Tag Archives: Naila Aladdin-Sanders

PHOTO SLIDESHOW: Artists and Audiences Celebrate at Opening Night Party of ‘The Painted Rocks at Revolver Creek’

Maya Lynn Robinson and Gilbert Glenn Brown

Maya Lynn Robinson and Gilbert Glenn Brown

Cast, company and audience members swept into our upstairs cafe Saturday night to celebrate the opening night performance of our west coast premiere of Athol Fugard’s new play, The Painted Rocks at Revolver Creek. Food, drink and joyfulness followed a marvelous performance that earned a standing ovation.

Internationally acclaimed playwright Athol Fugard returns to the Fountain Theatre with this beautifully heartfelt new drama. Directed by Simon Levy, it features Gilbert Glenn Brown, Thomas Silcott, Philip Solomon, and Suanne Spoke.

This slideshow requires JavaScript.

The production runs to December 14th. Info/Get Tickets

West Coast Premiere of a new play by Athol Fugard at the Fountain Theatre

Painted Rocks_graphic_medThe Fountain Theatre continues its 15-year relationship with master playwright Athol Fugard, presenting the West Coast premiere of his newest play. Directed by Simon Levy, The Painted Rocks at Revolver Creek  opens on November 7 at the Fountain Theatre in Hollywood.

Both Fugard and the Fountain come full circle with Painted Rocks, a play inspired by the work of real-life outsider artist Nukain Mabuza. In 1972, a personal encounter with outsider artist Helen Martins, a reclusive and ostracized figure in a small, ultra-conservative Afrikaans community who had created an extraordinary collection of statues in her back yard, led to Fugard’s celebrated play, The Road to Mecca. And it was the Fountain’s Los Angeles premiere of that play in 2000, directed by Fountain co-artistic director Stephen Sachs, that introduced the playwright to the theater he would come to call his “artistic home on the West Coast.”

“Forty years later [after my encounter with Helen Martins], I became aware of another outsider artist worthy of the same attention, working in completely different circumstances and also with a different medium,” wrote Fugard on the website of South Africa’s Stellenbosch Institute for Advanced Studies, where he is currently an artist-in-residence. “The environment of present-day South Africa made me realize the true potential of Nukain’s story, and that, even though he worked on the fringes, it can in fact not be fully realized without taking on the realities of his existence in apartheid South Africa.”

In the play, the aging Nukain (Thomas Silcott) has spent his life transforming the rocks at Revolver Creek into a vibrant garden of painted flowers. Faced with the presence of the final unpainted rock — and at the insistence of his young companion, Bokkie (Philip Solomon) — he is forced to confront his legacy as an artist and a black man in 1980s South Africa. When the landowner’s wife (Suanne Spoke) arrives to demand he stop painting, the deep racial conflict of the country is viscerally exposed. Twenty years later, in what has become the new South Africa, the man called Bokkie as a child (Gilbert Glenn Brown) returns to restore Mabuza’s lifework.

“Possibly, at this moment in our history, the stories that need telling are more urgent than any of the stories that needed telling during the apartheid years,” Fugard said in an interview with NPR.

“At the heart of Athol’s beautiful new play is the issue of seeing and being seen – as an artist, as a man, especially as a black man,” says Levy. “It’s an on-going, universal problem that Athol has spent his life exploring and exposing and humanizing. To be seen for who you really are, and to be loved and honored for that. It’s a beautiful message, and one we need to hear over and over again.”

This slideshow requires JavaScript.

The author of over 30 plays and recipient of countless accolades including an Academy Award, Obie and the 2011 Special Tony Award for Lifetime in the Theatre, Athol Fugard is best known for his plays about the frustrations of life in contemporary South Africa and the psychological barriers created by apartheid. Widely acclaimed around the world, his plays include Boesman and Lena (Obie Award, Best Foreign Play), Sizwe Bansi Is Dead (Tony Award, Best Play), A Lesson from Aloes (New York Drama Critics Circle Award, Best Play), the semiautobiographical Master Harold…and the Boys (Writers Guild Award, Outstanding Achievement) and The Road to Mecca(New York Drama Critics Circle Citation, Best Foreign Play, London Evening Standard Award, Best Play). The first white South African playwright to collaborate with black actors and workers, some of his works, such as Blood Knot, were initially banned in South Africa. In his first two post-apartheid plays, Valley Song (1995) and The Captain’s Tiger (1998), Fugard addressed more personal concerns, but in Sorrows and Rejoicings (2001) he focused on the complex racial dynamics of South Africa’s new era. In 2005 his novel, Tsotsi (1980), was adapted for the screen, winning the Academy Award for Best Foreign Language Film.

