Tag Archives: Mississippi

An actress embraces ghosts in this old Southern mansion in a weekend she’ll never forget

Baby Doll house 3

The Burrus ‘Baby Doll’ House today.

In July, actress Lindsay LaVanchy was in the thick of rehearsals at the Fountain Theatre in the lead role of Baby Doll in our west coast premiere when she got a phone call from her agent. Lindsay had booked a guest starring role on the MTV series Scream. It shoots in New Orleans. She would have to leave right away for two weeks.

As the Fountain Theatre scrambled to adjust its rehearsal and production schedule, Lindsay flew to New Orleans. Once there and on the set working, another opportunity suddenly opened for her. She would have a three-day weekend over 4th of July, permitting her time to rent a car and drive the 5.5 hours to Benoit, Mississippi, and stay in the actual Southern mansion where the original 1956 Baby Doll movie was filmed, directed by Elia Kazan and starring Carroll Baker, Eli Wallach and Karl Malden.  

kazan directing BABY DOLL film

Eliza Kazan directing Baby Doll (1956) in the Burrus house.

The historic Burrus ‘Baby Doll’ house is now owned by Eustace Winn, who visited the Fountain earlier this month  in August and was thrilled seeing our production.

Grabbing her chance to experience a weekend stay at the Baby Doll house, Lindsay hopped in her rented car on Saturday, July 2nd, and drove from the Scream location in New Orleans to Benoit, Mississippi. There was no question in her mind that she would make the trip.     

“It’s very important to me to know the reality of a character, that soul, as fully as possible,” she says. “So when I had the opportunity, a 3 day window … I had to go.”

Why?

“I knew Baby Doll would not be as realized as she could be if I did not remind myself what it was like to be in that kind of heat, that kind of quiet, smelling those smells, watching the sun come up and go down, every moment swatting away mosquitos, the eeriness of being in a big home alone with neighbors not in earshot, uncomfortably hot nights, a sky full of stars, cotton floating in the air, the kindest people, and how badly one desires a cool drink of water – almost as much as one desires company after spending hours and hours alone in the quiet and the heat.”

It was dusk, the twilight sky getting dark, when Lindsay pulled up to the Baby Doll house in Benoit.  

LV photo of Baby Doll house July 2016

Lindsay’s photo of the Baby Doll house.

“Driving up to this great Antebellum home at dusk was mystical. Not just because of the artistic connection, but the history this home has seen was palpable. I felt like an outsider that was being called by a siren. Like every step I took could awake a ghost. That both excited and terrified me. I felt uncertain about what the two days on the property wandering around — and sleeping in the actual Baby Doll room alone in the house — would bring up for me in terms of discoveries about the character. However, I had a feeling that if I kept quiet, alert, and open I would be shown what I needed to know. And I was.” 

She admits feeling thrilled and awestruck standing in the house that was part of film history. “From an actor’s standpoint, an actor who loves Williams and Kazan and that golden age of theatre and the shocking cinema that they created … I was geeking out.”

The place resurrected not only the lives of fictional characters on film.

BABY DOLL mirror bed

Lindsay LaVanchy

“I also felt the ghosts of real people there, too,” said Lindsay. “My grandmother as a little girl was sent away from her family for a few years to a farm of her French-speaking older relatives and I know that had a major affect on her. So being in a place like that (the majority of the time alone) and experiencing that loneliness that causes one to spend so much time in their imagination and creating a world in your head that keeps you company was … real. And this is the reality that Tennessee knew and drew his characters from.”

Staying in the South again, even for a short time, brought home the play’s relevance for Lindsay in other ways.

“I also was in Louisiana when Alton Sterling was shot,” she says. “And then, only a few days later, I was actually in Baton Rouge. I had several shocking experiences that occurred that were so clearly derived from the sadness and frustration of that horrific event – and the centuries of horrific events.  I was saddened and ashamed and embarrassed and angry, physically and emotionally, by the lack of change between years ago and the present time.  And that immediately reminded me that stories which come from this part of our country need to be shared. These regions, the ones where Tennessee sets all of his plays, are a major artery to the heart and soul of this nation. And we only gaze toward these areas and their people when it becomes national news. It’s a forgotten world. And this is fatal to our country for many obvious reasons.”

B_D_0053

Lindsay LaVanchy and John Prosky in Baby Doll at the Fountain Theatre

As an actor, an artist, the work — and its purpose — go deeper.

“It’s not about performing,” says Lindsay. “It’s not about me, it’s not about the playhouse. This play and these characters and these issues are history. It’s an educational opportunity, a calling card that hopefully stirs up something inside at least one person each night. At least that’s what I think great artistic ventures should do: start a conversation, stir up the emotional life within, cause a quest for something bigger than oneself, be a north star to the leaders who enable change, and give a nugget of purpose and comfort to the wanderers. Whether an artist accomplishes this kind of truth-giving each night or not, we can only hope and attempt. But it’s a solid foundation to work from. “

And did the weekend at the Baby Doll house help contribute some stepping stones to build that foundation?

“I only wish I could have stayed a month,” she sighs. “It was truly a special time for me, and I cannot wait to go back.”

