Tag Archives: Miranda Stewart

PHOTOS: Cast and guests enjoy opening night party for ‘The Chosen’

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The company of ‘The Chosen’

A beautiful and heartfelt performance was followed by a lively party as cast and audience members celebrated the opening of The Chosen at the Fountain Theatre on Saturday night, January 20th.   The sold-out house leapt to their feet in a standing ovation, then gathered upstairs in our indoor/outdoor cafe for food, drink and festivities with the company.

Actors Jonathan Arkin, Alan Blumenfeld, Dor Gvirtsman and Sam Mandel were feted by Fountain VIP donors, invited guests and members of our Board of Directors.

Looks like the Fountain has another hit on its hands. performances for The Chosen are already selling out in advance. Get Tickets/More Info 

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Fountain Theatre presents West Coast Coast Premiere of Tennessee Williams’ ‘Baby Doll’

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Lindsay LaVanchy is Baby Doll at Fountain Theatre

This summer, L.A. audiences get to see a brand new play by Tennessee Williams. Simon Levy directs the West Coast premiere of Baby Doll, adapted by Pierre Laville and Emily Mann from the 1956 Academy Award-nominated film of the same name – the first-ever Williams Estate-approved adaptation of this Williams screenplay. Baby Doll opens at the Fountain Theatre on July 16, starring Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky and George Roland.

John_Prosky

John Prosky

Darkly comic and crackling with sexual tension, Baby Doll is the story of 19-year-old married virgin “Baby Doll” Meighan (LaVanchy), who must consummate her marriage in two days, on her 20th birthday — as long as her middle-aged husband, Archie Lee (Prosky), upholds his end of the bargain to provide her with a comfortable life. When Archie Lee burns down his neighbor’s cotton gin to save his failing business, his rival, Sicilian immigrant Silva Vacarro (Bess), arrives to seek revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn.

“The miracle of Tennessee Williams is that he can write these wonderful, wacky, wildly rich and complex characters and situations, yet underneath it all are timeless social and political themes,” says Levy. “It’s almost as if this play is a look at today’s America. It’s astonishing.”

 

Karen Kondazian

Karen Kondazian

The Fountain Theatre, Levy and Kondazian, who plays the role of dotty Aunt Rose Comfort, have a long combined history with Williams. Levy has previously directed five of his plays for the Fountain, including Orpheus Descending (1996); Summer and Smoke (1999); The Night of the Iguana (2001); The Milk Train Doesn’t Stop Here Any More (2007); and A House Not Meant to Stand (2011), and the Fountain additionally produced Four X Tenn in 1996. By the time she appeared in Orpheus, Iguana and Milk Train for the Fountain, Kondazian had already starred in numerous Williams productions, including a 1979 production of The Rose Tattoo for which she received the Los Angeles Drama Critics Circle Award – and which led to a steadfast friendship with Williams until his death in 1983. 

 

Daniel Bess

Daniel Bess

Adapted for the screen by Williams from his one-act play 27 Wagons Full of Cotton,Baby Doll was directed by Elia Kazan and starred Karl Malden, Carroll Baker and newcomer Eli Wallach. It immediately caused a sensation, due in large part to the poster image depicting Baker in a crib sucking her thumb. It was labeled variously “notorious,” “salacious,” “revolting,” “steamy,” “lewd,” “suggestive,” “provocative” and “morally repellent,” and Cardinal Francis Spellman, the Archbishop of New York, personally denounced the film before it was even released, declaring that Catholics would be committing a sin if they saw it. Baby Doll premiered as a stage play at the McCarter Theatre in Princeton, NJ in 2015; the Fountain production is only its second.
 
“Adapting the screenplay of Baby Doll to the stage has been an exciting process,” Mann said. “Every word is Tennessee’s; my co-adaptor, Pierre Laville, and I simply freed the play within the screenplay to allow the four main characters to live on stage.”

Set design for Baby Doll is by Jeffrey McLaughlin; lighting design is by Ken Booth; sound design is by Peter Bayne; costume design is by Terri A. Lewis; props and set dressing are by Terri Roberts; fight director is Mike Mahaffey; dialect coach isTyler Seiple; production stage manager is Emily Lehrer; assistant stage manager isMiranda Stewart; associate producer is James Bennett; and Stephen Sachs andDeborah Lawlor produce for the Fountain Theatre.

 

TW 1956

Tennessee Williams, 1956.

Tennessee Williams (1911-1983), born Thomas Lanier Williams III, explored passion with daring honesty and forged a poetic theater of raw psychological insight that shattered conventional proprieties and transformed the American stage. The autobiographical The Glass Menagerie (1945) brought what Mr. Williams called “the catastrophe of success.” He went on to win two Pulitzer Prizes, for A Streetcar Named Desire in 1948 and Cat on a Hot Tin Roof in 1955. Among his many other masterpieces are Vieux Carre, Sweet Bird of Youth, The Rose Tattoo, Orpheus Descending, The Night of the Iguana and Camino Real.

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the 2014 Ovation Award for Best Season and the 2014 BEST Award for overall excellence from the Biller Foundation; the recent production of the Fountain’s Citizen: An American Lyric in Charleston, S.C. to commemorate the tragic shooting at Mother Emanuel Church; and the naming of seven Fountain productions in a row as “Critic’s Choice” in the Los Angeles Times.

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‘Baby Doll’ company gathers for thrilling first reading at Fountain Theatre

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Sometimes you have a first reading of a play with a new cast and it doesn’t go so well. The script may be solid and the cast experienced and professional. But the magic may not happen immediately.

This was not the case yesterday at our first read-through of Tennessee Williams’ Baby Doll with this fabulous cast. The magic happened. Immediately.

It was one of those wondrous occasions when actors, director, production team and play all came together in a thrilling first read-through of a colorful and dynamic script. As the actors read the script together for the first time, the play soared off the page. 

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The gathering began in extraordinary fashion. Actress Karen Kondazian, playing Aunt Rose Comfort, has starred in many Williams plays and knew the playwright personally. Before rehearsal began yesterday, Karen displayed a small black box and slowly opened it. She carefully unwrapped the contents and held it up in the palm of her hand like a scared relic: a pair of Tennessee Williams’ glasses. It was passed around the table. Each company member examined the glasses, some put them on and had the unique experience of “seeing through the eyes” of one of America’s great playwrights.    

Fountain Co-Artistic director Stephen Sachs welcomed the company and guided them through the paperwork at hand. Director Simon Levy spoke briefly about the play. Then the cast — Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky and George Roland — read the script. And the play immediately leapt to life.

Joined at the table were Co-Artistic Director Deborah Lawlor, associate producer James Bennett,  production stage manager Emily Lehrer, assistant stage manager Miranda Stewart, props designer Terri Roberts and publicist Lucy Pollak. 

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