Tag Archives: Stage Raw

Fountain Theatre earns 7 Stage Raw Theatre Award nominations

MY MAÑANA COMES

Lawrence Stallings, Pablo Castelblanco, Richard Azurdia, Peter Pasco

It was announced today that the Fountain Theatre has been nominated for seven Stage Raw Theatre Awards for two productions in the 2016 season. Our Los Angeles premiere of My Manana Comes by Elizabeth Irwin and the world premiere of Stephen Sachs’ Dream Catcher were acknowledged with the following nominations:

  • Leading Male Performance – Lawrence Stallings, MY MAÑANA COMES 
  • Supporting Male Performance – Peter Pasco, MY MAÑANA COMES
  • Playwriting  – Elizabeth Irwin, MY MANANA COMES
  • Two Person Performance – Elizabeth Frances & Brian Tichnell, DREAM CATCHER
  • Lighting Design – Jennifer Edwards, MY MAÑANA COMES 
  • Set Design – Michael Navarro, MY MAÑANA COMES 
  • Production Design – Dillon Nelson,  MY MAÑANA COMES

 Full list of nominees.

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Elizabeth Frances and Brian Tichnell in Dream Catcher. 

The Third Annual Stage Raw Theater Awards are May 15 at Los Angeles Theatre Center, 514 S. Spring Street, Downtown. Doors open at 6:30 p.m., show starts at 7:30 p.m. 

Tickets: General Admission $25, VIP reception (post-show) $100. VIP Includes: Hosted bar, passed food, trial membership to Stage Raw “Insiders Club” More Info

 

Fountain Theatre: Creating theatre in Los Angeles that is seen around the world

CITIZEN Fountain Theatre feel most colored

‘Citizen: An American Lyric’ at the Fountain Theatre

by Josh Gershick

Citizen: An American Lyric, the play, takes its title and text from a book of prose poetry by Claudia Rankine, finalist for 2014 National Book Award in Poetry and winner of the National Book Critics Circle Award in Poetry, among other plaudits. Writing in the New York Times last June, after six black women and three black men were shot to death by a self-avowed white supremacist at a Bible-study meeting at the historic Emanuel African Methodist Episcopal Church in Charleston, SC, Ms. Rankine said, “Though the white liberal imagination likes to feel temporarily bad about black suffering, there really is no mode of empathy that can replicate the daily strain of knowing that as a black person you can be killed for simply being black: no hands in your pockets, no playing music, no sudden movements, no driving your car, no walking at night, no walking in the day, no turning onto this street, no entering this building, no standing your ground, no standing here, no standing there, no talking back, no playing with toy guns, no living while black .”

The play – “a fast-moving collage of colliding events, fragments, vignettes and streams of consciousness”-is deeply compelling. Here, a chat with Stephen Sachs, co-artistic director of the Fountain Theatre and the playwright who brought Citizen to the stage.

JOSH GERSHICK: Citizen is a beautiful piece of theatre, addressing persistent racism head on.  Talk about theatre’s (and this play’s) ability to move, transform, agitate and uplift an  audience.

STEPHEN SACHS: In 2014, when Claudia’s book was being published, Michael Brown was killed in Fer­guson, MO. I had been looking for a theatre protect that would add a unique voice to the national conversation about race in America. Racism is embedded in the fabric of our  country and its founding.

We may all be created equal, but we certainly are not perceived that way by each other. I wanted to make a statement that would open the eyes, minds and hearts of audiences in unexpected ways. Quite by accident, I was caught by a review of Citizen in a national newspaper. The title immediately grabbed me. When I actually got the book, it flashed in my mind that this was the voice I was looking for. What makes the book-and the theatre piece – unique is that they expose and illuminate the sometimes unintended and unconscious acts of everyday racism. Subtle, insidious, soul crushing-the little murders we commit daily. Micro-aggressions between friends and co-workers at the market, in the office and on the subway. What we say, how we think, what we do. White privilege and dominance have been so deeply [ingrained] in this country. The play makes you see it, feel it, and think about it. Isn’t that what art is supposed to do?

