Category Archives: racism

Dionna Michelle Daniel joins Fountain Theatre to plant seeds for social change

Dionna Michelle Daniel

Dionna Michelle Daniel

Greetings! I am Dionna Michelle Daniel and I am excited to announce that I have joined The Fountain Theatre as the new Outreach Coordinator. At The Fountain, I will be focusing on educational programming and community engagement.

In May, I graduated from the California Institute of the Arts with a Bachelor of Fine Arts in Acting and a minor in Creative Writing. I am coming to the Fountain after a month-long run at the Edinburgh Fringe Festival of my new play Gunshot MedleyGunshot Medley stretches across the Antebellum American south through present day to weave a rich history of the Black-American experience, blending poetry and song to respond to the historical expendability of Black bodies and the lives lost to hatred, racism, and police brutality. At the Fringe it received four 5 out of 5 star reviews and ultimately became a crowd favorite.

While at The Fountain, I will also be working as a youth instructor teaching creative writing at the Boyle Heights Arts Conservatory through CAP. Building a nurturing community for young artists and educating students is one of my personal missions, so I am excited to embark on helping expand The Fountain’s educational program, Theatre as a Learning Tool.

Theater that is rooted in social activism has always been a passion of mine. I believe that art, especially live performance, has the potential to dramatically change hearts and minds. Theater has the ability to plant the seeds of empathy, inquiry, and discussion. From those seeds, real social change begins.

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Fountain stands for social and political theatre in LA with ‘Building the Wall’ and ‘Citizen’

CITIZEN WALL layout

That Was The Week That Was was a satirical television show in the early 1960’s that brought focus to social and political issues of the day. The Fountain Theatre may look back on this current week, May 1 – May 7 in 2017, and brand it the same name. This week, in an unplanned juncture of synchronicity, the Fountain Theatre has two acclaimed productions running simultaneously in Los Angeles — one at its 78-seat Hollywood home on Fountain Avenue, the other at the 300-seat Kirk Douglas Theatre in Culver City —  each dramatizing in mesmerizing fashion the urgent issues of race, injustice, and politics.

The Fountain’s National New Play Network Rolling World Premiere of Building the Wall by Robert Schenkkan was a smash hit the moment it opened in March at the intimate Fountain Theatre, selling out weeks in advance.  Set in the near future, the powerful new drama unfolds as a man awaits sentencing in a federal prison for carrying out the orders of Trump’s national policy to round-up and detain immigrants by the millions.    

 

Meanwhile, across town at the mid-sized Kirk Douglas Theatre, the Fountain’s acclaimed and award-winning encore production of Citizen: An American Lyric by Claudia Rankine, adapted for the stage by Stephen Sachs, is galvanizing audiences. The centerpiece of Center Theatre Group‘s inaugural Block Party celebrating intimate theatre in Los Angles, Citizen is a searing, poetic riff on race in America based on the best-selling book.   

 

“To have these two important, meaningful productions running concurrently, one in an intimate theatre and the other in a mid-sized venue, is extraordinary,” says Fountain Co-Artistic Director Stephen Sachs. “It exemplifies who we are, what we do, and why we do it.”

Tony Award and Pulitzer Prize winning playwright Robert Schenkkan agrees. “Both Citizen and Building the Wall deal with the issue of race and the fundamental question of who is it we mean when we say, ‘We, the people,'” explains Schenkkan. “For more than twenty five years, the Fountain Theatre has been presenting exhilarating, necessary theater, wrestling with the most pressing social and political issues of the day.” 

LA Stage Alliance Executive Director Steven Leigh Morris points out that this week is no anomaly. Morris notes, “That the Fountain Theatre has two productions running simultaneously — one at its home space in East Hollywood and the other at the Kirk Douglas Theatre as part of Center Theatre Group’s Block Party program — is a testament to the rigor and meticulous artistry that has been part of The Fountain tradition for twenty-seven years.”

By all accounts, this is an unforgettable week for the Fountain. We vow to continue our commitment to create, develop and produce meaningful new plays that bring to life urgent issues, week after week, for many years to come. 

Tickets/Info BUILDING THE WALL

Tickets/Info CITIZEN: AN AMERICAN LYRIC

Director Shirley Jo Finney: The healing power of ‘Citizen: An American Lyric’

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Lisa Pescia, Leith Burke, Bernard K. Addison, Monnae Michaell, Tony Maggio  in The Fountain Theatre production of “Citizen: An American Lyric” at the Kirk Douglas Theatre. Photo by Craig Schwartz.

