Tag Archives: Hollywood

VIDEO: What makes the Fountain Theatre a successful home for LA artists and audiences?

 

Free play reading of powerful new play ‘We Will Not Be Silent’ Thurs July 20 at 7pm

We Will Not Be Silent imageThe Fountain Theatre is hosting a free reading of the powerful new play, We Will Not Be Silent, on Thursday, July 20 at 7pm. Written by David Meyers and directed by Cameron Watson, the cast for the reading features Steven Culp, Jim French and Elizabeth Lanier. Recently presented at the Contemporary American Theatre Festival, BroadwayWorld applauded the play as “gripping” and DC Theatre Scene hailed it as “superb.”

The true story of Sophie Scholl, a German college student who led the only act of public resistance to the Nazis during World War II, David Meyers’ play examines the moral strength and clarity that led a group of students to risk their lives for a righteous, but hopeless, cause.

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The Fountain offers the free staged reading as an adjunct to its currently running production of Building the Wall.

Free to the public. Reservations necessary. (323) 663-1525 or click here.

Los Angeles shines as a theatre town

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The Fountain Theatre in Hollywood

by Stephen Sachs

Hollywood is heralded around the globe as the mesmerizing “movie capital of the world,” yet more plays are produced each year in Los Angeles than major motion pictures. In fact, Los Angeles has more live theaters and creates more theatre productions per year than any other city in the world. More than New York, Chicago or London. That’s right. Los Angeles. Surprised?

Los Angeles is on the rise. You can feel it. LA is ascending to rightfully take its place as a world city. It is already ranked as one of the world’s most economically powerful cities—a center of business, international trade, entertainment, culture, media, and technology. There are 841 museums and art galleries in the area, over 1,000 performance venues. Hollywood is flourishing, undergoing a multi-billion-dollar renaissance of new commercial, residential and cultural development that is transforming the fabled district. 

Theatre in Los Angeles has never been better. It is diverse, vibrant, first-rate—and everywhere. Stretched across an immense terrain of diverse neighborhoods over 469 square miles, you can experience theatre in Los Angeles in every possible setting. From tiny converted store fronts to festive outdoor stages in city parks to Off-Broadway-style intimate houses on trendy boulevards to grand and glittering show palaces—Los Angeles has it all. 

I’ve been a theatre maker in Los Angeles for more than 30 years. Like so many, I was first an actor, a long time ago in a galaxy far, far away. I transitioned to directing plays in 1987, leaving acting behind and never looking back. While building a career as a stage director, I became intrigued by how theatre companies operated. The business side of making art fascinated me. One day, I volunteered to work temporarily in the office at Ensemble Studio Theatre on Oxford Street in Hollywood. Soon I took over as Theatre Manager. In 1990, I worked with Joan Stein and Suzie Dietz at the Canon Theatre in Beverly Hills, where we launched a 16-month run of A.R. Gurney’s Love Letters starring a parade of famous actors, including Ben Gazarra, Gena Rowlands, Christopher Reeve, Whoopi Goldberg, Charlton Heston, Robert Wagner, Matthew Broderick, Helen Hunt, and many more. That same year, I opened the Fountain Theatre with my colleague Deborah Lawlor and embarked on the most meaningful and rewarding journey of my artistic life.

The Fountain Theatre is a charming two-story Spanish-style building on Fountain Avenue in East Hollywood. Originally The Evergreen Stage, it had been a live theatre for more than 60 years. When Deborah and I first walked in and stood on its empty stage, we knew we had found our artistic home. There was something about the place, the cozy atmosphere, how the intimate seating warmly embraced the stage. It felt inviting and electric. We knew magic could happen there. 

The Fountain is now one of a bright constellation of intimate theatres shimmering throughout Los Angeles. This galaxy of small theatres, each singular in their programming, audience and artistic mission, is a construct utterly unique to Los Angeles. There is nothing like it anywhere in the country. LA’s Center Theatre Group, with its Mark Taper Forum and Ahmanson Theatre, form a theatrical nucleus, yet the more than one hundred intimate theatres across the region swirl around it like spirited electrons, each carrying an electric charge that is fundamental for the survival of LA’s overall cultural organism. In Hollywood, Nederlander’s Pantages Theatre prove nightly that there is a vast audience for live performance. 

