Tag Archives: casting notice

NOW CASTING: Award-winning West Coast Premiere ‘Hype Man’ by Idris Goodwin at Fountain Theatre

hype man flea 1

The Fountain Theatre is now casting for its West Coast Premiere of the award-winning new hip hop play, HYPE MAN by Idris Goodwin. The director is Deena Selenow

Audition Date(s): 01/11/2019 – 01/12/2019

Rehearsal Date(s): 01/21/2019 – 02/19/2019

Preview Date(s): 02/20/2019 – 02/22/2019

Opening Date(s): 02/23/2019

Closing Date(s): 04/14/2019

SPECIAL NOTE:

The role of VERB has already been cast.

Roles:

[PINNACLE]

Male, 30-35, Caucasian. The Rapper. A fierce and fiery white dude who grew up among African-Americans but remains an outsider and separates him from Verb. His swaggering confidence hides his confusion and inner conflict. Because has a cop in his family, he mourns the city’s recent police shooting but thinks the group should stay the course.

[PEEP ONE]

Female, 25-30, mixed race, a “woman of color” upon initial glance, however her specific ancestry is less obvious. The Beat-Maker. The crew’s dynamic and spirited newcomer who crafts the beats and produces their tracks. She yearns for artistic recognition, struggling to get heard musically in this testosterone-fueled world. Peep finds herself caught between competing loyalties as Pinnacle’s and Verb’s previously unspoken views on race threaten to destroy not just their shot at success but also their friendship.

STORYLINE:

A diverse hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?

Rate of Pay / Contract: AEA 99-Seat Agreement

Email headshot/resume to: casting@fountaintheatre.com

NOW CASTING: West Coast Premiere of Tennessee Williams’ ‘Baby Doll’ at Fountain Theatre

BABY DOLL ad

The Fountain Theatre is now casting the West Coast Premiere of a new stage adaptation of Tennessee Williams’ Baby Doll, adapted by Pierre LaVille and Emily Mann from Williams’ screenplay. Not yet seen in Los Angeles, Baby Doll premiered at McCarter Theatre in Princeton, NJ, 2015. The upcoming Fountain production will open July 16, directed by Simon Levy.

Producers – Stephen Sachs and Deborah Lawlor
Director – Simon Levy
Stage Adaptation – Pierre LaVille and Emily Mann, based on Tennessee Williams’ screenplay
Casting – James Bennett
Previews 7/13-7/15
Opens: 7/16
Runs: Friday-Monday thru 8/28
Casting Director: James Bennett
Interview Dates: April 18-20, 2016
Callback Dates: April 23, 2016
Start Date: May 30, 2016
Pay Rate: AEA 99-Seat Code, $200 rehearsal stipend, plus $25.00/performance

STORY: 1950s, Mississippi. Dilapidated plantation mansion. Comedy/Drama. 19-year-old married virgin, “Baby Doll” Meighan, must consummate her marriage the next day on her 20th birthday, as long as her middle-aged husband, Archie Lee Meighan, upholds his end of the bargain: to provide her with a comfortable life. But Archie Lee is having a lot of problems, with his finances, his wife, and his cotton gin business. After Archie Lee spitefully burns down his neighbor’s gin to save his failing business, his rival, Silva Vacarro, arrives to seek revenge. There he meets Baby Doll, who becomes instrumental in his erotic form of Sicilian revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn. Williams’ unconventional depiction of gender roles, adultery, and female sexuality is as steamy today as it was in the 1950s.

SEEKING:

[“BABY DOLL” MEIGHAN]– LEAD – female,open ethnicity, able to play 19; Southern; wife of Archie Lee; she’s a fascinating contradiction: childlike; still sleeps in a crib; innately sexy and seductive, but still a virgin; charismatic; turns heads wherever she goes; naïve but also coy; uneducated but smarter than she seems.

[ARCHIE LEE MEIGHAN]– LEAD – male, ethnicity, 40s-50s; Southern; owner of failing cotton gin; unshaven, dirty; often comically baffled by Baby Doll and life in general; easily overwhelmed; a closet alcoholic, which can make him abusive; a product of deep-seated Southern prejudices; desperate to be a success and impress Baby Doll and consummate the marriage.

[SILVA VACARRO] – LEAD – male, ethnicity, 30s; Sicilian immigrant who’s lived in the South for a while; successful owner of rival cotton gin; dark, the “foreigner”; attractive, sexy; enjoys toying with Baby Doll and Archie Lee; he doesn’t like to lose.

Submissions accepted via Breakdown Services and Actors Access

Or email headshot & resume to: casting@fountaintheatre.com  

NOW CASTING: The Los Angeles Premiere of new comedy/drama ‘My Manana Comes’

MANANA ad

Director: Armando Molina 
Playwright: Elizabeth Irwin 
Producer: Stephen Sachs 
Rehearsals: start on/about March 1 
Perf Dates: April 9 – June 5 
Performances: Sat 3pm & 8pm, Sun 3pm, Mon 8pm 

STORYLINE: Four busboys in the kitchen of an upscale restaurant learn the hard way how to deal with pay cuts that could jeopardize their dreams for a better life, their dignity and their friendship. Fast-paced, hip and funny, the play brings to colorful life the camaraderie, sharing of dreams, competition and traitorous backstabbing that climaxes with a powerful dramatic turn at the end. Immigration, the minimum wage crisis, rights for undocumented workers, and citizenship lie at the center of this fast-moving, funny and powerful new LA premiere that examines the true meaning of ”home” and how far we’re willing to go to get there. 

