Category Archives: playwright

Meet the cast of the funny and powerful premiere of ‘Daniel’s Husband’ at Fountain Theatre

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Bill Brochtrup and Tim Cummings

Actors Bill Brochtrup and Tim Cummings, co-stars of the Fountain Theatre’s acclaimed 2013 production of The Normal Heart, will reunite for this season’s Southern California Premiere of Daniel’s Husband by Michael McKeever. Simon Levy, who helmed The Normal Heart, will direct. Daniel’s Husband opens May 4th.

Brochtrup and Cummings are joined by LA favorites Jenny O’Hara and Ed Martin. Jose Fernando makes his Fountain debut. 

Daniel and Mitchell are the perfect couple. Perfect house, perfect friends — even a mother who wants them married. They’d have the perfect wedding too, except that Mitchell doesn’t believe in gay marriage. A turn of events puts their perfect life in jeopardy, and Mitchell is thrust into a future in which even his love may not be enough. Daniel’s Husband is a bold reflection on love, commitment, and family in our perilous new world.   

The recent Off-Broadway production earned rave reviews. The New York Times hailed it as “Compelling”, the Huffington Post declared it was “Emotionally charged,” and the Daily Beast described it as “Beautiful and powerful.” 

bill-brochtrupBill Brochtrup (Daniel) appeared Off-Broadway in Secrets of the Trade at Primary Stages, Lost and Found at FringeNYC, and Snakebit at the Century Center. He’s acted with many LA theatre companies including South Coast Repertory (The Sisters Rosensweig, Shakespeare In Love, Noises Off), Antaeus Theatre Company (Cloud 9, Mrs. Warren’s Profession, Peace In Our Time) Rogue Machine Theatre (Les Blancs), Fountain Theatre (The Normal Heart). His many TV appearances include five seasons as savvy police psychologist “Dr. Joe” on Major Crimes, Shameless, Kendra, Dexter, and In the Life. Bill was a series regular on Public Morals, Total Security, and ten years as cheerful administrative aide “John Irvin” on NYPD Blue. He is the Co-Artistic Director of Antaeus Theatre Company. 

TimTim Cummings (Mitchell) recently earned his Master of Fine Arts in Creative Writing from Antioch University. He is the winner of Critical Read’s 2018 ‘Origins’ literary contest for his essay “You Have Changed Me Forever.” He is the recipient of three LA Drama Critics Circle Awards, for Dan O’Brien’s The House in Scarsdale: A Memoir for the Stage (2018 PEN American Award for Drama) at Boston Court, Larry Kramer’s The Normal Heart at The Fountain, and Enda Walsh’s The New Electric Ballroom at Rogue Machine. Selected LA: Cal in Camo with Red Dog Squadron at VS Theater; Need To Know at Rogue Machine, The Woodsman at Coeurage (StageSceneLA Award for Performance of the Year); Reunion and Eurydice at South Coast Rep, Hamlet and The Winter’s Tale at Theater 150, WAR and The Walworth Farce at Theater Banshee, Tartuffe at Boston Court, The Pursuit of Happiness at Laguna Playhouse. Bway & Off-Bway: The Guys directed by Jim Simpson, Frankie & Johnny in the Clair de Lune directed by Joe Mantello. Film/TV: Can You Ever Forgive Me, Grimm, Rosewood, Kensho at the Bedfellow, Criminal Minds, My Two Fans, Presence, The Box, etc. He holds a BFA in Acting from NYU.

Fernando_Page_1Jose Fernando (Trip) From the tropics of Costa Rica and the waters of Niagara Falls, Jose appeared in Breckenridge Theatre’s world premiere of  The 10th . He was seen on Disney Channel’s Disney 365 and on ABC’s Black-ish and Once Upon A Time . He currently has commercials in the works with Google and other tech companies.

 

Ed MartinEd Martin (Barry) has worked in theatres all over the country including Denver Center Theatre, The Arizona Theatre Company, Theatreworks, and the Laguna Playhouse. Favorite LA credits include work at the Boston Court, the Colony, the Davidson/Valentini, the Odyssey, the Hudson and Theatre 40. Ed is the recipient of the Ovation, Stage Raw, LA Weekly, Dramalogue and Robby Awards. TV and film credits include Angels and Demons, directed by Ron Howard, American Crime, Castle, Medium, Buffy the Vampire Slayer and many others.

Jenny O'HaraJenny O’Hara (Lydia) is best known to Fountain audiences as originating the role of Maude Gutman in the smash hit Bakersfield Mist. She co-starred on Broadway opposite Alec Guiness in Dylan. Other Broadway credits are The Fig Leaves are Falling, Promises, Promises, The Odd Couple (female version), and The Iceman Cometh. On TV, she’s been seen on Transparent, The Mindy Project, The King of Queens, and Big Love, and guest appearances in Mike and Molly, Hot in Cleveland, Rizzoli and Isles, The Closer, NCIS, CSI, House, Nip/Tuck, Six Feet Under and numerous others. Films include BFF, Sassy Pants, The Seven Psychopaths, Devil (M. Night Shyamalan), Mystic River (Clint Eastwood), Matchstick Men (Ridley Scott), Extract, Forty Shades of Blue, Two Weeks, How to Make Love to a Woman and Heartbeat

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With Samuel French Bookshop’s fatal end, the tragic flaw is our own

Samuel French Bookshop LA

by Stephen Sachs

If our beloved Samuel French bookstore were a play, its shocking violent demise this week makes the ending a tragedy. A tragic drama not wrought by a fatal flaw of the store’s own making. The tragic flaw exposed here is our own. The fate of Samuel French bookstore reveals a deeply disturbing character defect of our city, our country and our culture.