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Stephen Sachs

JOSH GERSHICK: You’ve said you’d like theatre-goers to come away with a new awareness of how they themselves might perpetuate racism. A white theatre-goer cannot, in my view, see this piece without confronting his or her own attitudes: ideas. But what is the takeaway for audiences of color, who are on the receiving end of  racism?

STEPHEN SACHS: A dramatization of white domi­nance. A truth-telling. We had a full mix of white and  black  audience  members  throughout  the run at the Fountain Theatre. Black  patrons  had  a wide range of reactions to the play: the laughter of recognition, gasps, silence, tears. The unease of, “I can’t believe you’re really saying that,” and the delight of “I’m so glad you are.” And because it’s all about exposing and revealing hidden (and not so hidden) racism, the piece carries the call of giving voice and speaking out.

JOSH GERSHICK: The run was clearly a success. (Mazel Tov on your Stage Raw Award!) What’s next for the play?

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‘Citizen’ at Pure Theatre in Charleston, SC. 

STEPHEN SACHS: The play now is beginning its fu­ture life around the country. I’m proud that Citizen is being performed in Charleston this June, in a the­atre just four blocks away from the Emanuel African Methodist Episcopal Church, to mark the one-year anniversary of the shooting there. On June 17, when we reflect on that national tragedy, the play will be there. This is deeply meaningful to me. This is why we do what we do. This is who we are. A New York production is also in the works.

JOSH GERSHICK: I think of LA theatre, 99-seat theatre, as an incubator, a cradle, a hothouse and a glorious lab for bringing forth new, compelling work-Citizen, for example and revisiting work that remains seldom pro­duced, such as the work of Alice Childress. What per­centage of new work launched at the Fountain Theatre goes on to regional stages and to NY?

STEPHEN SACHS: The Fountain Theatre is a home for artists and audiences to gather together in an inti­mate setting to share stories that illuminate what it means to be a human being, with the goal that new plays are then seen in theatres across the country and around the world. We may be small in size, but we’re large in heart and dedication and purpose.

Kathleen Turner

Kathleen Turner in ‘Bakersfield Mist’, West End, London.

Quite a number of new plays created, developed and launched at the Fountain have now been produced across the U.S.and around the world. Sweet Nothing in Ear has been performed  around the country and was made into a TV movie starring Jeff Daniels and Marlee Matlin. What I Heard About Iraq has been performed internationally, winning the Fringe First Award at the Edinburgh Fringe Festival. Our world premiere of Athol Fugard’s Exits and Entrances was produced around the country, then opened Off-Broadway at Primary Stages in NYC, then went overseas to the Edinburgh Festival. Bakersfield Mist, per­formed in theatres across the country, ran for three months on the West End in London, starring Kath­leen Turner, and is now being produced in regional theatres throughout the country and translated into other languages and performed worldwide. The list goes on and on.

JOSH GERSHICK: Recently a New Yorker said to me, “Oh, is there theater in Los Angeles?” True, actors, writers & directors typically make their living here in TV, film & digital platforms, but we have amazing theatre-and most abundantly and energetically, intimate theater.

STEPHEN SACHS: Los Angeles still fights for its right to be called a “theatre town,” even though-and this may surprise you-more theatre is produced in LA than any other city in the world. More than New York or London.And according to a recent report, Los Angeles is also home to more working artists than any other city in the United States. The national profile of theatre in Los Angeles has never been higher. More and more new plays cre­ated here are being produced nationwide. Still, the myth is that LA theatre is somehow less serious and that LA actors do theatre only to be seen by casting directors in “the industry,” and not for the art of the work. This simply is not true. It’s a lie. And much of the most satisfying work and the most challenging new plays are being done in LA’s intimate theaters. Larger theaters can no longer afford to take artistic risks, so all that adventurous, artistic energy is humming in the intimate theatre community. The spirit behind it, the force to create, has transformed the cultural landscape of Los Angeles.

