Students feel an intimate connection with ‘Runaway Home’ at the Fountain Theatre

OLYMPUS DIGITAL CAMERATo many college students, class assignments can seem boring and meaningless. But for teacher Alan Goodson and his students at Fashion Institute of Design & Merchandising, the ongoing visits to the Fountain have become one assignment they eagerly look forward to undertaking. For years, Goodson regularly pulls his students out of the classroom and into the Fountain to benefit from the educational and life-enhancing experience of live theatre.  

The student visits are made possible by Theatre as a Learning Tool, the Fountain Theatre’s educational outreach program that makes live theatre accessible to young people throughout Southern California. 

The FIDM students arrived at the Fountain on November 4th to see our acclaimed world premiere of Runaway Home by Jeremy J. Kamps.  The play is set in New Orleans, three years after Hurricane Katrina. 14 year-old runaway Kali embarks on a journey to pick through the wreckage of what used to be her life. Rhyming, stealing, and scamming her way through the still-destroyed neighborhood, she grapples with the real cost of what she lost and is forced to confront the higher risk of moving forward. A funny, moving, and powerful new play about community and the power of family.

Returning back to their classroom, the students wrote essays expressing their thoughts and feelings on seeing the production. Take a look at these excerpts:  

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“The small black box-style theater that The Fountain offers made for an utterly intimate show, leaving tears swelling in every audience member’s eyes as they watched these characters and their troubles unfold. . . . As someone who had no experience with the post-Katrina trauma, this show was a huge learning experience for me. In a way, it caused awareness for tragedies like Katrina, and how the devastation is anything but short-term. In my mind, three years sounds like a very long time, but seeing how devastated these families and communities still were three years later really put it into perspective. Also, the intimate environment of the venue made me feel even closer with these characters, and I truly felt a connection with each and every one of them throughout the show. Kamps’ writing exposed the ugly truths of a natural disaster, but mainly expressed the importance of acceptance, family, and growing up.”

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“This play was directed in a way that really involved the audience emotionally. When watching the play, there were times when I literally felt as if I was in the scene. Aside from that I was sitting in the first row, I felt as if I was immersed in each scene, embracing every dramatic and/or even comedic moment. The actors in the play all performed extremely well. They really embraced the importance of how the aftermath of the hurricane effected so many people.”

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“My personal opinion of the play is that it was a very emotional, but strong story. The actors played the parts effortlessly, especially the actress that played Kali. . . . Overall, the play was very inspiring. It was told in a different way, with these monologues that were extremely poetic. The experience was very cool being so close to the actors. It felt like I was in the story. The was definitely worth watching.”

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“These close quarters allow for audience members to analyze every detail of the actors on stage, whether that be gestures, dialogue, or facial expressions, we can see it all. With that said, the small proximity of the theatre made the execution of Runaway Home that much more impressive and admirable. For audience members like myself, I could tell that each cast member was fully engaged in the story and connected to the characters they played.”

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“Intimacy and raw emotion are concepts that are commonly taken for granted, but when they are used to enhance a piece of art, they suddenly become indispensable. With a smaller-sized venue located at the Fountain Theater in Hollywood, and a close-knit cast of animated actors, they were able to incorporate intimacy as well as capture raw emotion in one jam-packed performance. . . . This play provided not only insight into an event, but shed light on the darker aspects of our government’s behavior. Both the venue and the personnel chose to play each character worked perfectly in articulating the message that Kamps was trying to convey. The audience can expect to get giggly as well as a bit teary eyed during this performance. The range of emotion and intimacy that is put on display makes for an extraordinary production.”

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Fountain Theatre presents inspiring solo play to benefit L.A. theater director Dan Bonnell

Dan Bonnell

Dan Bonnell

The Fountain Theatre will present the funny and powerful solo play A Piece of My Mind, written and performed by Eric Barr, on Saturday, Dec. 16th at 8 p.m. as a fundraiser for L.A. theater director Dan Bonnell and his family. Bonnell suffered a massive brain aneurysm in April while in a meeting at Sacred Fools Theatre in Hollywood. He remains in rehabilitative care.

