Tag Archives: theater

‘Arrival & Departure’ wins 4 Broadway World Los Angeles Awards including Best Play

ad_a0328

Deanne Bray and Troy Kotsur in “Arrival & Departure”

Broadway World announced that the Fountain Theatre’s acclaimed world premiere of Arrival & Departure, written and directed by Stephen Sachs, earned four Broadway World Los Angeles Awards, including Best Play in 2018.

Other Broadway World Los Angeles Awards for Arrival & Departure went to Troy Kotsur for Leading Actor in a Play, Deanne Bray for Leading Actress in a Play, and Donny Jackson, Lighting Design.

Nominations were reader-submitted and voted by local theatergoers in Los Angeles.  Regional productions, touring shows, and more were all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018.

This year the BroadwayWorld Regional Awards included over 100 cities across America, Canada, Central and South America, Europe, and Asia.

VIDEO: Take a look at these 16 actresses from 4 LA theatre companies set to read ‘Natural Shocks’

Natural Shocks is a darkly hilarious tour-de-force written by Lauren Gunderson, the most-produced playwright in America. A woman is forced into her basement when she finds herself in the path of a tornado. Trapped there, she spills over into confession, regret, long-held secrets, and giddy new love. But as the storm approaches, she becomes less and less sure where safety lies — and how best to defy the danger that awaits.

The Fountain Theatre is proud to partner with the Echo Theatre Company, Rogue Machine Theatre, and Lower Depth Theatre Ensemble to bring their unique artistic visions, backgrounds, and skills to this event of theatre activism against gun violence. FEMEST is the Fountain Theatre’s play reading series of new plays by/about women.

Jan 12 – Feb 3, 2019 (323) 663-1525 http://www.fountaintheatre.com

NOW CASTING: Award-winning West Coast Premiere ‘Hype Man’ by Idris Goodwin at Fountain Theatre

hype man flea 1

The Fountain Theatre is now casting for its West Coast Premiere of the award-winning new hip hop play, HYPE MAN by Idris Goodwin. The director is Deena Selenow

Audition Date(s): 01/11/2019 – 01/12/2019

Rehearsal Date(s): 01/21/2019 – 02/19/2019

Preview Date(s): 02/20/2019 – 02/22/2019

Opening Date(s): 02/23/2019

Closing Date(s): 04/14/2019

SPECIAL NOTE:

The role of VERB has already been cast.

Roles:

[PINNACLE]

Male, 30-35, Caucasian. The Rapper. A fierce and fiery white dude who grew up among African-Americans but remains an outsider and separates him from Verb. His swaggering confidence hides his confusion and inner conflict. Because has a cop in his family, he mourns the city’s recent police shooting but thinks the group should stay the course.

[PEEP ONE]

Female, 25-30, mixed race, a “woman of color” upon initial glance, however her specific ancestry is less obvious. The Beat-Maker. The crew’s dynamic and spirited newcomer who crafts the beats and produces their tracks. She yearns for artistic recognition, struggling to get heard musically in this testosterone-fueled world. Peep finds herself caught between competing loyalties as Pinnacle’s and Verb’s previously unspoken views on race threaten to destroy not just their shot at success but also their friendship.

STORYLINE:

A diverse hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?

Rate of Pay / Contract: AEA 99-Seat Agreement

Email headshot/resume to: casting@fountaintheatre.com

Fountain Theatre announces 2019-20 season of diverse, funny and meaningful new work

2019 season ft bldg nightThe Fountain Theatre has announced a 2019-20 season of vibrant, thought-provoking, fresh and funny new work by a diverse group of playwrights, each of whom explores important social and cultural issues from a wholly unique perspective.

Over the course of 16 months, the company will offer up a series of Los Angeles, California, Southern California, West Coast and world premieres that tackle questions of politics, racism, gun control, human rights, cultural identity and more.

“Our 2019-20 season is our most ambitious ever,” says Fountain co-artistic director Stephen Sachs. “It perfectly reflects who and what we are as a theater organization. It’s a season of diversity, a rich mixture of new plays representing a wide variety of communities. Our goal is for Los Angeles to see itself on our stage, and this season certainly offers that.”

