Tag Archives: American Sign Language

‘Arrival & Departure’ was unlike anything I have experienced before

by Saif Saigol

As a theatre lover, I have often struggled to qualify the artistic value of a show. What, for example, separates a great, large-scale Broadway musical from a great, smaller, experimental work? When it comes to art, does more money equal more success? I received my answer last Saturday, at the designer run-through rehearsal of the Fountain’s Arrival & Departure: a successful play is one that leaves its audience thinking.

Art has the power to leave a lasting impact and change the way we think. That is exactly what I experienced after watching Arrival & Departure.

The play, at its core, follows the classic, impossible love-story of two star-crossed soul mates who have the universe standing between them. The 90-minute play is filled with heart-wrenchingly beautiful acting on the part of the ensemble and a fantastic script by Stephen Sachs. The artists invite us into their most intimate and vulnerable thoughts, thoughts that were born in a reality that they created out of nothing. It seemed impossible that such genuineness had been bred in only a few weeks of rehearsal – it is beyond inspiring to see what the Fountain team is capable of.

Personally, it was especially moving to experience the power and beauty of Deaf theatre for the first time. The show’s interwoven and unique mélange of ASL and Spoken English creates a dynamic and multi-dimensional artistic medium in which authenticity prevails. Deanne Bray and Troy Kotsur conveyed a degree of beauty, truth, and honesty in their signing that cannot be expressed in other forms of communication – it was almost like watching a dance. Especially moving was Bray’s ability to convey her character’s struggles with identity as a hard-of-hearing woman, switching back and forth between ASL and Spoken English.

The play struck me as a type of ‘deconstructed theatre’. The various forms of art involved – from ASL, to Spoken English, to movement, to staging – are separated but harmoniously married, each holding its own and conveying breath-taking emotion, but also supporting one another to create one beautiful piece. I left the rehearsal pondering the very nature of art, and the ways in which society often creates pigeon-holes for artists. Arrival & Departure was unlike anything I have experienced before – it is novel and unique, and conveys emotion in ways that don’t conform to exclusive norms. This, I believe, is the point of theatre, and I cannot wait for others to experience the magic of Arrival & Departure.

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Saif Saigol is the Development Intern at the Fountain Theatre.  

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VIDEO: Watch Deaf actress and hearing actress become one character in ‘Arrival & Departure’

Our upcoming world premiere of Arrival & Departure is performed by a company of Deaf and hearing actors with an innovative blend of Spoken English, American Sign Language and open captioning. All audiences will fully understand and enjoy this funny and romantic love story set in modern-day New York City.

American Sign Language is not a mimed approximation of English. It is its own language unto itself. Complicated and nuanced, ASL has its own syntax and sentence structure and modes of expression. In Arrival & Departure, as Deaf actors sign their lines, the written dialogue is simultaneously spoken aloud by a hearing actor on stage. Two languages become one. 

Take a look at Deanne Bray and Stasha Surdyke as they work through their lines in the play, combining both their talents to become the lead character of Emily.     

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ARRIVAL & DEPARTURE Love Story to Star Married Deaf Actors Troy Kotsur and Deanne Bray

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An unforgettable love story inspired by one of the most romantic movies of all time. Stephen Sachs directs Deaf actors Deanne Bray (Sue Thomas: F.B.Eye, Heroes) and Troy Kotsur (title role in Cyrano at the Fountain, Big River on Broadway) in Sachs’ newest play, inspired by the screenplay for Noël Coward’s Brief Encounter. The world premiere of Arrival & Departure will open on July 14 and continue through September 30 at the Fountain Theatre. The cast also features hearing actors Jessica Jade Andres, Adam Burch, Brian Robert Burns, Shon Fuller, Kyra Kotsur, Aurelia Myersand Stasha Surdyke.

In Sachs’ new spin on the classic 1945 British film, a Deaf man (Kotsur) and a hard-of-hearing woman (Bray), two married strangers, meet accidentally in a New York City subway station. As their casual friendship develops into something deeper, each is forced to confront how their simmering relationship could forever change their lives and the lives of those they love.

“A train station is a place of transition, a place people go when they’re on their way to someplace else,” notes Sachs. “‘Arrival & Departure’ is not only a travel term. It expresses the journey of change that the people in this play are experiencing. What happens when you find your soul mate, but the circumstances of life get in the way?”