According to police, the store was broken into and seriously vandalized on Monday night, March 4th following a confrontation with several unidentified male customers who tried to intimidate one of the store employees. The police have closed the store pending their investigation and to protect the staff’s safety. The shop will not reopen. Ever.

Samuel French bookstore had already announced it was closing at the end of this month. Yet another casualty of e-commerce, book sales at the store have been steadily declining. Over 80% of Samuel French’s retail sales are now made online. Still, the sudden announcement of the store’s imminent closure caught us all by surprise and shook our LA theatre community to its core. News of Monday night’s vandalism drives a dagger into our heart. The loss of Samuel French bookshop is a death in the family.

For decades, as a once-upon-a-time actor and now a director/playwright and overseer of a theatre company, each time I walked into the bookstore on Sunset Blvd I breathed a deep sigh of reverence and gratitude, like stepping into a sanctuary. I experienced a spiritual and physical healing when I walked into Samuel French bookstore. The smell of its books was aromatherapy. The brick walls, the catacomb of shelves, the stacks of books, large and small, piled in corners like paper pillars. One enters Samuel French bookstore to be lost and found. To lose oneself reading a script on a calm afternoon, to find oneself as an artist through what one found in its pages. The vandalism of Samuel French bookshop, to me, is a desecration of a sacred place.     

The Studio City bookshop on Ventura Boulevard closed in 2012. Now, our beloved store on Sunset Boulevard is gone forever. Closed early. Due to violence.

We have no one to blame but ourselves.

Like the art form it celebrated, Samuel French bookstore engaged in a daily battle for its own survival against online technology.  Why leave your home when you can download a book? A bookstore is much like a theatre. A live experience. Physically walking into a book store, interconnecting with fellow human beings, holding an actual book in your hand, turning its pages – these are visceral sensations no e-book can duplicate. A book store and a local theatre create community. A place to meet, to gather, to interact. Both a theatre and a book store are places of worship, both serving an art form greater than themselves.

In my opinion, the Samuel French bookstore didn’t just die in the war against online retailing, we killed it. We made our choice. Eight out of ten plays are now bought online. We choose digital over paper. This is the Amazon-era. We click-shop. Our goods are now delivered to our door. We barely need to get up off the couch. The fault, dear consumer, is not in our stars, but in ourselves.       

Once again, Los Angeles has proved we are not New York. Last October, Drama Book Shop, the legendary 100-year old independent bookstore in Manhattan that has one of the largest selections of plays in the country, announced it was closing. The rent was too high. It didn’t take long for the city and its artists to leap into action. By January, it was announced that Lin-Manuel Miranda and three of his “Hamilton” collaborators purchased the Drama Book Shop. The quartet is currently working with the City of New York to find an affordable space for the store.

“The store is a gem and a cultural institution in New York, and we want to make sure it’s saved,” said Julie Menin, the mayor’s media and entertainment commissioner.

Where is the public statement from the mayor’s office in Los Angeles advocating to save or relocate Samuel French bookshop? Aye, there’s the rub. In Los Angeles, there is no Lin-Manuel Miranda.

We do have Nicki Monet. A platoon of local theatre artists led by actress/producer Nicki Monet launched a petition campaign to protest the store’s closing. The petition collected more than 7,000 signatures. Now violence has struck. Who knows what now will happen? Music conglomerate Concord Music, which purchased the store, said it would be willing to support a new L.A. store “with favorable pricing and payment terms.” We shall see.

In the bookshop’s final hours, Monday night’s vandalism exposes perhaps the most disturbing truth of all. An unsettling truth about ourselves and the temperature of today. The boiling social and political bile of this nation, fanning the flames of hatred and racism and division, ignited on Sunset Boulevard Monday night. Abuse and intimidation in the bookshop by day led to violence and physical destruction in the darkness of night. A depressing reminder of who we are as a people and where we are plummeting as a nation. This is who we have become. Of course, the defacing of a theatre book store in Los Angeles pales when compared to the uncountable acts of fatal violence and hatred executed every day nationwide. Yet Monday night’s act hurts me deeply because it is a symptom of a larger hurt, a greater ill in our country. Shakespeare warned us not to drink the Kool-Aid of anger and hatred. As he warns in Measure for Measure, “Our natures do pursue a thirsty evil; and when we drink, we die.”

In any tragic story, anagnorisis is the moment when the main character discovers his/her true nature, recognizes the truth about his or her true self. I am willing to stay for the Third Act of this play, if there is one. Hopefully, this dramatic story ends with a cathartic spiritual renewal of resurrection.

