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- Fountain director Shirley Jo Finney awarded SDC Denham Fellowship for ‘Runaway Home’
- Dionna Michelle Daniel joins Fountain Theatre to plant seeds for social change
- Q&A with Fred Herko biographer following ‘Freddy’ performance Thursday Sept 28th
- College students and professional actors share struggle and truth, declare “I am Freddy”
- Video: Actor Leith Burke finds hope in powerful world premiere ‘Runaway Home’
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Tag Archives: drama
The Fountain Theatre is now casting the following role for its upcoming world premiere production of Runaway Home by Jeremy J. Kamps, directed by Shirley Finney.
[ARMANDO] 35 to 45 years old, Mexican male. Owns and runs the small local store in the Lower 9th Ward, New Orleans. Has two daughters in Mexico. Guarded, vulnerable, empathetic, longing, wistful, independent, self-sufficient, courageous, inner-turmoil, soft but with a temper. He offers Kali a job in his store, trying to help the young runaway girl, which leads to a harrowing but hopeful end.
STORYLINE: Set in New Orleans, Lower 9th Ward, three years after Hurricane Katrina. In this funny and deeply moving story, 14 year-old Kali embarks on a journey. Rhyming, stealing, and scamming her way through her still-destroyed neighborhood, engaging the lively folk who remain and running from her worried mother, Kali picks through the wreckage of what used to be her life and is forced to confront the cost of moving forward and embrace the loving power of family.
Rehearsals start August 7th. The production opens September 16th and runs to November 5th. The Fountain Theatre operates under the new AEA 99 Seat Agreement.
Email submissions to email@example.com
Nora King is a California girl who doesn’t surf. She danced in school productions of The Nutcracker but admits she was “an unbalanced and quite chatty ballerina.” She earned a BFA in Acting from California Institute of the Arts (CalArts) then created a non-profit theatre troupe called Acting for Others, to raise support and awareness for charities through performance. These days, she now finds herself at the Fountain Theatre as Production Outreach Coordinator for Building the Wall, overseeing the ongoing post-show conversation series Breaking It Down.
The program Breaking It Down, she says, embodies her dual commitment to theatre and social action. “I have always had a passion to inspire change through theater.”
Fountain Co-Artistic Director Stephen Sachs agrees. “When the Fountain Theatre made the bold move to reschedule our 2017 season so we could quickly produce the world premiere of this controversial new play Building the Wall, we were sure of one thing. Patrons seeing it will want to talk about it.”
The post-show conversation series Breaking It Down was created to offer an ongoing platform for the dialogue to continue with audiences on a wide variety of topics. The first discussion featured playwright Robert Schenkkan.
As Production Outreach Coordinator, it was Nora’s job to reach out to a varied list of organizations and schedule dynamic leaders willing to participate in conversations with audience members following performances of Building the Wall. Topics range from immigration to prison systems to women’s rights to stand-up comedy.
To learn more about the discussion series and the young woman who oversees it, we subjected Nora to her own Q&A.
How did you get this job at the Fountain?
Funny story. I saw an opening for a position in The Fountain’s cafe. I sent in my resume. And a couple days later I got a call from Stephen Sachs about another position that may be a better ﬁt. And it is a much better ﬁt. My cooking skills are nonexistent.
What is Breaking It Down? How would you describe it?
Breaking it Down is a conversation series following performances of Building the Wall. These will be discussions with community leaders, non-proﬁt organizers, socially active performers, etc.
What do you hope to achieve with these post-show conversations?
The goal of Breaking it Down is to activate and inspire the audience. A big theme in Building the Wall is the power and responsibility of the individual. At this point in our country’s history, complacency is extremely dangerous. I want to empower the audience, leaving the theatre ready to inﬂuence change.
Has it been hard getting experts to agree to participate in the discussions? Or easier that you thought?
A lot easier than I thought. I was surprised with the eagerness in which people wanted to be involved. Which is very exciting! This also reassures me that there are inﬂuential people activated and ready to combat the inhumane policies our government keeps churning out.
Which conversations are you most looking forward to?
After researching each individual and their backgrounds, I am honestly very excited for each conversation. I think they will offer so many different perspectives as well as ways to help. So, all of them!