With A Piece of My Mind, Barr shares his inspiring true story of how he survived a series of devastating strokes, robbing him of speech, movement and all his future plans. But it didn’t rob him of hope, or his sense of humor and optimism. His solo play takes audiences on his journey from near-death to recovery and reinvention. It is a celebration of life, love and the human spirit.

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Eric Barr in “A Piece of My Mind” (photo by Joshua Montez)

“I have known Dan Bonnell for over 25 years as both a director and a friend,” says Barr. “When I was chairman of the UC Riverside Theatre Department, Dan directed a number of shows for us and he always raised the level of our students’ work and of our productions. Our students loved Dan.”

Fountain Theatre co-artistic director Stephen Sachs is also a longtime friend of Bonnell. “Dan is a warm-hearted human being and a respected member of our L.A. theater community,” Sachs states. “I offer the Fountain as a way to use theater as an instrument for healing and raising awareness. This night will bring L.A. theater artists and friends of Dan together to show Dan and his family that they are supported.”

A stroke impacts more than the patient. It affects the entire family. Proceeds from the one-night performance will benefit Bonnell and his family as they face mounting medical expenses. A silent auction is also planned to raise additional assistance.

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Eric Barr, “A Piece of My Mind” 

As a stroke survivor, Barr knows the struggle Dan is experiencing. Visiting his friend was a sobering reminder. “When we arrived at the nursing facility, Dan was barely conscious,” remembers Barr. “Sitting next to him, I was suddenly flooded with distant memories of my own experience. I knew what it felt like to be trapped in bed, trapped in an unresponsive body. I could feel it all over again.”

After his stroke, Barr feared his life was over. Instead, his one-man show demonstrates he has a new future. Barr now performs his solo play to enthusiastic audiences around the country.

“On stage, I feel completely healthy. I feel more like myself than anywhere else.”

Eric Barr taught acting and directing at University of California, Riverside from 1975 until 2013 and is now a UCR Professor Emeritus of theater. He has directed over 100 productions and was the founding director of the UCR Palm Desert MFA program in Creative Writing and Writing for the Performing Arts.

Dan Bonnell is an award-winning director whose work has been seen in Los Angeles at the Falcon Theatre, Colony Theatre, Pacific Resident Theatre, Matrix Theatre, Open Fist, Theatre of NOTE, The MET, Boston Court, Cornerstone, [Inside] the Ford, ASK Theater Projects, Ensemble Studio Theatre/LA, Highways, Moving Arts, Nexus Theatre Company, Odyssey Theatre Ensemble and HBO Workspace. Dan is the recipient of directing awards from the Los Angeles Drama Critics Circle, LA Weekly and the NAACP as well as the GLAAD Media Award, and has been nominated for Theater Communications Group “Alan Schneider Award”

A Piece of My Mind will be performed on Saturday, Dec. 16 at 8 p.m. Tickets are $50. All proceeds will benefit Dan Bonnell and family.  More Info/Get Tickets

 

First rehearsal for stage version of Potok’s ‘The Chosen’ at the Fountain Theatre

CHOSEN 1st Reh 1First rehearsals are remarkable things. They can be dicey affairs. Actors, newly bound together for the coming months, meet and size each other up for the first time. The director faithfully plots the course ahead. Schedules are planned. Design diagrams are plotted. All of it based on the belief that, through magic and hard work, everything will wondrously come to fruition by Opening Night. How? As confirmed in the movie, Shakespeare in Love, “It’s a mystery.”

There was no mystery at last night’s first rehearsal for our upcoming premiere of The Chosen. Judged by the high quality of the actors, director and design team, this stage version of the acclaimed Chaim Potok novel will be unforgettable for audiences in January.

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Sam Mandel and Alan Blumenfeld

Celebrating the 50th Anniversary of the most beloved novel about the American Jewish experience of the 20th Century, this acclaimed stage adaption of The Chosen is more timely than ever. Set in Brooklyn, 1944, It is a coming-of-age story of two observant Jewish boys who come from very different homes. When Reuven is injured by Danny during a heated baseball game, a unique friendship is born. As the boys grow to manhood, they are forced to learn important lessons about each other, their fathers and themselves.

Adapted for the stage by Aaron Posner and Chain Potok, The Chosen is directed by Simon Levy. It features  Jonathan Arkin, Alan Blumenfeld, Sam Mandel, and Dorian Tayler. 