Stephen Sachs is Co-Artistic Director of the Fountain Theatre in Los Angeles.

VIDEO: For playwright Idris Goodwin, hip hop play ‘Hype Man’ is about friendship

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VIDEO: What is hip hop?

What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.

In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?

Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.

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VIDEO: Catch the beat of our west coast premiere of ‘Hype Man’ at Fountain Theatre

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‘Scandal’ cast reunites for ‘Ms. Smith Goes to Washington’ at Fountain Theatre’s City Hall event

smith celeb cast trioThe Fountain Theatre follows its hugely successful 2018 celebrity reading of All the President’s Men with a one-night only, all-star reading of Ms. Smith Goes to Washington, starring Bellamy Young (ABC’s Scandal) in the title role, along with her Scandal co-stars Joshua Malina and Jeff Perry, with more to be announced. 

Adapted and directed by Fountain co-artistic director Stephen Sachs, presented by the award-winning Fountain Theatre in partnership with the City of Los Angeles and with exclusive permission from SONY Pictures, this free event will be hosted by Los Angeles City Councilmember Mitch O’Farrell and will take place in the John Ferraro Council Chamber of Los Angeles City Hall on Thursday, January 24 at 7:30 p.m. A catered reception will follow in the City Hall Rotunda.

In this gender-switched adaptation of Sidney Buchman’s screenplay for the 1939 Jimmy Stewart classic Mr. Smith Goes to Washingtonan idealistic, newly elected female senator finds herself fighting corruption in male-dominated Washington.

“With more than one hundred women newly elected to Congress, this classic movie reimagined with Smith as a woman could not be more timely and urgent,” says Sachs. “I’m excited for the opportunity to build on the overwhelming success of last year’s event at City Hall. Councilmember Mitch O’Farrell is a longtime friend of the Fountain Theatre and an advocate for the arts in Los Angeles. What other major city in the country would hand over City Hall to its artists for one night? When local artists and city government officials work together, all citizens of Los Angeles benefit.”

According to Councilmember O’Farrell, “With change in the air in Washington after an unprecedented number of diverse women were just sworn into Congress to counter the corrupt, divisive, and destructive agenda of the Trump administration, I am thrilled to announce a staged reading of a beloved Hollywood classic film at Los Angeles City Hall, but with a modern twist that will no doubt prove more illuminating and poignant than it would have otherwise: Ms. Smith Goes to Washington! I am proud to continue what is now an annual artistic tradition at City Hall. The City of Los Angeles must exhibit a commitment to inspire and uplift communities — and sometimes the best way to make that point is through the arts. I want to thank The Fountain Theatre and the artists for volunteering their time and resources to this project.”

The event is sponsored, in part, by the Feminist Majority Foundation, and in association with the League of Women Voters. The FMF is a cutting-edge organization dedicated to women’s equality, reproductive health and non-violence. In all spheres, FMF utilizes research and action to empower women economically, socially and politically. FMF also publishes Ms. magazine, the oldest national feminist publication in the world, and will be distributing copies of their special Inauguration issue — featuring profiles of the new feminists elected to political offices across the country — to all attendees. The League of Women Voters, a nonpartisan political organization, encourages informed and active participation in government, works to increase understanding of major public policy issues, and influences public policy through education and advocacy.

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include the inclusion of the Fountain’s Citizen: An American Lyric in the Music Center’s Our L.A. Voices festival at Grand Park, and an all-star reading of All the President’s Men at Los Angeles City Hall. The Fountain’s 2018 productions of The Chosen and Arrival & Departure each enjoyed months-long sold out runs and was named a Los Angeles Times “Critic’s Choice.” The company’s most recent production, the West Coast premiere of Martyna Majok’s Pulitzer Prize-winning play Cost of Living, was named to the Los Angeles Times’ “Best of 2018” list.

Ms. Smith Goes to Washington takes place on Thursday, Jan. 24 at 7:30 p.m. in the John Ferraro Council ChamberRoom 340 of Los Angeles City Hall200 N Spring St.Los Angeles, CA 90012. Doors open at 6 p.m.

Admission is free; however, seating is extremely limited. For more information, and to enter the ticket lottery, go to www.mssmith.org. Due to high security at the venue, no walk-ups will be permitted.

‘Arrival & Departure’ wins 4 Broadway World Los Angeles Awards including Best Play

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Deanne Bray and Troy Kotsur in “Arrival & Departure”

Broadway World announced that the Fountain Theatre’s acclaimed world premiere of Arrival & Departure, written and directed by Stephen Sachs, earned four Broadway World Los Angeles Awards, including Best Play in 2018.

Other Broadway World Los Angeles Awards for Arrival & Departure went to Troy Kotsur for Leading Actor in a Play, Deanne Bray for Leading Actress in a Play, and Donny Jackson, Lighting Design.

Nominations were reader-submitted and voted by local theatergoers in Los Angeles.  Regional productions, touring shows, and more were all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018.

This year the BroadwayWorld Regional Awards included over 100 cities across America, Canada, Central and South America, Europe, and Asia.