Kostsur and Bray are married in real life, and Sachs wrote the play with them in mind.

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Deanne Bray and Troy Kotsur

“This is my valentine to the two of them,” he says. “But the characters they portray aren’t the only ones seeking human connection in the play. Other storylines interweave through the piece. Each character has a reason to reach out to someone.”

The 1945 classic film Brief Encounter, directed by David Lean with a screenplay by Noël Coward and starring Celia Johnson and Trevor Howard, was named “the most romantic film ever made” according to 101 industry experts polled by Time Out London. The Film Society of Lincoln Center named it “one of the most achingly romantic films ever made.”

The play is performed simultaneously in spoken English and American Sign Language with additional use of open captioning, so that both Deaf and hearing audiences can enjoy the production.

The creative team for Arrival & Departure includes set designer Matthew G. Hill, lighting designer Donny Jackson, video designer Nick Santiago, composer and sound designer Peter Bayne, costume designer Michael Mullen, prop master Michael Navarro, movement director Gary Franco and ASL masters Lisa Hermatz and Jevon Whetter. The production stage manager is Emily Lehrer. Simon Levy, Deborah Culver and James Bennett produce for the Fountain Theatre. Executive producers are Karen Kondazian; Diana Buckhantz and The Vladimir and Araxia Buckhantz Foundation; and Carrie Chassin and Jochen Haber. Producing underwriters include Dorothy and Stanley Wolpert; Suzanne and Don Zachary; Lois Tandy; Debbi and Ashley Posner; and The Howard and Helen Family Foundation.

Arrival & Departure is supported, in part, by generous grants from the David Lee Foundation, the Los Angeles County Arts Commission and the Los Angeles Department of Cultural Affairs.

Deanne Bray was born deaf and has been bilingual in American Sign Language and English since the age of two. She kicked off her acting career in 1991 at the Fountain Theatre, where Stephen Sachs directed her in One Flew Over the Cuckoo’s Nest. Bray is best known for the title role in Sue Thomas: F.B.Eye, which ran for three seasons on the PAX network. She has appeared in numerous TV shows, including a recurring role on NBC’s Heroes alongside Milo Ventimiglia and Masi Oka. On stage, Deanne has been seen in Deaf West Theatre productions of Big River, Sleeping Beauty Wakes and My Sister in This House. A graduate of Gallaudet University, she has a Masters in Sign Language Education and a California K-12 Teaching Credential from CSUN. She currently teaches ASL at Oak Park High School.

Troy Kotsur has been acting and directing for over 24 years, earning multiple awards for his work on stage. Deaf since birth, he attended Gallaudet University, where he played basketball for three years before leaving to become a professional actor with the National Theatre of the Deaf. In 1994, Troy moved to Los Angeles and joined the company of Deaf West Theatre, where he has performed in countless productions. His television guest-starring roles include Criminal Minds, Scrubs, CSI: NY and Sue Thomas F.B.Eye in a recurring role (starring alongside Deanne Bray) that became a fan-favorite. In film, he stars in Wild Prairie Rose and in the upcoming Inside Track, and he has had notable supporting roles in The Number 23 with Jim Carrey, Universal Signs and Father’s Day Breakfast. He directed the award-winning independent film No Ordinary Hero: The Superdeafy Movie, the first film in the history of SAG commercial feature films to be directed by a Deaf director and to be executive-produced exclusively by Deaf executive producers. Troy’s stage credits include the Tony Award-winning run of Big River on Broadway, as well as starring roles in Deaf West Theatre productions of American Buffalo (Los Angeles Drama Critics Circle Award nominee), Our Town at The Pasadena Playhouse, Cyrano at the Fountain (L.A. Drama Critic’s Circle Award for best actor, Ovation Award nominee), A Streetcar Named Desire (L.A. Drama Critics Circle and LA Weekly awards) and Of Mice and Men (LA Weekly Award for best actor).

