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- PHOTOS: ‘Citizen: An American Lyric’ prepares to join the party at Kirk Douglas Theatre
- Actor Bo Foxworth on revolutionary ‘Building the Wall’: “I’m supposed to do this”
- ‘Building the Wall’ to open Off-Broadway
- Fountain Theatre earns 7 Stage Raw Theatre Award nominations
- Now Hiring: paid summer internship for college student at the Fountain Theatre
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Fountain friends, longtime and new, enjoyed an unforgettable afternoon Sunday at the magnificent Hollywood apartment of actress and Fountain board member Karen Kondazian. Delicious middle eastern fare from Adana was served to thirty invited special guests who marveled at Karen’s extraordinary home, the panoramic view of Hollywood, and chatted about the achievements and future of the Fountain Theatre.
The afternoon salon was organized so distinguished friends and supporters of the Fountain could stay connected with the theatre and each other. New colleagues and associates from the Los Angeles business and arts communities were introduced to the Fountain’s inner circle. And the Fountain unveiled a new level of sponsorship, the Artistic Directors Circle, for elite donors who underwrite specific plays or programs or an entire season.
Fountain Co-Artistic Directors Deborah Lawlor and Stephen Sachs were joined by Producing Director Simon Levy, Associate Producer James Bennett and Director of Development Barbara Goodhill.
“Diversity sits at the heart of our artistic mission,” said Sachs. “When Deborah and I founded the Fountain back in 1990, it was to offer an artistic home for theatre and dance artists, of all backgrounds, to create and develop new work that reflects the cultural diversity of our city and our nation. The Fountain Theatre sits in the center of District 13, the most ethnically and culturally diverse district in Los Angeles. 32 languages are spoken at the local high school.
“Our programing is community-driven. When we think about putting a season together, we ask ourselves which community needs to be served? Which cultural, religious or ethnic group is struggling with an issue that needs to be dramatized? Who’s voice needs to be heard?”
The 2017-18 Fountain Theatre season includes the world premiere of Building the Wall by Robert Schenkkan, Citizen: An American Lyric by Claudia Rankine at the Kirk Douglas Theatre, the world premiere of Runaway Home by Jeremy Kamps, the world premiere of Freddie by Deborah Lawlor, the stage adaption of The Chosen by Chaim Potok, and the world premiere of Arrival and Departure by Stephen Sachs performed in Spoken English and American Sign Language.
Fountain Board members Dorothy Wolpert, Karen Kondazian, Dick Motika, Jerrie Witfield, Don Zachary, and Oscar Arslanian welcomed guests Nyla Arslanian, Miles and Joni Benickes, Lorraine Evanoff, Bennard Gillison, Daniel Greenberg and Susan Steinhauser, Lucinda Cowell and Ron Michaelson, Victoria Meyers, Bonnie Nijist and Arthur Zeesman, Jacqueline Schultz, Mark Stankevich, Ron and Elaine Stein, , and Stanley Wolpert.
Stephen Sachs and Deborah Lawlor spoke to the group, reviewing the recent accomplishments of the Fountain Theatre, its fundraising goals, and outlining the upcoming 2017-18 season. They expressed the artistic heart and soul of the company and its dedication to diversity and inclusion by serving a wide variety of communities throughout Los Angeles. And they articulated the challenges and objectives moving forward, describing the Fountain as an essential treasure on the cultural landscape of Los Angeles. And declared that the Fountain’s longtime dedication to diversity was essential in these turbulent times.
“We are an immigrant nation, ” stated Sachs. “Los Angeles is a world city, rich with the multi-colored fabric of diversity. At this moment in history, now more than ever, it is crucial that the Fountain Theatre maintain its mission of diversity and inclusion and community focus, where people from all backgrounds are seen on our stage and in our audiences.”
“The Fountain Theatre may be small in size, ” he concluded. “But we are large in vision, in purpose, and in our commitment to creating and producing meaningful work that has the power to change lives.”
Building the Wall (323) 663-1525 More Info/Get Tickets
Much about our world premiere of Robert Schenkkan’s riveting new play, Building the Wall, has been unprecedented. The swiftness we’re bringing this urgent work to the stage, the national attention the timely new play is generating even before opening, the constellation of theaters across the country already interested in producing the play after the Fountain premiere on March 18.