When Fugard saw the Fountain’s Los Angeles premiere of The Road to Mecca in 2000, he was so impressed that he offered the company world premiere rights to an as-yet-unwritten new work. In 2004, Stephen Sachs directed the world premiere of Exits and Entrances. The production garnered production and direction awards from both the Los Angeles Drama Critics Circle and the Ovations, and Sachs went on to direct acclaimed regional productions around the country, including an off-Broadway production at Primary Stages and the UK premiere at the 2007 International Edinburgh Festival. Since then, the Fountain has produced four premieres of Fugard’s plays including the American premiere of Victory (two LADCC awards and four LA Weekly nominations, and named “Best of 2008” by the Los Angeles Times);the West Coast premiere of Coming Home (three LA Weekly awards including “Ensemble” and “Direction,” LADCC award for “Lead Performance”); the U.S. premiere of The Train Driver (three LA Weekly awards); and the U.S. premiere of The Blue Iris (LA Weekly Award nomination for best ensemble).

The Painted Rocks at Revolver Creek premiered to critical acclaim at the Signature Theatre in New York City earlier this year. The New York Times called it “tender and ruminative” and Newsday wrote, “Fugard stamps indelible human faces on faraway reports of the world’s news.”

Set design for the Fountain Theatre production of The Painted Rocks at Revolver Creek is by Jeffrey McLaughlin; lighting design is by Jennifer Edwards; sound design is by Peter Bayne; costume design is by Naila Aladdin Sanders; props are by Dillon Nelson; dialect coach is Nike Doukas; assistant stage manager is Terri Roberts; production stage manager is Rita Cofield; associate producer is James Bennett; and Stephen Sachs and Deborah Lawlor produce for the Fountain Theatre.

Currently celebrating its 25th anniversary, The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored with the 2014 Ovation Award for Best Season and the 2014 BEST Award for overall excellence from the Biller Foundation; the Fountain play Bakersfield Mist in London’s West End starring Kathleen Turner and Ian McDiarmid; the sold-out Forever Flamenco gala concert at the 1200-seat John Anson Ford Amphitheatre; and the last six Fountain productions consecutively highlighted as Critic’s Choice in the Los Angeles Times. The Fountain has been honored with six Awards of Excellence from the Los Angeles City Council for “enhancing the cultural life of Los Angeles.”

More Info/Get Tickets

PHOTO SLIDESHOW: First Rehearsal for Athol Fugard’s ‘The Painted Rocks at Revolver Creek’

Gilbert Glenn Brown, Suanne Spoke, Thomas Silcott, Philip Solomon

Gilbert Glenn Brown, Suanne Spoke, Thomas Silcott, Philip Solomon

“Maybe one day you will also walk many roads.”                                      Nukain Mabuza, The Painted Rocks at Revolver Creek 

Our company of theatre artists began their walk together on the road toward our upcoming west coast premiere of Athol Fugard’s beautiful new play,  The Painted Rocks at Revolver Creek  Actors Gilbert Glenn Brown, Thomas Silcott, Philip Solomon, and Suanne Spoke met with the production and design team under the eye of director Simon Levy. This marks Silcott’s second Fugard play at the Fountain, who co-starred in Coming Home in 2009.

The Painted Rocks at Revolver Creek is the seventh Fugard play produced at the Fountain since 2000. Producer Stephen Sachs spoke about the Fountain’s longtime relationship with Fugard and its fifteen year history of producing his new work. Director Simon Levy shared his thoughts on the play. Also present at the first meeting were associate producer James Bennett, assistant stage manager Terri Roberts, set designer Jeff McLaughlin, costume designer Naila Aladdin-Sanders, props designer Dillon Nelson, dialect coach Nike Doukas, and publicist Lucy Pollak.

Nukkain Mabuza

Nukkain Mabuza

This beautifully heartfelt new drama by Athol Fugard is inspired by the life of South African artist Nukain Mabuza. Aging South African farm worker Nukain has spent his life painting the rocks at Revolver Creek into a vibrant garden of flowers, the young orphan boy Bokkie now at his side. But when the landowner’s wife arrives with demands to stop his painting, the deep racial conflict of a country is viscerally exposed, and the seed of the painter’s legacy is planted to blossom in the rise of the next generation.