Stephen Sachs is an award-winning playwright, director, producer and the co-artistic director of the Fountain Theatre, which he co-founded with Deborah Culver in 1990. He recently adapted and directed a celebrity reading of the screenplay for All the President’s Men at Los Angeles City Hall starring Bradley Whitford, Joshua Malina and Jeff Perry. His stage adaptation of Claudia Rankine’s Citizen: An American Lyric (Stage Raw Award at Fountain Theatre) inaugurated Center Theatre Group’s Block Party at the Kirk Douglas Theatre and was chosen to represent Los Angeles theater for Grand Park’s new Our L.A. Voices Arts Festival. His play Bakersfield Mist enjoyed a three-month run on London’s West End starring Kathleen Turner and is now being produced in regional theaters across the country, translated into other languages and performed worldwide. Other plays include Cyrano (L.A. Drama Critics Circle Award, Best Adaptation), Miss Julie: Freedom Summer (Fountain Theatre, Vancouver Playhouse, Canadian Stage Company, L.A. Drama Critics Circle Award), Central Avenue (PEN USA Literary Award finalist), Sweet Nothing in My Ear (PEN USA Literary Award finalist) and several others. He wrote the teleplay for Sweet Nothing in My Ear for Hallmark Hall of Fame which aired on CBS starring Marlee Matlin and Jeff Daniels. Sachs’ directing credits My Name is Asher Lev (L.A. premiere); Athol Fugard’s The Blue Iris (U.S. premiere); Bakersfield Mist (world premiere); Completeness by Itamar Moses, starring Jason Ritter; Side Man starring Christine Lahti; The Train Driver by Athol Fugard (U.S. premiere); Conor McPherson’s Shining City (L.A. premiere); the world premiere of Fugard’s Exits and Entrances at the Fountain (Ovation Award, L.A. Drama Critics Circle Award) and off-Broadway at Primary Stages; Fugard’s The Road to Mecca (L.A. premiere); Arthur Miller’s After the Fall (Ovation Award); Sweet Nothing in My Ear (world premiere); Hippolytos, inaugurating the outdoor classical theater at the Getty Villa in Malibu; and many others. Sachs was recently honored with a Certificate of Commendation from the Los Angeles City Council for “his visionary contributions to the cultural life of Los Angeles.”

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s Block Party at the Kirk Douglas Theatre and again, this year, as the centerpiece of Our L.A. Voices at Grand Park; and an all-star reading of All The President’s Men at Los Angeles City Hall. The Fountain’s most recent production, The Chosen, enjoyed rave reviews and ran for five sold-out months.

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VIDEO: Deaf and hearing actors meet at ‘Arrival & Departure’ first rehearsal

Excitement was high and fingers were flying as the company of Deaf and hearing theatre artists gathered at the Fountain Theatre for the first rehearsal of Arrival & Departure, a new play combining spoken English and American Sign Language. The world premiere opens July 14. 

The world premiere of a re-imagined modern-day stage adaptation of the classic 1945 film, Brief Encounter. A Deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a New York City subway station. Their casual friendship soon develops into deeper feelings they never expected, forcing both to confront how their simmering relationship will change their lives and damage the lives of those they love forever. An unforgettable love story inspired by one of the most beloved romantic movies of all time.

Written and directed by Stephen Sachs, Arrival & Departure stars Deaf actors Deanne Bray and Troy Kotsur, with Jessica Jade Andres, Adam Burch, Brian Robert Burns, Shon Fuller, Kyra Kotsur, Aurelia Myers, and Stasha Surdyke.

The play is performed simultaneously in American Sign Language, Spoken English, and open captioning so that all audiences can enjoy the production.

 

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Fountain Theatre awarded $32,000 grant for deaf/hearing new play ‘Arrival & Departure’

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Deanne Bray and Troy Kotsur

The Fountain Theatre is very pleased to announce that it has been awarded a grant from the David Lee Foundation in the amount of $32,000 to support and enhance the budget of the world premiere of its new deaf/hearing production, Arrival & Departure, which will combine American Sign Language and Spoken English. Written and directed by Stephen Sachs and starring Deaf actors Deanne Bray and Troy Kotsur, the new play opens July 14. 

The David Lee Foundation aims to support, enhance and promote Los Angeles area professional theater. It offers monetary grants to encourage the production of plays and musicals that might otherwise be overlooked because of financial considerations. Grants are given to supplement cast sizes, set and costume budgets, orchestras and rehearsal time.

“This magnificent award will allow The Fountain to bring Arrival & Departure to our stage with the full vision intact,” affirms Fountain Theatre Director of Development Barbara Goodhill. “It is also a beautiful affirmation of the merit of this beautiful play and the importance of the community it serves and illuminates.”

