Recent Blog Posts
- Meet the cast of the funny and powerful premiere of ‘Daniel’s Husband’ at Fountain Theatre
- Richard Gallegos joins Fountain Theatre team as Development and Outreach Coordinator
- VIDEO: Enjoy the ‘Ms. Smith Goes to Washington’ post-show party at LA City Hall
- With Samuel French Bookshop’s fatal end, the tragic flaw is our own
- VIDEO: Watch rehearsal for celebrity reading ‘Ms. Smith Goes to Washington’ at LA City Hall
Archives by Month
Search Our Blog
Connect With Us
Follow us on TwitterMy Tweets
Tag Archives: West Coast Premiere
What is hip hop? A genre of music? A style of clothes? A way of life? Take a look.
In this West Coast Premiere of HYPE MAN by Idris Goodwin, a hip-hop trio is on the verge of making it big on national TV when a police shooting of a Black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use their art as an act of social protest. When the Hype Man takes matters into his own hands, the ensuing beef exposes the long-buried rifts of race and privilege that divide them. Will it tear them apart or can they find a way to still breathe together?
Written by Idris Goodwin. Directed by Deena Selenow. Starring Chad Addison, Matthew Hancock, Clarissa Thibeaux. Starts Feb 23.
The Fountain Theatre’s acclaimed west coast premiere of Cost of Living by Martyna Majok has been named by Los Angeles Times theatre critic Charles McNulty as “Best in Theater in 2018.” McNulty writes, “The Fountain Theatre’s production of Majok’s “Cost of Living” confirmed just how indispensable 99-seat theaters still are to a healthy theater ecology.”
“Martyna Majok’s searing drama,” McNulty continues, “about the relationship between disabled persons and their caregivers was bravely essayed by the Fountain in a production directed by John Vreeke that revealed just how acutely this Pulitzer Prize-winning drama exposes some vulnerable truths at the heart of the human condition.”
Cost of Living features Tobias Forrest, Xochitl Romero, Felix Solis and Katy Sullivan. The run ends this Sunday, December 16.
“It captured me from the very first scene.”
The Fountain Theatre believes students and young people must have the opportunity to engage and consider meaningful human issues through the experience of live theatre. We love having students in our audience. They are the artists, arts patrons and arts leaders of tomorrow.
We’re always delighted when teacher Alan Goodson brings his students from Fashion Institute of Design & Merchandising to the Fountain Theatre. They recently enjoyed our funny and poignant West Coast Premiere of Martyna Majok’s Pulitzer Prize winning play, Cost of Living. Here are some of the reactions written by the students:
“Overall, the play was an excellent representation of everyday life, not just for one with disabilities, but for those who crave to be pulled out of loneliness. The way that Majok portrayed the play through the eyes of two characters in wheelchairs, as well as their caretakers, was an excellent way to grab the audience’s attention. It was an on-edge performance, with exceptional acting skills. While showing someone with disabilities can be a touchy subject for most, it’s important for others to see that they aren’t the only ones in life that may need a little extra love, or caretaking.”
“Whether it be bathing, eating, or taking part in social life, Cost of Living is a reenactment of what millions of people go through. This thought-provoking piece allows the audience to be vulnerable, uncomfortable, and also gives people a chance the be thankful for the simple things that are often taken for granted.”
“Cost of Living was a production that completely changed my perception of those that are disabled. I believed that many were strong, and had to carry on with their lives after an incident happens, or even from birth. However, I didn’t realize the actual struggle that these people had to face in daily life, when it comes to daily, normal activities. I not only had sympathy for them, but I also saw their strength and courage and how it can be hard to accept help from others, especially when they see others carrying on their lives normally, when they physically are not able to do so. If the play was able to change my views, it’s able to change many others’ as well.”
“I believe the director and actors were able to show and bring to life that feeling of what the characters cost of living was. Personally, I can relate to the production in that I have a disability that at times hinders my ability to live life to my fullest. I try not to let it, but at times there is nothing I can do about it being my cost of living.”
“The play is about disabilities with people, not the other way around. The message of the play is that the biggest disabilities we can have are the ones that every person encounters at some point—loneliness and fear. The worst disabilities are not about having someone bathe or shave you, it’s the ones that make us human and make us all alike in some way. Personally, I found myself somewhere in this play, as I’m sure many others did. It captured me from the very first scene, and made me feel for each character and I related it to struggles in my own life.”
Theatre as a Learning Tool is the Fountain Theatre’s educational outreach program, making theatre accessible to students and young people throughout Southern California.
More Info/Get Tickets to Cost of Living
Playwright Martyna Majok almost missed receiving the call from her agent on winning the 2018 Pulitzer Prize for Drama for her play, Cost of Living. She was supposed to be serving jury duty that day. Instead, she had postponed it. She was, therefore, home in her New York apartment to receive the call that would change her career forever.
Sharing the story with our Fountain Theatre audience in a post-show Q&A discussion Saturday night, Martyna explained that her husband, actor Josiah Bania, had the day off work that day. They were planning on doing their taxes. He was taking a nap on the couch when Martyna’s phone rang around three o’clock. Her agent was on the phone screaming, “You won the Pulitzer!” Her reaction? She was furious. “How dare you!” she yelled back. “You know how much this means to me. This is not funny!” For nine minutes on the phone, Martyna’s agent tried to convince her. But she would have none it. It wasn’t until the texts began flooding in from friends — including one from her playwright pal Stephen Adly Guirgis — that she accepted that her wish had come true.
Since that fateful phone call, her life has spun into a whirlwind of national attention. Yet the work remains the same. The Fountain Theatre is proud to be producing the West Coast Premiere of her funny and beautiful play, and we’re pleased to now call her our friend and a member of our Fountain Family.
Get a sneak peek at the set design for our West Coast Premiere of the Pulitzer Prize winning Cost of Living by Martyna Majok. The scenic design by Tom Buderwitz includes sliding walls that reveal a bathtub and a shower, plus video panels to evoke time and place.
Achingly human. Surprisingly funny. Cost of Living is a haunting, compelling play about the forces that bring people together and the realities of facing the world with physical disabilities. Opens October 20.
The National Arts and Disability Center has awarded The Fountain an Arts and Accessibility Grant to support its upcoming West Coast Premiere of Martyna Majok‘s 2018 Pulitzer Prize winning play, Cost of Living. The grant will assist in funding the compensation of two actors with disabilities for the production opening October 20th.
“We are grateful to the NADC and the California Arts Council for their support of this important project,” states Fountain Co-Artistic Director Stephen Sachs. “We are proud to produce this Pulitzer Prize winning new play which features two leading roles for actors with disabilities. It is another example of the Fountain Theatre’s mission of inclusion and our commitment to serving a wide variety of communities in Los Angeles.”
Achingly human and surprisingly funny, Cost of Living is a haunting, rigorously unsentimental play about the forces that bring people together and the realities of facing the world with physical disabilities. Unemployed truck driver Eddie is struggling to rebuild a relationship with his estranged wife Ani, recently wheelchair-bound with a spinal cord injury. Jess, in a job that she desperately needs, is trying to navigate her duties with John, her new boss with cerebral palsy. But, who is really caring for whom? By shattering stereotypes, the play reveals how deeply we all need each other.