The Painted Rocks at Revolver Creek opens November 7 (323) 663-1525  Get Tickets/More Info

This slideshow requires JavaScript.

‘Citizen’ Rehearsals Trigger Thought-Provoking Talk Between Actors at Fountain Theatre

Cast of 'Citizen" have table talk.

Cast of ‘Citizen’ have table talk.

Rehearsals are now underway for our exciting world premiere stage adaptation of Claudia Rankine‘s acclaimed book about race in America, Citizen: An American Lyric. Only a few days into rehearsal , the new play has already inspired an honest, open and insightful dialogue between the actors, sharing thoughts and feelings about race, identity, human connection, self-awareness and what it means to be a citizen in this country. 

Adapted for the stage by Stephen Sachs and directed by Shirley Jo Finney, the free-flowing and fast-moving theatre piece opens August 1st. 

The talented ensemble cast includes Bernard K. Addison, Leith Burke, Tina Lifford, Tony Maggio, Simone Missick, and Lisa Pescia.  

Before the cast was permitted to turn to page one of the script and begin the painstaking process of exploring and analyzing the text, it was essential to Director Finney that the actors have a frank conversation with each other about their own life experiences concerning race, social/cultural interaction and human relationships. To get to the heart of the issues exposed in this play, Finney insisted, it must be personal. The result was a spirited dialogue at the rehearsal table that was raw, insightful, painful, funny and enlightening.    

Actor Tony Maggio.

Actor Tony Maggio and company discuss the play.

This powerful  and thought-provoking stage adaptation fuses theatre, music, sound, movement,  and video imagery. Snapshots, vignettes, a meditation on the acts of everyday racism. Remarks, glances, seeming slips of the tongue. Those did-that-really-just-happen-did-they-really-just say-that slurs that happen every day. And the larger incidents that become national firestorms. As Rankine writes, “This is how you are a citizen.”

Rankine’s acclaimed book is the Winner of the 2015 National Book Award, the 2015 Los Angeles Book Award, and the PEN Award.

At Monday night’s first rehearsal, producer Simon Levy guided the company through production business, scheduling and paperwork. Costume designer Naila Aladdin Sanders took measurements of the actors. Director Shirley Jo Finney spoke about her vision for the play. The script was then read aloud by the cast.  Also present were Co-Artistic Director Deborah Lawlor, Director of Devlopment Barbara Goodhill, designers Yee Eun Nam, and Dillon Nelson, movement director Anastasia Coon, publicist Lucy Pollak, and intern Isabel Espy.  

The meditation on race and truthful questioning of social interaction dramatized in this new work is timely for our city and our country.  Our world premiere stage adaptation of Citizen: An American Lyric promises to be the theatrical event of the summer and will certainly generate much-needed conversation. We urge all citizens to join us for this illuminating and important ride! Opens August 1st. 

Photo Slideshow: Table Talk

This slideshow requires JavaScript.

Get Tickets/More Info 

The Fountain Theatre launches its 25th Anniversary with the Los Angeles premiere of “Reborning”

Ryan Doucette, Kristin Carey and Joanna Strapp.

Ryan Doucette, Kristin Carey and Joanna Strapp.

How far would you go to create a family?

Launching the Fountain Theatre’s 25th Anniversary Season, Simon Levy directs Kristin Carey, Ryan Doucette, Joanna Strapp — and some very unusual, one-of-a-kind dolls — in the Los Angeles premiere of Reborning by Zayd Dohrn. How far would you go to create a family?. A darkly funny psychological thriller that takes an unsettling look at work, motherhood and the power of healing, Reborning opens at the Fountain Theatre on Jan. 24.

In Reborning, a young artist who crafts custom-made dolls begins to suspect that a demanding client may be the mother who abandoned her at birth. As she tries to unravel the mystery, she discovers the path to her own “reborning.”

“The play is funny and twisted, but also deeply emotional and very moving,” says Levy.

Ryan Doucette and Joanna Strapp

Ryan Doucette and Joanna Strapp

A reborn doll is a manufactured vinyl doll that has been transformed to resemble a human baby with as much realism as possible. Although many consumers collect reborns as they would regular dolls, others use them to replace a child they once lost or a child that has grown up. The dolls often come with fake birth or adoption certificates, and their “parents” care for them as they would an infant. Because of their realistic appearance, reborn dolls have occasionally been mistaken for real babies and rescued from parked cars after being reported to the police by passers-by.