Equally extraordinary is the support the production has received from our own Fountain Family. For the first time in the Fountain’s twenty-seven year history, the majority of the production budget for the entire 10-week run of Building the Wall is secure prior to Opening Night. Thanks to the generous support of three phenomenal women: Karen Kondazian, Barbara Herman and Susan Stockel. The trio share a passion for theatre and a commitment to social action. They now serve Building the Wall as Executive Producers.
Karen Kondazian is an award-winning actor, author and producer. She has starred in many productions at the Fountain, has guest starred in over 50 television shows and is a lifetime member of The Actors Studio. Her novel The Whip has received several awards including best historical fiction.
“I wasn’t able to join the Women’s March,“ explains Karen. “So I protest by supporting extraordinary Art. Robert Schenkkan’s Building the Wall is precisely that. He reveals brilliantly and artfully the nightmare of what might be, then peels away layers until we understand the nightmare of what actually will be, if we do not heed the warning.”
Barbara Herman was born and educated in Los Angeles. She is actively involved in the successful business established with her late husband. Barbara is an enthusiastic supporter of local culture, including the Fountain Theatre, the Broad Stage, and the Women’s Guild at Cedars Sinai.
“The Fountain Theatre stands out,” she says, “for its innovative approach to offering fresh, socially relevant plays. Building the Wall is a most timely effort to help illuminate what we, the public, are facing in today’s political climate. I am honored to support the Fountain Theatre’s world premiere production of this play.”
Susan Stockel was born in New York. She raised her family in California and practiced law. She is now a community activist, world traveler, and lover of the spoken word.
“I am a theatre addict,” she admits. “Good theatre is about telling stories. A strong, well-written and well-acted story binds us to one another and can provide the connection that leads to action. I knew I would support Building the Wall as soon as I read it. This play must be produced now and staged across the country. As Robert Schenkkan has said, ‘We cannot hope to be useful if we can’t respond until 18 months after the fact.’ Yes, we need to move fast. And we have. I am proud to help.”
“The Fountain Theatre deeply thanks Karen, Barbara and Susan for their exceptional generosity and friendship, ” says Co-Artistic Director Stephen Sachs. “Their contribution to Building the Wall has given this important world premiere at the Fountain Theatre the strong foundation it needs as we launch it nationwide.”
With the support of these three remarkable women, the Fountain Theatre is inaugurating a new funding program, the Artistic Directors Circle, offering theater-loving individuals the opportunity to underwrite Fountain Theatre productions throughout the 2017-18 season. If you’re interested in joining the Circle and learn more about its many benefits, please contact Barbara Goodhill (323) 663-1525 x307 Barbara@fountaintheatre.com
When the new play Bakersfield Mist premiered at the Fountain Theatre in 2011 starring Jenny O’Hara and Nick Ullett, it earned rave reviews and ran for seven sold-out months. The current revival with the original cast has been equally successful, enjoying a four-month run and delighting full houses of enthusiastic audiences. The hit production concluded its run yesterday at Sunday’s matinee, followed by a lively reception in our upstairs cafe.
Playwright and director Stephen Sachs shared his thoughts and gratitude — and some history — on the play’s final performance at the Fountain.
Today at 2pm is the final performance of the current remount of Bakersfield Mist at the Fountain Theatre starring my original cast, Jenny O’Hara and Nick Ullett. That means, barring some unforeseen opportunity in the future, today will be last time the three of us will inhabit Maude’s trailer together.
It will probably also be the last time I watch a performance of the play. I’ve seen several productions through the years, all over the world. It’s not likely I’ll see more. It warms my heart deeply that my final viewing will be performed by the two glorious actors who first gave it life, for whom I wrote the play in the first place. We end today as we began. Together.
Bakersfield Mist has been an extraordinary, joyous ride for us. I wrote the play in 2010 with the voices of Jenny and Nick in my head. I called them to my house one night, where they read the first draft at my dining room table. They shepherded the play with me through new drafts and rewrites. We knew we liked the play ourselves, but we had no idea what we had until the first public reading in front of a live audience at Play Fest at Orlando Shakespeare Theatre in Florida. The audience roared with laughter, intensely listened, and applauded wildly at the end. And it’s been that way, everywhere, ever since.
The play opened at the Fountain Theatre in 2011, starring Jenny and Nick, and ran for seven sold-out months, raising the two actors to a full Equity contract. The play enjoyed a 3-month run on London’s West End and is now being performed in regional theatres across the country, has been translated into foreign languages and is being produced around the world.
