Tag Archives: summer internship

Now Hiring: paid summer internship for college student at the Fountain Theatre

artworxLA 2017 intern group

A peer group of 2016 LA County interns.

Know a college student looking for a paying job this summer? A young person who likes theatre and enjoys working in a crazy, eccentric theatrical environment? Search no further. The Fountain is the place.

The Fountain Theatre is now accepting applications to hire one college student as a Production Intern for 10 consecutive weeks this summer, commencing sometime between June 5, 2017 and ending August 25, 2017.  It is a full-time position (40 hours per week for 10 weeks) with a salary of $480 per week.  

The Production Intern will receive valuable on-the-job training and professional experience by fully engaging in all production facets of the Fountain Theatre. The intern will work alongside the Fountain’s Artistic Directors and professional producers in all elements of event production including administration and planning, artist outreach, vendor support, technical coordination, marketing, publicity, and social media. The intern will serve as production assistant to plays produced on the Fountain main stage and its outdoor flamenco concert.

The intern candidate must have basic computer and word-processing skills (PC, Word, Excel, Internet), good communication skills and pleasant phone manner, organizational skills, be detail oriented, and have the ability to multi-task in an intimate office environment. A sense of humor and a willingness to learn many aspects of production. S/he should be self-motivated and have the ability to take initiative when required. S/he should also have a passion for theater. Excellent writing and editing skills. An ability to work effectively both independently and cooperatively. Creativity, enthusiasm for learning, and an outgoing, friendly demeanor. Looking for an individual who can wear many hats and interested in learning and performing a variety of production duties, often at the same time.

The Los Angeles County Board of Supervisors established the Arts Internship Program to provide undergraduate students with meaningful on-the-job training and experience in working in nonprofit arts organizations, while assisting arts organizations to develop future arts leaders. This is our sixth year participating in the program and we’ve had great luck with our summer interns. Each one has been incredibly helpful, has learned a great deal, and became part of our Fountain Family. We are still in contact with all of them.

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This internship position is open to currently enrolled undergraduate (2- or 4-year) college students who reside or attend college in Los Angeles County. Students must have completed at least one semester of college by June 1, 2017, or will complete their undergraduate degree between May 1 – September 1, 2017 in order to participate.  Students must be able to legally work in the United States. 

To apply, please email Stephen Sachs at: stephen@fountaintheatre.com

Deadline to apply is Friday, April 28.

A powerful performance and a heartfelt goodbye for now

Victoria last day Aug 2016

Last day as the Fountain 2016 summer intern 

by Victoria Montecillo

Last week, I got to see the Fountain’s current production: a new Tennessee Williams piece called Baby Doll. The circumstances of how this piece came to the stage were a bit unorthodox for a Williams play. It started out as a screenplay adaptation of an older Williams one-act play called 27 Wagons Full of Cotton. Williams adapted it for film in 1956, and it wasn’t until recently that Emily Mann and Pierre Laville re-adapted the film for the stage. I was very curious to see this piece that had started out as a one-act before going to film and then back to the stage. There must have been something truly powerful about the story itself to go back and forth between those mediums.

babydoll

“Baby Doll” movie (1956)

I certainly wasn’t wrong about that. Baby Doll is a powerful, immersive story. The events that unfold keep you on edge throughout the show. On top of that, watching this piece in the Fountain’s intimate house made it even more impactful. I felt like I was directly in the story with these characters, with a direct stake in what happened to them. After the show, I watched the 1956 film version of Baby Doll, and it felt like the biggest thing missing was the immediacy and urgency that the staged version, particularly in the Fountain, provided the audience. Other than that main difference, however, the play stayed very true to Williams’ original screenplay – the original dialogue was mostly preserved, and the details of the story were almost identical. In comparing the two, it was clear that this particular story was even more powerful when it was right in your face, up close and personal. 

B_D_0053

‘Baby Doll’ at the Fountain

The Fountain’s production takes a physically and emotionally abusive and manipulative marriage between Baby Doll, a young and impressionable woman, and Archie Lee Meighan, an angry and lonely older man, and pushes it into the audience’s faces, forcing them to confront the uncomfortable dynamics of domestic violence and abuse. The audience is confronted with the uncomfortably predatory nature of their marriage, before we are met with Silva Vacarro, a handsome younger man who seems to be Archie Lee’s opposite in every way. He’s charming, mysterious, and Baby Doll clearly finds him intriguing. He is clearly Baby Doll’s true romantic interest, as well as the foil to Archie Lee’s unpredictable anger and abuse.