“It’s a pretty dark play, but kind of a comedy too,” explains Dohrn, who first became aware of reborn dolls when his wife was pregnant and they were searching for baby clothes online.

“We stumbled across numerous sites and forums for reborn dolls,” he says. “Buyers would testify how the dolls comforted them. I was trying to balance my own fears and hopes about becoming a father with my work as a writer and an artist, and I became fascinated. These dolls are realistic enough to be upsetting — beautiful and grotesque and odd all at once.”

Reborning received a workshop production at The Public Theater in New York City, followed by a world premiere production at The SF Playhouse in San Francisco. San Francisco’s Eagle News called it “A major triumph… a taut thriller that will keep audiences on the edge of their seats. You don’t want to miss it,” while the Chronicle praised the play’s ability to balance “humor, suspense, and trauma.” The SF Weekly wrote, “Reborning proves that grim topics and taboos can also be damn funny.”

Zayd Dohrn

Zayd Dohrn

Zayd Dohrn’s other plays include Outside People (The Vineyard Theatre/Naked Angels), Want (Steppenwolf First Look) and Sick (Berkshire Theatre Festival. His work has also been produced and developed at Playwrights Horizons, the Atlantic Theater Co., Manhattan Theatre Club, Goodman Theatre, South Coast Rep, Ars Nova, Kitchen Dog, Theatre for One, Boston Playwrights’, New York Theatre Workshop and the Royal Court Theatre in London, among others. He has written screenplays for the American Film Company, Bedlam Productions, and Vox3 Films, as well as a pilot for HBO. He earned his MFA from NYU and was a Lila Acheson Wallace Fellow at Juilliard, where he twice received Lincoln Center’s Lecomte du Nouy Prize. He teaches playwriting and screenwriting at Northwestern University.

Simon Levy

Simon Levy

Simon Levy was honored with the 2011 Milton Katselas Award for Lifetime Achievement in Directing by the Los Angeles Drama Critics Circle. Directing credits at the Fountain include The Normal Heart (LADCC Award for Best Revival), Cyrano (LADCC Awards for Direction and Production), A House Not Meant to Stand; Opus (LA Weekly Awards, Best Director); Photograph 51;The Milk Train Doesn’t Stop Here Anymore (Backstage Garland Award, Best Direction); The Gimmick (Ovation Award-Solo Performance); Master Class (Ovation Award-Best Production); Daisy in the Dreamtime (Backstage Garland Awards, Best Production and Direction); Going to St. Ives; The Night of the Iguana; Summer & Smoke (Ovation Award-Best Production); The Last Tycoon, which he wrote and directed, (5 Back Stage  awards, including Best Adaptation and Direction); and Orpheus Descending (6 Drama-Logue awards, including Best Production and Direction). What I Heard About Iraq, which he wrote and directed, was produced worldwide including the Edinburgh Fringe Festival (Fringe First Award) and the Adelaide Fringe Festival (Fringe Award), was produced by BBC Radio, and received a 30-city UK tour culminating in London. He has written the official stage adaptations of The Great Gatsby, Tender is the Night, and The Last Tycoon for the Fitzgerald Estate, all published by Dramatists Play Service.

Set design for Reborning is by Jeff McLaughlin; lighting design is by Jennifer Edwards; sound design is by Peter Bayne; costume design is by Naila Aladdin Sanders; prop design and set dressing are by Misty Carlisle; consulting doll artist is Amy Karich; associate producer is James Bennett; assistant stage manager is Shawna Voragen; and the production stage manager is Terri Roberts

Reborning  (323) 663-1525  MORE INFO/Get Tickets 

Fountain Theatre Wins 26 Awards from StageSceneLA For Excellence in 2013-14

The Fountain Theatre has gobbled up 26 Theater Awards from Stage SceneLA for our acclaimed 2013-14 productions of The Normal Heart, My Name is Asher Lev and The Brothers Size. StageSceneLA editor Steven Stanley announced the winners this week after seeing and reviewing 268 productions from September 1, 2013 through August 31, 2014. The overall awards list is long and there are multiple winners in many categories.  All of it demonstrating, as Steven Stanley affirms, that “theater in Los Angeles and its surrounding communities is alive and thriving and quite often simply as good as it gets. “

These 2013-14 Fountain productions received the following awards:

The Normal Heart 

Tim Cummings and Bill Brochtrup in 'The Normal Heart'.