I’m proud that Bakersfield Mist at the Fountain Theatre became a model example of the 99-Seat Plan working exactly as it should, as it was designed. This little play, created, developed and produced at an intimate theatre in Los Angeles under the 99-Seat Plan, has now generated dozens of Equity contracts across the country and created hundreds of jobs for theatre professionals around the world.
Most of all, the play is my gift, my valentine, to Nick and Jenny. These two remarkable people. Husband and wife, partners in art. Supremely skilled, true professionals, and a hell of a lot of fun. We gave birth to this play together. They gave their time, their talent, their expertise and enthusiasm, their decades of professional craft and wisdom to this play, all with a spirit of passion, great humor and deep caring. I love and respect them both dearly, and will be forever grateful.
He has strolled down many red carpets in his celebrated career. At the Writers Guild Awards, the Tony Awards, the Emmy Awards, the Venice Film Festival, and the Oscars. He wrote the screenplay for Hacksaw Ridge, nominated Best Picture for this year’s Academy Awards.
The world will be watching the Oscar ceremony this Sunday, and gawk at the parade of celebrities as they strut the red carpet beforehand. What’s it like to march down that crimson pathway with all eyes and cameras tracking your every step? For playwright Robert Schenkkan, author of our upcoming world premiere Building the Wall, the carpet is not always magic. Particularly if you’re a writer.
“The clusterfuck of a red carpet is always where the writer is reminded of his or her place in the food chain, ” admits Schenkkan. “You are absolutely the most important person in the universe, until anybody else steps on the red carpet — then you’re just chopped liver. You can see the heads snap and the cameras snap, and whoever you’re talking to, their eyes are immediately doing the Hollywood over-your-shoulder shuffle. This is something one is used to, but it’s a humbling experience, always.”
Another other-worldly aspect of Award nights are the gifting lounges, where vendors shower talent with free offerings that vary from high-end beauty products to fine wines to elegant clothing to free travel packages at exotic resort islands. For Schenkkan, the touring of gift salons is a strange ritual unto itself.
“You have to make an appointment, and then you’re assigned a guide who walks you through this bizarre bazaar of products and services, ” he explains. “These things are really kind of entertaining in their own way. There’s a whole formality to it. But again, there’s the reminder of where you are in the food chain, particularly as a writer.”
Robert remembers one incident in particular. “Many years ago when I did this, there was a resort island package. I’m a scuba diver, so I’m always interested in that. They have to artfully, discreetly explain that while they would love to gift you with this, actually they have to reserve it for somebody more important than you. It’s a little weird.”
The ups and downs of a Hollywood screenwriter. Thankfully, unlike the film industry, playwrights in the American theatre are held in much higher esteem. And few are held higher than Robert Schenkkan. Which is one of the many reasons why we are so honored to be premiering his newest play at the Fountain Theatre.
Now, Robert, on Opening Night of Building the Wall at the Fountain, don’t expect any fancy gift lounges offering you a scuba diving vacation package on an exotic island resort. But we’re happy to offer you a free snorkel.
Unless, of course, someone more important wants it.
Building the Wall opens March 18 at the Fountain Theatre.
Quotes in this post originally appeared in Written By, the magazine of the Writers Guild of America, West.
They came. They listened. They watched. They partied.
A packed house of young playwrights, colleagues and friends filled the Fountain last night for the final round of our Rapid Development Series (‘Rap Dev’) play reading series. Part new play development program, part social event, Rap Dev offers playwrights thirty years old and younger the opportunity to have scenes from their plays read by actors on stage at the Fountain. Audiences then vote for their favorite play each night, through a series of rounds, culminating in the winning play being awarded a fully staged reading of the entire script.
In last night’s final round, the winning selection was from the play Before and After by Nicholas Pilapil. The scene was directed by Miranda Stewart, and featured Audry Cain, Rosie Narasaki, Nasi Nassiri, Kelsey Peterjohn, Jose Picado, and Julian Yuen.
After the play readings, the crowd gathered upstairs in our cafe for the announcement of the winner and to enjoy the beer and snacks. The cafe was energized by the raucous laughter and chatter of young people mixing and networking. The social aspect of Rap Dev is an important element to the program’s success.
Rap Dev is curated and hosted by its creators, Fountain Associate Producer James Bennett and Jessica Broutt. Check our Fountain website for future dates. Join us for the next round and party! New play development has never been so fun.