Tag Archives: world premiere

PHOTOS: Dazzling opening night of ‘Building the Wall’ at Fountain Theatre

WALL Opening Night 6

An electrifying thrill filled the air Saturday night, March 18, as the Fountain Theatre opened the highly-anticipated world premiere of Building the Wall by Tony Award and Pulitzer Prize winning playwright Robert Schenkkan.  Even before opening, our bold National New Play Network Rolling World Premiere has earned national attention in the New York Times, the Washington Post, and other outlets across the country.

The sold-out house Saturday night at the Fountain was packed with patrons, donors, board members, Fountain family and the press. Following the powerful performance, the crowd gathered upstairs in our indoor/outdoor cafe to enjoy a catered reception prepared by our new chef, Baltazar.  Playwright Robert Schenkkan and the cast were surrounded by well-wishers, congratulating them on an unforgettable evening in the theatre. By all accounts, it looks like the Fountain has another hit on its hands.  

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Take a look at what audiences are saying about ‘Building the Wall’ at the Fountain Theatre

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New Video: How Robert Schenkkan’s ‘Building the Wall’ came to the Fountain Theatre and why

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What’s it like to walk the red carpet?

oscars-red-carpetHe has strolled down many red carpets in his celebrated career. At the Writers Guild Awards, the Tony Awards, the Emmy Awards, the Venice Film Festival, and the Oscars. He wrote the screenplay for Hacksaw Ridge, nominated Best Picture for this year’s Academy Awards.

The world will be watching the Oscar ceremony this Sunday, and gawk at the parade of celebrities as they strut the red carpet beforehand. What’s it like to march down that crimson pathway with all eyes and cameras tracking your every step? For playwright Robert Schenkkan, author of our upcoming world premiere Building the Wall, the carpet is not always magic. Particularly if you’re a writer.

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Robert Schenkkan at the Venice Film Festival

“The clusterfuck of a red carpet is always where the writer is reminded of his or her place in the food chain, ” admits Schenkkan. “You are absolutely the most important person in the universe, until anybody else steps on the red carpet — then you’re just chopped liver. You can see the heads snap and the cameras snap, and whoever you’re talking to, their eyes are immediately doing the Hollywood over-your-shoulder shuffle. This is something one is used to, but it’s a humbling experience, always.”

Another other-worldly aspect of Award nights are the gifting lounges, where vendors shower talent with free offerings that vary from high-end beauty products to fine wines to elegant clothing to free travel packages at exotic resort islands. For Schenkkan, the touring of gift salons is a strange ritual unto itself.

“You have to make an appointment, and then you’re assigned a guide who walks you through this bizarre bazaar of products and services, ” he explains. “These things are really kind of entertaining in their own way. There’s a whole formality to it. But again, there’s the reminder of where you are in the food chain, particularly as a writer.”

Robert remembers one incident in particular. “Many years ago when I did this, there was a resort island package. I’m a scuba diver, so I’m always interested in that. They have to artfully, discreetly explain that while they would love to gift you with this, actually they have to reserve it for somebody more important than you. It’s a little weird.”

The ups and downs of a Hollywood screenwriter. Thankfully, unlike the film industry, playwrights in the American theatre are held in much higher esteem. And few are held higher than Robert Schenkkan. Which is one of the many reasons why we are so honored to be premiering his newest play at the Fountain Theatre.

Now, Robert, on Opening Night of Building the Wall at the Fountain, don’t expect any fancy gift lounges offering you a scuba diving vacation package on an exotic island resort. But we’re happy to offer you a free snorkel.

Unless, of course, someone more important wants it.

Building the Wall opens March 18 at the Fountain Theatre.

Quotes in this post originally appeared in Written By, the magazine of the Writers Guild of America, West.  

 

 

 

 

 

Sneak Peek: First rehearsal for ‘Building the Wall’ at Fountain Theatre

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Judith Moreland and James Macdonald

First rehearsals are often delicate events. Actors meet for the first time. Designers share their conceptual approaches for the production. The director articulates his or her vision for the journey ahead. Like on a first date, artists eye each other nervously, hoping this night’s first encounter will lead to a meaningful relationship so magic can be created together.

The tone of Monday night’s first rehearsal for the powerful new play Building the Wall by Robert Schenkkan was one of purpose, more than jittery vulnerability. Everyone in the room felt exhilarated by the social and political conviction of the project and aware of the publicity the new play has already generated nationwide. Schenkkan is a Tony Award and Pulitzer Prize winning playwright, and screenwriter of the Academy Award nominated Hacksaw Ridge

In Building the Wall, the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. As a writer interviews the former supervisor of a private prison, it becomes clear how federal policy has escalated into something previously unimaginable.   

