Category Archives: stage

Meet the cast of the funny and powerful premiere of ‘Daniel’s Husband’ at Fountain Theatre

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Bill Brochtrup and Tim Cummings

Actors Bill Brochtrup and Tim Cummings, co-stars of the Fountain Theatre’s acclaimed 2013 production of The Normal Heart, will reunite for this season’s Southern California Premiere of Daniel’s Husband by Michael McKeever. Simon Levy, who helmed The Normal Heart, will direct. Daniel’s Husband opens May 4th.

Brochtrup and Cummings are joined by LA favorites Jenny O’Hara and Ed Martin. Jose Fernando makes his Fountain debut. 

Daniel and Mitchell are the perfect couple. Perfect house, perfect friends — even a mother who wants them married. They’d have the perfect wedding too, except that Mitchell doesn’t believe in gay marriage. A turn of events puts their perfect life in jeopardy, and Mitchell is thrust into a future in which even his love may not be enough. Daniel’s Husband is a bold reflection on love, commitment, and family in our perilous new world.   

The recent Off-Broadway production earned rave reviews. The New York Times hailed it as “Compelling”, the Huffington Post declared it was “Emotionally charged,” and the Daily Beast described it as “Beautiful and powerful.” 

bill-brochtrupBill Brochtrup (Daniel) appeared Off-Broadway in Secrets of the Trade at Primary Stages, Lost and Found at FringeNYC, and Snakebit at the Century Center. He’s acted with many LA theatre companies including South Coast Repertory (The Sisters Rosensweig, Shakespeare In Love, Noises Off), Antaeus Theatre Company (Cloud 9, Mrs. Warren’s Profession, Peace In Our Time) Rogue Machine Theatre (Les Blancs), Fountain Theatre (The Normal Heart). His many TV appearances include five seasons as savvy police psychologist “Dr. Joe” on Major Crimes, Shameless, Kendra, Dexter, and In the Life. Bill was a series regular on Public Morals, Total Security, and ten years as cheerful administrative aide “John Irvin” on NYPD Blue. He is the Co-Artistic Director of Antaeus Theatre Company. 

TimTim Cummings (Mitchell) recently earned his Master of Fine Arts in Creative Writing from Antioch University. He is the winner of Critical Read’s 2018 ‘Origins’ literary contest for his essay “You Have Changed Me Forever.” He is the recipient of three LA Drama Critics Circle Awards, for Dan O’Brien’s The House in Scarsdale: A Memoir for the Stage (2018 PEN American Award for Drama) at Boston Court, Larry Kramer’s The Normal Heart at The Fountain, and Enda Walsh’s The New Electric Ballroom at Rogue Machine. Selected LA: Cal in Camo with Red Dog Squadron at VS Theater; Need To Know at Rogue Machine, The Woodsman at Coeurage (StageSceneLA Award for Performance of the Year); Reunion and Eurydice at South Coast Rep, Hamlet and The Winter’s Tale at Theater 150, WAR and The Walworth Farce at Theater Banshee, Tartuffe at Boston Court, The Pursuit of Happiness at Laguna Playhouse. Bway & Off-Bway: The Guys directed by Jim Simpson, Frankie & Johnny in the Clair de Lune directed by Joe Mantello. Film/TV: Can You Ever Forgive Me, Grimm, Rosewood, Kensho at the Bedfellow, Criminal Minds, My Two Fans, Presence, The Box, etc. He holds a BFA in Acting from NYU.

Fernando_Page_1Jose Fernando (Trip) From the tropics of Costa Rica and the waters of Niagara Falls, Jose appeared in Breckenridge Theatre’s world premiere of  The 10th . He was seen on Disney Channel’s Disney 365 and on ABC’s Black-ish and Once Upon A Time . He currently has commercials in the works with Google and other tech companies.

 

Ed MartinEd Martin (Barry) has worked in theatres all over the country including Denver Center Theatre, The Arizona Theatre Company, Theatreworks, and the Laguna Playhouse. Favorite LA credits include work at the Boston Court, the Colony, the Davidson/Valentini, the Odyssey, the Hudson and Theatre 40. Ed is the recipient of the Ovation, Stage Raw, LA Weekly, Dramalogue and Robby Awards. TV and film credits include Angels and Demons, directed by Ron Howard, American Crime, Castle, Medium, Buffy the Vampire Slayer and many others.

Jenny O'HaraJenny O’Hara (Lydia) is best known to Fountain audiences as originating the role of Maude Gutman in the smash hit Bakersfield Mist. She co-starred on Broadway opposite Alec Guiness in Dylan. Other Broadway credits are The Fig Leaves are Falling, Promises, Promises, The Odd Couple (female version), and The Iceman Cometh. On TV, she’s been seen on Transparent, The Mindy Project, The King of Queens, and Big Love, and guest appearances in Mike and Molly, Hot in Cleveland, Rizzoli and Isles, The Closer, NCIS, CSI, House, Nip/Tuck, Six Feet Under and numerous others. Films include BFF, Sassy Pants, The Seven Psychopaths, Devil (M. Night Shyamalan), Mystic River (Clint Eastwood), Matchstick Men (Ridley Scott), Extract, Forty Shades of Blue, Two Weeks, How to Make Love to a Woman and Heartbeat

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Richard Gallegos joins Fountain Theatre team as Development and Outreach Coordinator

Richard G 3by Richard Gallegos

Hello Fountain Theatre family! I am Richard Gallegos and I’m thrilled to announce that I am the new Development and Outreach Coordinator at The Fountain.