With ever increasing costs accompanied by decreasing aid to the arts, theater companies large and small are being forced to work with fewer and fewer resources. As a result the live theater appears to be shrinking before our eyes. Few theaters can consider a play with over four actors and anything more than the most rudimentary of sets and costumes. More often than not we are greeted upon entering the theater with a bare stage, a chair and a program that lists one or two actors. While this may well be artistically satisfying in some cases, it has resulted in the neglect of many great works simply because of their size. The David Lee Foundation seeks to change that.

David Lee regularly directs and writes for major regional theaters, including the L.A. Opera, Pasadena Playhouse, Two River Theater CompanyPapermill Playhouse, Williamstown Theater Festival, Encores, Reprise and the Hollywood Bowl. A nine-time Emmy Award winning director, writer and producer for television, David was co-creator/director of “Wings”and “Frasier”, a writer and producer for “Cheers” and a director for “Everybody Loves Raymond.”  19 Emmy nominations, Directors Guild Award, Golden Globe, Producers Guild Award, Ovation Award, British Comedy Award, Television Critics Association Award (three times), the Humanitas Prize (twice) and the Peabody.

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Set in New York City, Arrival & Departure is a re-imagined modern-day deaf/hearing stage adaptation of the classic 1945 British film, Brief Encounter. A deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a NY city subway station. A friendship develops over time, escalating into a passionate love affair that both deny themselves to consummate. An unforgettable love story inspired by one of the most beloved romantic movies of all time. A fast-moving innovative new production blending sign language, spoken English, open captioning and cinematic video imagery. 

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Now Casting: World premiere ASL/Spoken English love story “Arrival & Departure” at Fountain Theatre

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Deanne Bray and Troy Kotsur

The Fountain Theatre is now accepting submissions from hearing actors for the world premiere of Arrival & Departure, a funny and poignant new play written and directed by Stephen Sachs that will blend American Sign Language and spoken English. 

Two lead roles have been cast. Deaf actress Deanne Bray (TV’s “Sue Thomas”) will play Emily, and acclaimed Deaf actor Troy Kotsur (Cyrano, Big River) is Sam. Bray and Kotsur are real-life husband and wife, and will co-star on stage for the first time.

Set in New York City, Arrival & Departure is a re-imagined modern-day Deaf/hearing stage adaptation of the classic 1945 British film, Brief Encounter. In Sachs’ new spin, a Deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a NY city subway station. A friendship develops over time, escalating into a passionate love affair that both deny themselves to consummate. An unforgettable love story inspired by one of the most beloved romantic movies of all time. A fast-moving innovative new production blending sign language, spoken English, open captioning and cinematic video imagery. 

Now casting the following roles for hearing actors:

RUSSELL – 25 – 35, African American, a uniformed MTA security officer working the NY subway system. Big-hearted, open spirited, warm and friendly, a guy you instantly like. Hopelessly romantic and in love with Myra, the counter girl at the Dunkin’ Donuts shop in the train station.    

MYRA – 20 – 30, Puerto Rican, works at the Dunkin’ Donuts shop in the subway station. Sassy, tough, funny, a straight-talker. A hard-edged survivor.  She protects her oft-broken heart by not trusting Russell’s romantic advances, finally allowing herself to be loved.     

JULE – 13, daughter of Emily (hard of hearing) and Doug. Caught n the explosive transition between girl and woman, Jule is fiery, emotionally high-strung, sarcastic and fiercely insecure. Sensing her parents’ marriage may be failing, she fights wildly with her mother, pushing her buttons, yet aching only to be loved, feel safe and belong.    

DOUG – 45 – 55. A hardworking, well-meaning Christian man who still can’t figure out the track his own life has taken.  A handsome husband and father, Doug loves his wife and daughter, pushing to keep things as they are, yet trying to understand why his home life is changing. Married quickly and unexpectedly to a hard of hearing woman, Doug struggles to overcome his own hidden prejudices as he fights to save his family.   

COMMUTER 1 – 35 – 45, versatile ensemble member to play various roles. Voice actor to character of deaf film teacher Sam (lead), College Clerk, university teacher Jeff, ensemble.  Familiarity with sign language a plus but not necessary.

COMMUTER 2 – 35 – 45, versatile ensemble member to play various roles. Voice actress to character of hard of hearing Emily (lead), church friend Marjorie, ensemble. Familiarity with sign language a plus but not necessary.