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Even before opening, the Fountain premiere of the new play has already been featured in the New York Times and the Washington Post. Our production is part of a National New Play Network Rolling World Premiere, with other openings set to take place at the Curious Theater in Denver, Forum Theater in Silver Spring, Md., Borderlands Theater in Tucson and City Theatre in Miami. 

The world premiere at the Fountain Theatre is directed by Michael Michetti, and features Judith Moreland and James Macdonald.  At Monday night’s first rehearsal, Co-Artistic Director Stephen Sachs welcomed the team and gave a short history of how the play came to the Fountain. Producer Simon Levy reviewed production protocol. Michetti spoke about the play.  Then, the actors opened their scripts and read the play together for the first time. The two actors were riveting, and the play will take audiences on a roller-coaster ride to its shattering ending. 

Now the work begins. Rehearsals are underway. Our world premiere of Building the Wall opens March 18 and runs to May 21.

Advance tickets for Building the Wall are selling quickly. We urge you to make your reservations early for this urgent and important new play by a major voice in the American Theatre.

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Fountain Theatre launches 2017-18 season for social action with world premiere of Robert Schenkkan’s new play, ‘Building the Wall’

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The Fountain Theatre will open its 2017-18 season of new plays with an urgent warning against the proposed policies of the Trump administration, followed by statements on social justice, inclusion, acceptance of “the other,” prejudice, the role of government and the need for human connection.

“The Fountain has always been committed to speaking out for social justice and inclusion,” asserts Fountain co-artistic director Stephen Sachs. “These are disturbing and tumultuous times — for our local intimate theater community in Los Angeles and our nation. The Fountain is a place for theater to serve as a vehicle for public discourse: to express outrage, compassion and hope.”

The 2017-18 season will include four world premieres — Building the Wall by Robert Schenkkan; Runaway Home by Jeremy J. Kamps; Freddie by Deborah Lawlor; and Arrival and Departure by Stephen Sachs — as well as the Los Angeles premiere of The Chosen by Aaron Posner. The Fountain’s 2015 production of Citizen: An American Lyric, written by Claudia Rankine and adapted for the stage by Stephen Sachs, will be presented at the Kirk Douglas Theatre as part of Center Theatre Group’s inaugural Block Party. And, in addition to the Fountain’s ongoing, monthly ‘Forever Flamenco’ series, the Fountain will host Flamenco Fiesta, a two-day, outdoor flamenco concert celebration.

Over the past 27 years, The Fountain Theatre has established itself as one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. Fountain projects have been translated into numerous languages, produced across the U.S. and worldwide, and made into a TV movie.

The Fountain Theatre’s 2017-18 season is as follows:

March 18 – May 21 (previews March 15-17)
building-wallWorld premiere of Building the WallThe newest play by Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan (The Kentucky Cycle, All the Way), directed by award-winning Michael Michetti. It’s the very near future, and the Trump administration has carried out his campaign promise to round up and detain millions of immigrants. Now, a writer interviews the supervisor of a private prison as he awaits sentencing for carrying out the federal policy that has escalated into the unimaginable. This riveting, harrowing and illuminating drama delivers a powerful warning and puts a human face on the inhuman, revealing how when personal accountability is denied, what seems inconceivable becomes inevitable.

April 30 – May 7 (previews April 28-29)

citizenCitizen: An American LyricCenter Theatre Group will remount the Fountain’s award-winning 2015 production at the Kirk Douglas Theatre as part of CTG’s inaugural Block Party: Celebrating Los Angeles Theatre. Written by Claudia Rankine, adapted for the stage by Stephen Sachs and directed by Shirley Jo Finney, Citizen fuses poetry, prose, movement, music and video images in a provocative meditation on everyday acts of racism in America. Actors returning from the original production include Simone Missick, who co-stars as Misty Knight on Netflix’s Luke Cage.

Summer 2017
runaway-homeWorld premiere of Runaway Home Three years after Hurricane Katrina, the unhealed wounds of New Orleans’s Lower 9th Ward continue to fester. In this powerful, funny and deeply moving mother-daughter story by Jeremy J. Kamps, 14-year-old runaway Kali embarks on a journey to pick through the wreckage of what used to be her life. Rhyming, stealing and scamming her way through the still-destroyed neighborhood, engaging the vivid, lively denizens who remain, she grapples with the real cost of what she has lost as she is forced to confront the even higher cost of moving forward and the possibility of redemption.