My background: I am a native Angeleno. I am also a first-generation Salvadoran-American. I have been involved in the performing arts since I was in elementary school, and as a matter of fact, I credit my arts education teachers for shaping a very unruly and energetic child into the passionate, actor and theatre arts advocate that I am today.

My passion in theatre arts education is personal and it runs deep. It began as a last-ditch effort to curb my behavior, and over time the skills that I learned morphed into a sort of life curriculum. I have taught students from grades K-12, as well as college conservatory. Because I believe in the life changing potential of arts education, most of my work with youth has been about creating and implementing workshops that teach theatre skills, and include writing components, all with the goal of collectively devising new, non-linear works of theatre. I have collaborated with many students from various LAUSD schools and organizations (LACER, artworxLA, Company of Angels, Will & Company, Open Window, Bilingual Foundation of the Arts), and in my capacity as Resident Artist at PCPA-Pacific Conservatory Theatre. I am currently Theatre Director at Ramona Convent Secondary School and I love that I get to tackle some of my favorite plays with my super awesome students.

As an actor, I have been a long-time member of Critical Mass Performance Group, and my credits with CMPG are: AMERYKA (Kirk Douglas Theatre)Apollo; Parts 1 & 2 (World Premiere at Kirk Douglas Theatre), Apollo; Parts 1, 2 & 3 (Portland Center Stage), Antigone (Workshop, The Actors’ Gang). Other theatre credits include: The Secret Garden, Frost/Nixon, Art, Othello, Anna in the Tropics, Sylvia, Hortencia and the Museum of Dreams, Much Ado About Nothing. As a member of Rosanna Gamson/Worldwide I’ve performed in Grand Hope Flower, Aura, Rita Goes to Hell, Lovesickness, Tov. I am a member of AEA. 

 I couldn’t be more thrilled to be working as Development/Outreach Coordinator here at The Fountain. The work that is produced here is compelling, evocative, and at times deliciously provocative- all the things that I love about theatre. It is for these reasons that I’m really looking forward to growing our community support and involvement. My goal is to bring into our theatre the very people whose stories are getting a voice on our stage.

My website is www.richardgallegos.com.

VIDEO: Enjoy the ‘Ms. Smith Goes to Washington’ post-show party at LA City Hall

NEW VIDEO: A backstage look behind the scenes of ‘Hype Man’ at Fountain Theatre

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VIDEO: What is hip hop?

What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.

In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?

Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.

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Meet the young cast of the West Coast Premiere of ‘Hype Man’ at Fountain Theatre

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Matthew Hancock, Clarissa Thibeaux, Chad Addison in rehearsal for “Hype Man”

Three young actors. Different personal backgrounds. A trio of distinct professional credits in stage, TV and film. Somehow, under guidance from director Deena Selenow, they must instantly create a close bond to portray a rocketing hip hop band on the brink of national attention in the Fountain Theatre West Coast Premiere of Hype Man by Idris Goodwin, opening February 23.   

Meet the talented cast of this funny, powerful and thought-provoking new “break beat play” the Boston Globe describes using “hip hop culture as a crucible where issues of racial identity, gender inequity, ambition, and friendship collide.”

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Chad Addison

Originally from outside Boston, Chad Addison  has been in LA for 13 years. He’s excited to be working in his first play with The Fountain Theatre and to be able to dive into such a poignant piece of art. Music has always been a passion for him, so it’s an honor to combine the two in such a way. He was last seen on stage in the play Connect at Theatre 68. Aside from theater, he’s been pursuing TV/Film. Some notable credits include FOX’s 9-1-1, Most Likely to Die (on Netflix), NCIS: New Orleans, Grimm, Grey’s Anatomy & Bones. He was also a producer/actor on the independent film Paint It Red, which is now streaming on demand. 

Matthew Hancock

Matthew Hancock

Matthew Hancock is excited to be back at the Fountain. Favorite theatre credits include: the Los Angeles premiere of the NAACP and Ovation Award nominated The Brothers Size (Oshoosi), I and You (Anthony), Trans Scripts (Zakia). Matthew has recurred on I’m Dying Up Here (Showtime), Emmy Nominated Giants (Youtube), Five Points (Facebook Watch). In addition,  he has appeared in Snowfall (FX) and Prince of Peoria (Netflix) While not on the stage or in front of the camera, Matthew enjoys musical endeavors as Michael Siren.   He is a LA Drama Critics Circle, Stage Raw award winner and Ovation Nominee for Hit the Wall (Carson).  Matthew holds a BFA from Adelphi University (cum laude). To his incredibly supportive Family, Thank you. Follow Matthew on Instagram: @imatthewhancock.