Tim Cummings and Bill Brochtrup in ‘The Normal Heart’.

  • Production of the Year – The Normal Heart
  • Best Director, Drama – Simon Levy
  • Best Performance, Lead Actor – Tim Cummings
  • Best Performance, Lead Actor – Bill Brochtrup
  • Best Performance, Featured Actress – Lisa Pelikan
  • Best Performance by an Understudy – Ray Paolantonio
  • Best Performance, Featured Actor – Matt Gottlieb
  • Best Performance, Featured Actor – Fred Koehler
  • Best Performance, Featured Actor – Stephen O’Mahoney
  • Memorable Performance, Featured Actor – Dan Shaked & Jeff Witzke

My Name Is Asher Lev

Jason Karasev, Anna Khaja and Joel Polis in 'My Name Is Asher Lev'.

Jason Karasev, Anna Khaja and Joel Polis in ‘My Name Is Asher Lev’.

  • Best Production, Drama – My Name is Asher Lev
  • Best Director, Drama – Stephen Sachs
  • Best Performance, Lead Actor – Jason Karasev
  • Best Performance, Featured Actor – Joel Polis
  • Best Performance, Featured Actress – Anna Khaja
  • Best Costume Design – Shon LeBlanc
  • Best Lighting Design – Ric Zimmerman 
  • Best Scenic Design – Jeff McLaughlin 

The Brothers Size

Gilbert Glenn brown  and Matthew Hancock (photo by Ed Krieger)

Gilbert Glenn Brown and Matthew Hancock in ‘The Brothers Size

  • Best Director – Shirley Jo Finney
  • Best Ensemble Cast, Drama
  • Best Choreography, Play – Ameenah Kaplan
  • Memorable Lighting Design – Pablo Santiago
  • Best Scenic Designer – Hana S. Kim

Multiple Productions: 

  • Sound Design/Composer of the Year – Peter Bayne, The Brothers Size, The Normal Heart
  • Best Props Design – Misty Carlisle – Asher Lev, Brothers Size, Normal Heart

Our thanks to Steven Stanley and StageSceneLa for this acknowledgement.  We appreciate and applaud his enthusiasm and support for theatre in Los Angeles.   

For the complete list of StageSceneLA Award winners click here.

Production photos by Ed Krieger



SLIDESHOW: Production Design Meeting for Our Upcoming LA Premiere of ‘The Brothers Size’


Director Shirley Jo Finney shares her vision for 'The Brothers Size'.

Director Shirley Jo Finney shares her vision for ‘The Brothers Size’.

The design and production team for our upcoming Los Angeles Premiere of The Brothers Size by Tarell Alvin McCraney gathered this week to discuss the many design elements needed for the production. It’s going to be a beautiful and powerful production with a fluid, quick-moving mixture of set, lights, music, movement and sound supporting three talented actors. 

Director Shirley Jo Finney spoke to the designers and shared her vision for the play. Producers Simon Levy and Deborah Lawlor led the meeting with Co-Artistic Director Stephen Sachs, Associate Producer James Bennett and Technical Director Scott Tuomey. Adding their artistic contributions were set designer Hana S. Kim (via speaker phone!), lighting designer Pablo Santiago, costume designer Naila Aladdin-Sanders, choreographer Ameenah Kaplan, composer/sound designer Peter Bayne, music director Brenda Lee Eager, and production stage manager Terri Roberts

Award-winning director Shirley Jo Finney returns to direct The Brothers Size, the second play in McCraney’s Trilogy, following our acclaimed and award-winning In the Red and Brown WaterThe Brothers Size is a hot-blooded, music-filled drama from one of the country’s most exciting new voices. After a homecoming in the bayous of Louisiana, the Size brothers, Ogun and Oshoosi, try to start fresh. This haunting, funny, and heartbreaking tour de force probes sexuality, coming of age, and the bonds of family as the brothers struggle to discover identity and to unearth a new sense of freedom.

The Los Angeles Premiere at the Fountain theatre stars Gilbert Glenn Brown, Matthew Hancock  and Theo Perkins. 

Enjoy These Snapshots

This slideshow requires JavaScript.

More Info