Tag Archives: director

Cast announced for West Coast Premiere of Pulitzer Prize winner ‘Cost of Living’ at Fountain Theatre

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Katy Sullivan

Katy Sullivan will reprise her off-Broadway role in the West Coast premiere of Martyna Majok‘s Pulitzer Prize winning drama Cost of Living at the Fountain Theatre. Her acclaimed 2017 performance as Ani at Manhattan Theatre Club earned Sullivan nominations for the Lucille Lortel Award, Drama League Award, and Outer Critic’s Circle Award.

Joining Sullivan in the Fountain Theatre production are Tobias Forrest  (Wisdom of the Crowd, Special Unit), Maurice G. Smith (Meet the Browns) and Xochitl Romero (Queens, La Jolla Playhouse). Eileen Grubba (Fear the Walking Dead) will understudy Ms Sullivan. John Vreeke directs.

Achingly human and surprisingly funny, Cost of Living is a haunting, rigorously unsentimental play about the forces that bring people together and the realities of facing the world with physical disabilities. Unemployed truck driver Eddie is struggling to rebuild a relationship with his estranged wife Ani, facing life in a wheelchair with a spinal cord injury. Jess, in a job that she desperately needs, is trying to navigate her duties with John, her new boss with cerebral palsy. But, who is really caring for whom? By shattering stereotypes, the play reveals how deeply we all need each other. In addition to the  2018 Pulitzer Prize for Drama, Cost of Living won the Lucille Lortel Award for Outstanding Play.

Cost of Living opens at the Fountain Theatre October 20 and runs to December 16. Tickets go on sale September 12. More Info

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Fountain Theatre awarded $32,000 grant for deaf/hearing new play ‘Arrival & Departure’

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Deanne Bray and Troy Kotsur

The Fountain Theatre is very pleased to announce that it has been awarded a grant from the David Lee Foundation in the amount of $32,000 to support and enhance the budget of the world premiere of its new deaf/hearing production, Arrival & Departure, which will combine American Sign Language and Spoken English. Written and directed by Stephen Sachs and starring Deaf actors Deanne Bray and Troy Kotsur, the new play opens July 14. 

The David Lee Foundation aims to support, enhance and promote Los Angeles area professional theater. It offers monetary grants to encourage the production of plays and musicals that might otherwise be overlooked because of financial considerations. Grants are given to supplement cast sizes, set and costume budgets, orchestras and rehearsal time.

“This magnificent award will allow The Fountain to bring Arrival & Departure to our stage with the full vision intact,” affirms Fountain Theatre Director of Development Barbara Goodhill. “It is also a beautiful affirmation of the merit of this beautiful play and the importance of the community it serves and illuminates.”

With ever increasing costs accompanied by decreasing aid to the arts, theater companies large and small are being forced to work with fewer and fewer resources. As a result the live theater appears to be shrinking before our eyes. Few theaters can consider a play with over four actors and anything more than the most rudimentary of sets and costumes. More often than not we are greeted upon entering the theater with a bare stage, a chair and a program that lists one or two actors. While this may well be artistically satisfying in some cases, it has resulted in the neglect of many great works simply because of their size. The David Lee Foundation seeks to change that.

David Lee regularly directs and writes for major regional theaters, including the L.A. Opera, Pasadena Playhouse, Two River Theater CompanyPapermill Playhouse, Williamstown Theater Festival, Encores, Reprise and the Hollywood Bowl. A nine-time Emmy Award winning director, writer and producer for television, David was co-creator/director of “Wings”and “Frasier”, a writer and producer for “Cheers” and a director for “Everybody Loves Raymond.”  19 Emmy nominations, Directors Guild Award, Golden Globe, Producers Guild Award, Ovation Award, British Comedy Award, Television Critics Association Award (three times), the Humanitas Prize (twice) and the Peabody.

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Set in New York City, Arrival & Departure is a re-imagined modern-day deaf/hearing stage adaptation of the classic 1945 British film, Brief Encounter. A deaf man and a hard-of-hearing woman, married to different people, meet accidentally in a NY city subway station. A friendship develops over time, escalating into a passionate love affair that both deny themselves to consummate. An unforgettable love story inspired by one of the most beloved romantic movies of all time. A fast-moving innovative new production blending sign language, spoken English, open captioning and cinematic video imagery. 

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VIDEO: Actors and director from’The Chosen’ share insights on acting, theatre and hit play

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Sam Mandel, Dor Gvirtsman with Deborah Kobylt

Director Simon Levy and actors Sam Mandel and Dor Gvirtsman enjoyed chatting about our smash hit production of The Chosen with talk radio/TV host Deborah Kobylt on Wednesday. The acclaimed sold-out run of The Chosen has been extended to June 10th. 

A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless father-son story about recognition and acceptance of “the other.”

CRITIC’S CHOICE… DEEPLY EMOTIONAL… reminds us to reach across divides” — Los Angeles Times

MAGIC… brilliantly presented… four stand-out actors… directed with visionary insight” — Broadway World

Deborah Kobylt hosts her own online radio/TV talk program, Deborah Kobylt LIVE, every Wednesday at 1pm on Universal Broadcasting Network (UBN).  