NOW SEEKING: 

[PETER] – African American, 25-35, lives in Harlem. The confident crew leader and firecracker-in-chief, quick-witted, high-spirited, veteran of the place, ambitious, driven, seems to have a bead on how every aspect of the business runs. Painfully aware that his managerial skills far surpass his current position. Teases and bucks up his teammates, keeps a watchful eye, a natural storyteller and mimic. His energetic demeanor belies his worries over keeping his young daughter happy and safe. He is cool, in command, seemingly unshakeable. Until … 

[WHALID] – 25 -35, third-generation Mexican American. A brash, trash-talking jokester from Brooklyn whose work ethic is decidedly more lax. Cocky, wisecracking, handsome. He is so well assimilated that he thought he was Puerto Rican until he was a teenager. Busing tables is just a stop on the way to becoming an EMT. Or something. 

[PEPE] Mexican, 20s, from the drug-running city of Juarez only three months ago.  Simple-minded illegal worker. Eager to learn and please, restless, vulnerable. Naive and happy in his new life and sending as much as he can to his brother in Mexico, yet prone to blowing his pay on nightclubs and new clothes.   

[JORGE] Mexican, 25 – 30, been at the restaurant the longest. Peter’s right-hand man and best friend on the job. Serious, single-minded, simmering with a quiet intensity, lives frugally so he can faithfully send money back home to someday build a house for his wife and children in Puebla. Reserved, level-headed, a quiet maturity, deliberate. A strong, deep, quiet sense of judgment. 

This casting notice is also appearing on Breakdown Services and Actor’s Access.

To submit via email: casting@fountaintheatre.com

Casting Notice: World Premiere of Modern Day Deaf/Hearing Version of the Classic ”Cyrano de Bergerac” at the Fountain Theatre

The Fountain Theatre is now casting its upcoming production of Cyrano, a co-production with Deaf West Theatre scheduled to open in April. The world premiere of a new play written and directed by Stephen Sachs, Cyrano is a modern day reimagined deaf/hearing version of  “Cyrano de Bergerac”,  adapted from the Edmond Rostand classic. Acclaimed deaf actor Troy Kotsur will star as Cyrano. The project is supported by a grant from the National Endowment for the Arts.

STORYLINE: The setting is present day. Cyrano is a brilliant deaf poet in a modern day city. He is hopelessly in love with a beautiful hearing woman, Roxy. But she doesn’t understand sign language and instead loves his hearing brother, Chris. Can Cyrano express his love for Roxy with his hands – the source of such deaf pride and shame? Or must he teach Chris to “speak his words” for him, to woo her? ASL becomes the language of love in this modern sign language spin on a classic love story.

[ROXY] Female, hearing, mid-20’s to 30’s. Beautiful, classy, alluring, intelligent with a likable sense of humor. A lover of language and literature. Smart with a deeply romantic heart. Seeking an experienced stage actress with a wide emotional range and comic/tragic sense. Classical training an asset. Note: DOES NOT NEED TO KNOW SIGN LANGUAGE.

[BRANDON] Male, deaf, 40’s to 60’s. Cyrano’s close friend, confidant and advisor. Kind, gentle, wise, warm-hearted. Likable and easy-going with a whimsical and wry sense of humor. Has deep affection for Cyrano but not afraid to set him straight when needed. Seeking a strong deaf stage actor with a deep emotional well, good comic timing, and strong ASL skills.

[DEAF ENSEMBLE] Male and Female, 20’s – 50’s, versatile actors with a wide emotional range. Seeking experienced and trained stage actors with a strong physicality, alive in their bodies, good comic timing and strong dramatic sense, to play various roles. Must have strong ASL skills.

[HEARING ENSEMBLE] Male and Female, 20’s – 50’s, versatile actors with a wide emotional range. Seeking experienced and trained stage actors with a strong physicality, alive in their bodies, good comic timing and strong dramatic sense, to play various roles. Will play roles and “voice” deaf actors. Prior (or partial) knowledge of sign language a plus, but not required. Note: DOES NOT REQUIRE PRIOR KNOWLEDGE OF SIGN LANGUAGE.

This play will be performed in American Sign Language and Spoken English. Accessible to both deaf and hearing audiences. The deaf characters of the play use ASL and are ”voiced” or ”voice acted” by a member of the Company. NOTE: DOES NOT REQUIRE PRIOR KNOWLEDGE OF SIGN LANGUAGE.

Email Pic & Res to: Stephen@FountainTheatre.com

Or mail to: Fountain Theatre, Attn: “Cyrano”, 5060 Fountain Avenue, Los Angeles, CA 90029 

Award-winning Writer/Director Stephen Sachs is the Co-Artistic Director of the Fountain Theatre in Los Angeles. He is writer/director of the recent smash hit (now London/Broadway bound)  BAKERSFIELD MIST and the ASL play SWEET NOTHING IN MY EAR, made into a CBS TV movie starring Marlee Matlin and Jeff Daniels.

Deaf West Theatre is the foremost deaf theater company in the United States, winning numerous awards in its twenty-year history including a special Tony Award for its acclaimed and groundbreaking ASL/Hearing version of the musical BIG RIVER on Broadway.