Josh Gershick is a playwright, filmmaker and author. This post originally appeared in The Dramatist, the national magazine for The Dramatist Guild

Fountain’s ‘Citizen’ opens in Charleston as city marks anniversary of shooting

CITZEN Pure Theatre Charleston

Citizen: An American Lyric at Pure Theatre in Charleston

Stephen Sachs‘ award-winning stage adaptation of Claudia Rankine’s Citizen: An American Lyric, created, developed and produced last year at the Fountain Theatre, opens tonight at the Pure Theatre in Charleston, S.C. The play about racism in America will be performed as the city marks the one-year commemoration of the tragic shooting at Mother Emanuel Church. The Pure Theatre is located just four blocks from the church.

In the aftermath of the shooting last June, Pure Theatre artistic director Sharon Graci was searching how to use theatre to express the grief and rage of the community. Sachs’ adaptation of Citizen was brought to her attention by one of the cast members of the Fountain Theatre production, Bernard K. Addison, a South Carolina native who knew someone who knew Graci. Once Graci read the script, she knew she had found what she was looking for.   

CITIZEN Fountain Theatre in Memory 2

Citizen: An American Lyric at the Fountain Theatre

“We are a nation in crisis,” says Graci. “And our communities are infected with both macro and micro aggressions against persons of color, and until we make a conscious decision to acknowledge the reality of this, we will not engage in meaningful dialogue, we will not change the status quo. We will remain a fractured society eating itself alive from the inside.”

Highlighted as Critic’s Choice and hailed “powerful” in the Los Angeles Times, the Fountain’s 2015 world premiere earned national attention and critical acclaim in an extended run. Sachs’ script won the Stage Raw Award for Best Adaptation. 

CITIZEN Spoleto coverDirected by Shirley Jo Finney — who also helmed the world premiere at the Fountain — Citizen at Pure Theatre is an event of the Piccolo Spoleto Festival, Charleston’s 17-day annual celebration of the arts. Citizen runs June 3 – 10.  

‘Citizen: An American Lyric’ wins Stage Raw Theatre Award for Best Adaptation

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Lucy Pollak, Stephen Sachs, Deborah Lawlor, Simon Levy, Karen Kondazian, William Sachs

Stephen Sachs’ stage adaption of Citizen: An American Lyric won the Stage Raw Theatre Award for Best Adaptation at last night’s ceremony at the Los Angeles Theatre Center. Created, developed and produced by the Fountain Theatre, Citizen earned rave reviews in an extended run in 2015.

Stage Raw Theatre Awards 2015 - Los Angeles Theatre Center - Apr

The Stage Raw Awards at the Los Angeles Theatre Center

Launched in March 2014, by Los Angeles theater critic and playwright Steven Leigh Morris, Stage Raw is a digital journal dedicated to discovering, discussing and honoring L.A.-based arts and culture. The 2016 Stage Raw Theatre Awards recognize the artistic accomplishments of intimate theatres in Los Angeles for the 2015 calendar year.

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Stephen Sachs

Adapted from the internationally acclaimed and  award-winning book of poetry by Claudia Rankine, Citizen: An American Lyric is a lyrical and provocative dramatization of everyday racism in this country. Stage Raw declared it “a transcendent theatrical experienceand the Los Angeles Times hailed it as “powerful”, highlighting it as Critic’s Choice.

 

Stephen Sachs is the Co-Artistic Director of the Fountain Theatre and the author of thirteen plays.  His plays are produced in regional theatres across the country, have been made into a CBS TV movie, and are translated into other languages and produced worldwide.  

Sachs’ adaptation of Citizen: An American Lyric will open June 3rd at the Pure Theatre in Charleston, SC, just four blocks from Mother Emanuel Church, as the city and the nation marks the one-year commemoration of the tragic shootings there. Future productions of the play are planned nationwide.   

Fountain Theatre Earns 4 Stage Raw Award Nominations for ‘Painted Rocks’ and ‘Citizen’

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Gilbert Glenn Brown and Suanne Spoke in ‘The Painted Rocks at Revolver Creek’.