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‘The Chosen’ extended again! Now to June 10th at the Fountain Theatre

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Steven B. Green in ‘The Chosen’ at the Fountain Theatre (photo by Ed Kreiger)

The Fountain Theatre’s hit production of Chaim Potok’s The Chosen has been extended a second time, now playing to June 10th. A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless father-son story about recognition and acceptance of “the other.” The smash hit production has sold out every performance since it opened on January 20th.

Adapted for the stage by Aaron Posner and Directed by Simon Levy, the cast includes Jonathan Arkin, Steven B. Green, Dor Gvirtsman, and Sam Mandel.

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Sam Mandel, Dor Gvirtsman and Steven B. Green in ‘The Chosen’.  

The Fountain production has earned rave reviews everywhere. It has been highlighted as Critic’s Choice in the Los Angeles Times and is Ovation Award Recommended.  

CRITIC’S CHOICE! DEEPLY EMOTIONAL” — Los Angeles Times

MAGIC… four stand-out actors… directed with visionary insight” — Broadway World

INSPIRED… LIVELY… ABSORBING.” —Cultural Weekly

FIVE STARS… EMOTIONALLY STUNNING… DON’T MISS IT” — Haines His Way

MESMERIZING… this play has something for everyone – Jewish or not.” — LA Splash

WOW!… EXQUISITE… gripping, edifying, and moving…  a must-see!” — Stage Scene LA

EXQUISITE AND HEARTFELT”  — Showmag

ASTONISHING… vital, alive, and important” —Stage and Cinema

“RECOMMENDED STAGE RAW TOP 10… CLASSY” —Stage Raw

STUNNING… ageless and universal… theatre at its finest.” — The Tvolution

SPLENDID HEARTFELT…  FIRST-RATE” —. Theatre Notes

“DEEPLY MOVING… fresh and meaningful” — Theatre Spoken Here

WELCOME INDEED… beauty and simple truths” — Ticket Holders LA

The Fountain Theatre’s ongoing post-show discussion series, Breaking It Down, will continue through the extension with thought-provoking conversations on themes connected to issues explored in the play. 

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Smash hit play ‘The Chosen’ extends to May 7th at Fountain Theatre

TC_A0482In the wake of nearly two-dozen rave reviews and six weeks of sold-out houses, the Fountain Theatre has extended its run of The Chosen and increased performances from three to four per week. Adapted by Aaron Posner and Chaim Potok from Potok’s bestselling novel of the same name, The Chosen will now continue through May 7.

A moving coming-of-age story set in Williamsburg, Brooklyn against the backdrop of World War II, the revelation of the Holocaust and the desperate struggle of Zionism, The Chosen is the story of two observant Jewish boys who live only five blocks, yet seemingly worlds, apart. Danny (Dor Gvirtsman) is the son of the charismatic but forbidding Reb Saunders (Steven B. Green, stepping in for the extension), an ultra Orthodox  tzaddik who has raised his son in strict silence. Reuven (Sam Mandel) is the son of the more traditionally Orthodox scholar and fervent Zionist David Malter (Jonathan Arkin). When Danny injures Reuven during a baseball game between their rival yeshivas, their two universes collide and a unique friendship is born.

In its “Critic’s Choice” review, the Los Angeles Times calls the play “deeply emotional,” noting that the Fountain production “reminds us to reach across divides.” L.A. Splash writes that The Chosen is “a universal story of relationships in their multitude of forms, mak[ing] this play something for everyone – Jewish or not.” Stage Scene LA says, “’The Chosen’ is a must-see for audiences of any age, ethnicity, or religious affiliation.” BroadwayWorld hailsThe Chosen as “a moving coming-of-age story… funny, poignant, timely and timeless,” and Stage and Cinema declares it to be “vital, alive, and important.”

“We are thrilled that this production is resonating with so many people, and that we are touching so many hearts,” says director Simon Levy.

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PHOTOS: Cast and guests enjoy opening night party for ‘The Chosen’

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The company of ‘The Chosen’

A beautiful and heartfelt performance was followed by a lively party as cast and audience members celebrated the opening of The Chosen at the Fountain Theatre on Saturday night, January 20th.   The sold-out house leapt to their feet in a standing ovation, then gathered upstairs in our indoor/outdoor cafe for food, drink and festivities with the company.

Actors Jonathan Arkin, Alan Blumenfeld, Dor Gvirtsman and Sam Mandel were feted by Fountain VIP donors, invited guests and members of our Board of Directors.