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Clarissa Thibeaux

Clarissa Thibeaux is an LA based actor/writer/producer working in television, film, theater, and new media. You can catch Thibeaux in Marvel’s Runaways as Xavin on Hulu. Previously, you may have seen Thibeaux in Echo Theatre Company’s production of The Found Dog Ribbon Dance as Trista, or in the horror films Flight 666, and Ice Sharks.  She graduated with her B.A. in Theatre Arts from San Diego State University. Thibeaux currently resides in West Hollywood, CA enjoying every opportunity that comes her way.

 

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Yes, Los Angeles is a football town. It is also a theatre town.

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Rams quarterback Jared Goff.

by Stephen Sachs

I’m used to it by now. I expect it. I wait for it. Whenever I travel anywhere in the country, to any state in our union, whether on a personal vacation with my wife or attending  a professional theatre conference in a faraway region,  once I share where I’m from and what I do for a living I am asked the same question: is Los Angeles a theatre town?

My guard quickly goes up. I shift into protective mode. Defending my city and my art form. My talking points ready. Did you know that more theatre is produced in Los Angeles, more productions of plays and musicals, than in any other city in the world — more than New York, Chicago or London? Did you know that Los Angeles is home to more working artists than any other major metropolis in the United States, including New York? According to a 2010 report commissioned by the Center for Cultural Innovation (CCI), Los Angeles hosts the largest pool of artists of any city in the nation.  Los Angeles supports more than five times as many performing artists (actors, directors, producers), outpacing New York substantially.  These facts always trigger startled looks of surprise.

Now Los Angeles is facing the same skepticism about football. With Super Bowl Sunday approaching this weekend, the nation wants to know: Is Los Angeles a football town? The answer is yes. In fact, Los Angeles is one of only two cities in the nation that has two NFL teams, the Rams and the Chargers. The other metropolis with more than one team? You guessed it. Our theatre rival, New York.  Always bent on outshining us, New York  has three teams.

While theatre has been performed consistently in Los Angeles since the city was founded in 1781,  the Rams’ history with LA has been bumpy and uneven. The franchise began in 1936 as the Cleveland Rams in Ohio.  The team moved to Los Angeles in 1946. After the 1994 season, the Rams left LA and moved to St. Louis. They returned to Los Angeles in 2016, suffering through a disappointing season. Then, like a true Hollywood story, magic happened.

In 2017, Washington Redskins offensive coordinator Sean McVay became the new Rams head coach at the age of 30, making him the youngest in modern NFL history. McVay is a rock star. He is what slick and glamorous basketball coach Pat Riley was to the Lakers in the 1980’s era of Showtime.  McVay is young, movie star handsome, charismatic. And a winner.  In their first year under McVay, the Rams won their first NFC West title since 2003. This season, the team’s 13–3 record tied for the second-most wins in a single season in franchise history and were the most ever for any NFL team in Los Angeles. On Sunday, they perform on the league’s biggest stage. The Broadway of football. A Los Angeles team hasn’t reached the Super Bowl since 1980.

Is LA a football town? Ask Rams star defensive tackle Aaron Donald. “It’s a football town now.” The team’s average home attendance in the regular season was more than 72,000 fans per game at the Rams’ temporary home at the LA Coliseum.

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Artist rendering of the new Rams Stadium in Inglewood.

Inglewood is now building the team a new state-of-the-art 70,240-seat stadium, scheduled to open in 2020. At a cost of more than $5 billion, it will be the world’s most expensive sports complex.  More than three times the size of Disneyland and twice as big as Vatican City. The last time Los Angeles built an arts complex even close to that size was the Music Center downtown in 1964.  Although one of the largest performing arts centers in the United States, the 11-acre Music Center is 1/27th the size of the future 298-acre LA Stadium campus.  And you thought tickets to Hamilton were expensive? The best seat at Los Angeles’ newest stadium will come with a licensing bill of $100,000 for Rams season-ticket holders, not including the price of each ticket per game.

I hold no illusion that theatre will ever be as popular in Los Angeles as football. More human beings worldwide will watch our LA Rams in this Sunday’s Super Bowl than have seen every performance of every play and musical ever produced in Los Angeles in two hundred years. That’s okay. Something exciting is happening in this town. I can feel it. LA is undergoing a renaissance, blossoming into the city of the future. Money is pouring in, new urban development is underway everywhere, our progressive city laws and lifestyle embrace diversity and inclusion and the hope of opportunity.

For many artists across the country, LA is still the land of dreams. The region’s record in home-growing, attracting and retaining artists is unmatched. Los Angeles is still the nation’s premier place to pursue and maintain an artistic career. Its theatre community is vast, richly varied and thriving.

And the Rams are playing in the Super Bowl. Whatever the outcome this Sunday, Los Angeles comes out a winner.

Stephen Sachs is the Co-Artistic Director of the Fountain Theatre and a longtime Rams fan.