Tag Archives: Block Party

Video: Triumphant toast for Fountain’s ‘Citizen: An American Lyric’ at Kirk Douglas Theatre

Company backstage SSThe Fountain Theatre’s stunning encore production of Citizen: An American Lyric concluded its run as the centerpiece to Center Theatre Group’s Block Party Sunday night. After the final performance, the company gathered backstage with CTG and Fountain staff to toast their triumphant accomplishment. Take a look.  

Fountain stands for social and political theatre in LA with ‘Building the Wall’ and ‘Citizen’

CITIZEN WALL layout

That Was The Week That Was was a satirical television show in the early 1960’s that brought focus to social and political issues of the day. The Fountain Theatre may look back on this current week, May 1 – May 7 in 2017, and brand it the same name. This week, in an unplanned juncture of synchronicity, the Fountain Theatre has two acclaimed productions running simultaneously in Los Angeles — one at its 78-seat Hollywood home on Fountain Avenue, the other at the 300-seat Kirk Douglas Theatre in Culver City —  each dramatizing in mesmerizing fashion the urgent issues of race, injustice, and politics.

The Fountain’s National New Play Network Rolling World Premiere of Building the Wall by Robert Schenkkan was a smash hit the moment it opened in March at the intimate Fountain Theatre, selling out weeks in advance.  Set in the near future, the powerful new drama unfolds as a man awaits sentencing in a federal prison for carrying out the orders of Trump’s national policy to round-up and detain immigrants by the millions.    

 

Meanwhile, across town at the mid-sized Kirk Douglas Theatre, the Fountain’s acclaimed and award-winning encore production of Citizen: An American Lyric by Claudia Rankine, adapted for the stage by Stephen Sachs, is galvanizing audiences. The centerpiece of Center Theatre Group‘s inaugural Block Party celebrating intimate theatre in Los Angles, Citizen is a searing, poetic riff on race in America based on the best-selling book.   

 

“To have these two important, meaningful productions running concurrently, one in an intimate theatre and the other in a mid-sized venue, is extraordinary,” says Fountain Co-Artistic Director Stephen Sachs. “It exemplifies who we are, what we do, and why we do it.”

Tony Award and Pulitzer Prize winning playwright Robert Schenkkan agrees. “Both Citizen and Building the Wall deal with the issue of race and the fundamental question of who is it we mean when we say, ‘We, the people,'” explains Schenkkan. “For more than twenty five years, the Fountain Theatre has been presenting exhilarating, necessary theater, wrestling with the most pressing social and political issues of the day.” 

LA Stage Alliance Executive Director Steven Leigh Morris points out that this week is no anomaly. Morris notes, “That the Fountain Theatre has two productions running simultaneously — one at its home space in East Hollywood and the other at the Kirk Douglas Theatre as part of Center Theatre Group’s Block Party program — is a testament to the rigor and meticulous artistry that has been part of The Fountain tradition for twenty-seven years.”

By all accounts, this is an unforgettable week for the Fountain. We vow to continue our commitment to create, develop and produce meaningful new plays that bring to life urgent issues, week after week, for many years to come. 

Tickets/Info BUILDING THE WALL

Tickets/Info CITIZEN: AN AMERICAN LYRIC

Director Shirley Jo Finney: The healing power of ‘Citizen: An American Lyric’

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Lisa Pescia, Leith Burke, Bernard K. Addison, Monnae Michaell, Tony Maggio  in The Fountain Theatre production of “Citizen: An American Lyric” at the Kirk Douglas Theatre. Photo by Craig Schwartz.

The journey of veteran director Shirley Jo Finney to the Kirk Douglas Theatre’s Block Party with The Fountain Theatre’s Citizen: An American Lyric began two and a half years ago, when Fountain co-Artistic Director Stephen Sachs called to ask her if she had read Claudia Rankine’s New York Times bestseller Citizen. Or maybe it began in 1997, when Finney directed her first of eight works at the Fountain. Or perhaps decades earlier when, as a recent MFA graduate of UCLA, Finney participated in Center Theatre Group’s New Work Festival at the Mark Taper Forum. Or really long before that, when Finney grew up in a segregated neighborhood and attended all-white schools where she was the only person of color.

