Tag Archives: Victoria Platt

New Video: Behind the scenes of exhilarating reading of new play on gun violence

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Cast announced for special reading of Lauren Gunderson’s ‘Natural Shocks’ at Fountain Theatre

Actresses Amy Pietz, Victoria Platt, Suanne Spoke, and Sabina Zuniga Varela will combine their versatile talents to play the same lead character in a special reading of Natural Shocks, Lauren Gunderson’s funny and powerful new play on gun violence and gun control, at the Fountain Theatre on Friday, April 20th at 11:19am. Co-Artistic Director Stephen Sachs directs.

The timing is intentional: April 20 is the 19th anniversary of Columbine and the day of the National School Walkout, organized by the student activists in Parkland, Florida. The reading at the Fountain Theatre starts on April 20th at 11:19am, the date and exact time of the Columbine shooting.

“The Fountain Theatre has a long history of social and political activism,” explains Sachs. “Our celebrity reading of All the President’s Men at LA City Hall and our world premiere of Robert Schenkkan’s Building the Wall are recent examples. With Lauren’s play, I believe we need to add our voice,  as theatre artists and citizens, to the national outcry of young people across the country against gun violence and advocate for gun control in this country.”

Amy PietzAmy Pietz has appeared in over 300 episodes of television, most recently starring opposite Jason Alexander on Hit The Road.  She was a series regular on No Tomorrow, The Nine Lives of Chloe King, Aliens in America, Rodney, The Weber Show, Muscle and Caroline in the City (SAG Award Nomination for Best Actress in a Comedy).  She has had recurring or guest starring roles on: You’re The Worst, The Magicians, The Office, Trust Me, Maron, How To Get Away With Murder, Dexter, Curb Your Enthusiasm, and many others.  Film roles include those in The Year of Spectacular Men, Halfway, Prom, The Pact II, Autumn Leaves, Rudy, Jingle All the Way, Dysenchanted, Jell-Oh Lady, The Whole Ten Yards, and others. Her favorite theatre credits include: Stupid Fucking Bird at the Theatre @ Boston Court (Ovation Award, LA Drama Critics Circle Award), The Boswell Sisters at The Old Globe Theatre, Christmas In Naples at the Williamstown Theatre Festival, Lobby Hero at the Odyssey Theatre (Ovation nominated), Fiorello and Company (Ovation Award nomination for Best Featured Actress in a Musical).  Currently producing a film on gun control called Bodyman, Amy is passionate about getting guns off of our streets.

Victoria PlattVictoria Platt is currently in Antaeus Theatre Company’s production of Native Son. THEATRE: Jelly’s Last Jam (BROADWAY), Building the Wall and Roxy in Cyrano (Fountain Theatre), Venice (Public Theater & Kirk Douglas Theatre – Ovation Award Nom), Sammy (Old Globe), Pippin (Mark Taper Forum, Asphalt (Red Cat), Atlanta (Geffen).  Select TV/FILM: Major Crimes, Bones, The Mentalist, Castle, Criminal Minds and contract roles on both All My Children & Guiding LightH4 (adaptation of Henry IV which she co-produced with Harry Lennix & Terrell Tilford) and as Josephine Baker in HBO’s Winchell. Upcoming film:  #Truth (Charles Murray dir.), The Gleaner (opp. Angus MacFadyen, Harry Lennix dir.), InterferenceFramed and CW’s Lucifer.

Suanne SpokeSuanne Spoke has an extensive career in theatre, television & film, appearing in the critically acclaimed film Whiplash and starring in the feature film Wild Prairie Rose,  winning multiple awards on the festival circuit. On television Suanne recurred on Switched at Birth, Famous in Love and has guest-starred on many others. She can currently be seen recurring on General Hospital. She has performed at numerous theatres and has won every major acting & producing award in Los Angeles including three-time recipient of the Ovation Award/Lead Performance by an Actress. She was most recently seen in the West Coast premiere of Athol Fugard’s Painted Rocks at Revolver Creek  at the Fountain Theatre. Suanne serves on the faculty at the California Institute of the Arts, teaching acting in the Graduate Film Directing program.

Sabina Zuniga VeraleSabina Zuniga Varela, a native New Mexican based in Los Angeles, is an artist, educator and organizer committed to the path of social justice, authentic representation and storytelling.  She is an award winning theatre actor with an MFA from the University of Southern. California. She also holds an MA in Special Education with a focus on twice-exceptional/gifted learning. She is currently a producing director for the LA based theatre company: By The Souls of Our Feet. Most recently she was seen on stage at The Oregon Shakespeare Festival & Portland Center Stage in the title role of Luis Alfaro’s Mojada: A Medea in Los Angeles and was seen in Season 3, Episode 3 of ABC’s American Crime.

Based on Hamlet’s “To be or not to be,” Natural Shocks is a classic Gunderson play: a 60-minute tour-de-force that bursts to life when we meet a woman waiting out an imminent tornado in her basement. She overflows with quirks, stories, and a final secret that puts the reality of domestic violence and guns in America in your very lap. The play is part confessional, part stand up, and part reckoning.