Auditions: May 14 – 24
First rehearsal: Mon, June 4, 2018
Opens: July 14, 2018
Ends: September 30, 2018

Contract: AEA Los Angeles 99-Seat Agreement

Pay: $10.50/$12.00 per hour for rehearsals/performances.

Email headshot and resume: casting@fountaintheatre.com

Or mail to: 

Stephen Sachs
Fountain Theatre
5060 Fountain Avenue
Los Angeles, CA 90029

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Staged Reading of ‘Cyrano’ Soars at New York Theatre Workshop

'Cyrano' at New York Theatre Workshop

‘Cyrano’ at New York Theatre Workshop

The Fountain Theatre and Deaf West Theatre brought their lyrical and romantic  deaf/hearing updated-version of Cyrano to New York last Monday, April 29, for a special staged reading at the acclaimed New York Theatre Workshop. The staged reading was performed for a full house of NY theater producers and invited VIP’s for the purpose of solidifying interest in a possible New York production.

Four original cast members were flown in from Los Angeles: Troy Kotsur, Paul Raci, Victor Warren and Al Bernstein.  The rest of the ensemble was cast with local New York actors Matt Biagini, Robert De MayoSamira Wiley, John McGinty, Puy Navarro, James W. Guido, Alexandria Wailes, Richard Dent, and original cast member Maleni Chaitoo who happens to now live in NY.

The company rehearsed with director Simon Levy for only three days. Our thanks to our friends at Primary Stages for providing their rehearsal studios to the Cyrano company. Also in attendance at rehearsals were playwright Stephen Sachs, Deaf West Artistic Director David Kurs, Fountain Producing Artistic Director Deborah Lawlor, DWT Founder Ed Waterstreet and his wife, actress Linda Bove.

The highly regarded New York Theatre Workshop is the Tony-winning company dedicated to developing new plays and musicals.  Over their 30-year history, they have launched many acclaimed productions and have transferred several to Broadway, including Rent, Dirty Blonde, Homebody/Kabul, Peter and the Starcatcher, Once, and more. The Cyrano staged reading was held Monday in the NYTW upstairs rehearsal hall. An invited list of producers and VIP guests attended, including representatives from New York Theatre Workshop, The Public Theater, Manhattan Theatre Club, Primary Stages, 59E59 Theatres, Broadway director Jeff Calhoun, and more. The actors performed Cyrano entirely memorized and off-book and cleverly incorporated the use of captioning and video design on a large TV flat screen monitor.

Our sincere and heartfelt thanks to our Cyrano donors who contributed to our fundraising campaign and made this very important New York opportunity possible: Phillip Baron, Cal Bartlett, JB Blanc, Eve Brenner, Carlease Burke, Johnny Clark, Kyle Colerider-Krugh, Cathy Colloff, Debra Conklin, James Conley, Kimberly Cyzner Family, Lorraine Danza, Timothy Davis-Reed, Fred Dean, Donna Duarte, Susan Duncan, Michael Edwin, Mark Freund, Amy Frost, Heidi Girardoni, Jane Gordon, Gaby Gross, William Dennis Hurley, Trice Koopman, Ken LaZebnik, Robert Leventer, Dennis Levitt, Ruth Linnick, Betsy Malloy, Caitlin Marcus, Donne McRae, Susan Merson, Mills, Michelle Montooth, Joel Moreno, Russell Nore, Jenny O’Hara, Susan Oka, Z. Oppenheim, Patricia Parker, Cynthia Paskos, Patty Paul, Terry Paule, Sharon Perlmutter, Ralph Pezoldt, Allison Pickering, Lawrence Poindexter, Priscilla Pointer, Bill Pugin and The Sign Language Company, Terri Roberts, Mark Routhier, Rita Schneir, Sandy Schuckett, Susanne Spira Survivors Trust, Suanne Spoke, Marjorie Throne, Eileen T’Kaye, Zoltan & Dorcas Tokes, Andrede Toledo, Tate Tullier, Jessica Turner, Nick Ullett, Heidi Girardoni, Carol Watson, Marianne Weil, William Wilk. We could not have done it without you!

What happens now? We’ll see what the future holds for our unique, thrilling and moving ASL/spoken English version of Cyrano. In the meantime, enjoy these snapshots of the rehearsal process and the staged reading!

‘Cyrano’ in New York 

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