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Performances begin January 17, 2018. More info/get tickets

Fountain folk celebrate the triumpant finale of world premiere ‘Runaway Home’

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The company of Runaway Home celebrates after final performance 

There was a moment yesterday during the final curtain call of our acclaimed world premiere of Runaway Home that crystalized our expeirience throughout the entire eight-week run.  The audience leaped to their feet in an exuberent standing ovation, stomping and clapping, while the actors lovingly tossed colorful mardi gras beads from the stage. Both sides of the stage shared a joyful moment of festive celebration that captured the spirit of this funny, endearing and poignant new play. 

Following Sunday’s final performance, a lively reception was held in our upstairs cafe. The rain forcasted for the afternoon never appeared as the cast joined friends and patrons for a warm-hearted reception that included bowls of hot chili and plates of sweet potato pie. 

Enjoy these photos from the post-show party. Another splendid Fountain Theatre production completes its successful run.

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Fountain director Shirley Jo Finney awarded SDC Denham Fellowship for ‘Runaway Home’

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Shirley Jo Finney

The Fountain Theatre is proud to announce that the Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation of Stage Directors and Choreographers Society (SDC), has selected Director Shirley Jo Finney as SDCF’s 2017 Denham Fellow for her production of Runaway Home by Jeremy J. Kamps. Runaway Home made its world premiere at The Fountain Theatre and runs to November 5th. 

The Denham Fellowship was established by Mary Orr Denham in 2006 with a bequest to SDCF in honor of her late husband, Reginald H. F. Denham. It is an annual cash award given to women directors to further develop their directing skills, and supports a particular proposed project. Past recipients include May Adrales, Tea Alagic, Rachel Alderman, Kathleen Amshoff, Jessi D. Hill, Joanie Schultz, Bridget Leak, Hannah Ryan, and Diane Rodriguez.

“I love this place because it does important work, ” Finney stated about the Fountain Theatre and Runaway Home. “I love when a piece of work is being presented and the audience can’t get out of their seats. Because they have not experienced a play. They have experienced a life.”

Denham Fellow Shirley Jo Finney is an award-winning international director and actress. She has worn her director’s hat in some of the most respected regional theater houses across the country including: The McCarter Theater, The Pasadena Playhouse, The Goodman Theater, Alabama Shakespeare Festival, Cleveland Playhouse, Fountain Theater, LA Theater Works, Crossroads Theater Company, Actors Theatre of Louisville’s Humana Festival, Sundance Theater Workshop, Mark Taper Forum, Kennedy Center for the Performing Arts, and the State Theater in Pretoria, South Africa. Ms. Finney has received many prestigious awards over the years for her special talent and eye for storytelling and for creating exciting ensembles. Her awards include the L.A. Stage Alliance Ovation Award, The Los Angeles Drama Critics Award, LA Weekly Award, The NAACP Award, and the Santa Barbara Independent Award for her directing work. Finney helmed the acclaimed international all South African Opera entitled Winnie, based on the life of political icon Winnie Mandela. Most recently, Ms. Finney directed and developed the critically acclaimed world premiere of Citizen: An American Lyric by the award-winning PENN poet, Claudia Rankin. Other recent works include Facing Our Truth, The Trayvon Martin Project at the Kirk Douglas Theatre in Los Angeles, the Lark Play Development Center’s rolling world premiere of the road weeps, the well runs dry by Marcus Gardley at the Los Angeles Theater Center, and Tarell Alvin McCraney’s Brother/Sister Plays.

“Shirley Jo has been a cherished member of our Fountain Family for many years,” says Stephen Sachs, Co-Artistic Director. “We are thrilled and proud that the SDC Foundation has honored her excellence.”

Runaway Home now playing to Nov 5th.

Dionna Michelle Daniel joins Fountain Theatre to plant seeds for social change

Dionna Michelle Daniel

Dionna Michelle Daniel

Greetings! I am Dionna Michelle Daniel and I am excited to announce that I have joined The Fountain Theatre as the new Outreach Coordinator. At The Fountain, I will be focusing on educational programming and community engagement.