“The play is written as a solo play for one actress,” explains Sachs. “I have Lauren’s permission to have four actresses read the role, as one voice. Together, they are one woman — and all women. I think having the play read by four women adds diversity, theatricality and a stylized musicality that is worth exploring.”

“I wrote the story to continue to push the narrative away from the perpetrators of gun violence and toward the people whose lives are lost, shattered, and shadowed because of it. So many of these people are women. And there is such a tight connection between violence against women and gun violence,” insisted Gunderson.

Gunderson is right: the connection between domestic violence and gun violence is well documented. More than half of the mass shootings from 2009-2016 involved a partner or family member. Nearly half of American women who are murdered are killed by their intimate partners. American women are 16 times more likely to be killed by a gun than women in other developed nations. The presence of a gun in a domestic violence situation makes it five times more likely that the woman will be killed. In short, domestic violence and grievances against women are the “canary in the coalmine” for gun violence. Any effort to end gun violence must address domestic violence as well.

Lauren GundersonLauren M. Gunderson is the most produced playwright in America of 2017, the winner of the Lanford Wilson Award, the Steinberg/ATCA New Play Award and the Otis Guernsey New Voices Award, she is also a finalist for the Susan Smith Blackburn Prize and John Gassner Award for Playwriting, a recipient of the Mellon Foundation’s 3-Year Residency with Marin Theatre Company, and a commissioned playwright by Audible. She studied Southern Literature and Drama at Emory University, and Dramatic Writing at NYU’s Tisch School where she was a Reynolds Fellow in Social Entrepreneurship. Her work has been commissioned, produced and developed at companies across the US including South Cost Rep (Emilie, Silent Sky), The Kennedy Center (The Amazing Adventures of Dr. Wonderful And Her Dog!), Oregon Shakespeare Festival, The O’Neill, The Denver Center, San Francisco Playhouse, Marin Theatre, Synchronicity, Berkeley Rep, Shotgun Players, TheatreWorks, Crowded Fire and more. She co-authored Miss Bennet: Christmas at Pemberley with Margot Melcon, which was one of the most produced plays in America in 2017. Her work is published at Playscripts (I and You, Exit Pursued By A Bear, The Taming, and Toil And Trouble), Dramatists (The Revolutionists, The Book of Will, Silent Sky, Bauer, Miss Bennet) and Samuel French (Emilie). Her picture book Dr Wonderful: Blast Off to the Moon was released from Two Lions / Amazon in May 2017.

Reserve Seats to Natural Shocks at Fountain Theatre. National website

Students see hit political play at the Fountain discover “we must make the change we want to see in the world”

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Teacher Alan Goodson introduces his college students to the Fountain Theatre. 

They come to the Fountain Theatre each semester to experience the power of meaningful plays about urgent social and political issues performed in an intimate setting.  For teacher Alan Goodson and his college students at Fashion Institute of Design & Merchandising, the ongoing visits to the Fountain have become a pilgrimage they look forward to making. Not only are the young people enriched by seeing new plays that move and inspire them, they enjoy the opportunity to personally engage with the professional actors following the performance.

The student visit was made possible by Theatre as a Learning Tool, the Fountain Theatre’s educational outreach program that makes live theatre accessible to young people throughout Southern California. 

The FIDM students arrived at the Fountain on August 11th to see our smash hit world premiere of Building the Wall by Pulitzer Prize and Tony Award winning playwright Robert Schenkkan.  They then chatted with actors Victoria Platt and Bo Foxworth.

Returning back to their classroom, the students wrote essays expressing their thoughts and feelings on seeing the production. Take a look at these excerpts:        

“During the political state our country is currently in, it is very possible that history could repeat itself. It isn’t just a theme in a play, it is real and it is happening. That is why I feel this play is very important and the idea it expressed that we, the citizens of the United States of America, must stand up against the immoral actions of the government. If viewers take anything away from seeing this play, it should be that it could happen here, but don’t let it get that far, stop it before history repeats itself.”

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“It felt as if being an audience member was no different than being a fly on the wall with the two actors. Without a doubt, the play would not have been nearly as effective if it were set in a larger theatre. As an audience member, you felt as if you were watching a real interview take place on your TV screen.”

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“I was able to see the worth in Shenkkan’s exaggeration in comparison to how someone may have felt during WWII, and see that it is true, this could happen, even today. History will continue to repeat itself unless we as humans realize the power of unification and take actions to protect ourselves and others.”

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Building the Wall is a play for people who want to gain perspective on the current events that are taking place and could occur in the near future, considering past events that have taken place while an authoritarian leader is in control of a nationalist country. Personally, I appreciated the statement that it conveyed and became more aware of the impact Donald Trump’s place in office has made in the United States. Theater arts are a form of resistance and often give a lesson and theme to the viewers. Building the Wall was a reminder that history can and will repeat itself if the citizens don’t take a stand and show their voice. Hopefully, those that have attended this play, just as I did, will recognize the seriousness of the message that Robert Shenkkan has made and they plan to make their voices heard.”