BABY DOLL LullabyJust when I thought the story was leading in a predictable direction, though, it became clear that Silva had ulterior motives for flirting with Baby Doll. We spend the majority of the rest of the show watching him alternate between seducing her and emotionally manipulating her for information. I felt a strange discomfort watching them, because I wasn’t sure whether or not I was rooting for them to be together. They clearly had chemistry, so much so that watching their characters together in such a small theatre felt like I was invading their privacy somehow. At the same time, there were moments where he was clearly prodding her for information by pushing her boundaries, or by making her feel special and tended to in a way that he knew she wasn’t getting with Archie Lee. By this time, I was quite literally on the edge of my seat, watching with bated breath to see what would happen next. There were moments where I was sure Silva would get rid of Archie Lee somehow and he and Baby Doll would run off together into the sunset. But then there were other moments where I really couldn’t tell if he truly cared for Baby Doll at all, or if he was just a master manipulator.

This kind of theatre is of a special type: the kind that makes you think and confront difficult, uncomfortable issues, and provokes thought and visceral emotions from its audiences. Theatre is such a special way to present and portray relationships between people, in a way that makes you feel and think about the nature of human connection. The power of the story, as well as the amazing talent and chemistry between the actors in this company, reminded me that theatre can do so much; it is meant to confront and provoke, and to tell stories that audiences can connect to in some way.

Victoria Montecillo at desk June 2016 cropped

Victoria Montecillo

I felt very lucky to get to see not just one but three Fountain productions in my time here. My Mañana Comes, Forever Flamenco at the Ford, and Baby Doll were certainly all incredibly different from one another, but they all had an impact on me: they brought forth an important message or story, or provided an outlet for a vibrant but underexposed community to celebrate beautiful art. All of them presented a piece of art, with performers and creators that had a clear passion and message.

Victoria Twiiter pic

Signing off!

These shows have made me proud to be a part of the Fountain family, and to get to work at such an organization. This blog post is bittersweet for a lot of reasons, the biggest of which is that today is my last day working at the Fountain. I’m moving up to San Francisco the day after tomorrow, and I’m going to miss the Fountain family so so much. I am so thankful to everyone here at the Fountain, and at the Los Angeles County Arts Commission, that made these past ten weeks possible! I know that I have people rooting for me here, and I’m so grateful for that.

This is me signing off – thank you to all that followed my internship saga and read my musings on theatre and arts. And thank you to everyone in the Fountain family for this journey. I wouldn’t feel at all prepared to jump into my next adventure if it had not been for all of you, and all I learned from you!

Our thanks to the Los Angeles County Board of Supervisors and the LA County Arts Commission for the support of their LA  County Arts Intern program. 

High school freshman proves she can pound nails with the best of them

Ava Morgan

Ava Morgan

Ava Morgan may be slight of build — with smart eyes and a bright smile — but she’s a powerhouse at building sets. The enthusiastic high-schooler joined our stage carpentry team as part of a two-week summer internship program at the Fountain. 

Ava lives with her family in Los Angeles and is a freshman at Marlborough School in Hancock Park. She got interested in the technical backstage life of theatre — props, lights, set building — in 7th grade. For two years, she performed a variety of backstage jobs in plays at school. Marlborough Technical Director, Doug Lowry, was impressed and eager to encourage her growth and education.

“He asked me if I’d be interested in interning at a professional theater for a few weeks during the summer,” Ava explains. “When we talked about it more, he brought up the Fountain and we decided to give it a shot. It worked out great.”

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Lowry contacted Stephen Sachs at the Fountain Theatre and Ava was immediately put to work as an intern building sets for our upcoming West Coast Premiere of Tennessee Williams’ Baby Doll. As a stage carpenter, she was cutting lumber, building flats and platforms, and putting it all together with the rest of the professional team. Soon, she was also climbing ladders, striking and hanging lights. 

“I absolutely liked working at the Fountain,” she beams. “I am not sure exactly what I expected it to be, especially since this was my first time having a job of sorts outside of school. I liked working in areas that I have basic training in, but have not had the opportunity to focus on them at school. I think it actually was a good thing to do it in an unfamiliar setting with people I haven’t worked with before.”

Foremost was Scott Tuomey, the Fountain Technical Director for 26 years who has overseen every production since the theatre’s founding in 1990. He mentored Ava’s internship, guiding her through the techniques of professional stage craft. 

“I had a lot of one-on-one time with Scott,” says Ava. “Which allowed me to ask more questions than I would in a group setting and learn more about not only what to do and how to do it but why. I had a great time working with him.”

And, says Ava, it was a valuable educational experience. 

“I think one of the most important things I learned was how to communicate with coworkers who were older and more experienced than me, ” she admits. “I also learned much more about how to translate designs into sets and the various skills related to carpentry.”

Her brief internship now over, Ava is enjoying some summer vacation time with her family before returning to school. She is grateful for her time at the Fountain and sends “a huge thanks to everyone who made it happen.”

Will she come back to see her handiwork on Baby Doll when it opens at the Fountain?

“Definitely!” she beams. “I’m excited to see the final product.” 