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Mark Taper Forum, Los Angeles

I’ve seen the intimate theatre community in Los Angeles grow from a cluster of what was then called 99-seat “Equity Waiver” theaters in the 1980s to the vast network of hundreds of intimate theaters today. These theatres weave a rich artistic tapestry that is astounding in its range and variety, matching the cultural, racial and social diversity of this city. Los Angeles is now home to intimate theatres that serve audiences that are Black, Latino, Gay, Straight, Asian, Middle Eastern, LGBT, Deaf, Native American, and everything in between. The content on LA stages is equally wide-ranging. American classics, world premieres of new plays, Shakespeare, Chekhov, musicals, farce, adaptations, the avant garde, immersive pieces, plays staged in the round or in a black box, site specific works performed in empty warehouses, in cars or hotel rooms—an endless menu for every taste. 

hollywood-theatre-row-signLA’s intimate theatres have grown not only in number, they have increased in stature. Top-drawer actors from Broadway, TV and film are routinely seen on LA stages. And while Los Angeles remains an essential destination for acclaimed plays and musicals from New York, London and around the world, LA is now its own vibrant theatre center that creates and develops exciting new work. Much of the most satisfying and challenging new plays are being done in the intimate theaters. Actors long to act in these plays for the same reason we ache to produce them: for the sake of the art. LA’s network of smaller theatres provides a safe, fertile landscape where highly-skilled actors, directors and playwrights can bring new plays to life for audiences that are ever-growing, sophisticated and adventurous. More than 120 plays have transferred from LA’s intimate venues to regional theaters across the United Sates. Such world-class playwrights as Athol Fugard, Tarell McCraney and Robert Schenkkan have launched new plays at our modest home on Fountain Avenue that are now being enjoyed throughout the nation and around the world. 

Even with the staggering amount of high-quality activity on its numerous stages, Tinsel Town fights for the right to be called a “theatre town.” The Hollywood spotlight is blinding. The relationship between the film and television industry and the LA Theatre community is precarious. A forced marriage between two partners who share similar desires yet go about achieving them in vastly different ways and for very different reasons. LA Theatre still struggles to step out from under the shadow of The Industry and stand in its own rightful light. But its blaze is being seen and felt, locally and nationwide, more and more. 

As an artist and a citizen, it has never been a better time to live in Los Angeles. As a haven with invigorating potential and endless possibilities, LA is now peering forward and seeing its future. That vision, as a world city, looks bright. As Los Angeles shines, so does its theatre. And the radiance from our light will illuminate the nation and the world. 

This post originally appeared in Discover Hollywood magazine

New Fountain cafe chef Baltazar: “Great art should be accompanied by great food”

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Chef Baltazar Gaytan

If you’ve visited our Fountain Café in the last three months, you’ve already noticed the number of changes occurring. With its cheese and delicious snicker doodles topped with black Himalayan salt, its savory pastries, improved wines, finer coffee, its warm and inviting atmosphere, the Café is becoming the place to visit before and after shows here at the Fountain Theatre. Your Fountain Theatre experience is not complete without a drink on our rooftop patio, deep in discussion over the play you just saw.

We cannot talk about the Café’s stunning transformation without hailing our new breakout chef, Baltazar Gaytan. Originally from Salinas, California, Baltzar studied at Le Cordon Bleu Culinary Arts Academy in Pasadena and is wowing crowds with his inventive baked goods and dedication to the Café.

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The Fountain cafe busy and buzzing. 

While Baltzar’s skills speak for themselves, we sat down for a little Q&A to learn more about the Fountain’s chef and mastermind of the Café, as well as his goals for the future.

Tell us about your background. Where did you grow up and study cooking?

I grew up in a family of six with a single mother in Salinas, CA. We weren’t the most financially stable family, but it taught me to be resourceful and creative with my limited ingredients. A few years after high school, I decided to take a leap and decided to refine and expand my culinary knowledge at Le Cordon Bleu Culinary Arts Academy in Pasadena, CA.