What role can theatre play in triggering social action?
Theatre has always been a reﬂection of society. Shakespeare’s histories are basically the People magazine of the time. To say theatre is merely for entertainment, is an ignorant concept. And to say the arts is unnecessary for a nation, is stupid. Sorry to be so blunt. However, the reason I dedicate my life to this art form is because of its inﬂuence on society. Theater supplies ethos. We are humans. We need to connect. We need to feel. I believe theatre can supply an up close look at stories you wouldn’t experience otherwise even though, in reality, they might be happening right next to you.
What has your experience been like at the Fountain?
Amazing! Something that drew me to the Fountain Theatre is its commitment to socially provocative work. There is certainly a sense of working towards a shared goal. Everyone is passionate and excited to be there, which is necessary for a theatre to succeed. I feel very honored to be joining The Fountain Family. Thank you Robert and Stephen for bringing this play to life so quickly. I think it is essential for people to see this immediately.
Reaching out to students and making theatre available to young people is vitally important to the Fountain Theatre. And we love it when students reach back. Such was the case on October 24th when the Fountain hosted teacher Alan Goodson and his students from Fashion Institute for Design and Merchandising to a performance of our sizzling West Coast Premiere of Tennessee Williams’ Baby Doll.
Goodson, also an actor who has appeared on our Fountain stage, led his college students in a post-show discussion with the professional actors following the Baby Doll performance. The students asked questions of cast members, discussed the issues raised in the play and shared thoughts and feelings about the theatre-going experience itself. For some, it was their first time seeing a live professional production of a play.
The students then returned to the classroom and wrote papers outlining their insights and describing how the play and production impacted them emotionally, intellectually and artistically.
The Fountain recently received a sampling of their comments:
“Arguably the most powerful moment of the play comes at the very end. Baby Doll and Aunt Comfort sit outside the house after Archie Lee and Silva have been arrested. Silva has said he will come back for Baby Doll, but her future is uncertain at best….Although it is at the very end of the play, this moment, so beautifully directed by Levy, is when the message of the Fountain Theatre’s performance of Baby Doll comes through loud and clear: sexism in 1950’s America was rampant, and the patriarchal mindset of the culture and characters ultimately led to their crippling stagnancy. The Fountain Theatre’s production of Baby Doll is like a fine wine – it gets better with time. You leave the theatre with the assurance that you have just seen an incredible play put on by a talented group; however, the true meaning of the play seeps through more and more the longer you stew on it.”
This student was drawn into the play by the intimacy of the theatre:
“The play environment was intriguing. I have never been to a production that was so intimate. The theatre itself was very small, the seats were close together, and the stage was right in front of your eyes. I felt the audience was in this play experience together. The actors were so close I could see every detail in their faces. They made eye contact with us and were able to engage us in the storyline. I was intrigued by the fact that I could examine every small detail about the costumes and the set. Being so close to the actors and the set is very different from going to a big theatre where you can barely see their facial expressions or the set theme.”
For this student, overcoming doubts about seeing the play led to a meaningful experience in the theatre:
“Before seeing Baby Doll at the Fountain Theatre, I was a bit skeptical if I would enjoy the play after reading the synopsis. But I was pleasantly surprised. The actors portrayed their roles remarkably, showing every emotion and movement as if they were really living in the play….the way the cast fed off of one another made it that much more enjoyable….While there was much controversy surrounding the movie when it first came out, I think Tennessee Williams created a phenomenal and important script. The women empowerment and sexuality themes not only made the play witty and comical, but also made the audience think about how life was once like for women of that time. Baby Doll may have started out in the cinema, but it was meant for the theatre. It is a superb play that is brought to life by extremely talented actors.”
In the post-show Q&A with the cast, perhaps the most important question was asked by a blushing young female student when our handsome, beefy leading man, Daniel Bess, met the group:
Question: “How many times a week do you work out?”
See? A life in the theatre can be enhancing in so many ways …
Young people today are the theatre audiences — and theatre makers — of tomorrow. The Fountain maintains its ongoing dedication to staying connected to young audiences and broadening its reach to high school and college students regionwide. With school budgets being cut for arts education everywhere, the Fountain offers an important role in arts learning.