The journey of veteran director Shirley Jo Finney to the Kirk Douglas Theatre’s Block Party with The Fountain Theatre’s Citizen: An American Lyric began two and a half years ago, when Fountain co-Artistic Director Stephen Sachs called to ask her if she had read Claudia Rankine’s New York Times bestseller Citizen. Or maybe it began in 1997, when Finney directed her first of eight works at the Fountain. Or perhaps decades earlier when, as a recent MFA graduate of UCLA, Finney participated in Center Theatre Group’s New Work Festival at the Mark Taper Forum. Or really long before that, when Finney grew up in a segregated neighborhood and attended all-white schools where she was the only person of color.

In 2015, Sachs told Finney he was considering adapting Citizen for the stage, and that she was the right director for the project. “I read it, and I went, ‘Oh, this is my life,'” said Finney, recognizing her own experiences of “walking through and navigating those torrential waters of mainstream America when you are a person of color or ‘other,’ and what you have to swallow in order to survive.”

Citizen premiered at the Fountain in August 2015; last summer, Finney directed it again at the Spoleto Festival USA in Charleston, South Carolina, just one year after the city was devastated by a deadly assault that took the lives of nine African-Americans at Emanuel African Methodist Episcopal Church. Every performance was followed by a discussion with the audience. “We felt it was necessary while that community was still healing and that wound was oozing,” said Finney.

There will also be Stage & Audience Talks after every performance at the Douglas, where Citizen is onstage April 28 – May 7, 2017. Citizen touched audiences deeply in Los Angeles in 2015, but much has changed since then—for the cast and crew and for the audience.

The Fountain Theatre production of "Citizen: An American Lyric," at Center Theatre Group's Kirk Douglas Theatre, Culver City, America - 30 April 2017

Shirley Jo Finney

“As human beings we’ve been living our lives…we all evolve,” said Finney of herself and the company. “At the same time, in those two years, there has been a transformation in the collective. I’m interested to see, now, how it’s going to land with our audiences. Because what was maybe specific to a tribe has now expanded…something has been awakened, because ‘the other,’ now, is everyone.” The election, said Finney, “fractured what our belief system is about being an American and being a citizen, and what that culpability and responsibility is.” She added, “Not only do you have to say, ‘What does it mean to be a citizen?’ But also, ‘What does it mean to be a human being?'”

The re-staging at the Douglas offers an opportunity for the show to make a bigger impact in other ways as well. “My designer is excited because we have the height now onstage that we didn’t have in the [Fountain]. Our projections are going to have the impact that we wanted to have,” said Finney.

“I think it’s a healing piece with a historical narrative, and we need it at this point in time,” she concluded. “When you look at what we need as human beings, the three things, if you cut everything away, are: we need to be seen, we need to feel nurtured, and we need to feel safe. Citizen, I think, makes us aware and opens that space for that healing to begin.”

Citizen: An American Lyric is now playing at the Kirk Douglas Theatre to May 7th.

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This post originally appeared in CTG News & Blogs

First preview tonight for Fountain’s ‘Citizen: An American Lyric’ at Kirk Douglas Theatre

2 horizontal B&WCenter Theatre Group‘s Block Party continues with the opening of The Fountain Theatre production of “Citizen: An American Lyric” this Sunday, April 30 at 6:30 p.m. at the Kirk Douglas Theatre. Based on a book of poetry by Claudia Rankine, adapted for the stage by Fountain Co-Artistic Director Stephen Sachs and directed by Shirley Jo Finney, “Citizen: An American Lyric” will begin previews tonight April 28 and continue for 11 performances only through May 7, 2017.

Block Party highlights some of the remarkable work being done in other, more intimate theatres throughout Los Angeles by fully producing three previously staged productions. The three productions receive the full support of Center Theatre Group and its staff in order to fund, stage and market each production. Block Party began with the Coeurage Theatre production of “Failure: A Love Story” April 14 through 23 and will continue with The Echo Theater Company’s production of “Dry Land” running May 12 through 21.

“Citizen: An American Lyric” fuses poetry, prose, movement, music and the video image in a provocative stage adaptation of Claudia Rankine’s internationally acclaimed book of poetry about everyday acts of racism in America. Of Rankine’s “Citizen,” The New Yorker wrote that it was “brilliant… [and] explores the kinds of injustice that thrive when the illusion of justice is perfected.” The New York Times wrote that “Rankine brilliantly pushes poetry’s forms to disarm readers and circumvent our carefully constructed defense mechanisms against the hint of possibly being racist ourselves.”

The cast of “Citizen: An American Lyric” includes Bernard K. Addison, Leith Burke, Tony Maggio, Monnae Michaell, Simone Missick and Lisa Pescia. Scenic and projection design is by Yee Eun Nam, costume design is by Naila Aladdin-Sanders, lighting design is by Pablo Santiago and original music and sound design is by Peter Bayne. Anastasia Coon is the movement director and Shawna Voragen is the production stage manager.