Was there one person or one event in your life that turned you on to cooking? 

During my gap years, my mother became more ill due to a genetic kidney disorder that my family carries. Unfortunately, this brought on a great deal of dietary restrictions, limiting her to an incredibly bland diet. After doing more research, I began to understand what grains and proteins she could have, giving me the ability to make her flavorful dishes despite her restrictions. While she was stubborn about this at first, she began to look forward to see what I’ve created for her. The joy that I gave to my mother when she eat was the point when I decided that I had a talent and it should be shared with others to enjoy.

What is it about cooking that fuels your passion?

I love the magic that I get to make. I mean, look at some of the plates that chefs are doing. They are works of art. We have an open mind to where we almost never say no. If no answer is provided, we seek that knowledge in the hopes of having a culinary breakthrough. The one who discovers the perfect potion. Chefs can play mad scientist, we just try and try until we figure out the perfect potion.

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The outdoor balcony of the Fountain cafe. 

Had you been to the Fountain Theatre before becoming the new chef?

I have once back in January to see Bakersfield Mist. I was visiting my childhood best friend Marisela Hughes (Fountain’s Box Office Manager). I enjoyed the theatre and its intimate, classic theatre ambiance.

How did you become the new chef at the Fountain?

By faith actually, when I decided to move down to Hollywood, the Fountain has been looking for a chef to take over after Bakersfield Mist. Marisela was helping me look for a job and this one seemed to be the perfect match. The universe will tell us when to make a move. And if we don’t make them our selves, well, sometimes the universe will force us to make that change. It’s a growing opportunity and effect that is designed to happen. 

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Chef Baltazar

What kind of changes are you making to the new cafe? How is it now different?

When I walked into the café for the first time as Chef, I saw this vision of comfort, warmth with a little bohemian/Mediterranean chic, lanterns and a garden. Patrons can have a nice romantic dinner underneath the open sky with a glamorous view of the skyline of downtown LA. So here I am, providing quality product made by myself. I’m now providing as many in-home goods as I can possibly produce. Part of this is introducing a cheese course, our first introduction to savory goods. From there we work our way up based on demand and profit. I’d like to turn the Café into a bistro with warm foods and table-side service, being open on days that there isn’t a show going on. Great Performing Art should be accompanied by great food. I’m seeing brunches and dinner parties before the show happening in the future.

What are you hoping to achieve with the new Fountain cafe?

Success! I want to introduce myself as an artist and introduce the beauty in culinary arts. How ones own imagination can go beyond just the eyes, but into taste the stimulate memories and sensors—just like in the theatre.

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Fountain folk enjoy the cafe on a warm summer night. 

What words would you choose to describe the new Fountain café?

Welcoming, peaceful, fun, adorable, hidden oasis, no sense of time and space. These are a few words of which I’ve already heard people say about the New Café

How do you see a Fountain patron’s dining experience in the cafe complementing their experience of seeing a play here?

Well you’d start off with getting a great parking space. Not just that but you’re going to save yourself time. From transporting from place to place and, lets be real, finding parking in LA on a Saturday evening isn’t the most pleasant of task. But once you get here you’ll feel like you’re just at home. In an intimate setting just like our theatre, only a select few will be joining you in a journey that is unique, artistic and creative. No two menus will be alike. The Fountain Café will be the most exclusive dinning destination in Hollywood.

What can we look forward to in the cafe? Any new items or ideas you can share for what’s coming?

We’ve already implemented new items to the café such as gourmet cheese plates and freshly baked beer bread, complete with bacon marmalade and freshly whipped honey butter. We use fresh herbs from the herb garden that I began to grow on the porch, in many of the items now being served. I make a classic from a classic (i.e. PB&J Cookie) I’m letting you enter my mind of culinary imagination, where there is no walls. Brunch and dinner before the show are all on the horizon for the Fountain Café.

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After 3rd sold-out month, ‘Building the Wall’ extends again to August 27 at Fountain Theatre

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Judith Moreland and Bo Foxworth in ‘Building the Wall’ at Fountain Theatre

Now in its 3rd sold-out month, The Fountain Theatre’s acclaimed world premiere of the powerful new play Building the Wall has been extended to August 27th.