Fall 2017
the-chosenLos Angeles premiere of The Chosen The Fountain Theatre celebrates the 50th anniversary of Chaim Potok’s beloved novel with the L.A. premiere of the award-winning stage adaptation by Aaron Posner. A silent father, an ancient tradition and an unexpectedly important game of baseball forge bonds of lifelong friendship between two Jewish boys from “five blocks and a world apart” in this funny, poignant, timely and timeless story about recognition and acceptance of “the other.” Directed by Simon Levy.

Fall 2017
freddieWorld premiere of Freddie This hybrid dance/theater work by Fountain Theatre co-artistic director Deborah Lawlor will be presented at Los Angeles City College, inaugurating a new partnership with the LACC Theatre Academy. Set in Greenwich Village in 1964 and based on a true story, Freddie fuses theater, music, dance and video to capture the explosive spirit of a passionate artist and a turbulent era. A naïve young woman falls under the spell of Freddie Herko, a brilliant ballet dancer of extraordinary charisma and talent and a beloved luminary of Andy Warhol’s Factory. Frances Loy directs.

Spring 2018
arrival-departWorld premiere of Arrival and Departure Troy Kotsur and his real-life wife Deanne Bray star in a modern-day, re-imagined deaf/hearing stage adaptation by Stephen Sachs (Bakersfield Mist, Cyrano) of the classic 1945 British romantic film, Brief Encounter. A deaf man and a deaf woman, married to different people, meet accidentally in a train station. A friendship develops over time, escalating into a passionate love affair that both struggle to permit themselves to consummate. An unforgettable love story about the challenges of communication, social isolation, diversity and self-empowerment.

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NOW CASTING: 3-week development workshop for new theatre/dance work ‘Freddie’

Freddy rooftopThe Fountain Theatre is now casting a 3-week development workshop for Freddie, a new project by Deborah Lawlor that combines theatre, dance and music to tell the unforgettable true story of a legendary dancer.  

STORYLINE:
Based on a true story. Greenwich Village, 1964. Freddie Herko was a brilliant 28 year-old ballet dancer of extraordinary charisma and talent haunted by dark self-destructive demons. A fiery denizen of Andy Warhol’s Factory, Herko became more eccentric, unpredictable and self-destructive. While dancing in his NY apartment to Mozart’s Coronation Mass, Herko leapt out the window and fell to his death five stories down. The project “Freddie” chronicles the friendship between Freddie and Shelley, the naive young woman caught under his spell who desires to be a dancer. By fusing theatre, music, dance and video, the project will capture the explosive spirit of a passionate artist and a turbulent era. 

Director: Frances Loy
Writer: Deborah Lawlor
Producer: Stephen Sachs
Co-Producer: Simon Levy
Associate Producer: James Bennett
Casting Director: Frances Loy

Dates: 3-week rehearsal period in October, culminating in 3 public performances. Exact dates to be determined based on artist availability. 

SPECIAL NOTE:
This is a 3-week developmental workshop of a new theatre piece combining theatre, dance/movement and music. To explore and discover how the text intertwines with dance/movement.  It will culminate in 3 public performances. This project is supported, in part, by a grant from the National Endowment for the Arts. 

Roles:
[FREDDIE]
20 to 30 years old, male. Charismatic, dynamic, tortured soul. Must have strong training and experience in classical ballet.
[SHELLEY]
20 to 25 years old, female. Naive, innocent, excitable, light quality. Must have strong training and experience in classical ballet.
[GLORIA/DIANE DI PRIMA/MARGARET/BABY JANE]
30 to 50 years old, female. Seeking versatile actress to play multiple roles. Grounded, motherly quality. Flirtatious and exuberant. Must have some training in classical ballet.
[TINA/ONDINE]
30 to 40 years old, female. Darkly mystical and mysterious. Must have some training in classical ballet.
[ANDY/JOHNNIE/GEORGE/EDDIE]
20 to 40 years old, male. Seeking versatile actor to play multiple roles, including aloof to friendly to intimidating to gregarious. Must have some training inn classical ballet.
[BILLY/RALPH/SERGIO]
20 to 40 years old, male. Seeking versatile actor to play multiple roles, including gregarious Italian and down-to-earth dependable.
[JIMMY WARING/ROTTEN RITA]
40 to 50 years old, male. Two roles: sober, sage “mentor” type plus lightly effeminate with strong comedy skills.
[PETE/ONDINE/ARTHUR]
30 to 40 years old, male. Seeking versatile actor to play multiple roles: from opera nut who holds forth to straight, strong and dependable husband of Shelley.

There is pay.

Submit electronically via Actors Access  

or via email: casting@fountaintheatre.com