In 2015, Sachs told Finney he was considering adapting Citizen for the stage, and that she was the right director for the project. “I read it, and I went, ‘Oh, this is my life,'” said Finney, recognizing her own experiences of “walking through and navigating those torrential waters of mainstream America when you are a person of color or ‘other,’ and what you have to swallow in order to survive.”

Citizen premiered at the Fountain in August 2015; last summer, Finney directed it again at the Spoleto Festival USA in Charleston, South Carolina, just one year after the city was devastated by a deadly assault that took the lives of nine African-Americans at Emanuel African Methodist Episcopal Church. Every performance was followed by a discussion with the audience. “We felt it was necessary while that community was still healing and that wound was oozing,” said Finney.

There will also be Stage & Audience Talks after every performance at the Douglas, where Citizen is onstage April 28 – May 7, 2017. Citizen touched audiences deeply in Los Angeles in 2015, but much has changed since then—for the cast and crew and for the audience.

The Fountain Theatre production of "Citizen: An American Lyric," at Center Theatre Group's Kirk Douglas Theatre, Culver City, America - 30 April 2017

Shirley Jo Finney

“As human beings we’ve been living our lives…we all evolve,” said Finney of herself and the company. “At the same time, in those two years, there has been a transformation in the collective. I’m interested to see, now, how it’s going to land with our audiences. Because what was maybe specific to a tribe has now expanded…something has been awakened, because ‘the other,’ now, is everyone.” The election, said Finney, “fractured what our belief system is about being an American and being a citizen, and what that culpability and responsibility is.” She added, “Not only do you have to say, ‘What does it mean to be a citizen?’ But also, ‘What does it mean to be a human being?'”

The re-staging at the Douglas offers an opportunity for the show to make a bigger impact in other ways as well. “My designer is excited because we have the height now onstage that we didn’t have in the [Fountain]. Our projections are going to have the impact that we wanted to have,” said Finney.

“I think it’s a healing piece with a historical narrative, and we need it at this point in time,” she concluded. “When you look at what we need as human beings, the three things, if you cut everything away, are: we need to be seen, we need to feel nurtured, and we need to feel safe. Citizen, I think, makes us aware and opens that space for that healing to begin.”

Citizen: An American Lyric is now playing at the Kirk Douglas Theatre to May 7th.

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This post originally appeared in CTG News & Blogs

First preview tonight for Fountain’s ‘Citizen: An American Lyric’ at Kirk Douglas Theatre

2 horizontal B&WCenter Theatre Group‘s Block Party continues with the opening of The Fountain Theatre production of “Citizen: An American Lyric” this Sunday, April 30 at 6:30 p.m. at the Kirk Douglas Theatre. Based on a book of poetry by Claudia Rankine, adapted for the stage by Fountain Co-Artistic Director Stephen Sachs and directed by Shirley Jo Finney, “Citizen: An American Lyric” will begin previews tonight April 28 and continue for 11 performances only through May 7, 2017.

Block Party highlights some of the remarkable work being done in other, more intimate theatres throughout Los Angeles by fully producing three previously staged productions. The three productions receive the full support of Center Theatre Group and its staff in order to fund, stage and market each production. Block Party began with the Coeurage Theatre production of “Failure: A Love Story” April 14 through 23 and will continue with The Echo Theater Company’s production of “Dry Land” running May 12 through 21.

“Citizen: An American Lyric” fuses poetry, prose, movement, music and the video image in a provocative stage adaptation of Claudia Rankine’s internationally acclaimed book of poetry about everyday acts of racism in America. Of Rankine’s “Citizen,” The New Yorker wrote that it was “brilliant… [and] explores the kinds of injustice that thrive when the illusion of justice is perfected.” The New York Times wrote that “Rankine brilliantly pushes poetry’s forms to disarm readers and circumvent our carefully constructed defense mechanisms against the hint of possibly being racist ourselves.”

The cast of “Citizen: An American Lyric” includes Bernard K. Addison, Leith Burke, Tony Maggio, Monnae Michaell, Simone Missick and Lisa Pescia. Scenic and projection design is by Yee Eun Nam, costume design is by Naila Aladdin-Sanders, lighting design is by Pablo Santiago and original music and sound design is by Peter Bayne. Anastasia Coon is the movement director and Shawna Voragen is the production stage manager.