In the newest play by Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan (The Kentucky Cycle, All the Way, Hacksaw Ridge), the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. As a writer interviews the former supervisor of a private prison, it becomes clear how federal policy has escalated to a terrifying, seemingly inconceivable, yet inevitable conclusion.

Directed by Michael Michetti, the original cast features Judith Moreland as Gloria, and Bo Foxworth as Rick. Victoria Platt will assume the role of Gloria starting June 24th.

The Fountain Theatre’s world premiere, the first in a series of productions taking place across the U.S. as part of a National New Play Network Rolling World Premiere, has received national and international attention from TIME magazine,  The New York Times, Washington Post, BBC News Hour, Radio Canada, Agence France-Presse, Breitbart News and more. The Los Angeles Times calls it “L.A.’s Hottest Ticket!”

A REVOLUTIONARY NEW PLAY”— TIME magazine

L.A.’S HOTTEST TICKET… terrifyingly plausible… should be seen and shuddered over, if only to heighten our collective vigilance.” — Los Angeles Times

PACKS PUNCH AFTER PUNCH”—Daily News

MESMERIZING… logically illustrates, step by step, how fascism can gradually take root among people who abhor it.” —The Hollywood Reporter

COMPELLING… Don’t miss this play” — KCRW

RIVETING… an urgently important call to arms” — Arts In LA

A TOUR DE FORCE… riveting, harrowing and illuminating” — Broadway World

ONE HELL OF A SCARY PLAY… a necessary wake-up call to action.” — EDGE

GRIPPING… timely and relevant” — LA Splash

SEE IT WHILE YOU CAN” — People’s World

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Fountain stands for social and political theatre in LA with ‘Building the Wall’ and ‘Citizen’

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That Was The Week That Was was a satirical television show in the early 1960’s that brought focus to social and political issues of the day. The Fountain Theatre may look back on this current week, May 1 – May 7 in 2017, and brand it the same name. This week, in an unplanned juncture of synchronicity, the Fountain Theatre has two acclaimed productions running simultaneously in Los Angeles — one at its 78-seat Hollywood home on Fountain Avenue, the other at the 300-seat Kirk Douglas Theatre in Culver City —  each dramatizing in mesmerizing fashion the urgent issues of race, injustice, and politics.

The Fountain’s National New Play Network Rolling World Premiere of Building the Wall by Robert Schenkkan was a smash hit the moment it opened in March at the intimate Fountain Theatre, selling out weeks in advance.  Set in the near future, the powerful new drama unfolds as a man awaits sentencing in a federal prison for carrying out the orders of Trump’s national policy to round-up and detain immigrants by the millions.    

 

Meanwhile, across town at the mid-sized Kirk Douglas Theatre, the Fountain’s acclaimed and award-winning encore production of Citizen: An American Lyric by Claudia Rankine, adapted for the stage by Stephen Sachs, is galvanizing audiences. The centerpiece of Center Theatre Group‘s inaugural Block Party celebrating intimate theatre in Los Angles, Citizen is a searing, poetic riff on race in America based on the best-selling book.   

 

“To have these two important, meaningful productions running concurrently, one in an intimate theatre and the other in a mid-sized venue, is extraordinary,” says Fountain Co-Artistic Director Stephen Sachs. “It exemplifies who we are, what we do, and why we do it.”

Tony Award and Pulitzer Prize winning playwright Robert Schenkkan agrees. “Both Citizen and Building the Wall deal with the issue of race and the fundamental question of who is it we mean when we say, ‘We, the people,'” explains Schenkkan. “For more than twenty five years, the Fountain Theatre has been presenting exhilarating, necessary theater, wrestling with the most pressing social and political issues of the day.” 

LA Stage Alliance Executive Director Steven Leigh Morris points out that this week is no anomaly. Morris notes, “That the Fountain Theatre has two productions running simultaneously — one at its home space in East Hollywood and the other at the Kirk Douglas Theatre as part of Center Theatre Group’s Block Party program — is a testament to the rigor and meticulous artistry that has been part of The Fountain tradition for twenty-seven years.”