This event was made possible by Theatre as a Learning Tool, the Fountain Theatre’s educational outreach program making the life-enhancing experience of live theatre accessible to young people and students throughout Southern California.
A fabulous performance, an exuberant standing ovation, and a lively party afterward highlighted the opening night of our remounting of the hit comedy/drama, Bakersfield Mist. The relaunch Saturday night was enjoyed by a full house of happy patrons, Fountain Friends and Family, and exclusively invited VIP Donors.
Written and directed by Stephen Sachs and performed by the splendid original cast of Jenny O’Hara and Nick Ullett, Bakersfield Mist tells the story of trailer trash dumpster diver Maude Gutman, who is convinced the painting she bought at a thrift for $3 is actually a long-lost masterpiece by Jackson Pollock worth millions. The hit play was created and developed at the Fountain Theatre in 2011, earning rave reviews and a 7-month sold-out run. The play is now performed across the United States and around the world.
At Saturday’s re-opening night, delighted audience members joined the company upstairs in our cafe for a catered reception with the actors and Fountain production and creative team. Fountain VIP Donors in attendance included Carol Ardura, Rabbi Anne Brener, Anita Lorber, Edike and Victoria Ndefo, Harold Shabo, Abner and Roz Goldstine, Fran and Arnie Stengel, Patty Paul, Carol Kline, Karen Kondazian, Ester Lee Alpern, Hugh and Marleen Scheffy.
Bakersfield Mist Now Playing! (323) 663-1525 More Info/Get Tickets
When director Simon Levy was casting our west coast premiere of Tennessee Williams’ Baby Doll back in April, finding the right actor to play Archie Lee Meighan was a challenge. Levy sifted through hundreds of submissions and auditioned dozens of actors yet he struggled to spot what he was looking for. He needed an actor who could authentically evoke the crude, raw good ol’ boy Southern brutality of the cotton gin owner yet also reveal the character’s fear and vulnerability. Finding that actor seemed impossible.
Then, one afternoon, actor Daniel Bess, already cast in the play, made a suggestion. Did Simon know John Prosky? Daniel’s friend and fellow-member at Antaeus Theatre Company? A meeting was scheduled. And from the first moment that Prosky began his audition it was clear to Levy and everyone present that the hunt for Archie Lee Meighan was over.
“I’m strangely drawn to Archie’s desperation,” Prosky now says. “It’s not always easy or fun to play but I get that part of Archie Lee on a visceral level. I’m certainly no racist, or a cuckold nor am I married to a 20 year old — although my wife does look so much younger than me that it is sometimes assumed. But Archie’s place on “the edge” is something I commune with at this point in my life. Not completely sure why but I sometimes feel like I’m going to loose everything. Maybe it’s just because I have so much to lose.”
Prosky indeed has many blessings. He is married and a father. His son just started 8th grade. In addition to a busy acting career, he teaches. Like Archie Lee in Baby Doll, he sometimes worries that what he values most might all be taken from him. “I sometimes have this fear that I will fuck it all up or it will all somehow slide into oblivion,” he admits. “The good actor’s first job is to bring himself to the work and that part of Archie Lee I get.”
Not every aspect of Archie Lee came easy.
“His physical abuse of Baby Doll I find a stretch for me” he concedes. “And the shotgun. I hate guns. I am always using a gun in something I’m acting in but this is my first shotgun. And a shotgun in the hands of a white male in Mississippi in the 1950s should look as comfortable as an iphone in the hands of a hipster today. So that took some work.”
The Fountain Theatre production — and Prosky’s performance — has earned widespread critical acclaim. But it’s the audience response that pleases him most.
“It’s the reason theater is my first love,” he says. “That immediate communication of actor as storyteller is the whole point of theater and so much more rewarding than anything I’ve ever done on film or TV. “
And his first-time experience working at the Fountain Theatre?
“The Fountain and this production have made me feel respected, welcomed, supported, challenged and fulfilled. Very few theaters can do all that.”
Baby Doll has been extended to October 30. More Info/Get Tickets