led by actress/producer Nicki Monet launched a petition campaign to protest the store’s closing. The petition collected more than 7,000 signatures. Now violence has struck. Who knows what now will happen? Music conglomerate Concord Music, which purchased the store, said it would be willing to support a new L.A. store “with favorable pricing and payment terms.” We shall see.

In the bookshop’s final hours, Monday night’s vandalism exposes perhaps the most disturbing truth of all. An unsettling truth about ourselves and the temperature of today. The boiling social and political bile of this nation, fanning the flames of hatred and racism and division, ignited on Sunset Boulevard Monday night. Abuse and intimidation in the bookshop by day led to violence and physical destruction in the darkness of night. A depressing reminder of who we are as a people and where we are plummeting as a nation. This is who we have become. Of course, the defacing of a theatre book store in Los Angeles pales when compared to the uncountable acts of fatal violence and hatred executed every day nationwide. Yet Monday night’s act hurts me deeply because it is a symptom of a larger hurt, a greater ill in our country. Shakespeare warned us not to drink the Kool-Aid of anger and hatred. As he warns in Measure for Measure, “Our natures do pursue a thirsty evil; and when we drink, we die.”

In any tragic story, anagnorisis is the moment when the main character discovers his/her true nature, recognizes the truth about his or her true self. I am willing to stay for the Third Act of this play, if there is one. Hopefully, this dramatic story ends with a cathartic spiritual renewal of resurrection.

Stephen Sachs is Co-Artistic Director of the Fountain Theatre in Los Angeles.

VIDEO: Watch rehearsal for celebrity reading ‘Ms. Smith Goes to Washington’ at LA City Hall

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VIDEO: For playwright Idris Goodwin, hip hop play ‘Hype Man’ is about friendship

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NEW VIDEO: A backstage look behind the scenes of ‘Hype Man’ at Fountain Theatre

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