Audiences are also invited to engage in discussion with the “Citizen” cast and company following each performance during moderated Stage Talks. There will be no Stage Talk held on opening night.

PHOTOS: ‘Citizen: An American Lyric’ prepares to join the party at Kirk Douglas Theatre

castWeek one of rehearsal started Tuesday for our upcoming remount of Citizen: An American Lyric, the centerpiece of Center Theatre Group’s Block Party at the Kirk Douglas Theatre. Originally created and produced in 2015 at the Fountain Theatre, last week was a happy reunion for original cast members, designers , production crew and director Shirley Jo Finney.  

Citizen: An American Lyric is a searing and poetic riff on race in America written by Claudia Rankine, adapted for the stage by Stephen Sachs. The cast features Bernard K. Addison, Leith Burke, Tony Maggio, Monnae Michael, Simone Missick, and Lisa Pescia. 

The company met in the rehearsal room at the Kirk Douglas Theatre and immediately got to work. Day one began with a table reading of the script. As the week progressed, the actors were soon up on their feet pacing through the blocking. Citizen opens at the Kirk Douglas Theatre for a limited run April 30 – May 7.   

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The spirit that smiles on CTG’s ‘Block Party’ celebrating intimate theatre in Los Angeles

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On Wednesday, February 8th, Fountain Theatre Co-Artistic Director Stephen Sachs was asked to speak at the Board of Directors meeting for Center Theatre Group to share his thoughts on the Fountain’s participation in CTG’s new Block Party.  The following are his remarks:

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Stephen Sachs

I’m Stephen Sachs, the Co-Artistic Director of the Fountain Theatre in Hollywood, which I co-founded with my partner Deborah Lawlor in 1990. We are now celebrating our 27th season. Prior to that, I was an actor – a long time ago in a galaxy far, far away. In fact, in 1982, one of the biggest thrills of my young career as an actor was standing on stage at the Mark Taper Forum in a small role in the world premiere of Tales from Hollywood by Christopher Hampton, directed by Gordon Davidson. 

I am a playwright, a director, a producer and artistic director. I began running theatre companies in Los Angeles in 1987 – the Ensemble Studio Theatre, The Canon Theatre in Beverly Hills with Suzi Dietz and Joan Stein – and launched the Fountain Theatre in 1990 to create an artistic home where new plays could be developed and produced that reflect the cultural diversity of Los Angeles and dramatize important social and political issues confronting specific communities in our region and our nation. The Fountain Theatre sits in the heart of the most diverse district in the City. Thirty-two languages are spoken at the local high school.

Our brand phrase is: Intimate. Excellent.  We have artistic relationships with such noted playwrights as Athol Fugard, Tarell McCraney, Robert Schenkkan, Emily Mann, Dael Orlandersmith, Anna Ziegler, Lauren Gunderson, Zayd Dorn. We were just featured in the New York Times on Monday for opening the world premiere in March of Robert Schenkkan’s new play Building the Wall. You can guess what that’s about.

Plays launched at the Fountain Theatre are now being produced across the country, in New York, in London, have been translated into other languages and are now being seen around the world.

I’ve been a theatre maker in Los Angeles for 30 years. I’ve seen the intimate theatre community in Los Angeles grow from a cluster of what was then called “Equity Waiver” theaters in the 1980’s to the vast network of literally hundreds of intimate theaters we have today. Although we still fight for the right to call ourselves a “theatre town” because of the film and television industry – more theatre is now produced in Los Angeles every year than in any city in the world. More than New York. More than London. 

The constellation of intimate theatres in Los Angeles is utterly unique nationwide. There is nothing like it anywhere in this country.  Theaters around the country envied our 99-Seat Plan, which – for 30 years – gave Equity actors the right to hone their craft in an intimate theater without a contract — but not without payment and protections – if they so choose.  The 99-Seat Plan was created by Equity actors. It came out of that spirit of revolution, the right to volunteer your services if you so choose, to insist on the artistic freedom to create. Where budgets and bottom lines were not a factor because nobody was making any money anyway. I don’t have to tell you – there’s a reason why it’s called non-profit theatre.