Details of the Fountain Theatre’s 2019-20 season are as follows: 

Hype Man by Idris Goodwin 

West Coast premiere. In Idris Goodwin’s “break beat play,” a diverse hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use artistic expression as an act of social protest. Winner, 2018 Elliot Norton Award. Directed by Deena Selenow.  Feb. 23 – April 14, 2019 

Daniel’s Husband by Michael McKeever 

Southern California premiere. Michael McKeever’s witty, passionate, funny and, ultimately, heartrending play takes an unflinching look at how we choose to tie the knot — or not. Daniel and Mitchell are the perfect couple. What isn’t so perfect is that Daniel desperately longs to be married, but Mitchell doesn’t believe in it. Then, a life-altering event forces both men to realize that, even in an enlightened society, the denial of fundamental rights leads to devastating results. Starring Bill BrochtrupTim Cummings and Jenny O’Hara; directed by Simon Levy May 4 – June 23, 2019

Hannah and the Dread Gazebo by Jiehae Park

California premiere. Hannah is two weeks away from becoming a board-certified neurologist when she receives a strange package from her grandmother, who may—or may not—have just ended her life in a most flamboyant fashion. The mystery leads Hannah and her family on a surreal, funny, heartbreaking adventure back to their roots in South and North Korea and the forbidden Demilitarized Zone that divides them. Wildly theatrical, Jiehae Park’s startling new comedy twists together creation myths and family histories to explore what it means to walk the edge between cultures. July 13 – Sept 1, 2019

Between Riverside and Crazy by Stephen Adly Guirgis

Los Angeles premiere. You can’t beat City Hall, but you can try. In this darkly comic, 2015 Pulitzer Prize-winning drama by Stephen Adly Guirgis, ex-cop and recent widower Walter ‘Pops’ Washington has made a home for his newly paroled son in his sprawling, rent-controlled Riverside Drive apartment. But now the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed, and the church is on his back — leaving Pops somewhere between Riverside… and crazy. Sept. 21 – Nov. 10, 2019

 Jane Doe by Stephen Sachs

World premiere. In this contemporary retelling of the 1941 Frank Capra classic film Meet John Doe adapted by Fountain Theatre co-artistic director Stephen Sachs (Cyrano, Arrival & Departure, Citizen: An American Lyric), a newspaper writer fabricates a letter to his column from an imaginary homeless woman named “Jane Doe” who announces she will kill herself on the 4th of July because of greedy corporations, corrupt politicians and how hostile and heartless the world has become. When the writer hires a woman to stand-in as the fictitious “Jane”, a national movement is ignited by citizens aching for a savior. Jan. 18 – March 8, 2020 

If I Forget by Steven Levenson

Los Angeles premiere. Simon Levy directs this powerful tale of a Jewish family and a culture at odds with itself by Steven Levenson (book-writer of the hit musical Dear Evan Hansen). Michael is a liberal Jewish studies professor reuniting with his two sisters to celebrate their father’s 75th birthday. A political and deeply personal play about history, responsibility, and what we’re willing to sacrifice for a new beginning, told with vicious humor and unflinching honesty. If I Forget was a New York Times “Critic’s Pick,” while DC Metro calls it “one of the greatest Jewish plays of this century.” March 28 – May 17, 2020

In addition, the Fountain will continue to offer its acclaimed Forever Flamenco dance series every month.

The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won hundreds of awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the inclusion of the Fountain’s Citizen: An American Lyric in Center Theatre Group’s Block Party at the Kirk Douglas Theatre and again, last year, as the centerpiece of Our L.A. Voices at Grand Park; and an all-star reading of All The President’s Men at Los Angeles City Hall. The Fountain’s 2018 productions of The Chosen and Arrival & Departure each enjoyed months-long sold out runs and were named Los Angeles Times “Critic’s Choices.” The company’s most recent production, the West Coast premiere of Martyna Majok’s Pulitzer Prize-winning play Cost of Living, was named to the Los Angeles Times’ “Best of 2018” list by theater critic Charles McNulty, who called the Fountain “on par with the Mark Taper Forum and Geffen Playhouse at their best. The Fountain Theatre’s production of Majok’s ‘Cost of Living’ confirmed just how indispensable 99-seat theaters still are to a healthy theater ecology.” 