The Fountain Theatre has been honored with 4 Stage Raw Awards for its 2015 productions of The Painted Rocks at Revolver Creek and Citizen: An American Lyric.

The Painted Rocks at Revolver Creek was the West Coast Premiere of Athol Fugard’s new play about South African artist Nukain Mabuza.  The world premiere of Stephen Sachs’ stage adaptation of Claudia Rankine’s Citizen: An American Lyric dramatized racism in America.

The Fountain nominees are:       

  • Supporting Female Performance – Suanne Spoke, The Painted Rocks at Revolver Creek
  • Leading Male Performance – Thomas Silcott, The Painted Rocks at Revolver Creek
  • Adaptation – Stephen Sachs, Citizen: An American Lyric
  • Ensemble – The Painted Rocks at Revolver Creek

For the full list of nominees click here

CITIZEN Fountain Theatre in Memory 2

‘Citizen: An American Lyric’ at the Fountain Theatre

Using multimedia and the written word, Stage Raw is a digital journal dedicated to discovering, discussing and honoring L.A.-based arts and culture. The Stage Raw Theater Awards are dedicated to honoring the swath of innovative works of theater in Los Angeles County, in venues of up-to-99-seats.

The STAGE RAW Celebration is Monday, April 25 at Los Angeles Theatre Center, 514 S. Spring Street (VIP reception 6 p.m.; doors Open at 6:30. Awards Program begins at 7:30pm), General Admission Tickets are $25, VIP Tickets $100, available at stageraw.com.

Fountain Theatre Honored at Stage Raw Awards

Joel Polis, Jenny O'Hara, Matthew Hancock, Gilbert Glenn Brown

Actors Joel Polis, Jenny O’Hara, Matthew Hancock, Gilbert Glenn Brown

The first-ever Stage Raw Awards were held last night at the Los Angeles Theatre Center in Downtown LA.  Founded by local arts journalist Steven Leigh Morris,  Stage Raw is a digital journal dedicated to discovering, discussing and honoring L.A.-based arts and culture. The Stage Raw Awards specifically honor achievements in LA intimate theaters with 99-seats or fewer.   

The Fountain Theatre received 13 Stage Raw Award nominations for three of its 2014 productions. Two Fountain artists were honored: Joel Polis won the Best Supporting Actor Award for his performance in our LA Premiere of My Name is Asher Lev, and lighting designer Pablo Santiago won for his work on our LA Premiere of The Brothers Size.  

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Fountain Theatre Honored With 13 Nominations for First Annual Stage Raw Theater Awards

The Brothers Size

‘Gilbert Glenn Brown and Matthew Hancock in ‘The Brothers Size’

Stage Raw today announced its first Stage Raw Los Angeles Theater Awards, honoring professional excellence in theaters of up to 99 seats for the 2014 calendar year.  The Fountain Theatre has been honored with 13 nominations:

  • Production of the Year – The Brothers Size Size Size
  • Direction – Stephen Sachs, My Name is Asher Lev 
  • Direction – Shirley Jo Finney, The Brothers Size Brothers Size
  • Ensemble – The Brothers Size
  • Supporting Actress –  Anna Khaja, My Name is Asher Lev
  • Supporting Actor – Joel Polis, My Name Is Asher Lev
  • Supporting Actor – Theodore Perkins, The Brothers Size
  • Solo Performance – Jenny O’Hara, Broomstick 
  • Original MusicPeter Bayne, The Brothers Size
  • Choreography – Ameenah Kaplan, The Brothers Size 
  • Adaptation – Aaron Posner, My Name Is Asher Lev 
  • Lighting Design – Pablo Santiago, The Brothers Size 
  • Production Design – Broomstick 

Full list of nominees

Stage Raw Award Night is April 13th at Los Angeles Theatre Center, 514 S. Spring Street, downtown Los Angeles. Doors open at 6:30 p.m., show starts at 7:30 p.m.