Looks like the Fountain has another hit on its hands. performances for The Chosen are already selling out in advance. Get Tickets/More Info 

Director Simon Levy offers an antidote of tolerance with ‘The Chosen’ at Fountain Theatre

SL March 2014

Director Simon Levy

Born in Surrey, England, Simon Levy grew up in San Francisco. After a youthful foray as a jazz and rock-n-roll musician, he settled into the love of his life, theater. His professional debut as a stage director in 1980 preceded his move to Los Angeles in 1990, where he joined the staff of the Fountain Theatre in 1993. Even though the Fountain proved to be a very comfortable home for his multiple talents, he branched out into teaching playwriting in Chapman University and the renowned UCLA Writer’s Extension program. He has also been site evaluator for the National Endowment for the Arts and the California Arts Council, as well as a member of numerous theater and humanitarian organizations. Somehow, squeezed between his many activities, he found time to adapt F. Scott Fitzgerald’s The Great Gatsby, Tender is the Night, and The Last Tycoon to the stage, adapted the anti-Iraq War play What I Heard About Iraq, wrote several original works, and directed many Fountain Theatre award-winning productions.

Simon Levy directs Chaim Potok’s iconic play, THE CHOSEN, opening January 20 at the Fountain Theatre. He discusses his multi-faceted career and his latest Fountain Theatre production.

HOW DID IT HAPPEN THAT YOU BEGAN YOUR ADULT LIFE AS A MUSICIAN AND ENDED UP CHANGING TO THEATER IN COLLEGE?

LEVY: I had a rock band and even played street music as a young man. When I entered college at the age of 21, I decided to study music to become a conductor. After a year of study, I found that I was ahead of most of the other students because of my experience playing on the street; and I started getting bored. To get to my music classes, I would take a short cut through the lobby of the theater, and I started to watch people on stage doing acting exercises. I was intrigued; and, at the urging of my mother, I decided to take an acting class. I found that I had a facility for it; and I loved the sense of community there was among the students in the program, where I was embraced and accepted even though I was a novice. For a while, I double tracked, even venturing into anthropology; but eventually I chose theater.

AS A WRITER, WHAT ARE SOME OF YOUR PROUDEST MOMENTS?

What I Heard About Iraq

What I Heard About Iraq

LEVY: I think I would have to say my adaptation of Eliot Weinberger’s prose-poem about the war in Iraq. It premiered at the Fountain Theatre in 2005/2006 and has gone on to win international awards. It was a cry of the heart for me, a way to make a statement about the idiocy of war. And, of course, my adaptation of Fitzgerald’s novel, The Great Gatsby. I had always loved Fitzgerald and what his novel has to say about the American dream. I pursued the rights for years, getting permission along the way to adapt Tender is the Night and The Last Tycoon before the Fitzgerald estate finally gave me the rights to Gatsby. It’s an honor I cherish.

AS A DIRECTOR, WHAT ARE SOME OF YOUR FAVORITE PROJECTS?

LEVY: That question always stumps me. Directing a play is like having a love affair or having a whole bunch of children. It’s hard to choose a favorite. With each project, I become obsessed with and immersed in the world of the play and what the playwright has to say through the life of the characters. I’m lucky being part of the Fountain Theatre. I get to pick and choose the plays I want to do. And I only choose projects that I’m in love with or feel I need to give life to. Although it’s hard to choose a favorite, some projects stand out for me, like Master Class and Summer and Smoke and, of course, What I Heard About Iraq. But even as I say that, I feel I’m betraying my other lovers! Every play is a marker along the path of my own life. In a way, each play is somewhat autobiographical, a need to say something specific at that particular time.

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Jonathan Arkin and Sam Mandel rehearse ‘The Chosen’

WHY DID YOU BECOME INVOLVED WITH “THE CHOSEN?”

LEVY: I always search for something that reflects on how I’m feeling at the moment. At this particular point in American history, I needed something that had themes of redemption and tolerance and accepting the other as an antidote to all the toxicity we’re consuming each day. I had always loved THE CHOSEN as a novel and knew about Posner’s adaptation of My Name is Asher Lev a few years ago. After reading this adaptation, I knew I’d found the project that could give voice to a lot of the things I’m feeling right now. Also, Posner has done a re-write of the earlier adaptation he did with Chaim Potok, changing the play from five characters to four. We’re honored to be doing the West Coast premiere of it.

THE CHOSEN resonates with me because I see it as a hopeful commentary. The play begins with the Hebrew for “These and these are the words of the Living God.” It’s a phrase that is deeply ingrained in Jewish thought: that two opposing ideas can be true at the same time. Today, it feels like we have lost the ability to respect someone with an opposing view without being hateful or disrespectful towards them. Potok’s story is an illustration of how we can and should be tolerant if we’re to retain our humanity. And he does it with love and humor and an exploration of fundamentally deep ideas. It may be Jewish in its context, but it focuses on bridging universal chasms between opposing worlds – between the modern and the traditional, the secular and the sacred, Zionism and Hasidism, fathers and sons, the head and the heart, and being true to yourself while embracing and respecting the other. We could use a lot more of that in today’s America.

WHAT ARE YOUR FUTURE PLANS?

LEVY: There are always writing and directing projects I’m toying with or trying to get the rights to, but right now I’m searching for something else that really speaks to me and how I’m feeling. I haven’t found the right one yet. But later this year I will be directing The Immigrant, another Jewish-themed play about acceptance and tolerance, at the Sierra Madre Playhouse. So I guess that’s really on my mind right now.

This post originally appeared in Splash Magazine

More Info/Get Tickets for The Chosen