Audiences are also invited to engage in discussion with the “Citizen” cast and company following each performance during moderated Stage Talks. There will be no Stage Talk held on opening night.

PHOTOS: ‘Citizen: An American Lyric’ prepares to join the party at Kirk Douglas Theatre

castWeek one of rehearsal started Tuesday for our upcoming remount of Citizen: An American Lyric, the centerpiece of Center Theatre Group’s Block Party at the Kirk Douglas Theatre. Originally created and produced in 2015 at the Fountain Theatre, last week was a happy reunion for original cast members, designers , production crew and director Shirley Jo Finney.  

Citizen: An American Lyric is a searing and poetic riff on race in America written by Claudia Rankine, adapted for the stage by Stephen Sachs. The cast features Bernard K. Addison, Leith Burke, Tony Maggio, Monnae Michael, Simone Missick, and Lisa Pescia. 

The company met in the rehearsal room at the Kirk Douglas Theatre and immediately got to work. Day one began with a table reading of the script. As the week progressed, the actors were soon up on their feet pacing through the blocking. Citizen opens at the Kirk Douglas Theatre for a limited run April 30 – May 7.   

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Fountain Theatre pledges it will not be silent

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Fountain Family: We will not be silent.

Have you heard of Rabbi Joachim Prinz? Probably not. In August of 1963, he and Martin Luther King, Jr. were among the ten leaders of the March on Washington.  Preceding King to the platform on the steps of the Lincoln Memorial before King declared his dream to the world, Prinz delivered a stirring speech against silence in the face of injustice.  It was an expression of his life-long commitment to equality and tolerance. 

rabbi-prinz“Neighbor is not a geographic term. It is a moral concept,” he said. “When I was the rabbi of the Jewish community in Berlin under the Hitler regime, I learned many things. The most important thing that I learned under those tragic circumstances was that bigotry and hatred are not ‘.the most urgent problem. The most urgent, the most disgraceful, the most shameful and the most tragic problem is silence.”

This past weekend, more than 50 years later, women across the nation marched on Washington once again. And on the Thursday prior to marching, on the eve of the Presidential Inauguration,  the Fountain Theatre made a pledge. It would not be silent.

Streaming live on Facebook, the Fountain joined 728 other theaters in all 50 states who gathered outside theaters nationwide to create a “light” for these dark times ahead. The Ghostlight Project offered theater artists and patrons the opportunity to renew a pledge to stand and protect the values of inclusion, participation, and compassion for everyone, regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity, or sexual orientation.

The Fountain Theatre joined theaters across the country to reaffirm and declare our commitment and solidarity to provide safe, brave spaces that will serve as lights in the coming years. List of participating theaters in ALL 50 STATES

What is a ghostlight? When our theaters go dark at the end of the night, we turn on a “ghost light” – offering visibility and safety for all who might enter. This is our theatrical tradition and the inspiration for this national event. Like a ghostlight, the light we created on January 19th represents our commitment to provide safety, a safe harbor, for everyone. To resist intolerance at all levels.

Fountain folk were asked to make signs, affirming “I Am” and “I Fight For”. Take a look.

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On Thursday night, a crowd of Fountain Family members — actors, directors, stage managers, patrons and supporters — gathered outside the theatre at exactly at 5:30pm to join the live feed on Facebook. A statement was read by Fountain Co-Artistic Director Stephen Sachs, and the group switched on the portable lights they were asked to bring, in symbolic gesture of adding light into the coming darkness.

The ceremony continued inside. Morlan Higgins played guitar and sang a song by Woody Guthrie. Stephen Sachs listed three Fountain productions of plays that dramatized the issues of tolerance, equality, and inclusion. My Mañana Comes brought to life the struggle of immigration, The Ballad of Emmett Till shed light on racism, and the The Normal Heart articulated the fight against AIDS and social prejudice in the gay community. Stephen then introduced cast members from these productions, each performing selections giving voice to these themes. It was very powerful and moving.

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Quoting Rabbi Prinz, Sachs then announced the Fountain Theatre’s pledge that it “will not be silent.” He then instructed the group to once again switch on their portable lights, as he turned on the Fountain ghostlight that stood on stage, as a beacon of hope.

The Fountain ceremony ended with everyone joining Morlan on guitar and singing together the lively gospel song,  “This Little Light of Mine”.  Afterwards, the group gathered upstairs in the cafe for excited conversation, pizza and beer.

It was an inspiring and joyous evening. Like the light we shine, we will carry our pledge forward into the new year, and the years forever after. We will not remain silent.