By all accounts, this is an unforgettable week for the Fountain. We vow to continue our commitment to create, develop and produce meaningful new plays that bring to life urgent issues, week after week, for many years to come. 

Tickets/Info BUILDING THE WALL

Tickets/Info CITIZEN: AN AMERICAN LYRIC

Fountain Theatre affirms its commitment to diversity at Hollywood gathering

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Deborah Lawlor and Stephen Sachs

Fountain friends, longtime and new, enjoyed an unforgettable afternoon Sunday at the magnificent Hollywood apartment of actress and Fountain board member Karen Kondazian. Delicious middle eastern fare from Adana was served to thirty invited special guests who marveled at Karen’s extraordinary home, the panoramic view of Hollywood,  and chatted about the achievements and future of the Fountain Theatre.

The afternoon salon was organized so distinguished friends and supporters of the Fountain could stay connected with the theatre and each other. New colleagues and associates from the Los Angeles business and arts communities were introduced to the Fountain’s inner circle. And the Fountain unveiled a new level of sponsorship, the Artistic Directors Circle, for elite donors who underwrite specific plays or programs or an entire season. 

Fountain Co-Artistic Directors Deborah Lawlor and Stephen Sachs were joined by Producing Director Simon Levy, Associate Producer James Bennett and Director of Development Barbara Goodhill.

“Diversity sits at the heart of our artistic mission,” said Sachs. “When Deborah and I founded the Fountain back in 1990, it was to offer an artistic home for theatre and dance artists, of all backgrounds, to create and develop new work that reflects the cultural diversity of our city and our nation. The Fountain Theatre sits in the center of District 13, the most ethnically and culturally diverse district in Los Angeles. 32 languages are spoken at the local high school.

“Our programing is community-driven. When we think about putting a season together, we ask ourselves which community needs to be served? Which cultural, religious or ethnic group is struggling with an issue that needs to be dramatized? Who’s voice needs to be heard?”       

The 2017-18 Fountain Theatre season includes the world premiere of Building the Wall by Robert Schenkkan, Citizen: An American Lyric by Claudia Rankine at the Kirk Douglas Theatre, the world premiere of Runaway Home by Jeremy Kamps, the world premiere of Freddie by Deborah Lawlor, the stage adaption of The Chosen by Chaim Potok, and the world premiere of Arrival and Departure by Stephen Sachs performed in Spoken English and American Sign Language.

 

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Fountain Board members Dorothy Wolpert, Karen Kondazian, Dick Motika, Jerrie Witfield, Don Zachary, and Oscar Arslanian welcomed guests Nyla Arslanian, Miles and Joni Benickes, Lorraine Evanoff, Bennard Gillison, Daniel Greenberg and Susan Steinhauser, Lucinda Cowell and Ron Michaelson, Victoria Meyers, Bonnie Nijist and Arthur Zeesman, Jacqueline Schultz, Mark Stankevich, Ron and Elaine Stein, , and Stanley Wolpert.

Stephen Sachs and Deborah Lawlor spoke to the group, reviewing the recent accomplishments of the Fountain Theatre, its fundraising goals, and outlining the upcoming 2017-18 season. They expressed the artistic heart and soul of the company and its dedication to diversity and inclusion by serving a wide variety of communities throughout Los Angeles. And they articulated the challenges and objectives moving forward, describing the Fountain as an essential treasure on the cultural landscape of Los Angeles. And declared that the Fountain’s longtime dedication to diversity was essential in these turbulent times. 

“We are an immigrant nation, ” stated Sachs. “Los Angeles is a world city, rich with the multi-colored fabric of diversity.  At this moment in history, now more than ever, it is crucial that the Fountain Theatre maintain its mission of diversity and inclusion and community focus,  where people from all backgrounds are seen on our stage and in our audiences.”

“The Fountain Theatre may be small in size, ” he concluded. “But we are large in vision, in purpose, and in our commitment to creating and producing meaningful work that has the power to change lives.”