Tag Archives: Rapid Development

Young playwrights and party-goers enjoy ‘Rap Dev’ final round at Fountain Theatre

5They came. They listened. They watched. They partied.

A packed house of young playwrights, colleagues and friends filled the Fountain last night for the final round of our Rapid Development Series (‘Rap Dev’) play reading series. Part new play development program, part social event, Rap Dev offers playwrights thirty years old and younger the opportunity to have scenes from their plays read by actors on stage at the Fountain. Audiences then vote for their favorite play each night, through a series of rounds, culminating in the winning play being awarded a fully staged reading of the entire script.  

In last night’s final round, the winning selection was from the play Before and After by Nicholas Pilapil. The scene was directed by Miranda Stewart, and featured Audry Cain, Rosie Narasaki, Nasi Nassiri, Kelsey Peterjohn, Jose Picado, and Julian Yuen.  

After the play readings, the crowd gathered upstairs in our cafe for the announcement of the winner and to enjoy the beer and snacks. The cafe was energized by the raucous laughter and chatter of young people mixing and networking. The social aspect of Rap Dev is an important element to the program’s success. 

Rap Dev is curated and hosted by its creators, Fountain Associate Producer James Bennett and Jessica Broutt. Check our Fountain website for future dates. Join us for the next round and party!  New play development has never been so fun.

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PHOTO SLIDESHOW: New plays and a party at ‘Rap Dev’ for young playwrights

IMG_20160212_213722The battle is on! Round One (Group A) of The Fountain’s Rapid Development Series (“Rap Dev”) for young playwrights was launched on Friday, Feb 12th. Part new play reading series for young people and part social gathering, Rap Dev squares off scenes from new work that is then voted on by the enthusiastic audience. The two plays doing combat Friday night were You Belong With Me Because You’re So Vain by Heider Tunarrosa and the winning play, The Kennedy Experiment by Amy Thorstenson.

As always, a lively party followed upstairs in our cafe. The dollar beers and buzz chat proved almost as popular as the plays.

Two other plays compete in Round One (Group B) Friday, Feb. 19 at 8 p.m. The two winning playwrights get to show off a little more of their plays in Round Two, on Friday, March 4 at 8 p.m. The single surviving play wins two performances of a staged reading on the Fountain Theatre stage: Friday,March 18 at 8 p.m. and Saturday, March 19 at 2 p.m. 

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Rap Dev is a party you don’t want to miss. More Info/Reserve Seats

Rap Dev: Who says new play development for young writers can’t be fun?

Rap Dev 4.6.15 001

Eager young audience waits for RAP DEV to start.

Get a first look at the work of young, up-and-coming playwrights at Rapid Development (“Rap Dev”), the Fountain Theatre’s free, competition-style reading series designed to showcase the work of previously unproduced, Los Angeles-based playwrights under the age of 30.

Round One takes place over the course of two evenings, Friday,Feb, 12 at 8 p.m. and Friday, Feb. 19 at 8 p.m. Each evening will feature one scene from two different plays, with the playwrights choosing the scenes they feel best represent their work. At the end of each night, the audience votes. Kind of like TV’s The Voice or America’s Got Talent.

J & J

James Bennett & Jessica Broutt

Created and produced by James Bennett and Jessica Broutt, the Rap Dev readings are free, rowdy, informal, and followed by a lively party with food and plenty of drinks. Who says new play development can’t be fun? 

No wonder the Rap Dev events have been sold-out successes.

“We’re looking to find new plays and playwrights in the LA area,” says associate producer James Bennett. “And provide a fun and vibrant venue for others to experience them too.”

The Round One (Group A) plays squaring off this Friday, Feb 12, are:

  •  You Belong With Me Because You’re So Vain by Heider Tunarrosa. When a neurotic songwriter accidentally falls in love with his best friend’s ex-boyfriend, and he must decide between losing his best friend or the love of his life, he receives help from the imaginary versions of Taylor Swift and Lady Gaga to resolve this romantic dilemma.
  • The Kennedy Experiment by Amy Thorstenson. Aboard the International Space Station, a young cosmonaut faces an impossible choice. With the lives of his family, his patriotism, his complicated relationship with his war hero father, and World War Three all hanging in the balance, the last thing he needs to deal with is a ghost.  