For more information about the Fountain Theatre’s 2019-20 season, call (323) 663-1525 or go to www.FountainTheatre.com. 

Fountain Theatre wins 5 Ticketholder Awards including Best Production of a Play in 2018

A&D baptism Lake 2

Deanne Bray and Troy Kotsur, “Arrival & Departure.”

Two acclaimed Fountain Theatre premieres — Arrival & Departure and Cost of Living — have been named Best Production of a Play in 2018 by veteran LA theatre critic Travis Michael Holder on TicketHoldersLA.com.  Now in its 27th year, Travis’ Ticketholder Awards celebrate the 100+ Los Angeles theatre productions reviewed by Holder in 2018 in large houses and intimate.

Our Deaf/hearing world premiere of Arrival & Departure, written and directed by Stephen Sachs, won Best Production, Best Adaptation (Sachs) and a Special Achievement Award to movement director, Gary Franco. 

Bathtub 1

Katy Sullivan and Felix Solis, “Cost of Living.”

Cost of Living by Martyna Majok was also named Best Production, and Tobias Forrest was awarded Best Supporting Actor. 

The following were also acknowledged as a runner-up:

Arrival & Departure

  • Runner-Up, Best Actor – Troy Kotsur
  • Runner-Up, Best Actress – Deanne Bray
  • Runner-Up, Best Supporting Actor – Shon Fuller
  • Runner-Up, Best Supporting Actress – Jessica Jade Andres
  • Runner-Up, Best Supporting Actress – Stasha Surdyke
  • Runner-Up, New Discovery 2018 – Aurelia Myers
  • Runner-Up, Best Direction – Stephen Sachs
  • Runner-Up, Best Set Design – Matthew G. Hill
  • Runner-Up, Best Sound Design – Peter Bayne
  • Runner-Up, Best CGI/Video Design – Nicholas E. Santiago

Cost of Living

  • Runner-Up, Best Actress – Xochitl Romero
  • Runner-Up, Best Actress – Katy Sullivan
  • Runner-Up, Best Playwright – Martyna Majok

Full list of Ticketholder Award winners

Fountain blog post is American Theatre magazine’s most-read story in 2018

parkland

February 23, 2018.

by Stephen Sachs

When I wrote a story on this Fountain blog in February of this year, one week after the Marjory Stoneman Douglas shooting, my goal was to point out that the high school’s drama club had prepared the young survivors in Parkland, Florida, to stand up in protest and have their voices heard. A drama class teaches more than just how to act. It teaches how to take action. Performing in a school play endows students with poise, self-awareness and empathy. All of which the protest leaders exhibited at huge rallies in the weeks and months following that tragic afternoon on their campus.  

My February 23rd blog story, “Are you surprised that the young leaders of the Never Again movement are theatre kids? I’m not.” was re-posted on the American Theatre website the same day. It went viral. Their site was deluged with so many views (100K+) it crashed the site for days. Readers were then re-directed to this Fountain blog, where we received more than 50,000 views. That story was the most-seen Fountain blog post, by far. 

Today, American Theatre magazine announced that my post was their most-read story in 2018.  Clearly, the piece struck a deep nerve at that time with theatre artists, students and drama teachers across the country. As this year now comes to a close, it’s gratifying to be reminded how art — and theatre, in particular — remains essential to the soul of us all. The benefits of art are abundant. Those students in the Marjory Stoneman Douglas drama club, and the many thousands of readers, young and old, engaged by my story prove that the passion and skill learned in a theatre class stay with us for the rest for our lives.

Stephen Sachs is the  Co-Artistic Director of the Fountain Theatre.             

Actor Sam Mandel from our smash hit “The Chosen’ has a special message just for you