Now Hiring: paid summer internship at the Fountain Theatre

 

ft-intern-group-hugKnow a college student looking for a paying job this summer? A young person who likes theatre and enjoys working in a crazy, eccentric theatrical environment? Search no further. The Fountain is the place.

The Fountain Theatre is now accepting applications to hire one Development Intern for 10 weeks this summer between  June 6 – August 26. It is a full-time position (40 hours per week for 10 weeks) that pays $420 per week.   

The Los Angeles County Board of Supervisors established the Arts Internship Program to provide undergraduate students with meaningful on-the-job training and experience in working in nonprofit arts organizations, while assisting arts organizations to develop future arts leaders. This is our fifth year participating in the program and we’ve had great luck with our summer interns. Each one has been incredibly helpful, has learned a great deal, and became part of our Fountain Family. We are still in contact with all of them.

lowes-final-party 2013

2013 intern Lowes Moore and Fountain Family.

 Student eligibility for internship positions is limited to currently enrolled undergraduate college students who reside or attend college in Los Angeles County. Students must have completed at least one semester of college by June 1, 2016 or will complete their undergraduate degree between May 1 – September 1, 2016 in order to be eligible to participate. Students who have already earned a BA, BS or a higher degree are not eligible.

The Development Intern will receive valuable on-the-job training and professional experience in researching, writing, and submitting grant proposals to foundations and other funding organizations. The intern will assist in targeting and contacting new funding sources, creating and implementing new fundraising materials, and facilitate special events for donors and community partners.

The intern candidate must have basic computer and word-processing skills (PC, Word, Excel, Internet), good communications skills and pleasant phone manner, organizational skills, be detailed oriented, and have the ability to multi-task in an intimate office environment. A sense of humor and a willingness to learn many aspects of theatre management. She/he should be self-motivated and have the ability to take initiative when required. She/he should also have a passion for theatre. Excellent writing and editing skills. An ability to work effectively both independently and cooperatively. Creativity, enthusiasm for learning, and an outgoing friendly demeanor. 

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To apply, please email cover letter and resume to Stephen Sachs at stephen@fountaintheatre.com

This internship is sponsored by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission.  132 undergraduate interns will participate in the program this year at more than 100 performing, presenting, and literary nonprofit arts organizations and municipal arts agencies throughout LA County.  In addition to their full-time 10 week paid internship, interns will participate in educational events as part of the program, which is funded by the Getty Foundation.  The educational events are designed to provide interns with a broader perspective of the vibrant arts and cultural landscape of the County.  For additional information on the Los Angeles County Arts Commission, the Arts Internship Program, and for a complete list of all the internships offered this summer, visit the Arts Commission website at www.lacountyarts.org.

Isa’s Intern Journal: Digging for roots and finding a community

Rehearsal for 'The Better Part of 'Forever'

Rehearsal for ‘The Better Part of ‘Forever’

by Isabel Espy

cactusI grew up in a town that brushed up against a desert where not much grew except for the occasional towering cactus.  When I would come across a huge Eulychnia Acida covered in red flowers­­, it would always catch me by surprise. How could such an arid womb give birth to something so affirming?

Theatre is like a cactus. Not because it can be shockingly painful when experienced – which it can be – but because it often gives the impression of springing up out of nothing. But what I learned living next to a desert is that if you dig down around a cactus you will always find roots that can stretch for miles, connecting it to everything. And boy, does theatre have roots!

While you may see one amazing show, one brilliant performance,­­ if you dig you will find a community of passionate artists who provide lifeblood to the show. Much like the roots of cacti that hold a desert’s topsoil from beneath, a strong healthy theatre community, though often invisible, keeps the fabric of a community in place.

After 3 years in the Theatre School at UCLA I have found a hidden world of amazingly talented souls. I am a rising senior at UCLA, and I love the family of performers, designers, directors, and writers I have accumulated. What I hadn’t realized was just how far these roots extend outside and beyond UCLA’s  School of Theatre, Film and Television .  I have already run into so many people through the LA County Arts Commission  internship community and through working here that I know from the larger theatre world.

Pablo Santiago

Pablo Santiago holds his Stage Raw award

During one of my first days here at The Fountain, as I was making one of my many trips to the kitchen to refill my coffee mug, I slipped past an early design meeting for our upcoming play, Citizen: An American Lyric. I recognized Pablo Santiago, an amazing lighting designer who I have been lucky to work with on a couple shows at UCLA, and found out that he designing the lights for the show. A day or two later James Bennett asked me if I would like to read the script of The Better Part of Forever. It turns the play was written by a classmate of mine, Leland Frankel.

I met Leland my first week at UCLA, have spent many an hour working on group projects with him, and just last month accidentally crashed his graduation party. Leland knows how to throw a great soiree, but he knows how to write an even better play.