Two other plays compete in Round One (Group B) Friday, Feb. 19 at 8 p.m. The two winning playwrights get to show off a little more of their plays in Round Two, on Friday, March 4 at 8 p.m. The single surviving play wins two performances of a staged reading on the Fountain Theatre stage: Friday, March 18 at 8 p.m. and Saturday, March 19 at 2 p.m. Free admission to Rounds One and Two; tickets to the staged readings are $5.

Sound confusing? Check out the website.

Rap Dev turns new play development for young writers into a fun social event. Join us this Friday night. Check it out for yourself. Party down with some plays!

Isa’s Intern Journal: Morning Coffee, Rupert & Rasberry Birthday Cake

blue coffe cup

by Isa Espy

For the last two weeks I have been arriving at around 10 a.m. each morning, and unlocking the Fountain’s second floor side door. Sometimes I am greeted by Maria, the Fountain’s lovely housekeeper. Other times, the first thing to hit me as I walk though the door is the whiff of brewing coffee (one of the world’s best smells, in my opinion). Occasionally, though, I am the first one to arrive, and the Fountain’s sunny cafe welcomes me with a sleepy quiet that is quickly dispelled as people begin to trickle in.

Last Thursday, however, was not such a day. The Fountain regularly rents out its space to other theatre artists within the community, and last week we were hosting a haunting immersive theatre project called Alone which describes itself as “an ongoing, site-specific, fully-immersive and existential experience that explores the range of human emotions.”  Alone had transformed our space, covering all the windows with foil, and draping our walls with black fabric. I was the first person to arrive Thursday morning, and I opened the side door into pitch blackness. I fumbled around for the light switch, all the while hearing the eerie rustle of tinfoil. 

Audiences enter Alone: An Existential Haunting

It was a little unsettling sitting alone in the dark when it was actually morning. Making photocopies suddenly became an adventure as I had to navigate myself through cloth tunnels to get to the printer.

About an hour later The Fountain was abuzz with activity. James Bennett was holding rehearsals for his Rapid Dev show — Leland Frankel’s new play Better Part of Forever. The Alone team was putting the last touches on their show before it opened that night, and Citizen: An American Lyric was rehearsing in the theatre. A full and busy house!

Happy Birthday, Deborah!

Happy Birthday, Deborah!

Rupert

Rupert

While everyone was lovely, one new face in particular stole my heart. That face happened to be covered in fur. Deborah’s dog, Rupert, made a guest appearance at our staff meeting, and I fell in love. Our meeting was extra special because we were also celebrating Deborah Lawlor’s birthday. Book keeper Licia Jaccard made a delicious flowerless chocolate cake with raspberries in celebration. And, while our staff meeting to­ do list was ever-­growing, chocolate cake made it so much better.

Isa Espy is our summer intern from UCLA. Our thanks to the Los Angeles County Arts Commission and the support of its Arts Internship Program.  

PHOTO SLIDESHOW: Full House for ‘Rap Dev’ Series for Young Playwrights

Eager young audience waits for RAP DEV to start.

A packed house of excited and eager young people filled the Fountain Theatre last night with lively energy as the Fountain launched  its new play reading series, Rap Dev, serving playwrights thirty years old or younger. Created and produced by Fountain Associate Producer James Bennett and Jessica Broutt, Rap Dev (short for Rapid Development) is an informal, fast-moving evening that combines play development with social mixing.

Rap Dev offers a platform for young playwrights under 30 who may otherwise struggle to  get the opportunity to hear their new work read aloud in a professional setting.  At each Rap Dev event, a single 20-minute scene is read by professional actors from 2-3 new and unproduced plays introduced by each playwright. Each scene is selected by the writer to offer the best “snapshot” of the total script.  After all 3 scenes are read from each of the 3 plays, the audience votes for their favorite. The “winner” moves on to be eligible to compete with other plays in the series for the grand prize: a fully rehearsed and realized staged reading of the entire play on stage at the Fountain Theatre, with guidance from the professional staff. 

Short scenes from two new plays were read last night. Hands by Doc, featuring Verton Banks, Gilbert Glenn Brown and Adolphus Ward. And The Redhead is Coming by Bernardo Cubia, featuring Kirsten Kollander, Whitney Montgomery and Julian Silver.

As last night’s high-spirited gathering proved, Rap Dev is also a good time. The fun, informal atmosphere (not to mention the free beer) makes Rap Dev more than just a night of play readings. It’s a good party.

For more info on Rap Dev click here

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