Advertisements

Owner of famous ‘Baby Doll’ house enjoys play and company at Fountain Theatre

BABY DOLL owner group

Eustace Winn IV surrounded by Baby Doll cast

Last night was a magical evening of Southern hospitality right here in the heart of Hollywood. The Fountain Theatre and the company of Baby Doll had the pleasure of welcoming Eustace Winn IV, proprietor of the actual Baby Doll House in Benoit, Mississippi, into our home. Mr. Winn was thrilled watching our west coast premiere and enjoyed meeting the cast and sipping mint juleps with the company in our upstairs cafe after the sold out performance.

Eustace Winn is the current owner of the historic Burrus House, a stately Greek Revival style plantation home which began being built by his family in 1858. The family moved into the house in 1861, shortly before the Civil War. The house served as a hospital during the conflict. There are stories that John Wilkes Booth spent ten days in the Burrus House after shooting President Lincoln in 1865. In 1928, the last remaining Burrus family member who lived there passed away, and the house entered into decades of decline, decay, and vandalism.

Baby Doll house movie

“Baby Doll” movie (1956)

Nearly 100 years later in 1955, film location scouts were asked to find a suitable “decadent and dilapidated southern mansion” for Elia Kazan’s new movie version of the Tennessee Williams play, 27 Wagons Full of Cotton. When they discovered the worn down Burrus House in Benoit, Mississippi, they knew they found what they were looking for. The film was Baby Doll, starring Carroll Baker, Eli Wallach and Karl Malden. The movie was later nominated for four Academy Awards and the Burrus House became a tourist destination.

In 2005, one of the Burrus heirs, the late Dr. E. H. Winn Jr., of Greenville, established the Burrus Foundation and the house was fully restored to its former splendor. It is magnificent to see today. 

Baby Doll house

The Burrus House

BABY DOLL Eustace Winn

Eustace Winn

Eustace Winn enjoyed a marvelous evening last night at the Fountain seeing our acclaimed production of the stage adaptation of Baby Doll and socializing with the company. Mint juleps were savored and Mr. Winn passed around a hardbound copy of the script, which he had signed by actors Daniel Bess, Karen Kondazian, Lindsay LaVanchy, and John Prosky.  

There will forever be a connection between the Burrus House and Hollywood. A new chapter in that Hollywood story continued last night at the Fountain, and will be remembered by all.   

This slideshow requires JavaScript.

 

NOW CASTING: West Coast Premiere of Tennessee Williams’ ‘Baby Doll’ at Fountain Theatre

BABY DOLL ad

The Fountain Theatre is now casting the West Coast Premiere of a new stage adaptation of Tennessee Williams’ Baby Doll, adapted by Pierre LaVille and Emily Mann from Williams’ screenplay. Not yet seen in Los Angeles, Baby Doll premiered at McCarter Theatre in Princeton, NJ, 2015. The upcoming Fountain production will open July 16, directed by Simon Levy.

Producers – Stephen Sachs and Deborah Lawlor
Director – Simon Levy
Stage Adaptation – Pierre LaVille and Emily Mann, based on Tennessee Williams’ screenplay
Casting – James Bennett
Previews 7/13-7/15
Opens: 7/16
Runs: Friday-Monday thru 8/28
Casting Director: James Bennett
Interview Dates: April 18-20, 2016
Callback Dates: April 23, 2016
Start Date: May 30, 2016
Pay Rate: AEA 99-Seat Code, $200 rehearsal stipend, plus $25.00/performance

STORY: 1950s, Mississippi. Dilapidated plantation mansion. Comedy/Drama. 19-year-old married virgin, “Baby Doll” Meighan, must consummate her marriage the next day on her 20th birthday, as long as her middle-aged husband, Archie Lee Meighan, upholds his end of the bargain: to provide her with a comfortable life. But Archie Lee is having a lot of problems, with his finances, his wife, and his cotton gin business. After Archie Lee spitefully burns down his neighbor’s gin to save his failing business, his rival, Silva Vacarro, arrives to seek revenge. There he meets Baby Doll, who becomes instrumental in his erotic form of Sicilian revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn. Williams’ unconventional depiction of gender roles, adultery, and female sexuality is as steamy today as it was in the 1950s.

SEEKING:

[“BABY DOLL” MEIGHAN]– LEAD – female,open ethnicity, able to play 19; Southern; wife of Archie Lee; she’s a fascinating contradiction: childlike; still sleeps in a crib; innately sexy and seductive, but still a virgin; charismatic; turns heads wherever she goes; naïve but also coy; uneducated but smarter than she seems.

[ARCHIE LEE MEIGHAN]– LEAD – male, ethnicity, 40s-50s; Southern; owner of failing cotton gin; unshaven, dirty; often comically baffled by Baby Doll and life in general; easily overwhelmed; a closet alcoholic, which can make him abusive; a product of deep-seated Southern prejudices; desperate to be a success and impress Baby Doll and consummate the marriage.

[SILVA VACARRO] – LEAD – male, ethnicity, 30s; Sicilian immigrant who’s lived in the South for a while; successful owner of rival cotton gin; dark, the “foreigner”; attractive, sexy; enjoys toying with Baby Doll and Archie Lee; he doesn’t like to lose.

Submissions accepted via Breakdown Services and Actors Access

Or email headshot & resume to: casting@fountaintheatre.com