Leland Frankel

Leland Frankel

I read The Better Part of Forever on my lunch break, which shows you how absorbed I was, as usually I spend that half-­hour hopelessly trying to get a hold of my sister on Skype, my only means of reaching her in The Hague. I was so invested in The Better Part of Forever that on my commute to work the next day I found myself vaguely musing over what Jules, one of the two protagonists of the play, would do if asked to join an ice ­cream sundae eating contest. These random thoughts are usually reserved for bad TV show characters or absorbing books, and it took me a while to locate Jules within the context of Leland’s play.

Rehearsal for 'The Better Part of Forever'.

Rehearsal for ‘The Better Part of Forever’.

Anyway, last week I snuck into one of the rehearsals for The Better Part of Forever and got to catch up with Leland and watch the reading being staged. I am super excited about seeing it on the 12th of July as part of the Fountain’s Rap Dev Series, and so should you! Dig and find the roots that hold up amazing artistic work – you might just stumble upon a flowering cactus.

Don’t miss the staged reading of Leland Frankel’s  The Better  Part of Forever on July 10 & 12. Get Tickets/More Info   

Isabel Espy is the Fountain Theatre’s summer intern from UCLA. We are grateful for the support of the Los Angeles County Arts Commission and its Arts Internship program.  

Isa’s Intern Journal: The beauty of being close to another human being in ‘I And You’

Matthew Hancock and Jennifer Finch in 'I And You'.

Matthew Hancock and Jennifer Finch in ‘I And You’.

by Isabel Espy

One Friday night about a month ago, still in the process of interviewing for this internship, I came to the Fountain Theatre with two of my best friends to see my first show here: I and You. As soon as we entered the space I had the unsettling feeling that I had accidentally broken into a seventeen ­year-old’s bedroom. I was in complete awe at the level of detail and specificity of Tom Buderwitz’s set.

Before the actors had even appeared on stage, I already felt like I was getting to know a character – the room. The Fountain’s 78-seat theatre really allows the audience to feel as if they themselves are part of the play. The lighting and set design had already brought me thoroughly into the world of the play even before the house lights were completely dimmed.

Then the actors stepped on stage. All my attention shifted from admiring the posters on the walls and the string of fairy lights behind the bed, because suddenly I was in the story. As I sat through the performance I could hear my friends laugh and gasp as they followed the action. At one point, all three of us gasped in perfect unison. 

I And You is 100% contemporary, referencing Instagram and Facebook right and left, making jokes anyone with any online presence can relate to. Yet, while social media plays a deep role in the piece, the issues that it brings up are universal to all, digitally savvy or otherwise. It is a play that deals with the fragility of true human connection. We have all been there. We have all had those moments of difficulty, felt the pain of isolation, the embarrassment of being vulnerable to another person, and the beauty of being close to another human.

Jennifer Finch and Matthew Hancock

Jennifer Finch and Matthew Hancock

I won’t give anything away, but I can tell you that as we left the theatre both of my friends’ faces had the telltale wetness of cathartic tears. On our drive back to Westwood (with a quick stop at Chipotle for a post-show treat) we couldn’t stop talking about the play. I and You ends its run this weekend, and if you still have a chance, I would definitely recommend getting your butt over to the Fountain Theatre!

Final 2 performances: Saturday, June 20th @ 8pm; Sunday, June 21st @ 2pm.

Get Tickets/Info

Isabel Espy is the Fountain Theatre’s Summer Arts Intern from UCLA. 

Isa’s Intern Journal: Hi There, Fountain Family!

Isabel Espy

by Isabel Espy

My name is Isa and I am so excited to be joining the Fountain Family for the next ten weeks as an intern in development. I am a rising senior acting major at UCLA’s School of Theatre Film and Television, with a minor in society and genetics. I grew up in Chile, where I spent a lot of my time riding horses and dancing ballet on rickety wooden stages. While my home is more than five thousand miles away, the California summer sun reminds me of that of Chile, and spending my summer immersed within the world of performance reestablishes my conviction that art is universal.

Isabel Feb 2015Most of my experience with theatre has been in performance, but I am finding that what goes on behind the scenes at a theatre can be almost as exciting as being on stage! Within my first day here at The Fountain, Stephen and Barbara have introduced me to a throng of new and ongoing projects which promise to be both exciting and challenging. There is so much going on, and I hope to get my bearings quickly so that I can delve right in! I was able to sit in on one of the initial table-reads of The Fountain’s newest project: Citizen: An American Lyric — by Claudia Rankine and adapted for the stage by Stephen Sachs. I had just finished reading the script the night before, and hearing the words brought to life by the voices of an amazing group of actors was really exhilarating. I am happy I will have a chance to watch the piece flourish over the next couple of weeks, and am looking forward to being a small part of the Fountain team.

Our thanks to the LA County Board of Supervisors and the Los Angeles County Arts Commission for the support of their Arts Internship Program.