As many of you may know, Actors Equity has just eliminated the 99-Seat Plan. Against the will of its own membership. LA Equity actors voted overwhelmingly against eliminating the Plan. Equity has done it anyway.  Forcing theatres to now use a very hotly-contested New Agreement impacting every intimate theatre in Los Angeles. Several small theatres are now closing.  The entire landscape of the intimate theatre community will be forever changed.

This makes what you are offering with Block Party so extraordinary. And the timing of it so essential.

With Block Party, Center Theatre Group – the flagship theatre organization in Los Angeles  – is reaching out its hand to the intimate theatre community. Not as a hand-out but as a hand in partnership. Recognizing that our work matters.  Block Party affirms that the work created in intimate theatres is alive and vibrant and an essential part of the cultural life of Los Angeles.  I can not over emphasize how important and meaningful this is. Not only to the Fountain Theatre, and Echo Theatre Company and Courage Theatre Company participating this year, but to all intimate theatres everywhere, throughout our community. 

With one program, with Block Party, you have dissolved the barrier between “big” theatre and “small”, between “us” and “them”.  With Block Party, there finally is now “we”. Together.

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CTG Artistic Director Michael Ritchie

Michael Ritchie, Lindsay Allbaugh, Ian-Julian Williams and the entire Block Party staff have been so open, so inviting, so welcoming. The beauty of Block Party is not only the magic of what’s going to happen on stage, it’s the relationship-building already happening off stage.  The setting up of meetings between our intimate theatre companies and CTG departments, to share ideas and swap strategies, is remarkable and generous and will be beneficial to both sides. 

I’m confident that the spirit of goodwill and partnership that Block Party creates will ripple out and continue, not only for the 38 days of the festival, but throughout the entire year.

I was at the memorial celebration for Gordon Davidson at the Ahmanson last month. Just a few days after that ceremony, I attended a production meeting for Block Party. The juxtaposition of those two events was not lost on me.  Gordon is smiling down on Block Party. He would have loved this. It truly carries forward his spirit of adventure, of risk, his dedication to diversity and inclusion. And I applaud and thank Michael Ritchie, and all of you on this Board, for making that spirit a reality.

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Gordon Davidson celebration at the Ahmanson Theatre.

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Fountain Celebrates CTG’s Block Party and ‘Citizen’ at Kirk Douglas Theatre

party-logosWe came to the Kirk Douglas Theatre on Monday night to express our gratitude to Center Theatre Group, we came to congratulate three local companies and their productions, we came to celebrate intimate theatre in Los Angeles. And, most of all, we came to PARTY!

Approximately 300 theatre folk from all over the LA area gathered for a night of camaraderie, cocktails, live music and tacos as CTG launched its Kick Off soiree for Block Party, its pilot program remounting three intimate theatre productions selected from 2015. The Fountain production of Citizen: An American Lyric joins Coeurage Theatre Company’s production of Failure: A Love Story and Echo Theater Company’s production of Dry Land in this first-ever festival running April 14 – May 21, at the Kirk Douglas Theatre in Culver City. 

CTG Artistic Director Michael Ritchie welcomed the crowd of party-goers on Monday night in the lobby, stressing the importance and value of intimate theatre in Los Angeles and the need to support the high quality of work it creates. After his brief remarks, Ritchie declared, “Time to party!” The happy crowd then moved into the theatre. 

Inside the Kirk Douglas Theatre, each seat was labeled with the name of an intimate theatre company in Los Angeles. It was a meaningful demonstration of the size and variety of the community.

Live music soared from a local high school jazz band. A DJ then kept the party pounding with dance tunes. Free tacos were served to hungry guests. An open bar offered specialty cocktails named for each Block Party company. Our cocktail was named “Fountain Passion,” a tangy mixture of vodka and fruit juices over ice.  

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More than anything else, Monday night’s party was an evening for local theatre folk to get together, network, and simply have a good time. It also marked a turning point in the relationship between the city’s largest and most influential theatre organization and the network of smaller companies that populate Southern California.

Center Theatre Group’s goal with Block Party is to acknowledge the high quality of work being created in the intimate theatre community, and to welcome these artists and new audiences in a partnership that celebrates the vibrancy and diversity of Los Angeles.

Let’s get this party started.   

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