Fountain Theatre launches 2017-18 season for social action with world premiere of Robert Schenkkan’s new play, ‘Building the Wall’

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The Fountain Theatre will open its 2017-18 season of new plays with an urgent warning against the proposed policies of the Trump administration, followed by statements on social justice, inclusion, acceptance of “the other,” prejudice, the role of government and the need for human connection.

“The Fountain has always been committed to speaking out for social justice and inclusion,” asserts Fountain co-artistic director Stephen Sachs. “These are disturbing and tumultuous times — for our local intimate theater community in Los Angeles and our nation. The Fountain is a place for theater to serve as a vehicle for public discourse: to express outrage, compassion and hope.”

The 2017-18 season will include four world premieres — Building the Wall by Robert Schenkkan; Runaway Home by Jeremy J. Kamps; Freddie by Deborah Lawlor; and Arrival and Departure by Stephen Sachs — as well as the Los Angeles premiere of The Chosen by Aaron Posner. The Fountain’s 2015 production of Citizen: An American Lyric, written by Claudia Rankine and adapted for the stage by Stephen Sachs, will be presented at the Kirk Douglas Theatre as part of Center Theatre Group’s inaugural Block Party. And, in addition to the Fountain’s ongoing, monthly ‘Forever Flamenco’ series, the Fountain will host Flamenco Fiesta, a two-day, outdoor flamenco concert celebration.

Over the past 27 years, The Fountain Theatre has established itself as one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. Fountain projects have been translated into numerous languages, produced across the U.S. and worldwide, and made into a TV movie.

The Fountain Theatre’s 2017-18 season is as follows:

March 18 – May 21 (previews March 15-17)
building-wallWorld premiere of Building the WallThe newest play by Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan (The Kentucky Cycle, All the Way), directed by award-winning Michael Michetti. It’s the very near future, and the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. Now, a writer interviews the supervisor of a private prison as he awaits sentencing for carrying out the federal policy that has escalated into the unimaginable. This riveting, harrowing and illuminating drama delivers a powerful warning and puts a human face on the inhuman, revealing how when personal accountability is denied, what seems inconceivable becomes inevitable.

April 30 – May 7 (previews April 28-29)

citizenCitizen: An American LyricCenter Theatre Group will remount the Fountain’s award-winning 2015 production at the Kirk Douglas Theatre as part of CTG’s inaugural Block Party: Celebrating Los Angeles Theatre. Written by Claudia Rankine, adapted for the stage by Stephen Sachs and directed by Shirley Jo Finney, Citizen fuses poetry, prose, movement, music and video images in a provocative meditation on everyday acts of racism in America. Actors returning from the original production include Simone Missick, who co-stars as Misty Knight on Netflix’s Luke Cage.

Summer 2017
runaway-homeWorld premiere of Runaway Home Three years after Hurricane Katrina, the unhealed wounds of New Orleans’s Lower 9th Ward continue to fester. In this powerful, funny and deeply moving mother-daughter story by Jeremy J. Kamps, 14-year-old runaway Kali embarks on a journey to pick through the wreckage of what used to be her life. Rhyming, stealing and scamming her way through the still-destroyed neighborhood, engaging the vivid, lively denizens who remain, she grapples with the real cost of what she has lost as she is forced to confront the even higher cost of moving forward and the possibility of redemption.

Fall 2017
the-chosenLos Angeles premiere of The Chosen The Fountain Theatre celebrates the 50th anniversary of Chaim Potok’s beloved novel with the L.A. premiere of the award-winning stage adaptation by Aaron Posner. A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless story about recognition and acceptance of “the other.” Directed by Simon Levy.

Fall 2017
freddieWorld premiere of Freddie This hybrid dance/theater work by Fountain Theatre co-artistic director Deborah Lawlor will be presented at Los Angeles City College, inaugurating a new partnership with the LACC Theatre Academy. Set in Greenwich Village in 1964 and based on a true story, Freddie fuses theater, music, dance and video to capture the explosive spirit of a passionate artist and a turbulent era. A naïve young woman falls under the spell of Freddie Herko, a brilliant ballet dancer of extraordinary charisma and talent and a beloved luminary of Andy Warhol’s Factory. Frances Loy directs.

Spring 2018
arrival-departWorld premiere of Arrival and Departure Troy Kotsur and his real-life wife Deanne Bray star in a modern-day, re-imagined deaf/hearing stage adaptation by Stephen Sachs (Bakersfield Mist, Cyrano) of the classic 1945 British romantic film, Brief Encounter. A deaf man and a deaf woman, married to different people, meet accidentally in a train station. A friendship develops over time, escalating into a passionate love affair that both struggle to permit themselves to consummate. An unforgettable love story about the challenges of communication, social isolation, diversity and self-empowerment.

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