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“Robert Shenkkan’s Building the Wall could not have been made into a play at any other better time. People need to go watch his play and see for themselves a visual experience of what America could be headed for under Trump’s presidency.”

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“This performance is set in place to heighten our collective vigilance as a society, allow us to determine wrong from right, empathize, and to take action as citizens of the United States of America. In the closing remarks, we are informed that, included in the playbill, provided by the Fountain, is a call to action, a postcard, stamped and addressed to our dear leader, Mr. Donald Trump, leaving the viewer to decide for themselves what the right thing to do is. This production in itself makes a statement and warning, the postcard is an added confirmation that we have the power to do something, as a governed group and as individuals, and if that is not a defined statement of passion and concern for citizens, then I’m not sure what is.”

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 “It is common to say that the past is often repeated in the future. Robert Shenkkan took the past experience of the Holocaust and wrote it into the near future of America under the Presidency of Trump and his concept of deporting immigrants. It may be bold of Shenkkan to take America to the horrible extent of the Nazis, but nothing is impossible. Robert Shenkkan reinforced the significance of everyone’s individual conscience and choices with the concept play, Building the Wall. He promotes resistance against fear, racism, division. The future of our country, according to Shenkkan, “…of course will depend entirely on what you do.”

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Building the Wall was relevant and had audience members thinking. In its understated message, questioning where the current presidency may lead is a concept everyone can relate to, making the content of the play laudable. At first, I saw its comparisons to the Nazi regime a bit excessive and not believable, until watching the news recently and seeing the riots taking place in Virginia. Current events have strengthened the credibility of this play.”

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Building the Wall is an excellent drama that I believe will stand the test of time. While the history books are still being written on this time in our modern history, we must be able to understand the situation we are in while we are in it. We must make the change we want to see in the world.”

Final 2 performances of Building the Wall are this weekend, Aug 26 & 27. Get Tickets

 

Victoria Platt is thrilled to join cast of ‘Building the Wall’ for second extension to Aug 27

Victoria Tillford

Victoria Platt

Sold out for four months and extended for the second time, Building the Wall and the Fountain Theatre have even more to celebrate: the return of Victoria Platt to our Fountain stage. Last seen at the Fountain as Roxy in Cyrano, you may recognize her from such popular TV shows as All My Children and The Chicago Code. Taking over the role of Gloria in our smash hit world premiere of Building the Wall, Platt begins performances this Saturday, June 24th. This second and final extension runs to August 27th.

In between her crazy rehearsal schedule, Victoria took time to talk about her roots, her love for the Fountain Theatre, and the importance of theatre in the age of Trump’s America.

Where are you from? What’s your background? 

I was born and raised in Queens, NY to a Polish father and West Indian mother. I have 8 siblings and there was 1 bathroom. That says it all! I started performing as a kid and then attended the High School of Performing Arts in Manhattan (the Fame school). I enrolled at Hunter College but work kept rolling in and I chose work.

What initially drew you to this project/script?

I heard about the production and how amazing it was but I was in a play at the same time so didn’t get a chance to see it. Then Simon Levy (Fountain Theatre’s Producing Director) emailed me about auditioning for the extension. I know Robert Schenkkan’s work and this play in particular is beyond relevant for our time so I was really excited about the possibility.

After the election, many theatre artists declared that their work was more important than ever. Do you agree with this and how does Building the Wall relate?

I do agree. There was a time when the common goal of artists was to challenge, to awaken, to question the status quo and hopefully incite change. At some point it became about foreign sales and social media followers and witty sound bites. This election seemed to remind the artistic community of our responsibility in the world. Why most of us got into this business to begin with. Building The Wall is looking directly at the issues and asking some really important questions.

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Victoria Platt and Bo Foxworth in ‘Building the Wall’

What is it like to join a hit production that has been sold out for four months?

It’s like trying to jump onto a moving train! A bit challenging. I’ve done this before however, with The Fountain’s production of Cyrano. My goal is to find that delicate balance between giving the other actors a familiar anchor while also honoring the truth of my own interpretation and performance. Bo and [director] Michael Michetti have been really wonderful in allowing me the space to find things on my own as well as offer the tried and true shortcuts. I’m not too proud to take a short cut!

How does it feel coming back to the Fountain Theatre?

I love The Fountain; seeing productions here and working here. They’re really dedicated to bringing thought provoking and challenging work to the community. They’re actively involved and take responsibility for making the world a better place in a tangible way, all the way down to providing a stamped and addressed postcard that patrons can send to the president! It makes working with them even more inspiring and I feel compelled to match their dedication, passion and commitment.

Photo Slideshow: ‘Cyrano’ Closing party

Snapshots from our party celebrating the magical sold-out run of the world premiere of Cyrano after the final performance on Sunday, July 29th.

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