In May, I graduated from the California Institute of the Arts with a Bachelor of Fine Arts in Acting and a minor in Creative Writing. I am coming to the Fountain after a month-long run at the Edinburgh Fringe Festival of my new play Gunshot MedleyGunshot Medley stretches across the Antebellum American south through present day to weave a rich history of the Black-American experience, blending poetry and song to respond to the historical expendability of Black bodies and the lives lost to hatred, racism, and police brutality. At the Fringe it received four 5 out of 5 star reviews and ultimately became a crowd favorite.

While at The Fountain, I will also be working as a youth instructor teaching creative writing at the Boyle Heights Arts Conservatory through CAP. Building a nurturing community for young artists and educating students is one of my personal missions, so I am excited to embark on helping expand The Fountain’s educational program, Theatre as a Learning Tool.

Theater that is rooted in social activism has always been a passion of mine. I believe that art, especially live performance, has the potential to dramatically change hearts and minds. Theater has the ability to plant the seeds of empathy, inquiry, and discussion. From those seeds, real social change begins.

Q&A with Fred Herko biographer following ‘Freddy’ performance Thursday Sept 28th

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Fred Herko

Audiences seeing the world premiere of the new theatre/dance work Freddy on Thursday night, September 28th, will enjoy an added treat when Fred Herko biographer Gerard Forde engages in a Q&A discussion immediately following the performance at 8pm in the Caminito Theatre at LA City College.  Freddy is written by Herko friend Deborah Lawlor, directed by Frances Loy, with dance/movement direction by Cate Caplin.

Set in 1964 Greenwich Village and based on a true story, Freddy blends theatre, dance, music and projected images to tell the tale of a naïve young woman who falls under the spell of Fred Herko, a brilliant ballet dancer of extraordinary charisma and talent and a fiery denizen of Andy Warhol’s Factory.

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Fred Herko biographer Gerard Forde and Deborah Lawlor

Gerard Forde is a curator, writer and translator. Over the past eight years he has been researching a biography of Fred Herko and a history of the New York Poets Theatre, founded in 1961 by Herko, Diane di Prima, LeRoi Jones (later Amiri Baraka), Alan Marlowe and James Waring.

In 2014, to mark the fiftieth anniversary of Herko’s death, he curated a week long program of events in New York, including an exhibition of photographs of Herko at the Emily Harvey Foundation Gallery and a symposium at NYU.

His recently published essays include ‘Plus or Minus 1961 – A Chronology 1959-1963’ in ± 1961: Founding the Expanded Arts, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2013; ‘Poet’s Vaudeville – The Collages of James Waring’, in James Waring, Galerie 1900-2000, Paris, 2013; and ‘Dramatis Personæ: The Theatrical Collaborations of Kenneth Koch, Jean Tinguely and Niki de Saint Phalle’, in Niki de Saint Phalle: At Last I Found the Treasure, Kunst- und Kulturstiftung Opelvillen, Rüsselheim, 2016.

Fred Herko (1936-1964) was a central figure in New York’s downtown avant-garde. A musical prodigy, he studied piano at the Juilliard School of Music before switching to ballet at the age of twenty. In 1956 he won a scholarship to study at American Ballet Theatre School and within a few years was dancing with established choreographers including John Butler, Katherine Litz, Buzz Miller, Glen Tetley and James Waring. He was a founding member of Judson Dance Theater, presenting six of his own works in the group’s concerts between 1962 and 1964 and dancing in works by Al Hansen, Deborah Hay, Arlene Rothlein and Elaine Summers. He was a co-founder of the New York Poets Theatre, which staged one-act plays by poets and provided a podium for happenings by Ray Johnson, Allan Kaprow and Robert Whitman; dances by Yvonne Rainer and Trisha Brown; music by La Monte Young, John Herbert McDowell and Philip Corner; and films by Brian De Palma, Stan VanDerBeek and Andy Warhol. Herko starred in seven of Warhol’s earliest cinematic experiments in 1963, including Jill and Freddy Dancing, Rollerskate/Dance Movie and Salome and Delilah. His untimely death in 1964, at the age of 28, robbed New York’s underground scene of one of its most exuberant and versatile performers who was equally at home performing Comb Music by Fluxus composer George Brecht or camping it up in Rosalyn Drexler’s musical comedy Home Movies.

 

Reserve Now for Freddy, Thursday, Sept 28 followed by Q&A with Gerard Forde

More Info/Get Tickets